DOCSLIB.ORG

Resume Theatre 9.15.11

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Resume Theatre 9.15.11 Jill BC Du Boff – Sound Designer Member USA 829 Agent : Seth Glewen Agent Phone: 212.634.8158 Phone: 917.690.8233 Gersh Agency Agent Fax: 212.391.8459 E­mail [email protected] 41 Madison Ave, 33rd floor Agent E­mail: [email protected] New YorK, NY 10010 Broadway(selected credits) Show Position Theater Director Good People Sound Designer Friedman Theater Daniel Sullivan The Good Body Sound Designer Booth Theater Peter Askin Bill Maher : Victory… Sound Designer Virginia Theater Bill Maher The Constant Wife Sound Designer American Airlines Mark Brokaw Three Days Of Rain Assoc. Sound Designer Jacobs Joe Mantello The Odd Couple Asst. Sound Designer Brooks Atkinson Joe Mantello Our Town Asst. Sound Designer Booth Theater James Naughton Inherit The Wind Assoc. Sound Designer Lyceum Doug Hughes Urban Cowboy Asst. Sound Designer Broadhurst Theater Lonny Price Is He Dead? Assoc. Sound Designer Lyceum M. Blakemore Reckless Assoc. Sound Designer Biltmore Theater Mark Brokaw A Touch Of The Poet Assoc. Sound Designer Studio 54 Doug Hughes Frozen Assoc. Sound Designer Circle In The Square Doug Hughes Maritius Assoc. Sound Designer Biltmore Theater Doug Hughes The Best Man Asst. Sound Designer Virginia Theater E. McSweeney Off Broadway / Regional (select credits) The Whipping Man MTC Doug Hughes Cradle and All MTC Sam Buntrock When I Come To Die Lincoln Center Thomas Kail Picked Vineyard Theatre Michael Wilson The Dream of The Burning Boy Roundabout Theatre Evan Cabnet Other Desert Cities Lincoln Center Theatre Joe Mantello Middletown Vineyard Theatre Ken Rus Schmoll Bachelorette Second Stage Trip Cullman Broke­Ology Lincoln Center Theatre Thomas Kail The Pride MCC Joe Mantello The Divine Sister Soho Playhouse Carl Andress Gruesome Playground Injuries The Alley Theatre R. Taichman The Creditors La Jolla Playhouse Doug Wright The Retributionists Playwrights Horizons Leigh Silverman The Five Fingers of Funk Minneapolis Children’s Theatre Derrick Sanders Shanghai Moon Bay Street Theatre Carl Andress Iphigenia 2.0 Signature Theater Tina Landau From Up Here MTC Leigh Silverman Spain MCC Jeremy Dobrish Beebo Brinker Chronicles NYTW/37Arts Leigh Silverman Lower Ninth The Flea Daniel Goldstein Othello Alley Theatre Scott Schwartz Oh, The Humanity The Flea Jim Simpson Election Day Second Stage Jeremy Dobrish Crazy Mary Playwrights Horizons Jim Simpson King Hedley II Signature Theater Derrick Sanders Nixon’s Nixon MCC Jim Simpson The Treatment Culture Project Leigh Silverman Jump Cut Women’s Project Leigh Silverman Top Girls Williamstown Theatre Fest Jo Bonney The Baltimore Waltz Signature Theater Mark Brokaw Spatter Pattern Playwrights Horizons Michael Grief Well Public Theater Leigh Silverman Where Do We Live Vineyard Theater C. Shinn Miss Julie Cherry Lane Theater Scott Schwartz Outward Bound Westport Country Theater Doug Hughes Television and Film and Radio Comedy Central Present Slovin and Allen, NBC Late Fridays, Various Spots for Viacom We Pedal Uphill (Pinkplot Productions) Studio 360 for WNYC WNYC News Awards Year Show Nominated OBIE Award for Sustained Excellence in Sound Design 2011 Hewes Award (Nomination) 2009 Umbrella RutH Morley Design Award 2008 Drama Desk – Best Sound Design (Nomination) 2005 Spatter Pattern Drama Desk – Best Sound Design (Nomination) 2005 Miss Julie Hewes Award (Nomination) 2005 Spatter Pattern Entertainment Design Tyro 2001 Stage Directions “Top 10 under 30” 1999 Faculty Sarah Lawrence College – Adjunct Professor, Sound Design (2009 – Present) .
Load more

Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • 00 Hauck Resume July 2019
    RACHEL HAUCK DESIGN STUDIO: 212•643•2610 CELL: 917•557•3434 [email protected] REPRESENTATION: DI GLAZER, ICM PARTNERS 212•556•6820 NEW YORK BROADWAY DIRECTED BY HADESTOWN Rachel Chavkin Walter Kerr Theatre WHAT THE CONSTITUTION MEANS TO ME Oliver Butler Helen Hayes Theatre LATIN HISTORY FOR MORONS Tony Taccone Foxboro Company at Studio 54 RECENT OFF BROADWAY OTHELLO Ruben Santiago Hudson Public Theater Shakespeare in the Park TWELFTH NIGHT Oskar Eustis Public Theater Shakespeare in the Park HADESTOWN Rachel Chavkin National Theater, London WHAT THE CONSTITUTION MEANS TO ME Oliver Butler NYTW, Berkeley Rep, Clubbed Thumb THE LUCKY ONES Anne Kauffman Ars Nova AMY AND THE ORPHANS Scott Ellis Roundabout Pels Theater FUCKING A Jo Bonney Signature Theater A PARALLELOGRAM Michael Greif 2nd Stage WHAT THE CONSTITUTION MEANS TO ME Oliver Butler Clubbed Thumb ANIMAL Gaye Taylor Upchurch Atlantic Theater TINY BEAUTIFUL THINGS Thomas Kail Public Theater LATIN HISTORY FOR MORONS Tony Taccone Public Theater YOU’LL STILL CALL ME BY NAME Sonya Tayeh Jacob’s PillowNew York Live Arts HADESTOWN Rachel Chavkin New York Theater Workshop ALL THE WAYS TO SAY I LOVE YOU Leigh Silverman MCC ANTLIA PNEUMATICA Ken Rus Schmoll Playwrights Horizons DRY POWDER Thomas Kail Public Theater NIGHT IS A ROOM Bill Rauch Signature Theater HAMLET IN BED Lisa Peterson Rattlestick BRIGHT HALF LIFE Leigh Silverman Women’s Project OUR LADY OF KIBEHO Michael Greif Signature Theater GRAND CONCOURSE Kip Fagan Playwrights Horizons AND I AND SILENCE Caitlin McLeod Signature Theater
    [Show full text]
  • The New Yorker
    Kindle Edition, 2015 © The New Yorker COMMENT SEARCH AND RESCUE BY PHILIP GOUREVITCH On the evening of May 22, 1988, a hundred and ten Vietnamese men, women, and children huddled aboard a leaky forty-five-foot junk bound for Malaysia. For the price of an ounce of gold each—the traffickers’ fee for orchestrating the escape—they became boat people, joining the million or so others who had taken their chances on the South China Sea to flee Vietnam after the Communist takeover. No one knows how many of them died, but estimates rose as high as one in three. The group on the junk were told that their voyage would take four or five days, but on the third day the engine quit working. For the next two weeks, they drifted, while dozens of ships passed them by. They ran out of food and potable water, and some of them died. Then an American warship appeared, the U.S.S. Dubuque, under the command of Captain Alexander Balian, who stopped to inspect the boat and to give its occupants tinned meat, water, and a map. The rations didn’t last long. The nearest land was the Philippines, more than two hundred miles away, and it took eighteen days to get there. By then, only fifty-two of the boat people were left alive to tell how they had made it—by eating their dead shipmates. It was an extraordinary story, and it had an extraordinary consequence: Captain Balian, a much decorated Vietnam War veteran, was relieved of his command and court- martialled, for failing to offer adequate assistance to the passengers.
    [Show full text]
  • Curran San Francisco Announces Cast for the Bay Area Premiere of Soft Power a Play with a Musical by David Henry Hwang and Jeanine Tesori
    FOR IMMEDIATE RELEASE Curran Press Contact: Julie Richter, Charles Zukow Associates [email protected] | 415.296.0677 CURRAN SAN FRANCISCO ANNOUNCES CAST FOR THE BAY AREA PREMIERE OF SOFT POWER A PLAY WITH A MUSICAL BY DAVID HENRY HWANG AND JEANINE TESORI JUNE 20 – JULY 10, 2018 SAN FRANCISCO (March 6, 2018) – Today, Curran announced the cast of SOFT POWER, a play with a musical by David Henry Hwang (play and lyrics) and Jeanine Tesori (music and additional lyrics). SOFT POWER will make its Bay Area premiere at San Francisco’s Curran theater (445 Geary Street), June 20 – July 8, 2018. Produced by Center Theatre Group, SOFT POWER comes to Curran after its world premiere at the Ahmanson Theatre in Los Angeles from May 3 through June 10, 2018. Tickets for SOFT POWER are currently only available to #CURRAN2018 subscribers. Single tickets will be announced at a later date. With SOFT POWER, a contemporary comedy explodes into a musical fantasia in the first collaboration between two of America’s great theatre artists: Tony Award winners David Henry Hwang (M. Butterfly, Flower Drum Song) and Jeanine Tesori (Fun Home). Directed by Leigh Silverman (Violet) and choreographed by Sam Pinkleton (Natasha, Pierre, & the Great Comet of 1812), SOFT POWER rewinds our recent political history and plays it back, a century later, through the Chinese lens of a future, beloved East-meets-West musical. In the musical, a Chinese executive who is visiting America finds himself falling in love with a good-hearted U.S. leader as the power balance between their two countries shifts following the 2016 election.
    [Show full text]
  • Clothes Playbill
    Ticketing Services Provided By WHITE HORSE THEATER COMPANY PRESENTS..... White Horse Theater website & the contents of this playbill (excluding the front cover) are designed, produced and maintained by Right Side of NY. www.WhiteHorseTheater.com February 5 to 21, 2010 ❖ Hudson Guild Theatre “Life ended for me when Zelda and I crashed. If she could get well, I would be happy again. Otherwise, never.” - SPECIAL POST-SHOW DISCUSSION ON F. Scott Fitzgerald* SUNDAY, FEB 14TH! With Renowned Williams Scholar Dr. Annette J. Saddik "I determined to find an impersonal escape, a world in which I and Nancy Milford, author of Zelda could express myself and walk without the help of somebody who was always far from me." - Zelda Fitzgerald** Moderated by Jennifer-Scott Mobley, Ph.D. Candidate in Theater History & Criticism, CUNY Graduate Center Clothes for a Summer Hotel, Mr. Williams’ highly theatrical and evocative “ghost play”, imagines an ethereal final meeting Dr. Saddik is an Associate Professor in the English between the restless ghosts of literary great F. Scott Fitzgerald Department at New York City College of Technology and his wife Zelda. Set on a windy hilltop at the gates of the Asheville, NC asylum where Zelda was institutionalized before her (CUNY), a teacher in the Ph.D. Program in Theatre at the death by fire in 1948, a desperate Scott pleads for CUNY Graduate Center and the author of Contemporary reconciliation while Zelda blames him for her failed writing American Drama and The Politics of Reputation: The career and ensuing madness. Taking extraordinary liberties with time and place, Clothes fuses the past, present and future as Critical Reception of Tennessee Williams’ Later Plays.
    [Show full text]
  • Rethinking Complicity and Survival in Paula Vogel's How I Learned to Drive
    Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 5-8-2020 “SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE Mary Ann Barfield Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Barfield, Mary Ann, "“SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/english_theses/252 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE by MARY ANN BARFIELD Under the Direction of Matthew Roudané ABSTRACT In an early 1998 interview, playwright, Paula Vogel, sat in conversation with Arthur Holmberg to discuss the ambivalent victim-perpetrator power dynamics in her critically- acclaimed play, How I Learned to Drive, explaining that “there are two forgivenesses in the play. one forgiveness for Peck, but the most crucial forgiveness would be Li’l Bit’s forgiving Li’l Bit. Li’l Bit as an adult looking at and understanding her complicity.” Since the Holmberg interview, critics have made only passing references to Vogel’s discussion of complicity in play reviews and critical essays. This thesis represents the first sustained engagement with complicity as an ethical subject to argue that Li’l Bit’s dependence upon her uncle for emotional and sometimes physical survival exempts her from moral scrutiny in the course of his abuse.
    [Show full text]
  • BOOK &MUSIC by Joe Kinosian BOOK
    BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49
    [Show full text]
  • Casting Announced for Encores! Off‐Center Shows
    Contact: Joe Guttridge, Director, Communications [email protected] 212.763.1279 Casting announced for Encores! Off‐Center shows: Kirsten Child’s The Bubbly Black Girl Sheds Her Chameleon Skin (July 26 & 27) Maurice Sendak and Carole King’s family musical Really Rosie (August 2—5) July 18, 2017/New York, NY—Following the success of Assassins, Encores! Off‐Center Artistic Director Michael Friedman today announced casting for the next two productions of his first season at the helm of the popular summer musical theater series at New York City Center. Tony Award‐winner Nikki M. James (The Book of Mormon), previously announced in the role of Viveca, will be joined by Penelope Armstead‐Williams, Tanya Birl, Kaitlyn Davidson, Josh Davis (Director Bob), Yurel Echezarreta (Modern Teacher), Lauren E.J. Hamilton, Korey Jackson (Gregory), Kingsley Leggs (Daddy), Jo’Nathan Michael, Kenita R. Miller, Julius Thomas III (Ballet Teacher), Shelley Thomas (Mommy), and Alex Wong (Jazz Teacher) in Kirsten Childs’ delightful, provocative, and poignant 2000 musical, The Bubbly Black Girl Sheds Her Chameleon Skin. Following a young African‐American dancer, Viveca, from West Coast suburbia to Broadway, all the while navigating the politics of race and gender in an attempt to uncover her own identity, The Bubbly Black Girl Sheds Her Chameleon Skin will be directed by Robert O’Hara with choreography by Byron Easley and music direction by Annastasia Victory. The little girl with the big imagination from Avenue P at the center of Maurice Sendak and Carole King’s Really Rosie will be played by Taylor Caldwell (Runaways, School of Rock), as previously announced.
    [Show full text]
  • Parfumerie Adapted by E.P
    Press Contact: Tim Choy, David Barber 323-954-7510 [email protected], [email protected] Publicity PHOTOS available at www.thewallis.org/press Wallis Annenberg Center for the Performing Arts Presents Parfumerie Adapted by E.P. Dowdall from the Hungarian play Illatszertar by Miklos Laszlo Directed by Mark Brokaw Richard Schiff, Eddie Kaye Thomas, Deborah Ann Woll and Arye Gross lead ensemble cast Opens Tonight! Now through December 22 at Bram Goldsmith Theater Production will be complemented with the Exhibition Timeless Scents: 1370-2013 A history of iconic fragrances through the ages created especially for The Wallis by Chandler Burr, former New York Times scent critic Lovelace Studio Theater (Beverly Hills, CA – December 4, 2013) The romantic comedy Parfumerie, adapted by E.P. Dowdall from the Hungarian play Illatszertar by Miklos Laszlo, will have a rare revival as the first theater production of the Wallis Annenberg Center for the Performing Arts (Lou Moore, Executive Director), for a limited engagement now through December 22. The production, directed by Mark Brokaw, who is currently represented on Broadway with Rodgers and Hammerstein’s Cinderella, centers on a romance that unfolds through love letters, a perfect homage to the historic Beverly Hills Post Office. Set during Christmastime, 1937 in Budapest Hungary, the play centers around two bickering employees at an upscale boutique, who have been building an anonymous romantic relationship through letters to one another for two years. This popular comedy has been a favorite in Europe, but is rarely seen in the United States. Written by Hungarian émigré Miklos Laszlo, Parfumerie’s charming plot has been adapted to film several times, including The Shop Around the Corner, In the Good Old Summertime, and You’ve Got Mail, and as the Broadway musical She Loves Me.
    [Show full text]
  • The Language Archive
    46th Season • 443rd Production JULIANNE ARGYROS STAGE / MARCH 26 - APRIL 25, 2010 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents the world premiere of THE LANGUAGE ARCHIVE BY Julia Cho Neil Patel Rachel Myers Mark McCullough Steven Cahill SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC/SOUND DESIGN Philip D. Thompson John Glore Joshua Marchesi Chrissy Church* DIALeCt CoACH DRAMAtuRg PRoDuCtIon MAnAgeR StAge MAnAgeR DIRECTED BY Mark Brokaw The Playwrights Circle HonoRARY PRoDuCeRS THE LANGUAGE ARCHIVE was commissioned by and produced by special arrangement with Roundabout Theatre Company. The Language Archive • SOUTH COA S T REPE R TO R Y P1 CAST OF CHARACTERS (In order of appearance) George ..................................................................................................... Leo Marks* Mary .................................................................................................... Betsy Brandt* Emma ................................................................................................. Laura Heisler* Alta ................................................................................................ Linda Gehringer* Resten ............................................................................................ Tony Amendola* LENGTH Approximately two hours with one 15-minute intermission. PRODUCTION STAFF Casting ..................................................................................... Joanne DeNaut, CSA Assistant Stage Manager ..............................................................
    [Show full text]
  • George Furth
    AND Norma and Sol Kugler PRESENT MUSIC & LYRICS BY Stephen Sondheim BOOK BY George Furth STARRING Aaron Tveit AND Jeannette Bayardelle Mara Davi Josh Franklin Ellen Harvey Rebecca Kuznick Kate Loprest James Ludwig Lauren Marcus Jane Pfitsch Zachary Prince Peter Reardon Nora Schell Lawrence E. Street SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kristen Robinson Sara Jean Tosetti Brian Tovar Ed Chapman HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Liz Printz Renee Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations MUSIC SUPERVISION BY MUSICAL DIRECTION BY Darren R. Cohen Dan Pardo CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd Sponsored in part by Carrie and David Schulman COMPANY is presented through a special arrangement with Music Theatre International (MTI). ORIGINALLY PRODUCED AND DIRECTED ON BROADWAY BY Harold Prince ORCHESTRATIONS BY Jonathan Tunick BOYD-QUINSON MAINSTAGE AUGUST 10—SEPTEMBER 10, 2017 TIME & PLACE 1970's New York City, Robert’s 35th birthday. CAST IN ORDER OF APPEARANCE Robert .....................................................................................................Aaron Tveit* Susan ...................................................................................................Kate Loprest* Peter ....................................................................................................Josh Franklin* Sarah ........................................................................................Jeannette
    [Show full text]
  • Group Sales Tickets
    SHAKESPEARE THEATRE COMPANY 21st Annual Table of Contents D.C.’s favorite Feature Letter from Michael Kahn 5 The Two Faces of Capital summer by Drew Lichtenberg 6 Program Synopsis 11 theatre event About the Playwright 13 Title Page 15 Cast 17 is back! Cast Biographies 18 PRESENTED BY Direction and Design Biographies 22 Shakespeare Theatre Company Tickets will be available Board of Trustees 8 online and in line! Shakespeare Theatre Company 26 Individual Support 28 Visit ShakespeareTheatre.org/FFA for more details on how to get your tickets via lottery Corporate Support 40 or at Sidney Harman Hall on the day of the Foundation and performance. Tickets for 2011–2012 Season Government Support 41 subscribers available through the Box Office Academy for Classical Acting 41 beginning July 5, 2011, at 10 a.m. For the Shakespeare Theatre Company 42 Join the Friends of Free Staff 44 JULIUS For All for tickets! Audience Services 50 Free For All would not be possible without Creative Conversations 50 CAESAR the hundreds of individuals who generously donate to support the program each year. “ Only with the help of the Friends of Free For All is STC able to offer free performances, All hail Julius Caesar! making Shakespeare accessible to … One of the best productions of this or any season.” Washington, D.C., area residents every summer. The Washingtonian In appreciation for this support, Friends of Free For All receive exclusive benefits during This Year's Production: the festival such as reserved Free For All tickets, the option to have tickets mailed in August 18–September 4 advance, special event invitations, program recognition and more.
    [Show full text]