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School of Drama 2020–2021
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Drama 2020–2021 School of Drama 2020–2021 BULLETIN OF YALE UNIVERSITY Series 116 Number 13 August 30, 2020 BULLETIN OF YALE UNIVERSITY Series 116 Number 13 August 30, 2020 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in October; three times in September; four and employment of individuals upon their qualifications and abilities and a∞rmatively times in June and July; five times in August) by Yale University, 2 Whitney Avenue, New seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Haven CT 06510. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Senior Direc- tor of the O∞ce of Institutional Equity and Access, 221 Whitney Avenue, 4th Floor, The closing date for material in this bulletin was July 30, 2020. -
Welcome to Picasso at the Lapin Agile! We're Thrilled to Kick Off 2017 With
FEBRUARY 2017 WELCOME JIM COX elcome to Picasso at the Lapin Agile! We’re thrilled to kick off 2017 with this funny, fascinating, and endlessly W surprising play. As we begin a new year, we also celebrate the phenomenal successes of 2016. Last year, the Globe broke box office records with hits like Meteor Shower (another Steve Martin comedy) and our acclaimed productions of October Sky and Sense and Sensibility. It was also an outstanding year for philanthropy. Individual donors gave generously to support our mission, and the Globe reaped the benefit of major foundation and government support. Our Arts Engagement Department successfully launched a slate of new programs funded in part by The James Irvine Foundation’s New California Arts Fund, and the National Endowment for the Arts awarded the Globe a major grant to support new play development. In every way, 2016 was a banner year for The Old Globe. We couldn’t imagine a better way to start 2017 than Picasso at the Lapin Agile. Not only does the production mark the welcome return of writer Steve Martin to the Globe, it pairs him with his longtime collaborator—and our Erna Finci Viterbi Artistic Director—Barry Edelstein. Here, Barry shepherds an all-star cast featuring returning Globe favorites alongside talented performers making their Globe debuts. 2016 will be a tough act to top, but this show bodes well for another banner year of great theatre in Balboa Park. We hope to see you often at the Globe in the coming year! MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. -
Lauren Keating Directing Resume November 2015
Lauren Keating 553 Lorimer St, Apt 2 | Brooklyn, NY 11211 Director [email protected] | 646.404.4404 www.Lauren-Keating.com Directing The Art of Gaman by Dipika Guha The Lark LULU by Frank Wedekind Drama League/Dixon Place Kristmas with the Kilroys: A Live Radio Show Naked Angels The Antony & Cleopatra Project by Tarell McCraney & Company The McCarter Theatre Conservatory How to be Alone by Rachel Kauder Nalebuff Dixon Place Comedie of Errors by William Shakespeare The New Lions/NYC Parks & Recreation Dept. The World’s Fair Plays by Wendy McLeod, Deen and Caridad Svich Queens Theater in the Park Architecture of Becoming by The WP Lab The Women’s Project/NY City Center The Harmonious Pimps of Harmony's Last Show by Daniel Hartley, Adam Lerman Ars Nova Al's Business Cards by Josh Koenigsberg At Play/The Old Vic This is How We Do It by Winter Miller New Ohio EARTHA by Francesca Choy-Kee The Walker Theater Charlotte’s Web, by Joseph Robinette The Hangar Theatre The Confidence Man by Paul Cohen Woodshed Collective The Ride by Crystal Skillman The Prospect Theater If by Erin Moughon 3LD/The Old Vic Broke: The Monday to Friday Plays by Laura Jacqmin Ars Nova Measure for Measure by William Shakespeare The New Lions/The Sage Theater Great Evenings by David Greenstein Cooper Union Monuments by Diane DiPrima Peculiar Works Project Directing – Workshops Matachanna by Rhiana Yazzie Oregon Shakespeare Festival/The Public Theater/The Inge Center Fly By Night by Will Connelly, Michael Mitnick & Kim Rosenstock Ars Nova Camdenside by Sarah Burgess Studio42 -
2007-08 Summer Newsletter 2.Qxd
Anniversary SEASON The ACTORS COMPANY THEATRE Summer Newsletter 2007/2008 Vol. 15 No.1 tactSummer 2007/08 COMPANY NEWS continued from page 6 TACTics ings and workshops with The Lark ExxonMobil. When not in front of a microphone tact TheACTORSCOMPANY THEATRE and branched out into casting. In or on stage, Francesca is busy coordinating the TheACTORS COMPANY THEATRE th addition to casting for TACT this Screen Actors Guild Foundation’s BookPals pro- Scott Alan Evans, Cynthia Harris & Simon Jones NewsletterTACTICS is published twice yearly Co-Artistic Directors year (The Sea, Rain, Dandy Dick), gram at her daughter’s school, PS/IS 187, where COMPANY Administrative Offices she cast the upcoming Fringe she is also a proud member of the School Sean Arbuckle, Mary Bacon, Jamie Bennett, Eve Bianco, What the critics said of Festival show, Days and Nights Page 121, Lines Leadership Team. This summer Francesca will Nora Chester, Cynthia Darlow, Francesca Di Mauro, 900 Broadway, Suite 905 11 and 12, and A Midsummer Night’s Dream for be in Florida, starring in her reality show, Rest Kyle Fabel, Richard Ferrone, Rachel Fowler, 15our 2006/07 Season: New York, NY 10003 Mile Square Theatre, her theatre company in and Relaxation by My Mother’s Pool. Delphi Harrington, Kelly Hutchinson, Larry Keith, Hoboken (www.milesquaretheatre.org). She Jack Koenig, Darrie Lawrence, Ron McClary, T. 212 645-TACT appeared in Low and Away, an original ten Larry Keith can be seen this sum- Greg McFadden, James Murtaugh, Margaret Nichols, th mer at the Bay Street Theatre in John Plumpis, James Prendergast, Gregory Salata, achingly beautiful minute play for MST’s annual benefit, 7 The New York Times F. -
Sebastian Arboleda Aea
SEBASTIAN ARBOLEDA AEA THEATRE Leopard Play: or sad song for lost boys Other Uncle aka Tasmanian Devil Louisa Alcala Baker/Steep Theatre December Benjamin Denise Yvette Serna/The Goodman Theatre Adventures of Augie March Talavera/Ensemble (u/s Georgie, Fraser, Iggy) Charlie Newell/Court Theatre Curve of Departure Jackson Mike Donahue/Studio Theatre Ubu Roi Ubu Christopher Bayes/Yale Repertory Theatre Cymbeline u/s Pisanio, Caius Lucius, Scillius Leonatus Evan Yionoulis/Yale Repertory Theatre Caucasian Chalk Circle u/s Fat Prince Liz Diamond/Yale Repertory Theatre Imogen Says Nothing u/s Ned Hummings Laurie Woolery/Yale Repertory Theatre Amy and the Orphans Bobby Leora Morris/Yale Repertory Theatre Blood Wedding Groom Kevin Hourigan Midsummer Night’s Dream Bottom The Company Love’s Labours Lost Ferdinand Nelson Eusebio/Oregon Shakespeare Festival TELEVISION Chicago P.D. Ep. 709 & 710 Luis Silva Paul McCrane/NBC COMMERCIAL Mike’s Hard(er) Lemonade Guy MABI TRAINING Education Yale school of Drama - Acting MFA Cal State, Long Beach - Theatrical Performance B.A. minor in Comm. Studies/ Speech and Writing Pina Bausch Movement Workshop - Adventures of Augie March - Merighi/Mercy Productions On Camera Training Bob Krakower Gregory Berger-Sobeck Shakespeare Training Barbara Gaines - First Folio Shakespeare Santa Monica - John Farmenesh- Becca, Louis Scheeder, Jean-Louise Rodrigue, (in Association with Not Man Apart) SPECIAL SKILLS Singing: Tenor Languages: Spanish, English Dialects: French, Western Irish, Colombian, Mexican/Chicano, Southern, Australia, English (R.P., Cockney, etc.) Movement: Swimming, American Boxing, Escrima, Kali, Basic Hand-to-Hand, Sword, Mountain Biking, Basic Salsa, Basic Waltz Misc: Physical Theatre, Bubble Magic, Gondola Rowing, Tarot Card Reading, Operatic Singing. -
Little Black Shadows Program
SC 54th Season • 518th Production JULIANNE ARGYROS STAGE / APRIL 8-29, 2018 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents the world premiere of LITTLE BLACK SHADOWS by Kemp Powers David M. Barber Sara Ryung Clement Elizabeth Harper SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Charles Coes AND Nathan A. Roberts Hana S. Kim SOUND DESIGN & ORIGINAL MUSIC PROJECTION & PUPPET DESIGN Kimberly Colburn Joshua Marchesi Joanne DeNaut, CSa Nikki Hyde DRAMATURG PRODUCTION MANAGER CASTING STAGE MANAGER Directed by May Adrales The Playwrights Circle Sandy Segerstrom Daniels • Dr. Robert F. & Julie A. Davey • Patricia Ellis • Janet & Michael Hards Yvonne & Damien Jordan • Jim & Pam Muzzy • Carl Neisser • Michael Oppenheim • Barbara Roberts Peter & Joy Sloan • Julia Voce • Marci Maietta Weinberg & Bill Weinberg Honorary Producer LITTLE BLACK SHADOWS was workshopped and developed in South Coast Repertory’s 2016 Pacific Playwrights Festival. This play is a recipient of an Edgerton Foundation New American Play Award. Little Black Shadows • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Colis ................................................................................................... Giovanni Adams Toy ....................................................................................................... Chauntae Pink Daniel ................................................................................................... Daniel Bellusci Mittie -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
AUGUST 2016 WELCOME Welcome to the funny, unexpected, and delightfully off-kilter world of Meteor Shower. With this world premiere production, we’re thrilled to continue our ongoing relationship with the brilliant artist Steve Martin. The Globe’s production of Bright Star, Steve and Edie Brickell’s new musical that premiered here in 2014, transferred to Broadway earlier this year, where it was nominated for an impressive five Tony Awards, including Best Musical. Next season, the Globe will mount a major revival of Steve’s 1993 play Picasso at the Lapin Agile. We’re glad Steve has found a new artistic home here in San Diego. The Globe is an especially fitting place to premiere Meteor Shower because it is a DOUGLAS GATES California story. Set in Ojai in the 1990s, Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. the play examines a specific moment in the life of our state. It’s a theatrical snapshot of the mores and (kooky) ways of society in Southern California, and though it’s set in the past, it’s eminently recognizable to Californians today. It’s also a pleasure to welcome yet another artistic director of a major regional theatre here at the Globe. Gordon Edelstein is the Artistic Director of Long Wharf Theatre in Connecticut, the great company we’re partnering with to co-produce this show, and the fifth artistic director to helm a show at the Globe this year. And because we know you’re wondering: no, Gordon and Barry are not related, except in their devotion to the wonders of theatre. -
At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers. -
Boyd-Quinson Mainstage July 18–August 3, 2019
AND Sydelle and Lee Blatt PRESENT BY Mark St. Germain BASED ON THE NOVEL BY John Updike FEATURING Elijah Alexander Nick LaMedica Kate MacCluggage Douglas Rees Rocco Sisto Mary Stout Greg Thornton SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER COMPOSER SOUND DESIGNER Lee Savage Sara Jean Tosetti David Lander Jenny Giering Lindsay Jones WIG DESIGNER PUPPET DESIGNER CHOREOGRAPHY PRODUCTION STAGE MANAGER Anne Ford-Coates Brandon Hardy Barbara Allen Geoff Boronda CASTING PRESS REPRESENTATIVE DIGITAL ADVERTISING Pat McCorkle, Katja Zarolinski, CSA Charlie Siedenburg The Pekoe Group DIRECTED BY Julianne Boyd SPONSORED IN PART BY Hildi and Walter Black & Susan and David Lombard World premiere commissioned and produced by Orlando Shakespeare Theater in Partnership with UCF Artistic Director Jim Helsinger, Managing Director PJ Albert Funding generously provided by Rita and John Lowndes Gertrude and Claudius was workshopped at the Utah Shakespeare Festival in August 2018, as part of its Words Cubed new play development series. BOYD-QUINSON MAINSTAGE JULY 18–AUGUST 3, 2019 TIME ACT I: Late Medieval, spanning a period of 18 years ACT II: Early Renaissance, 12 years later PLACE Elsinore, Denmark CAST IN ORDER OF APPEARANCE Gertrude ...................................................................................... Kate MacCluggage* King Rorik ........................................................................................... Greg Thornton* King Amleth .........................................................................................Douglas -
2013-WHAT-Playbill-W
at The Julie Harris Stage WELLFLEET HARBOR ACTORS THEATER what.org 2013-2014 Season A Journey (with just a little mayhem) Theater Dance Opera Music Movies WHAT for Kids 2 what.org Wellfleet Harbor Actors Theater 2013-2014 3 at WHAT’s Inside... The Julie Harris Stage Theater.Dance.Opera.Music.Movies 2013 Summer Season WELLFLEET HARBOR ACTORS THEATER what.org Utility Monster ........................................................... 18 The Julie harris sTage 2357 route 6, Wellfleet, Ma This season marks the 29th anniversary of Wellfleet Summer Music Festival ............................................ 21 WhaT for Kids TenT Harbor Actors Theater. Founded in 1985, WHAT is the Six Characters in Search of an Author ..................... 22 2357 route 6, Wellfleet, Ma award-winning non-profit theater on Cape Cod that the WHAT for Kids .......................................................... 24 (508) 349-WhaT (9428) • what.org New York Times says brought “a new vigor for theater on the Cape” and the Boston Globe says “is a jewel in One Slight Hitch........................................................ 26 honorary Board Chair Board PresidenT eMeriTus Julie harris Carol green Massachusetts’ crown.” Boston Magazine named Lewis Black at WHAT ............................................... 28 18 PresidenT and Board Co-ChairMan WHAT the Best Theater in 2004 and the Boston Drama Bruce a. Bierhans, esquire August Special Events.............................................. 29 Critics Association has twice awarded WHAT its 22 21 Board Co-ChairMan prestigious Elliot Norton Award. UnHitched Cabaret John dubinsky Jazzical Fusion exeCuTive direCTor Andre Gregory: Before and After Dinner Jeffry george arTisTiC direCTor Cat on a Hot Tin Roof ............................................... 30 dan lombardo ProduCer/ProduCTion Manager Ted vitale Also inside: WhaT for Kids iMPresario stephen russell Letter from the President ........................................... -
BOYD-QUINSON MAINSTAGE OCTOBER 3-21, 2018 SETTING an Alley in St
JULIANNE BOYD, ARTISTIC DIRECTOR AND Carla and Edward Slomin PRESENT BY Tennessee Williams FEATURING Mark H. Dold Angela Janas Caitlin O'Connell Tyler Lansing Weaks SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER Brian Prather Elivia Bovenzi Matthew Richards SOUND DESIGNER COMPOSER VIOLIST Joel Abbott Alexander Sovronsky Susan French HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Caitie Martin Patrick David Egan Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE DIGITAL MARKETING NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg The Pekoe Group Matt Ross Public Relations DIRECTED BY Julianne Boyd SPONSORED IN PART BY Hildi and Walter Black & Arnold Kotlen and Stephanie Fleckner Student matinees sponsored in part by the Dobbins Foundation & The Alpern-Rosenthal Foundation THE GLASS MENAGERIE is presented by special arrangement with DRAMATISTS PLAY SERVICE, INC. BOYD-QUINSON MAINSTAGE OCTOBER 3-21, 2018 SETTING An alley in St. Louis, now and the past. CAST IN ORDER OF APPEARANCE Tom Wingfield ...................................................................................... Mark H. Dold* Amanda Wingfield ........................................................................... Caitlin O'Connell* Laura Wingfield ....................................................................................Angela Janas* Jim O'Connor ............................................................................ Tyler Lansing Weaks* Violist .................................................................................................. -
Dreams of a Wood Sprite
DREAMS OF A WOOD SPRITE Gideon Lester talks to director and choreographer Martha Clarke about flying, animals, and A Midsummer Night's Dream. Gideon Lester: A Midsummer Night's Dream is the first Shakespeare that you've directed. When Robert Woodruff approached you to direct at the A.R.T., why did you suggest this play? Martha Clarke: For years I've known that if ever I were to tackle Shakespeare, this would be the play. It's the only one I instinctively felt I would understand, being a bit of a wood sprite. G.L.: How are you a wood sprite? M.C.: You're not supposed to ask those questions. Let's just say that I understand stories of love, transformation, and projecting one's amorous baggage onto someone else. G.L.: So the play has been on your mind for a long time. M.C.: If you can call this a mind! When I was fourteen I played Puck in high school and I still remember great chunks of the text. G.L.: Before rehearsals began you spent a week working with four actors and a vocal coach, Deborah Hecht. You remarked afterwards that the process had made the prospect of staging the play less daunting to you. What did you mean? M.C.: Deb investigates text in the same way that I explore physicality. She unpacks its rhythm, shape, energy, and phrasing - in a sense turning it into music. Shakespeare's language can be either energized or contained, like movement. Speaking the verse requires the actor to make sounds - tight and small or long and full - just as a dancer creates a physical gesture.