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The Recollections of Encolpius
The Recollections of Encolpius ANCIENT NARRATIVE Supplementum 2 Editorial Board Maaike Zimmerman, University of Groningen Gareth Schmeling, University of Florida, Gainesville Heinz Hofmann, Universität Tübingen Stephen Harrison, Corpus Christi College, Oxford Costas Panayotakis (review editor), University of Glasgow Advisory Board Jean Alvares, Montclair State University Alain Billault, Université Jean Moulin, Lyon III Ewen Bowie, Corpus Christi College, Oxford Jan Bremmer, University of Groningen Ken Dowden, University of Birmingham Ben Hijmans, Emeritus of Classics, University of Groningen Ronald Hock, University of Southern California, Los Angeles Niklas Holzberg, Universität München Irene de Jong, University of Amsterdam Bernhard Kytzler, University of Natal, Durban John Morgan, University of Wales, Swansea Ruurd Nauta, University of Groningen Rudi van der Paardt, University of Leiden Costas Panayotakis, University of Glasgow Stelios Panayotakis, University of Groningen Judith Perkins, Saint Joseph College, West Hartford Bryan Reardon, Professor Emeritus of Classics, University of California, Irvine James Tatum, Dartmouth College, Hanover, New Hampshire Alfons Wouters, University of Leuven Subscriptions Barkhuis Publishing Zuurstukken 37 9761 KP Eelde the Netherlands Tel. +31 50 3080936 Fax +31 50 3080934 [email protected] www.ancientnarrative.com The Recollections of Encolpius The Satyrica of Petronius as Milesian Fiction Gottskálk Jensson BARKHUIS PUBLISHING & GRONINGEN UNIVERSITY LIBRARY GRONINGEN 2004 Bókin er tileinkuð -
An Encoded Saturnian Theme Peter Mark Adams
The Sola-Busca Tarocchi An Encoded Saturnian Theme Peter Mark Adams The Sola-Busca is a Ferrarese tarocchi produced at the court of the House of Este, Dukes of Ferrara, Reggio and Modena, and dating from 1491. It is the earliest complete deck of tarocchi cards in existence and its fine detail is attributable to its production from copper engraving plates. The Sola-Busca disguises its true import beneath historical narratives derived from Plutarch, Livy and the Alexander Romance literary tradition; but this carefully prepared ‘surface’ has been rendered unstable and polysemous by the systematic use of ambiguity in the spelling of names and the presence of symbolic counters that point towards deeper, occulted levels of meaning. Trump XVIII Lentulo depicts a figure placing a large, freestanding liturgical candle upon an altar with his left hand, whilst his right hand grips his beard. The figure is richly dressed in a long, single-piece gown whose opulence stands out amongst the austere military-style dress of the majority of trumps. The strange arrangement of the head covering is suggestive of an ancient cap known as a pilleus rather than hair. What does this attention grabbing display portend? In Book XIV of Martial’s Epigrams, On the Presents Made to Guests at Feasts, we learn, “Now, while the knights and the lordly senators delight in the festive robe (Latin: synthesibus), and the cap of liberty (Latin: pillea) is assumed by our Jupiter; and while the slave, as he rattles the dice-box, has no fear of the Aedile … what can I do better, Saturn, on these days of pleasure, which your son himself has consecrated to you”. -
© Copyright 2014 Morgan E. Palmer
© Copyright 2014 Morgan E. Palmer Inscribing Augustan Personae: Epigraphic Conventions and Memory Across Genres Morgan E. Palmer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Alain M. Gowing, Chair Catherine M. Connors Stephen E. Hinds Program Authorized to Offer Degree: Classics University of Washington Abstract Inscribing Augustan Personae: Epigraphic Conventions and Memory Across Genres Morgan E. Palmer Chair of the Supervisory Committee: Professor Alain M. Gowing Department of Classics This dissertation investigates the ways in which authors writing during the reign of the emperor Augustus, a period of increased epigraphic activity, appropriate epigraphic conventions in their work. Livy, Ovid, and Virgil furnish case studies to explore the ways in which Augustan authors create epigraphic intertexts that call upon readers to remember and synthesize literary and epigraphic sources. Investigation of Livy is foundational to my discussion of Ovid and Virgil because his selective treatment of epigraphic sources illustrates how inscriptions can be both authoritative and subjective. Augustan poets exploit the authority and subjectivity of inscriptions in accordance with their own authorial purposes and the genres in which they write, appropriating epigraphic conventions in ways that are both traditional and innovative. This blending of tradition and innovation parallels how the emperor himself used inscriptions to shape and control -
FLAVIA DOMITILLA AS DELICATA: a NEW INTERPRETATION of SUETONIUS, VESP. 3* in This Way Suetonius Informs Us About Flavia Domitill
FLAVIA DOMITILLA AS DELICATA: A NEW INTERPRETATION OF SUETONIUS, VESP. 3* Abstract: This paper proposes a new interpretation of the passage in Suetonius’ Life of Vespasian (Suet., Vesp. 3). The ancient historian, talking about Flavia Domitilla, the wife of Vespasian and the mother of Titus and Domitian, defines her as delicata of Statilius Capella, the Roman knight from Sabratha. Until now, scholars have thought that the relationship between Flavia Domitilla and Statilius Capella was sexual in nature, on the basis of the literary sources concerning the adjective delicatus/a and its meaning. Thanks to the epigraphic evidence about the delicati, not yet analyzed in reference to this pas- sage, it is possible to reach to new conclusions about Flavia Domitil- la’s status. The paper reviews her relationship with Statilius Capella, the sentence of the recuperatores who declared her ingenua and consequently Roman citizen (and not vice versa), and the role played in this trial by Flavius Liberalis. Inter haec Flaviam Domitillam duxit uxorem, Statili Capellae equitis R(omani) Sabratensis ex Africa delicatam olim Latinaeque condi- cionis, sed mox ingenuam et civem Rom(anam) reciperatorio iudicio pronuntiatam, patre asserente Flavio Liberale Ferenti genito nec quic- quam amplius quam quaestorio scriba. Ex hac liberos tulit Titum et Domitianum et Domitillam. Uxori ac filiae superstes fuit atque utramque adhuc privatus1. In this way Suetonius informs us about Flavia Domitilla2, the wife of Vespasian and the mother of Titus and Domitian. This evidence of Suetonius is of particular importance because it constitutes the only information about her. In fact, apart from the Epitome de Caesaribus, where we find a brief reference to Flavia Domitilla, Suetonius represents the only known source about her life. -
Luxury at Rome: Avaritia, Aemulatio and the Mos Maiorum
Roderick Thirkell White Ex Historia 117 Roderick Thirkell White1 University College London Luxury at Rome: avaritia, aemulatio and the mos maiorum This article sets out to put into perspective the ancient Roman discourse about luxury, which our extant literary sources almost universally condemn, on moral grounds. In it, I aim to define the scope and character of Roman luxury, and how it became an issue for the Romans, from the end of the third century BC to the beginning of the second century AD. With the aid of modern thinking about luxury and the diffusion of ideas in a society, I shed light on the reasons for the upsurge in luxurious living and, in particular, on how luxuries spread through the elite population, an issue that has been largely neglected by modern scholars. Books and articles on Roman luxury have been primarily concerned with examining the discourse of contemporary writers who criticised luxury;2 analysing the nature of Roman luxury;3 analysing the nature and impact of sumptuary legislation;4 or comparing the luxury of the Romans with that of other cultures.5 The only significant article dealing specifically with the diffusion of luxury is a provocative piece by Andrew Wallace-Hadrill, the focus of which is, however, limited and specific.6 For a series of moralising Roman authors, the second century BC saw the beginning of the corruption of the traditional stern moral fibre, as they saw it, of the Republic by an influx of 1 Roderick Thirkell White’s academic interests are concerned with aspects of the economy of the ancient world, primarily the late Roman Republic and Early Empire, with a focus on consumer and material culture. -
Clst 450 Citation and Style Guide
STYLE GUIDE: CLST 450 Winter 2017 CLST 450 CITATION AND STYLE GUIDE The Writing Proficiency (WP) credit designation carries certain requirements and expectations, among which one finds the following statement: In writing proficiency courses, students learn the writing style and conventions of their disciplines, as well as the techniques for integrating evidence into scholarly papers. Every academic discipline has its own writing style and conventions. English, for example, tends to follow the MLA (Modern Language Association) style, while History follows the Chicago or Turabian style, and Biology follows the CBE Manual. Different classical journals and associations use different styles: the main American association, the Society for Classical Studies (formerly the American Philological Association), publishes the Transactions of the American Philological Association (TAPA) and with it the TAPA Style Guide. This course will follow the style and conventions of the TAPA style; this document outlines important points of that style and gives a few other pointers on good academic prose. Two appendices give you a wealth of abbreviations that you may wish to use. Primary and Secondary Sources Primary sources are ancient texts (speeches, histories, dialogues, plays, verses, novels, inscriptions, etc.). They were written in Latin and ancient Greek by ancient Romans and ancient Greeks who lived in antiquity and have been dead for a long time now. Secondary sources are modern scholarly works (articles, chapters, and monographs) written about ancient texts and the ancient world. Secondary sources interpret primary sources. You want to use recently written secondary sources so that you take the current state of scholarship into consideration: a paper full of references to books written in the seventies will come across as stale and out of touch with modern academic thought. -
ARTH 420/599: the Age of Augustus: Visualizing the Pax Augusta
ARTH 420/599: The Age of Augustus: Visualizing the Pax Augusta Professor Christopher Gregg Spring 2019 Robinson B 373A [email protected] Office Hours: Tuesdays 1-2 pm or by appointment Course Description This seminar will explore the artistic and cultural output of a dynamic period in ancient Roman civilization: the reign of the first emperor, Augustus, and the transition from Republic to Empire. We will examine major works of sculpture, architecture and “luxury” arts produced from approximately 43 BCE to the early first century CE. Among our goals will be to appreciate the complex relationship that existed between Augustan art—literary as well as visual—and Augustan political ideology. Readings for the seminar will focus on major scholarly works that integrate the surviving material culture with the historical context, and we will look at ancient texts in translation in order to understand better the propagandistic monuments that Augustus constructed in Rome and elsewhere on scales varying from the modest to the mammoth. By re- contextualizing the primary pieces of Augustan art and architecture in their historical, cultural and artistic setting, the class will demonstrate the importance of the Augustan period not only to ancient Roman art but to Western concepts of political art. This seminar is a GMU Writing Intensive Course and is considered a capstone for art history majors and minors. Note: Since this is a seminar and meets only once a week, your attendance and your participation are required at every session. Absences will only be excused with proper documentation: without documentation, absences will count against your final grade in the course and may prevent you from getting credit for delayed assignments. -
Drawn from the Life: Literary Techniques and the Representation
Drawn from the Life: Literary Techniques and the Representation of Complex Characters in Suetonius’ De vita Caesarum Oliver O’Sullivan B.A., M.A. A major thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Ancient Classics Maynooth University August 2019 Head of Department: Dr. Kieran McGroarty Supervisor: Dr. Michael Williams CONTENTS Abstract iv Acknowledgements v Editions and Abbreviations vi Introduction: The Fox and His Fur 1 Part 1 1 Part 2 18 Section I: 1. Shadow and Substance: Three Dimensions of Characterization in Ancient Writing 30 1.1 Introduction 30 1.2 One-Dimensional Characterization 32 1.2.1 Reading and Writing Character 32 1.2.2 Character Sketches 38 1.2.3 Titus 42 1.3 Two-Dimensional Characterization 48 1.4 Three-Dimensional Characterization 55 1.5 We Need to Talk About Claudius 63 2. A Not-So-Obsolete Man: The Complex Characterization of Claudius 64 2.1 Introduction 64 2.2 That Fool Claudius 66 2.2.1 Unfinished by Nature 66 2.2.2 Freedmen & Wives 75 2.2.3 A Hopeless Joke 80 2.3 Claudius the Emperor 83 2.4 I, Claudius 95 2.5 Partem Pro Toto 106 Section II: 3. All the Pieces Matter: Describing Complex Character in De vita Caesarum 109 3.1 Introduction 109 3.2 Species Caesarum 111 3.2.1 One-Dimensional Depictions 111 3.2.2 Two-Dimensional Depictions 119 3.2.3 Three-Dimensional Depictions 128 i 3.3 Hair Today Gone Tomorrow 133 3.4 Dress 136 3.5 Nomina Caesarum 140 3.6 If it’s in a Word 151 4. -
Italy and the Mediterranean of Ancient Rome in the Twentieth and Twenty-First Centuries
fascism 8 (2019) 250-274 brill.com/fasc Mare Nostrum: Italy and the Mediterranean of Ancient Rome in the Twentieth and Twenty-First Centuries Samuel Agbamu King’s College London [email protected] Abstract The Mediterranean has occupied a prominent role in the political imaginary of Italian Fascisms, past and present. In the 1920s to the early 1940s, Fascist Italy’s imperial proj- ect used the concept of mare nostrum – our sea – taken from the vocabulary of Roman antiquity, to anchor modern Italian imperialism within the authority of the classical past. In the postwar years, following decolonization in Africa, mare nostrum receded from popular discourse, previous claims to the Mediterranean suppressed. However, in the context of the so-called refugee crisis, Italy resurrected mare nostrum, in the nam- ing of its military-humanitarian operation, a move rejected by the contemporary Ital- ian far right. This article argues that configurations of the Mediterranean of ancient Rome have served to yoke Africa to Italy when articulated into a Fascist, imperial ideol- ogy, as well as to reify the boundaries between Europe and the non-European other, in the xenophobic discourse of the contemporary Italian far right. Keywords Fascism – Italy – Libya – imperialism – romanità – migration – Mediterranean – mare nostrum The Mediterranean is by far the deadliest region for migration in the world, and the central Mediterranean, the area between Libya and Italy, has seen the highest number of migrant casualties when compared with other parts of the © samuel agbamu, 2019 | doi:10.1163/22116257-00802001 This is an open access article distributed under the terms of the prevailing cc-by-nc license at the time of publication. -
Bibliography
BIBLIOGRAPHY Abbott, F.F., "The use of language as a means of characterization in Petronius", C1assical Philology 2 (1907), 43-50. --, "The origin of the realistic romance among the Romans", Classical Philology 6 (1911), 257-70. Adams, J.N., The Latin sexual vocabulary (Baltimore: 1982). Allen JR, W., "Stage Money (fabam mimum = Cic. Att. 1.16.3)", Transactions ef the American Philological Association 90 (1959), 1-8. --, "Nero's eccentricities before the fire (Tac. Ann. 15.37)", Numen 9 (1962), 99- 109. Anderson, G., Eros Sophistes. Ancient Novelists at Play (Chico: 1982). Angrisani Sanfilippo, M. L., "Testimonianze sulla fortuna de! pantomimo a Roma", Studi Romani 32 (1984), 173-83. Aragosti, A., "L'episodio petroniano de! .forum (Sat. 12-15): assimilazione dei codici nel racconto", Materiali e Discussioni per l'analisi dei testi c1assici 3 (1979), 101-119. Aragosti, A.-Cosci, P.-Cotrozzi, A., Petronio: l'episodio di Qgartilla (Saryricon 16-26.6) (Bologna: 1988). Arena, R., "Tal yuvmKES al TO.V 0E6v <j>avn E~EAdv", Parola del Passato 30 (1975), 217- 9. Arnott, P.D., "Animals in the Greek theatre", Greece & Rome 28 [2nd S. 6] (1959), 177-9. --, Greek Scenic Conventions in the fiflh century B.C. (Oxford: 1962). Arrowsmith, W., "Luxury and Death in the Saryricon", in Essays on C1assical Literature, selected from ARION with an introduction by Niall Rudd (Cambridge / New York: 1972) 304-31. Astbury, R., "Petronius, P. Oxy. 3010, and Menippean satire", Classical Philology 72 (1977), 22-31. Auerbach, E., Mimesis. The representation ef realiry in Western Literature (Princeton. New Jersey: 1953). Austin, R.G., M. -
Virtus Et Disciplina
VIRTUS ET DISCIPLINA: AN INTERDISCIPLINARY STUDY OF THE ROMAN MARTIAL VALUES OF COURAGE AND DISCIPLINE _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ By JUSTIN RYAN JAMES Dr. Dennis Trout, Dissertation Supervisor May 2019 Copyright by Justin R. James 2019 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled VIRTUS ET DISCIPLINA: AN INTERDISCIPLINARY STUDY OF THE ROMAN MARTIAL VALUES OF COURAGE AND DISCIPLINE Presented by Justin Ryan James, a candidate for the degree of Doctor of Philosophy, and hereby certify, in their opinion, it is worthy of acceptance. _______________________________________________________ Professor Dennis Trout _______________________________________________________ Professor Anatole Mori _______________________________________________________ Professor Raymond Marks _______________________________________________________ Professor Marcello Mogetta ACKNOWLEDGEMENTS I would like to thank Profs. Jordan B. Peterson, Stephen Hicks, and Bret Weinstein for their generous publishing of free online lectures, which ultimately changed and dramatically improved my thesis in a relatively short time, and at no cost. I thank philosopher Stefan Molyneux for his philosophical principles -
Violence, Religion and Politics: the Late Republic and Augustan Age
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Violence, Religion and Politics: The Late Republic and Augustan Age Matthew Tuggle Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Tuggle, Matthew, "Violence, Religion and Politics: The Late Republic and Augustan Age" (2018). Electronic Theses and Dissertations, 2004-2019. 6188. https://stars.library.ucf.edu/etd/6188 VIOLENCE, RELIGION AND POLITICS: THE LATE REPUBLIC AND AUGUSTAN AGE by MATTHEW D. TUGGLE B.A. University of Illinois Urbana-Champaign, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2018 Major Professor: Edward Dandrow © 2018 Matthew D. Tuggle ii ABSTRACT Religion in the Late Republic was fused to politics. This study considers the relationship between violence, religion, and politics in the Late Republic and Augustan Age. It contends that Roman religion could encourage or discourage violence based upon the circumstances. The strain of Roman expansion on its political and religious institutions contributed to the civil discord that characterized the Late Republic, which created circumstances that were flexible enough for perspectives on each side to see the violence as justified.