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A Short History of Pop ‘Pop’ Is Short for Popular Music
Read the text. A short history of pop ‘Pop’ is short for popular music. There are different styles of pop music, but they all appeal to the general public. But when did ‘modern’ pop music begin? There were two significant moments. First of all Leo Fender invented the electric guitar in 1950. Then, in 1954, Sony introduced the transistor radio and after that, music was accessible to people in their homes and cars. In 1954 Elvis Presley released That’s All Right. He fused country music with black rhythm and blues to create rock and roll. At that time this was an innovation, and Elvis, who was young, attractive and exciting, became the first teen idol and made pop music a youth culture. The 1960s was the decade of The Beatles, who dominated pop music from 1961 to 1970 with a new folk-rock sound. The Beatles were the first band to play in a stadium: Shea Stadium in New York in 1965. In June 1969 they had their seventeenth number one hit – two more than Elvis. The 60s also saw the first outdoor music festivals and popular music began to have a social and political message, for example, Bob Dylan. This was also the beginning of Motown and soul music with artists like Ray Charles, The Supremes and Marvin Gaye. Think English Elementary • Unit 9 p.107 © Oxford University Press PHOTOCOPIABLE Next came the 1970s and several new genres of music appeared, like reggae (Bob Marley), glam rock (David Bowie), punk (the Sex Pistols) and heavy metal (Iron Maiden). -
ONE-SIDED LOVE AFFAIR - ELVIS PRESLEY (Words and Music by Bill Campbell) If You Want to Be Loved, Baby, You've Got to Love Me, Too
Free Music resources from www.traditionalmusic.co.uk for personal education purposes only ONE-SIDED LOVE AFFAIR - ELVIS PRESLEY (Words and music by Bill Campbell) If you want to be loved, Baby, you've got to love me, too. If you want to be loved, Baby, you've got to love me, too. Oh yeah, 'cause I ain't for no one-sided love affair. If you wanna be kissed, Well, you've gotta kiss me, too. Oh yeah, if you wanna be kissed, Well, you gotta kiss me, too. 'Cause I ain't for no one-sided love affair. Well, fair exchange bears no robbery, And the whole world will know that it's true. Understanding solves all problems, baby, That's why I'm telling you If you wanna be hugged, Well, you gotta hug me, too. Oh yeah, if you wanna be hugged, Well, you've gotta hug me, too. Yeah, 'cause I ain't for no one-sided love affair. If you know you can't take it, Baby, why try to give it? If you know you can't take it, Then baby, why try to give it? 'Cause I ain't for no one-sided love affair. Well, fair exchange bears no robbery, And the whole world will know that it's true. Understanding solves all problems, baby, That's why I'm telling you If you wanna be hugged, Well, you gotta hug me, too. Oh yeah, if you wanna be hugged, Baby, you gotta hug me, too. 'Cause I ain't for no one-sided love affair. -
Elvis GI Blues Mp3, Flac
Elvis G.I. Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Stage & Screen Album: G.I. Blues Country: UK Released: 2001 Style: Soundtrack MP3 version RAR size: 1358 mb FLAC version RAR size: 1692 mb WMA version RAR size: 1753 mb Rating: 4.8 Votes: 402 Other Formats: APE MP2 MMF XM MP3 WAV MP4 Tracklist A1 Tonight Is So Right For Love A2 What's She Really Like A3 Frankfort Special A4 Wooden Heart A5 G.I. Blues A6 Pocketful Of Rainbows A7 Shoppin' Around A8 Big Boots A9 Didja' Ever A10 Blue Suede Shoes B1 Doin' The Best I Can B2 Tonight's All Right For Love B3 Big Boots (Fast Version) B4 Shoppin' Around (Alternate Take 11) B5 Frankfort Special (Fast Version - Take 2) B6 Pocketful Of Rainbows (Alternate Take 2) B7 Didja' Ever (Alternate Take 7) B8 Big Boots (Acoustic Version) B9 What's She Really Like (Alternate Take 7) B10 Doin' The Best I Can (Alternate Take 9) C1 Almost In Love C2 A Little Less Conversation D1 Wonderful World D2 Edge Of Reality Notes Soundtrack album with outtakes and bonus EP. Includes 6 page booklet. Barcode and Other Identifiers Barcode: 5038456410611 Other versions Category Artist Title (Format) Label Category Country Year G. I. Blues (LP, RCA LPM-2256 Elvis* LPM-2256 US 1960 Album, Mono) Victor G. I. Blues (LP, RCA LPM-2256 Elvis* LPM-2256 US 1960 Album, TP) Victor Elvis G.I. Blues (LP, SF 5078 RCA SF 5078 UK Unknown Presley Album, RE) RD-27192, Elvis G.I. Blues (LP, RCA, RD-27192, UK 1961 RD.27192 Presley Album, Mono) RCA RD.27192 Elvis G.I.Blues (CD, Album, BVCP-2026 RCA BVCP-2026 Japan 1991 Presley RE, RM) Related Music albums to G.I. -
1 Introduction, Elvis Presley and the Beatles
Learning and Teaching of Local and Western Popular Music (Re-run) Introduction, Elvis Presley and the Beatles 3 May 2016 What is popular music? Having wide appeal to large audiences Commodity – a product of music industry Produced and stored in non-written form Difference between popular music and pop music? Pop music refers to a specific musical genre. What are the important features in popular music? Social and cultural contexts, lyrics, musical characteristics Four focuses: harmony, rhythm utilisation, instrumentation, structure (melody, tempo, tone colour, duration) Structure: Why we love REPETITION in music? “The Mere Exposure Effect” Duration – 2 to 3 mins Melody – step, repeated notes, leaps, Riff (fill) (repeated chord progression) , Lick (single-note melodic lines) Groove is the sense of propulsive rhythmic “feel” or sense of “swing Hook (主題句?) is a musical idea, a passage or phrase repeats several times Don’t Take the Girl – Tim McGraw 1994 – His first No.1 single on the Hot Country Songs chart Rhythm – syncopations Harmony – I, IV, V (ii, iii, vi) Treatment of Melody, Rhythm & Harmony in relation to Tempo Lyrics – question & answer, contrast, descriptive, repetition with variations Contexts – social, economic and cultural background: Blowing’ in the Wind – Bod Dylan, May 1963 Drum set / Drum kit Bass drum with the right-foot pedal, provides the basic beat Snare drum provides the strongest regular accents Hi-hat stand and cymbals provide finer rhythms, mark the change from one passage to another One or more tom-tom drums provide drum fills and solos One or more cymbals provide strong accent marker and musical effect What were the social and cultural contexts in the 1950s? 4 M immigrants to the States after WWII (after 1946) USA was one of the countries that benefited from the WWII Baby boom 1946-1964 about 78 M people 1950s America was a wealthy and powerful nation, but a troubled one; racial prejudice Respectable, middle-class White teenagers didn’t listen to race music. -
Elvis Presley's Original 12-Pound 'Aloha from Hawaii' Cape Has a New Home!
Elvis Presley's Original 12-Pound 'Aloha From Hawaii' Cape Has a New Home! Summer, 2015 Elvis' original 12-Pound 'Aloha From Hawaii' Cape to The King's Ransom Museum: Elvis Presley's original 12-Pound 'Aloha From Hawaii' Cape has a new home! The 12-pound cape custom-made for Elvis Presley for the singer's famed 1973 performance Aloha from Hawaii Via Satellite is now owned by The King's Ransom Museum and is one of the 'Personal Treasures of Elvis Presley' soon to be displayed for Elvis fans around the world to enjoy. The full-length cape, adorned with an American eagle and stars and inlaid with semi-precious stones, measured nearly five feet in length, but when Presley tried it on in rehearsals, he found it too heavy to be worn onstage for the show. Designer Bill Belew was forced to create a lighter replacement for Presley, with the original sent back to Graceland. "Presley had the cape made to hide behind at the opening of the Hawaii show. His intention was to 'emerge' from behind the cape during the 2001 opening segment. The show was heavily choreographed - he intended to drop the cape and reveal himself to the anxiously awaiting crowd. However, when Presley tried on the cape during rehearsals, the weight almost pulled him over backwards, and it was decided that a smaller version was needed." "Three small hooks and Velcro are sewn into the collar to connect the cape to Presley’s jumpsuit, and two small straps are sewn into the corners to enable Elvis to stretch out the cape while wearing it." Belew, who died in 2008, gained fame for designing many of Presley's outfits from 1968 to 1977, including the velveteen ensemble the singer wore for his infamous "Elvis meets Nixon" photo. -
Sam Phillips: Producing the Sounds of a Changing South Overview
SAM PHILLIPS: PRODUCING THE SOUNDS OF A CHANGING SOUTH OVERVIEW ESSENTIAL QUESTION How did the recordings Sam Phillips produced at Sun Records, including Elvis Presley’s early work, reflect trends of urbanization and integration in the 1950s American South? OVERVIEW As the U.S. recording industry grew in the first half of the 20th century, so too did the roles of those involved in producing recordings. A “producer” became one or more of many things: talent scout, studio owner, record label owner, repertoire selector, sound engineer, arranger, coach and more. Throughout the 1950s, producer Sam Phillips embodied several of these roles, choosing which artists to record at his Memphis studio and often helping select the material they would play. Phillips released some of the recordings on his Sun Records label, and sold other recordings to labels such as Chess in Chicago. Though Memphis was segregated in the 1950s, Phillips’ studio was not. He was enamored with black music and, as he states in Soundbreaking Episode One, wished to work specifically with black musicians. Phillips attributed his attitude, which was progressive for the time, to his parents’ strong feelings about the need for racial equality and the years he spent working alongside African Americans at a North Alabama farm. Phillips quickly established his studio as a hub of Southern African-American Blues, recording and producing albums for artists such as Howlin’ Wolf and B.B. King and releasing what many consider the first ever Rock and Roll single, “Rocket 88” by Jackie Breston and His Delta Cats. But Phillips was aware of the obstacles African-American artists of the 1950’s faced; regardless of his enthusiasm for their music, he knew those recordings would likely never “crossover” and be heard or bought by most white listeners. -
Record Collectibles
Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis. -
RCA/Legacy Set to Release Elvis Presley - a Boy from Tupelo: the Complete 1953-1955 Recordings on Friday, July 28
RCA/Legacy Set to Release Elvis Presley - A Boy From Tupelo: The Complete 1953-1955 Recordings on Friday, July 28 Most Comprehensive Early Elvis Library Ever Assembled, 3CD (Physical or Digital) Set Includes Every Known Sun Records Master and Outtake, Live Performances, Radio Recordings, Elvis' Self-Financed First Acetates, A Newly Discovered Previously Unreleased Recording and More Deluxe Package Includes 120-page Book Featuring Many Rare Photos & Memorabilia, Detailed Calendar and Essays Tracking Elvis in 1954-1955 A Boy From Tupelo - The Complete 1953-55 Recordings is produced, researched and written by Ernst Mikael Jørgensen. Elvis Presley - A Boy From Tupelo: The Sun Masters To Be Released on 12" Vinyl Single Disc # # # # # Legacy Recordings, the catalog division of Sony Music Entertainment, and RCA Records will release Elvis Presley - A Boy From Tupelo - The Complete 1953-1955 Recordings on Friday, July 28. Available as a 3CD deluxe box set and a digital collection, A Boy From Tupelo - The Complete 1953-1955 Recordings is the most comprehensive collection of early Elvis recordings ever assembled, with many tracks becoming available for the first time as part of this package and one performance--a newly discovered recording of "I Forgot To Remember To Forget" (from the Louisiana Hayride, Shreveport, Louisiana, October 29, 1955)--being officially released for the first time ever. A Boy From Tupelo – The Complete 1953-1955 Recordings includes--for the first time in one collection--every known Elvis Presley Sun Records master and outtake, plus the mythical Memphis Recording Service Acetates--"My Happiness"/"That's When Your Heartaches Begin" (recorded July 1953) and "I'll Never Stand in Your Way"/"It Wouldn't Be the Same (Without You)" (recorded January 4, 1954)--the four songs Elvis paid his own money to record before signing with Sun. -
Chincoteague Discusses Possible Measures Ahead of July 1 Marijuana Legalization Abracadabra Or Fata Morgana — What Made the Sh
CIRCULATION 10,000 Free April 23, 2021 Abracadabra or Fata Morgana — What Made the Ship Hover? Chincoteague Discusses Possible Measures Ahead of July 1 Marijuana Legalization By Carol Vaughn Chincoteague town council members at the April 15 meeting discussed im- plications for the town of the legaliza- tion of marijuana possession in Virgin- ia, which takes effect July 1. Other parts of the legislation, including retail sales, do not take effect until 2024. The legislation makes possession of up to an ounce of marijuana legal for people 21 and older starting July 1. Adults caught with more than an ounce but less than a pound face a $25 fine. On a recent trip across the bay, Shore native Ed Holland captured an image of a ship appearing to hover Vice Mayor Chris Bott said he re- above the water. He attributes the oddity to a phenomenon called fata morgana, a mirage caused by alter- ceived information from the Virginia nating layers of hot and cold air. Photo by Ed Holland. Municipal League about recent Gen- eral Assembly actions, including mar- ijuana legalization. Virginians Age 16 and Up Eligible for COVID-19 Vaccine “July 1, it’s on in the state of Virgin- By Stefanie Jackson Virginia adults are fully vaccinated. munity,” Northam said. ia,” Bott said, adding, “It’s a different All Virginia adults who want the Northam predicted every adult who “Vaccinations are the only way we world in these localities where this is COVID-19 vaccine are now eligible to wants the vaccine should be able to re- end this pandemic and get back to nor- on. -
Ebook Download Elvis Presley: a Life in Pictures
ELVIS PRESLEY: A LIFE IN PICTURES PDF, EPUB, EBOOK none | 48 pages | 01 Jul 2012 | Atlantic Publishing,Croxley Green | 9781908533975 | English | Croxley Green, United Kingdom Elvis Presley: A Life in Pictures PDF Book Sunset Boulevard Getty Images. TIME Apps. He was stationed in Germany for two years. Today's Top Stories. Office of Presidential Libraries. Space He received deferment so that he could complete production on King Creole and entered the army as a private in A young Elvis, age 10, is pictured with his parents outside his family home in Tupelo, Mississippi in While living on the German army base, Presley met year-old Priscilla Beaulieu , who was living there with her parents. Your email address will not be published. Presley brought his iconic gold Cadillac on tour with him to promote his film Tickle Me. TIME Shop. Published in the Memphis Commercial Appeal. He released his first two albums and a string of singles including the US number one, Heartbreak Hotel. Sign In. After his film success started to decline and it became clear Presley was losing some of his box office charm, he returned to TV with a special in Available via Getty. Or subscribe to articles in the subject area by email or RSS. Originally published in the Memphis Press-Scimitar. His new single "Heartbreak Hotel" climbed the charts and quickly took over the top spot. A year later, Elvis would be given his first guitar. Paramount Pictures Getty Images. The Comeback Special, which saw the King in raucous form, was a massive success. TIME Magazine's first-ever consideration of Elvis Presley, a snippet review of the single Heartbreak Hotel in , did not contain many clues about what was to come. -
Dissertation Final Corrected
FROM PENCIL TO PERFORMANCE: The creative nexus of arranging, orchestration and music direction in works of contemporary pop/rock musical theatre BRYAN SCHIMMEL 8300995 A thesis submitted to the Faculty of Humanities University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Degree of Master of Music Final Corrected Submission 22 September 2014 ABSTRACT In the art form of musical theatre, available literature on the creative musical aspects of musicals has focused primarily on the composers and/or lyricists; their works having been extensively analysed and documented. There is, however, comparatively less literature and documentation on the processes that guide the transformation of the theatre composer’s work to an eventual performance embracing arranging, orchestration and music direction. This dissertation explores these practices from two perspectives – the creative and the recreative. First, from the creative perspective, I challenge Joseph P. Swain who makes a compelling case for composition as a tool of dramaturgy in his book The Broadway Musical: A Critical and Musical Survey (2002). I contest that his argument cannot hold true for pop/rock musicals in which the scores are comprised of pre-existing popular music that was not originally or intentionally composed for the stage. In order to understand how music functions as a dramatic element in musical theatre, it must follow that all collaborative creative forces that contribute to this music must be evaluated in a holistic manner. Dramaturgy contextualises and elucidates storytelling and artistic vision. While Swain has postulated that composition is an element of dramaturgy, I offer the notion that since arranging and orchestration contextualise and elucidate the composition they therefore cannot be excluded as dramaturgical devices. -
Signature Events
SIGNATURE EVENTS FILM FLORIDA LEGENDS From the earliest days of Filmmaking, Florida has played a significant role in the entertainment industry. Jacksonville hosted the Keystone Cops and Laurel and Hardy in the early 1900’s, D.W. Griffiths filmed in Ft. Lauderdale, Buster Keaton in St. Petersburg, and Miami’s Fleischer Studios turned Popeye and Betty Boop cartoons into Saturday matinee staples. Our State’s tropical locations have long been the backdrop for such notable flicks as the Tarzan series, Creature From the Black Lagoon, Twelve O’Clock High and 30 Seconds Over Tokyo, The Yearling, the James Bond classic Goldfinger, Frank Sinatra’s Tony Rome, Elvis’ Clambake, and Jerry Lewis’ The Bellboy. When television was coming of age, Jackie Gleason and Flipper represented Florida’s contribution to the medium, and a few decades later Miami Vice continued the tradition of legendary Florida productions. With so much history and so many stories to tell about Florida’s entertainment legacy, Film Florida created the LEGENDS AWARDS, to honor the men and women who played such a big part in establishing our State as an entertainment powerhouse. Since its inception in 2006, FLORIDA LEGENDS honorees have included Ricou Browning Sr., Jordan Klein Sr., Mike and Brad Fuller, Ralph Clemente, Danny and Eddie Harvey and Digger Wilson, Errol Falcon, Michelle Marx, Belton Clark, Jerry Smith, Ray Fielding, Bill Grefe, Luke Halpin, Victor Milt, Dee Miller, John Patterson, Burt Reynolds, and posthumously Wes Skiles, Billy Mays, Egon Stephan Sr., Mike McGowan Sr., and Richard Norman Sr. Recent recipients include Sharon Gless, Emilio and Gloria Estefan, and Vanilla Ice.