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Rethinking Complicity and Survival in Paula Vogel's How I Learned to Drive
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 5-8-2020 “SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE Mary Ann Barfield Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Barfield, Mary Ann, "“SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/english_theses/252 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE by MARY ANN BARFIELD Under the Direction of Matthew Roudané ABSTRACT In an early 1998 interview, playwright, Paula Vogel, sat in conversation with Arthur Holmberg to discuss the ambivalent victim-perpetrator power dynamics in her critically- acclaimed play, How I Learned to Drive, explaining that “there are two forgivenesses in the play. one forgiveness for Peck, but the most crucial forgiveness would be Li’l Bit’s forgiving Li’l Bit. Li’l Bit as an adult looking at and understanding her complicity.” Since the Holmberg interview, critics have made only passing references to Vogel’s discussion of complicity in play reviews and critical essays. This thesis represents the first sustained engagement with complicity as an ethical subject to argue that Li’l Bit’s dependence upon her uncle for emotional and sometimes physical survival exempts her from moral scrutiny in the course of his abuse. -
Parfumerie Adapted by E.P
Press Contact: Tim Choy, David Barber 323-954-7510 [email protected], [email protected] Publicity PHOTOS available at www.thewallis.org/press Wallis Annenberg Center for the Performing Arts Presents Parfumerie Adapted by E.P. Dowdall from the Hungarian play Illatszertar by Miklos Laszlo Directed by Mark Brokaw Richard Schiff, Eddie Kaye Thomas, Deborah Ann Woll and Arye Gross lead ensemble cast Opens Tonight! Now through December 22 at Bram Goldsmith Theater Production will be complemented with the Exhibition Timeless Scents: 1370-2013 A history of iconic fragrances through the ages created especially for The Wallis by Chandler Burr, former New York Times scent critic Lovelace Studio Theater (Beverly Hills, CA – December 4, 2013) The romantic comedy Parfumerie, adapted by E.P. Dowdall from the Hungarian play Illatszertar by Miklos Laszlo, will have a rare revival as the first theater production of the Wallis Annenberg Center for the Performing Arts (Lou Moore, Executive Director), for a limited engagement now through December 22. The production, directed by Mark Brokaw, who is currently represented on Broadway with Rodgers and Hammerstein’s Cinderella, centers on a romance that unfolds through love letters, a perfect homage to the historic Beverly Hills Post Office. Set during Christmastime, 1937 in Budapest Hungary, the play centers around two bickering employees at an upscale boutique, who have been building an anonymous romantic relationship through letters to one another for two years. This popular comedy has been a favorite in Europe, but is rarely seen in the United States. Written by Hungarian émigré Miklos Laszlo, Parfumerie’s charming plot has been adapted to film several times, including The Shop Around the Corner, In the Good Old Summertime, and You’ve Got Mail, and as the Broadway musical She Loves Me. -
The Language Archive
46th Season • 443rd Production JULIANNE ARGYROS STAGE / MARCH 26 - APRIL 25, 2010 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents the world premiere of THE LANGUAGE ARCHIVE BY Julia Cho Neil Patel Rachel Myers Mark McCullough Steven Cahill SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC/SOUND DESIGN Philip D. Thompson John Glore Joshua Marchesi Chrissy Church* DIALeCt CoACH DRAMAtuRg PRoDuCtIon MAnAgeR StAge MAnAgeR DIRECTED BY Mark Brokaw The Playwrights Circle HonoRARY PRoDuCeRS THE LANGUAGE ARCHIVE was commissioned by and produced by special arrangement with Roundabout Theatre Company. The Language Archive • SOUTH COA S T REPE R TO R Y P1 CAST OF CHARACTERS (In order of appearance) George ..................................................................................................... Leo Marks* Mary .................................................................................................... Betsy Brandt* Emma ................................................................................................. Laura Heisler* Alta ................................................................................................ Linda Gehringer* Resten ............................................................................................ Tony Amendola* LENGTH Approximately two hours with one 15-minute intermission. PRODUCTION STAFF Casting ..................................................................................... Joanne DeNaut, CSA Assistant Stage Manager .............................................................. -
Group Sales Tickets
SHAKESPEARE THEATRE COMPANY 21st Annual Table of Contents D.C.’s favorite Feature Letter from Michael Kahn 5 The Two Faces of Capital summer by Drew Lichtenberg 6 Program Synopsis 11 theatre event About the Playwright 13 Title Page 15 Cast 17 is back! Cast Biographies 18 PRESENTED BY Direction and Design Biographies 22 Shakespeare Theatre Company Tickets will be available Board of Trustees 8 online and in line! Shakespeare Theatre Company 26 Individual Support 28 Visit ShakespeareTheatre.org/FFA for more details on how to get your tickets via lottery Corporate Support 40 or at Sidney Harman Hall on the day of the Foundation and performance. Tickets for 2011–2012 Season Government Support 41 subscribers available through the Box Office Academy for Classical Acting 41 beginning July 5, 2011, at 10 a.m. For the Shakespeare Theatre Company 42 Join the Friends of Free Staff 44 JULIUS For All for tickets! Audience Services 50 Free For All would not be possible without Creative Conversations 50 CAESAR the hundreds of individuals who generously donate to support the program each year. “ Only with the help of the Friends of Free For All is STC able to offer free performances, All hail Julius Caesar! making Shakespeare accessible to … One of the best productions of this or any season.” Washington, D.C., area residents every summer. The Washingtonian In appreciation for this support, Friends of Free For All receive exclusive benefits during This Year's Production: the festival such as reserved Free For All tickets, the option to have tickets mailed in August 18–September 4 advance, special event invitations, program recognition and more. -
FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini
Pat McCorkle, CSA Jeffrey Dreisbach, Casting Partner Katja Zarolinski, CSA Kristen Kittel, Casting Assistant FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini. Starring: William Shatner, Christopher Lloyd, Jean Smart. THE MURPHYS (Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham. -
Nyc Area Productions
FALL FORUM 2009 Opportunity Knocks: Proactive Leadership in a “Wait and See” World November 6–8, 2009 New York City NYC AREA PRODUCTIONS We strongly encourage you to attend productions at any of the New York area TCG member theatres while you are in town for the Forum. The following theatres provided information to us about their current productions and are offering special discount ticket prices to Fall Forum participants; please remember to use the discount code, if one is provided, when placing your order. The Barrow Group Website: www.barrowgroup.org Fax: 212-760-2962 B.O. Website: , www.smarttix.com Email: [email protected] Phone: 212-760-2615 The Thickness of Skin By Clare McIntyre, directed by Jacob White In this American Premiere, McIntyre asks ‘in what ways are we responsible to help our fellow human beings’? She highlights the humorous and humanistic side of life while encouraging us each to reflect and perhaps transform. The Barrow Group - TBG Studio Theatre, 312 W. 36th Street, 3rd Floor at 8th Avenue Show times & Prices: Offering discount – use code TCG15 Saturday, 11/7 @ 8:00 p.m. ($15) Sunday, 11/8 @ 3:00 p.m. ($15) Sunday, 11/8 @ 8:00 p.m. ($15) Castillo Theatre Website: www.castillo.org Fax: 212-941-8340 Phone: 212-941-1234 Email: [email protected] Safe at Third (or Josh Gibson Don't Bunt) By Fred Newman, directed by Fred Newman Four historical figures — Albert Einstein; the great Negro League slugger Josh Gibson, Otto René Castillo, the martyred Guatemalan poet and revolutionary; and the legendary aviator Amelia Earhart — find themselves stranded at third base with no way home in this whimsical fantasy. -
Anne Torsiglieri
Torsiglieri 2018 Anne Torsiglieri Department of Theater and Dance University of California, Santa Barbara Santa Barbara, CA 93106 917-834-7508 [email protected] AEA ~ SAG ~ AFTRA CURRENT POSITION (2009-present) University of California, Santa Barbara, Santa Barbara, CA Associate Professor of Theater, Level III • Teach all levels of Acting within the three year BFA Acting Program including Scene Study, Shakespeare, Comedy, Modern Trends & Alternate Styles. Within these, have taught units specifically focusing on "Acting the Song" and the works of Chekhov, Moliere and Shaw. • Teach all levels of Directing within three quarter Directing concentration. • Director of Performance of UCSB's Theater and Dance Dept. 2016-2018. Oversaw season selection, production committee, choosing of guests for productions, etc. • Created and run INDUSTRY CONNECT, a program which brings in professionals in the world of the arts and entertainment to lead workshops with our BFA students. Guest artists have included Michael Stuhlbarg, Frank Wood, Linus Roche, Peter Jacobson, David Zabel, Nancy Hower, John Lehr, Erin Daniels, Jeanne Simpson, Brett Rickaby, Bonnie Gillespie, Enid Graham, Lisa Zambetti, Mark Simon, Fern Orenstein, Barry Shapiro, Tim Payne and David Shaul. • Serve on UCSB's IHC Advisory Board. (Interdisciplinary Humanities Center). 2015- present. Review faculty and student grant applications. • Created the Department’s first Musical Theater component for the BFA, working with the students on song interpretation and performance. • Coach acting students in their preparation for graduate school auditions. Many have been placed into top actor training programs including Yale, NYU, ART and The New School. • Co-head of Theater and Community concentration from 2013-2016. -
Jewish Influence: an Introduction
NOTE: "The list below is available on the internet. A random sampling of the names were found to be generally accurate. Since the source is the internet, the reader is advised to also authenticate. The link is: http://www.subvertednation.net/jew-lists/ The below link from the Jewish Virtual Library contains many of the names identified on pages 36 – 38. http://www.jewishvirtuallibrary.org/jsource/US- Israel/obamajews.html Jewish Influence: An Introduction We have been accused of having “Jew on the brain”; of being negatively obsessed with the Jews, and of being “anti-Semitic.” Yet Jewish influence over the affairs of the world are undeniably powerful, far out of proportion to their numbers. Their role in shaping public opinion through their media interests, and their mastering of the world of business and trade is pivotal to the world economy. As a group they are the most successful in terms of income and wealth and they have reached the highest echelons or the pinnacle of power in every field. Jews are the masters of Hollywood, they are the masters of all forms of media, radio, and television. They are masters of trade and commerce and banking, medicine, and law. The following lists we believe prove this reality. Jewish Lists The lists below are available on the internet. A spot check of several of the names found it to be generally accurate, though we cannot vouch for ALL of the names, and some titles may be out of date. The second list claims to be updated in 2012. They are followed by quotes on Jewish control. -
CAST (In Order of Appearance) Ella
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA CAST (in order of appearance) Ella ............................................................................................................................TATYANA LUBOV Woodland Creature .............................................................ELIZABETH BRADY, KAITLYN MAYSE Topher ............................................................................................................................ LOUIS GRIFFIN Lord Pinkleton ........................................................................................................ VINCENT B. DAVIS Sebastian .............................................................................................................CHRISTOPHER SWAN Marie .......................................................................................................................... LESLIE JACKSON Jean-Michel .............................................................................................................CORBIN WILLIAMS Madame ............................................................................................................................SARAH SMITH Gabrielle .........................................................................................................................NICOLE ZELKA Charlotte ..................................................................................................................JOANNA JOHNSON Fox ......................................................................................................................JUSTINE -
A Study of Shared Dynamics Between the Plays of Paula Vogel and Sarah Ruhl
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank PLAYFUL CONVERSATIONS: A STUDY OF SHARED DYNAMICS BETWEEN THE PLAYS OF PAULA VOGEL AND SARAH RUHL by JEFFREY J. PETERSEN A THESIS Presented to the Department of Theater Arts and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts December 2009 ii "Playful Conversations: A Study of Shared Dynamics Between the Plays of Paula Vogel and Sarah Ruhl," a thesis prepared by Jeffrey J. Petersen in partial fulfillment of the requirements for the Master of Arts degree in the Department of Theater Arts. This thesis has been approved and accepted by: Dr. John B. Schmor, Chair of the Examining Committee Date I Committee in Charge: Dr. John Schmor, Chair Dr. Jennifer Schlueter Accepted by: Dean of the Graduate School iii An Abstract of the Thesis of Jeffrey J. Petersen for the degree of Master of Arts in the Department of Theater Arts to be taken December 2009 Title: PLAYFUL CONVERSATIONS: A STUDY OF SHARED DYNAMICS BETWEEN THE PLAYS OF PAULA VOGEL AND SARAH RUHL Approved: Dr. John B. Schmor Pulitzer Prize winning playwright Paula Vogel, playwright and educator, has blazed a trail in American theatre, opening new avenues for female playwrights. In 2005 Vogel's student Sarah Ruhl burst onto the scene with her play The Clean House. As one of the most produced playwrights of 2005, Ruhl has been celebrated as the new voice of American theatre. -
Resume Theatre 9.15.11
Jill BC Du Boff – Sound Designer Member USA 829 Agent : Seth Glewen Agent Phone: 212.634.8158 Phone: 917.690.8233 Gersh Agency Agent Fax: 212.391.8459 Email [email protected] 41 Madison Ave, 33rd floor Agent Email: [email protected] New YorK, NY 10010 Broadway(selected credits) Show Position Theater Director Good People Sound Designer Friedman Theater Daniel Sullivan The Good Body Sound Designer Booth Theater Peter Askin Bill Maher : Victory… Sound Designer Virginia Theater Bill Maher The Constant Wife Sound Designer American Airlines Mark Brokaw Three Days Of Rain Assoc. Sound Designer Jacobs Joe Mantello The Odd Couple Asst. Sound Designer Brooks Atkinson Joe Mantello Our Town Asst. Sound Designer Booth Theater James Naughton Inherit The Wind Assoc. Sound Designer Lyceum Doug Hughes Urban Cowboy Asst. Sound Designer Broadhurst Theater Lonny Price Is He Dead? Assoc. Sound Designer Lyceum M. Blakemore Reckless Assoc. Sound Designer Biltmore Theater Mark Brokaw A Touch Of The Poet Assoc. Sound Designer Studio 54 Doug Hughes Frozen Assoc. Sound Designer Circle In The Square Doug Hughes Maritius Assoc. Sound Designer Biltmore Theater Doug Hughes The Best Man Asst. Sound Designer Virginia Theater E. McSweeney Off Broadway / Regional (select credits) The Whipping Man MTC Doug Hughes Cradle and All MTC Sam Buntrock When I Come To Die Lincoln Center Thomas Kail Picked Vineyard Theatre Michael Wilson The Dream of The Burning Boy Roundabout Theatre Evan Cabnet Other Desert Cities Lincoln Center Theatre Joe Mantello Middletown Vineyard Theatre Ken Rus Schmoll Bachelorette Second Stage Trip Cullman BrokeOlogy Lincoln Center Theatre Thomas Kail The Pride MCC Joe Mantello The Divine Sister Soho Playhouse Carl Andress Gruesome Playground Injuries The Alley Theatre R. -
View Vogel Said of the Play “A Lot of People Are Trying to Turn This Into a Drama About an Individual Family
ABSTRACT THE PARADOX WITHIN US: THE ARCHETYPAL STRUGGLE IN HOW I LEARNED TO DRIVE By Jene Rebbin Shaw This written thesis is a component of the requirements for a creative thesis in directing, the other component being the direction of a production of Paula Vogel’s How I Learned to Drive. This thesis explores analysis and criticism of the play and analyzes the play and its characters and themes using the framework of archetypal psychology. It discusses and reflects on the production and rehearsal process. Responses from audience members are analyzed within the archetypal framework, and used to evaluate effectiveness of directing techniques. The complex, multi- dimensional characters in How I Learned to Drive make it difficult to pass judgment on them. How I Learned to Drive is a play which asks difficult questions, and leaves the audience to come up with the answers. THE PARADOX WITHIN US: THE ARCHETYPAL STRUGGLE IN HOW I LEARNED TO DRIVE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Theatre by Jene Rebbin Shaw Miami University Oxford, Ohio 2006 Advisor__________________________________ Dr. William Doan Reader__________________________________ Dr. Ann Elizabeth Armstrong Reader__________________________________ Dr. Howard Blanning TABLE OF CONTENTS Acknowledgments………………………………………………………………………..iii Introduction………………………………………………………………………………..1 Chapter One: The Play………………………………………………………………….…5 Chapter Two: Theory and Script Analysis…………………………………………….…14