Sebastian Arboleda Aea

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SEBASTIAN ARBOLEDA AEA THEATRE Leopard Play: or sad song for lost boys Other Uncle aka Tasmanian Devil Louisa Alcala Baker/Steep Theatre December Benjamin Denise Yvette Serna/The Goodman Theatre Adventures of Augie March Talavera/Ensemble (u/s Georgie, Fraser, Iggy) Charlie Newell/Court Theatre Curve of Departure Jackson Mike Donahue/Studio Theatre Ubu Roi Ubu Christopher Bayes/Yale Repertory Theatre Cymbeline u/s Pisanio, Caius Lucius, Scillius Leonatus Evan Yionoulis/Yale Repertory Theatre Caucasian Chalk Circle u/s Fat Prince Liz Diamond/Yale Repertory Theatre Imogen Says Nothing u/s Ned Hummings Laurie Woolery/Yale Repertory Theatre Amy and the Orphans Bobby Leora Morris/Yale Repertory Theatre Blood Wedding Groom Kevin Hourigan Midsummer Night’s Dream Bottom The Company Love’s Labours Lost Ferdinand Nelson Eusebio/Oregon Shakespeare Festival TELEVISION Chicago P.D. Ep. 709 & 710 Luis Silva Paul McCrane/NBC COMMERCIAL Mike’s Hard(er) Lemonade Guy MABI TRAINING Education Yale school of Drama - Acting MFA Cal State, Long Beach - Theatrical Performance B.A. minor in Comm. Studies/ Speech and Writing Pina Bausch Movement Workshop - Adventures of Augie March - Merighi/Mercy Productions On Camera Training Bob Krakower Gregory Berger-Sobeck Shakespeare Training Barbara Gaines - First Folio Shakespeare Santa Monica - John Farmenesh- Becca, Louis Scheeder, Jean-Louise Rodrigue, (in Association with Not Man Apart) SPECIAL SKILLS Singing: Tenor Languages: Spanish, English Dialects: French, Western Irish, Colombian, Mexican/Chicano, Southern, Australia, English (R.P., Cockney, etc.) Movement: Swimming, American Boxing, Escrima, Kali, Basic Hand-to-Hand, Sword, Mountain Biking, Basic Salsa, Basic Waltz Misc: Physical Theatre, Bubble Magic, Gondola Rowing, Tarot Card Reading, Operatic Singing.

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School of Drama 2020–2021
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Drama 2020–2021 School of Drama 2020–2021 BULLETIN OF YALE UNIVERSITY Series 116 Number 13 August 30, 2020 BULLETIN OF YALE UNIVERSITY Series 116 Number 13 August 30, 2020 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in October; three times in September; four and employment of individuals upon their qualifications and abilities and a∞rmatively times in June and July; five times in August) by Yale University, 2 Whitney Avenue, New seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Haven CT 06510. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Senior Direc- tor of the O∞ce of Institutional Equity and Access, 221 Whitney Avenue, 4th Floor, The closing date for material in this bulletin was July 30, 2020.
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Little Black Shadows Program
SC 54th Season • 518th Production JULIANNE ARGYROS STAGE / APRIL 8-29, 2018 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents the world premiere of LITTLE BLACK SHADOWS by Kemp Powers David M. Barber Sara Ryung Clement Elizabeth Harper SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Charles Coes AND Nathan A. Roberts Hana S. Kim SOUND DESIGN & ORIGINAL MUSIC PROJECTION & PUPPET DESIGN Kimberly Colburn Joshua Marchesi Joanne DeNaut, CSa Nikki Hyde DRAMATURG PRODUCTION MANAGER CASTING STAGE MANAGER Directed by May Adrales The Playwrights Circle Sandy Segerstrom Daniels • Dr. Robert F. & Julie A. Davey • Patricia Ellis • Janet & Michael Hards Yvonne & Damien Jordan • Jim & Pam Muzzy • Carl Neisser • Michael Oppenheim • Barbara Roberts Peter & Joy Sloan • Julia Voce • Marci Maietta Weinberg & Bill Weinberg Honorary Producer LITTLE BLACK SHADOWS was workshopped and developed in South Coast Repertory’s 2016 Pacific Playwrights Festival. This play is a recipient of an Edgerton Foundation New American Play Award. Little Black Shadows • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Colis ................................................................................................... Giovanni Adams Toy ....................................................................................................... Chauntae Pink Daniel ................................................................................................... Daniel Bellusci Mittie
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Boyd-Quinson Mainstage July 18–August 3, 2019
AND Sydelle and Lee Blatt PRESENT BY Mark St. Germain BASED ON THE NOVEL BY John Updike FEATURING Elijah Alexander Nick LaMedica Kate MacCluggage Douglas Rees Rocco Sisto Mary Stout Greg Thornton SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER COMPOSER SOUND DESIGNER Lee Savage Sara Jean Tosetti David Lander Jenny Giering Lindsay Jones WIG DESIGNER PUPPET DESIGNER CHOREOGRAPHY PRODUCTION STAGE MANAGER Anne Ford-Coates Brandon Hardy Barbara Allen Geoff Boronda CASTING PRESS REPRESENTATIVE DIGITAL ADVERTISING Pat McCorkle, Katja Zarolinski, CSA Charlie Siedenburg The Pekoe Group DIRECTED BY Julianne Boyd SPONSORED IN PART BY Hildi and Walter Black & Susan and David Lombard World premiere commissioned and produced by Orlando Shakespeare Theater in Partnership with UCF Artistic Director Jim Helsinger, Managing Director PJ Albert Funding generously provided by Rita and John Lowndes Gertrude and Claudius was workshopped at the Utah Shakespeare Festival in August 2018, as part of its Words Cubed new play development series. BOYD-QUINSON MAINSTAGE JULY 18–AUGUST 3, 2019 TIME ACT I: Late Medieval, spanning a period of 18 years ACT II: Early Renaissance, 12 years later PLACE Elsinore, Denmark CAST IN ORDER OF APPEARANCE Gertrude ...................................................................................... Kate MacCluggage* King Rorik ........................................................................................... Greg Thornton* King Amleth .........................................................................................Douglas
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BOYD-QUINSON MAINSTAGE OCTOBER 3-21, 2018 SETTING an Alley in St
JULIANNE BOYD, ARTISTIC DIRECTOR AND Carla and Edward Slomin PRESENT BY Tennessee Williams FEATURING Mark H. Dold Angela Janas Caitlin O'Connell Tyler Lansing Weaks SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER Brian Prather Elivia Bovenzi Matthew Richards SOUND DESIGNER COMPOSER VIOLIST Joel Abbott Alexander Sovronsky Susan French HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Caitie Martin Patrick David Egan Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE DIGITAL MARKETING NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg The Pekoe Group Matt Ross Public Relations DIRECTED BY Julianne Boyd SPONSORED IN PART BY Hildi and Walter Black & Arnold Kotlen and Stephanie Fleckner Student matinees sponsored in part by the Dobbins Foundation & The Alpern-Rosenthal Foundation THE GLASS MENAGERIE is presented by special arrangement with DRAMATISTS PLAY SERVICE, INC. BOYD-QUINSON MAINSTAGE OCTOBER 3-21, 2018 SETTING An alley in St. Louis, now and the past. CAST IN ORDER OF APPEARANCE Tom Wingfield ...................................................................................... Mark H. Dold* Amanda Wingfield ........................................................................... Caitlin O'Connell* Laura Wingfield ....................................................................................Angela Janas* Jim O'Connor ............................................................................ Tyler Lansing Weaks* Violist ..................................................................................................
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Group Sales Tickets
SHAKESPEARE THEATRE COMPANY 21st Annual Table of Contents D.C.’s favorite Feature Letter from Michael Kahn 5 The Two Faces of Capital summer by Drew Lichtenberg 6 Program Synopsis 11 theatre event About the Playwright 13 Title Page 15 Cast 17 is back! Cast Biographies 18 PRESENTED BY Direction and Design Biographies 22 Shakespeare Theatre Company Tickets will be available Board of Trustees 8 online and in line! Shakespeare Theatre Company 26 Individual Support 28 Visit ShakespeareTheatre.org/FFA for more details on how to get your tickets via lottery Corporate Support 40 or at Sidney Harman Hall on the day of the Foundation and performance. Tickets for 2011–2012 Season Government Support 41 subscribers available through the Box Office Academy for Classical Acting 41 beginning July 5, 2011, at 10 a.m. For the Shakespeare Theatre Company 42 Join the Friends of Free Staff 44 JULIUS For All for tickets! Audience Services 50 Free For All would not be possible without Creative Conversations 50 CAESAR the hundreds of individuals who generously donate to support the program each year. “ Only with the help of the Friends of Free For All is STC able to offer free performances, All hail Julius Caesar! making Shakespeare accessible to … One of the best productions of this or any season.” Washington, D.C., area residents every summer. The Washingtonian In appreciation for this support, Friends of Free For All receive exclusive benefits during This Year's Production: the festival such as reserved Free For All tickets, the option to have tickets mailed in August 18–September 4 advance, special event invitations, program recognition and more.
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Mainstage Playbill Richard Hopkins, Producing Artistic Director
Mainstage Playbill Richard Hopkins, Producing Artistic Director written by John Markus and Mark St. Germain, original music by Randy Courts, original lyrics by Mark St. Germain Levin Valayil, Joel Blum, D.C. Anderson, Scott Wakefield. Photo by Matthew Holler. Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. THE FABULOUS LIPITONES written by John Markus and Mark St. Germain, original music by Randy Courts, original lyrics by Mark St. Germain CAST (in alphabetical order) Howard Dunphy.........................D.C. Anderson* Wally Smith...............................Joel Blum* Baba Mati Singh (Bob)................Levin Valayil* Phil Rizzardi..............................Scott Wakefield* Scenic Designers Costume Designer Isabel & Moriah Curley-Clay April Soroko Lighting Designer Sound Designer Musical Staging Christopher Bailey Jason Romney Joel Blum Stage Manager Roy Johns* Musical Director Steven Freeman Director John Markus Season Underwriters Georgia Court, Dennis & Graci McGillicuddy, Anne Nethercott Please Note: There is a strobe light effect used in this production. Originally produced for Goodspeed Musicals by Michael P. Price, Executive Director Goodspeed Musicals has achieved international acclaim for its dedication to the preservation and advancement of musical theatre. Under the direction of Michael P. Price since 1968, Goodspeech produced three musicals each season at the Goodspeed Opera House in East Haddam, Connecticut and specialized in producing and developing new musicals at the Norma Terris Theatre in Chester, Connecticut. For the Goodspeed stages, 19 musicals have gone to Broadway (including Man of La Mancha, Shenandoah, Annie) and over 75 new musicals have been launched. Also integral to its mission, Goodspeed houses the Scherer Library of Musical Theatre and has established the Max Showalter Center for Education in the Musical Theater to educate and train future generations of theatergoers and theatrical professionals.
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By Noah Haidle Directed by Anne Kauffman
OCTOBER 2013 SMOKEFALL BY NOAH HAIDLE DIRECTED BY ANNE KAUFFMAN ® 1 Imagining Smokefall: A Conversation with Noah Haidle By Tanya Palmer Noah Haidle’s latest play, Smokefall, examines life’s big questions through the prism of an ordinary Midwestern family. Inspired in equal parts by Thornton Wilder’s simple evocative humanity, Samuel Beckett’s bleak poetry and Haidle’s own wild theatrical imagination, it begins on an average morning as the family is getting ready for their day, and then telescopes in—and out—to look at both the minutia of daily life and the broader implications of choices made for the individual, the family and the community. Funny and painful, the play was first developed as part of the Goodman’s New Stages festival, and was subsequently featured in the prestigious Pacific Playwrights Festival at South Coast Repertory in Costa Mesa, California, where it was produced this spring in a co-production with Goodman Theatre helmed by award-winning New York–based director Anne Kauffman. In a recent conversation with Tanya Palmer, the Goodman’s director of new play development, Haidle—whose work was last seen at the Goodman in 2006’s Vigils—spoke about the genesis of the play and where it fits into the trajectory of his own Noah Haidle burgeoning career as a playwright and screenwriter. Tanya Palmer: Can you talk a little bit about the origin and evolution of Smokefall? Noah Haidle: The director of Smokefall, Anne Kauffman, says the big question of this play is: is life worth living? Smokefall is an incredibly personal play and while I don’t feel comfortable having people understand the exact life circumstances, my circumstances, that inspired me to write a play about the meaning of existence, I can talk about it as a piece of writing.
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Fax Coversheet
1111 amberamber trail, madison, trail, ct 06443 madison, ct 0 6 4 4203 3 668 -3153 2 mobile 0 3 2036 6245 8 -3175- 3153 ph/fax [email protected] LIGHTING DESIGNER UNITED SCENIC ARTISTS, LOCAL 829 AGENT: RUSS ROSENSWEIG SUMMIT ENTERTAINMENT 203 453-0188 [email protected] CURRENT ACADEMIC APPOINTMENT PROFESSOR AND CO-CHAIR, DESIGN DEPARTMENT, YALE SCHOOL OF DRAMA NOMINATIONS/AWARDS AMERICAN THEATRE WING, BAY AREA CRITICS CIRCLE, DALLAS THEATER CRITICS FORUM, DRAMA DESK, HELEN HAYES, HENRY HEWES DESIGN, LUCILLE LORTEL AND OUTER CRITICS CIRCLE PRODUCTIONS 2019 OLD GLOBE ROMEO AND JULIET San Diego BY WILLIAM SHAKESPEARE BARRY EDELSTEIN, DIR. OLD GLOBE AS YOU LIKE IT San Diego BY WILLIAM SHAKESPEARE JESSICA STONE, DIR. MARK TAPER FORUM HAPPY DAYS BY SAMUEL BECKETT JAMES BUNDY, DIR. YALE REPERTORY THEATRE GOOD FAITH BY KAREN HARTMAN KENNY LEON, DIR. 2018 LYRIC OPERA OF KANSAS CITY MADAME BUTTERFLY BY GIACOMO PUCCINI RON DANIELS, DIR. HARTFORD STAGE COMPANY HENRY V BY WILLIAM SHAKESPEARE ELIZABETH WILLIAMSON, DIR. ARENA STAGE AT THE MEAD CENTER TURN ME LOOSE KREEGER THEATRE BY GETCHEN LAW Washington, DC JOHN GOULD RUBIN, DIR. OLD GLOBE MUCH ADO ABOUT NOTHING San Diego BY WILLIAM SHAKESPEARE KATHLEEN MARSHALL, DIR. WESTPORT COUNTRY PLAYHOUSE FLYIN’ WEST BY PEARL CLEAGE SERET SCOTT, DIR. AMERICAN REPERTORY THEATRE THE WHITE CARD BY CLAUDIA RANKINE DIANE PAULUS, DIR. 2017 YALE REPERTORY THEATRE NATIVE SON BY NAMBI KELLEY SERET SCOTT, DIR. MAGIC THEATRE THE EVA TRILOGY San Francisco BY BARBARA HAMMOND ⚫ Page 1 11 amber trail, madison, ct 0 6 4 4 3 2 0 3 6 6 8 - 3153 11 amber trail, madison, ct 06443 203 668-3153 mobile 203 245-3175 ph/fax [email protected] LORETTA GRECO, DIR.
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Renée Littleton/Lauren Mcmillen [email protected], 202-600-4055
FOR IMMEDIATE RELEASE Contact: Renée Littleton/Lauren McMillen [email protected], 202-600-4055 February 16, 2021 For additional information, visit: arenastage.org/lookingforward ARENA STAGE ANNOUNCES NEW VIRTUAL PROGRAMMING FOR THE 2021/22 LOOKING FORWARD SEASON *** The Winter/Spring Looking Forward Season features a three-part original musical series, world-premiere films, a love letter experience via mail and more *** (Washington, D.C.) Arena Stage at the Mead Center for American Theater announces its robust lineup of digital programming for the 2021/22 Looking Forward Season. Following on the success of last year’s virtual offerings, the upcoming season expands even further to reflect Arena’s commitment of championing diverse voices, engaging audiences and producing compelling, dynamic work. As part of Arena’s mission to serve artists and audiences on a national, regional and local scale, the 2021/22 Looking Forward Season is packed with ambitious new works. Following on the success of previous films, Arena is excited to debut a newly commissioned filmed musical series, Arena Riffs, along with an original film Indigenous Earth Voices and a new theatrical film by Arena’s Voices of Now ensembles. The Looking Forward Season also includes a Love Letter Experience delivered to mailboxes across the country and an exciting slate of virtual classes. “It feels like a long journey into spring this year, but we have some wonderful new pieces that will illuminate and brighten our days with our raucous online program. I’m so excited to premiere two new films, Arena Riffs and Indigenous Earth Voices,” shares Arena Stage Artistic Director Molly Smith.
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STUDY GUIDE WRITERS Jane Marcher Foundation T Aylor Barfield Y Ale School of Drama, MFA ’16 Production Dramaturg
2016 STUDY GU IDE YALE REPERTORY THEATRE WILL POWER! 2015–16 IS SUPPORTED BY JAMES BUNDY Artistic Director E sme Usdan VICTORIA NOLAN Allegra Print and Imaging M anaging Director New Alliance Foundation STUDY GUIDE WRITERS Jane Marcher Foundation T AYLOR BARFIELD Y ale School of Drama, MFA ’16 Production Dramaturg L YNDA A.H. PAUL Y ale School of Drama, MFA ’17 Production Dramaturg EDITORS AMY BORATKO Literary Manager RACHEL CARPMAN Literary Associate GRAPHIC desigNER MARGUERITE ELLIOTT Publications Manager SPECIAL THANKS For more information on Yale Repertory Theatre Nancy Herman, Jennifer Kiger, Kay Perdue and Cymbeline, please visit: Meadows, Steven Padla, Catherine Sheehy, Evan Yionoulis Cymbeline cover artwork by Paul Evan Jeffrey. YALEREP.ORG WILLPOWER! welcome to SYNOPSIS Imogen, daughter of Britain’s King Cymbeline, has Imogen finds a cave, which belongs toB elarius and his married Posthumus Leonatus, even though he is not adopted sons Guiderius and Arviragus. Imogen tells of royal blood. (Imogen is the king’s only child; he once them her name is Fidele, and they welcome her as a had two sons, but they were kidnapped long ago.) Upon brother. The next day, “Fidele” feels ill and takes the WILLPOWER! discovering Imogen’s unsanctioned marriage, the king sleeping potion thinking it is medicine. Cloten arrives banishes Posthumus. Before he departs for Italy, the at the cave and gets in a fight with Guiderius, who cuts lovers exchange tokens: she gives him a ring, he gives off his head. Arviragus finds “Fidele” in the cave and As part of Yale Repertory Theatre’s WILL POWER! educational initiative, we are pleased to her a bracelet.
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School of Drama 2001–2002
School of Drama 2001–2002 bulletin of yale university Series 97 Number 12 August 30, 2001 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Ofﬁce: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) The closing date for material in this bulletin was July 10, 2001. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2001 by Yale University. All rights reserved. The material in this bulletin may not be reproduced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. School of Drama 2001–2002 bulletin of yale university Series 97 Number 12 August 30, 2001 Contents Calendar 5 President and Fellows of Yale University 6 Ofﬁcers of Yale University 6 Administration and Faculty 7 History and Facilities 11 History of the School 11 Facilities 11 Instruction and Performance Venues Digital Media Center for the Arts Drama Library Degrees 13 Living at the School of Drama 14 Priorities 14 Attendance 14 Understudy Responsibilities 14 Departmental Assignments 15 Rehearsals
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School of Drama 2015–2016
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Drama 2015–2016 School of Drama 2015–2016 BULLETIN OF YALE UNIVERSITY Series 111 Number 13 August 30, 2015 BULLETIN OF YALE UNIVERSITY Series 111 Number 13 August 30, 2015 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.
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