History – a Dangerous Affair L'histoire – Profession À Haut Risque
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Request for Proposals Website Redesign for the Arquives The
Request for Proposals Website redesign for The ArQuives The ArQuives (formally the Canadian Lesbian and Gay Archives) acquires, preserves, protects and gives public access to information related to the LGBTQ2+ experience in Canada. Our goal is to be a significant resource and catalyst for those who strive for a future world where LGBTQ2+ people are accepted, valued, and celebrated. Founded in 1973, The ArQuives is the largest LGBTQ2+ independent archive in the world and is recognized globally as a significant resource for LGBTQ2+ documentary heritage. Archival users from across Canada and around the world visit The ArQuives to conduct research for academic projects, journalistic work, documentary filmmaking and other creative productions. The ArQuives also offers remote services to hundreds of researchers who are unable to visit the archives in person. Our collection includes personal and organizational records, vertical files, a photographic collection (20,000 plus), moving images, posters, audiotapes, cartographic and architectural plans, works of art, textiles, and artifacts (including t-shirts, buttons, matchbooks and banners). The LGBTQ2+ periodicals collection is the largest in the world (10,000 plus titles). As trusted steward of vast holdings, The ArQuives has developed outreach programs that connect the public with the evidence needed to build a strong sense of identity and shared heritage for LGBTQ2+ Canadians. This includes Pride Walk, public lectures, class visits, conference presentations, tours of The ArQuives house and social media posts. We actively engage in partnering with other LGBTQ2+ agencies and archives to provide them with the research services and material content to support their management. We also provide valuable internship experience for undergraduate and graduate students to help foster the next generation of LGBTQ2+ historians and archivists. -
Inhalt Content
Hauptförderung Förderung Supporters INHALT CONTENT 3 GRUSSWORT DES SENATORS FÜR KULTUR UND MEDIEN / WELCOME NOTE BY THE MINISTER OF CULTURE AND MEDIA 6 VORWORT DER FESTIVALLEITUNG / FESTIVAL DIRECTOR’S PREFACE 1 5 TRAILER Institutionelle Partnerschaften 1 7 WETTBEWERBE / COMPETITIONS 21 Jurys / Juries 27 Preise / Awards 29 Internationaler Wettbewerb / International Competition 47 Deutscher Wettbewerb / German Competition 59 Dreifacher Axel / Triple Axel 67 Mo&Friese Kinder Kurzfilm Festival / Create Converge Children’s Short Film Festival 85 LABOR DER GEGENWART / LABORATORY OF THE PRESENT 87 LAB 1 Gestimmtheiten – Das Kino und die Gesten Attunements – Cinema and Gestures 1 09 LAB 2 Afrotopia – In the Present Sense 1 24 LAB 3 Hamburger Positionen / Hamburg Positions 1 33 ARCHIV DER GEGENWART / ARCHIVE OF THE PRESENT 1 35 ARCHIV 1 CFMDC 1 42 ARCHIV 2 Vtape 1 51 OPEN SPACE Mo&Friese wird unterstützt von 1 59 WILD CARD 1 63 DISTRIBUTING 1 75 MORE HAPPENINGS 1 87 INDUSTRY EVENTS 1 97 ANIMATION DAY Medienpartnerschaften 209 KURZFILM AGENTUR HAMBURG 210 DANK / THANK YOU 212 REGISTER 222 BILDNACHWEISE / PICTURE CREDITS Mitgliedschaften 223 IMPRESSUM / IMPRINT 224 FESTIVALINFORMATION PROGRAMMPLAN / SCHEDULE U m s c h l a g / C o v e r 3 INTRO Grußwort des Kultur- senators der Freien und Hansestadt Hamburg: Carsten Brosda Was hält uns als Gesellschaft zusammen? Und um- gekehrt: Was trennt uns voneinander? Der große Theater- mann Max Reinhardt benannte schon 1928 ein vermeint- liches Paradoxon, indem er sagte: »Wir können heute über den Ozean fliegen, hören und sehen, aber der Weg zu uns selbst und zu unserem Nächsten ist sternenweit.« Das ist noch heute nicht ganz von der Hand zu wei- sen – und beschreibt eine ständige Herausforderung: Denn ohne gegenseitiges Vertrauen und gegenseitige Unter- stützung ist gesellschaftlicher Zusammenhalt nichts weiter als eine schöne Idee. -
L'absence De Généraux Canadiens-Français Combattants
Où sont nos chefs? L’absence de généraux canadiens-français combattants durant la Deuxième Guerre mondiale (1939-1945). Par : Alexandre Sawyer Thèse présentée à la Faculté des études supérieures et postdoctorales À titre d’exigence partielle en vue de l’obtention d’un doctorat en histoire Université d’Ottawa © Alexandre Sawyer, Ottawa, Canada, 2019 ii RÉSUMÉ Le nombre d’officiers généraux canadiens-français qui ont commandé une brigade ou une division dans l’armée active durant la Deuxième Guerre mondiale est presque nul. On ne compte aucun commandant de division francophone dans l’armée outre-mer. Dans les trois premières années de la guerre, seulement deux brigadiers canadiens-français prennent le commandement de brigades à l’entrainement en Grande-Bretagne, mais sont rapidement renvoyés chez eux. Entre 1943 et 1944, le nombre de commandants de brigade francophones passe de zéro à trois. L’absence de généraux canadiens-français combattants (à partir du grade de major-général) durant la Deuxième Guerre mondiale s’explique par plusieurs facteurs : le modèle britannique et l’unilinguisme anglais de la milice, puis de l’armée canadienne, mais aussi la tradition anti-impérialiste et, donc, souvent antimilitaire des Canadiens français. Au début de la Deuxième Guerre mondiale, aucun officier canadien n’est réellement capable de commander une grande unité militaire. Mais, a-t-on vraiment le choix? Ces officiers sont les seuls dont dispose le Canada. Quand les troupes canadiennes sont engagées au combat au milieu de 1943, des officiers canadiens, plus jeunes et beaucoup mieux formés prennent la relève. À plus petite échelle, le même processus s’opère du côté francophone, mais plus maladroitement. -
From Paper, to Microform, to Digital? Serials at the Arquives: Canada's LGBTQ2+ Archives Donald W. Mcleod
From Paper, to Microform, to Digital? Serials at the ArQuives: Canada’s LGBTQ2+ Archives Donald W. McLeod Abstract The ArQuives: Canada’s LGBTQ2+ Archives, founded in 1973, holds one of the largest collections of queer serials in the world, with more than ten thousand titles. Most are on paper, but formats have been evolving. Beginning in the 1980s, the ArQuives participated in small-scale microfilming projects. Microfilming of the collection increased greatly in 2005, when Primary Source Microfilm (PSM) undertook a large project to film a portion of the collection, resulting in 211 reels devoted to international gay and lesbian periodicals and newsletters. The PSM project was later repurposed and expanded by Gale Cengage, beginning in 2015, and forms part of its Archives of Sexuality and Gender online product. This paper examines the evolution of the ArQuives’ serial holdings from paper to microform to digital formats, and explores recent in-house digitization efforts and future prospects for expanding access to these materials. Résumé Les ArQuives : les archives LGBTQ2+ canadiennes, fondées en 1973, détiennent une des plus importantes collections de périodiques queer au monde, comprenant plus de dix mille titres. La majorité sont sur papier, mais les formats sont en évolution. Depuis les années 1980, les ArQuives participent à des projets de microfilmage de petite envergure. Le microfilmage a vu une augmentation importante en 2005, lorsque Primary Source Microfilm (PSM) a entrepris un grand projet consistant à microfilmer une portion de la collection, ayant pour résultat 211 bobines consacrées aux bulletins et périodiques gais et lesbiens internationaux. Par la suite, à partir de 2015, le projet PSM a été transformé et élargi par Gale Cengage, et fait maintenant partie de son produit en ligne Archives of Sexuality and Gender. -
2019-Annual-Snapshot.Pdf
Annual Snapshot 2019 © 2020 The ArQuives, 34 Isabella St., Toronto ON M4Y 1N1 416-777-2755 The CLGA is a registered charity with the Canada Revenue Agency (Charitable 118832864RR00001). 2019 Annual Snapshot 02 Board Message As we are putting together this annual In March 2019, The Canadian Lesbian and snapshot, we work in the dismal shadow of Gay Archives changed its operating name to not only COVID-19, but also the horrific The ArQuives: Canada’s LGBTQ2+ police murder of George Floyd, anti-Black Archives. This change was deliberate to police brutality, and everyday state more accurately reflect the diversity of our violence against Black, Indigenous people communities (beyond gay and lesbians), and all people of colour. As we move into that are already represented in our Pride Month, which celebrates our days of collection. rage against police brutality against LGBTQ2+ people, we call on our At the same time that we launched our new community to protest current instances of name, we launched our Online Collections state violence and anti-Black racism. We Portal. This site allows the public to search are reminded of the importance of our collection from anywhere in the world. gathering and preserving our queer and As a direct result, the number of online trans documentary culture, because it is research requests grew 40%. By sharing only through doing so that future what collections we have, we can work with generations can know their past and draw communities to further demonstrate the from it to build resilience and change in scope of Canadian LGBTQ2+ histories as the future. -
A Canadian Biography and Canadian History.”
The Memory of Mackenzie King: American Philanthropy, “a Canadian biography and Canadian History.” By Jeffrey D. Brison Associate Professor, Department of History Queen‟s University Ontario, Canada [email protected] © 2010 by Jeffrey D. Brison On 6 April 1949 the Board of Trustees of the Rockefeller Foundation (RF) announced that it was awarding McGill University $100,000 for the purpose of supervising “the production of studies in the public and private life of W.L. Mackenzie King....”1 The object of the grant, King noted in a statement to the press the following day, was to provide him with assistance in the collection and organization of his papers and thus to “expedite the writing and early publication of Memoirs....”2 Under its terms, King had “complete liberty in making arrangements for the use of these funds in the study and preparation of his materials.”3 The ultimate goal of this “quite exceptional expression of international friendship and good-will,” King informed the public, was to produce “a Canadian biography and Canadian history.”4 For its part, the RF saw the project as no less than “a significant opportunity to use the desire of a national and international leader to record his final views on the meaning of democracy.”5 Over the years the project was to take many turns –the most fundamental occurring with King‟s death on 22 July 1950. King‟s passing transformed the autobiography in-progress to official biography but did little to dampen the enthusiasm of the American philanthropists. King‟s old confidante, John D. -
His Ghosts Must Do My Bidding
Wysing Arts Centre Press Release 21 May 2019 All His Ghosts Must Do My Bidding An ambitious new exhibition celebrating the 30th Anniversary of Wysing Arts Centre 7 July to 25 August Launch: 6 July, 5pm–8pm Gone's for once the old magician With his countenance forbidding; I'm now master, I'm tactician, All his ghosts must do my bidding. Know his incantation, Spells and gestures too; By my mind's creation Wonders shall I do. (Johann Wolfgang von Goethe, “The Sorcerer’s Apprentice”, 1779, translation by Paul Dyrsen, 1878) Wysing Arts Centre is delighted to announce an ambitious new exhibition to celebrate its 30th anniversary. Staged across Wysing’s 11-acre rural site, All His Ghosts Must Do My Bidding considers art as magic, artists as magicians, and the studio as a magical site.* The exhibition features new commissions from artists Jill McKnight, Tessa Norton, Pallavi Paul, Imran Perretta and Morgan Quaintance alongside works from Jonathan Baldock, Anna Bunting-Branch, Olivier Castel, Melika Ngombe Kolongo, Shana Moulton, Harold Offeh, Heather Phillipson, Elizabeth Price, Laure Prouvost, Phil Root and Tai Shani. The exhibition begins as an idealistic retelling of “The Sorcerer’s Apprentice”, the tale in which an apprentice uses the master’s magic to cause chaos in the unattended studio, before being caught and punished. In a deliberate act of misreading, All His Ghosts... leaves the tale unfinished, re- interpreting the story as one of liberation. With the ‘forbidding’ master sorcerer gone, and the story’s moralising ending removed, the apprentice is free to experiment, to create and to fail without judgement. -
The Rhetoric of Dominion Income Taxation and the Modern Political Imaginary in Canada, 1910-1945
The Rhetoric of Dominion Income Taxation and the Modern Political Imaginary in Canada, 1910-1945 by David Tough A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History with a Specialization in Political Economy Carleton University Ottawa, Ontario © 2013, David Tough Abstract This thesis uses Quentin Skinner’s study of rhetoric to interrogate the origins of the modern political imaginary in Canada between 1910 and 1945. The Dominion taxing power was the object of a sustained rhetorical critique in the early 20th century, in which the Liberal and Conservative party identities, built around the protective tariff in the post- Confederation era, were slowly weakened and supplemented with a new representation of difference: the left-right spectrum. Beginning in 1910 with the Grain Growers’ Guide, the nationalist resonances of the Dominion tariff were cast as duplicitous distractions from exploitation and fiscal inefficiency. During the First World War, this characterization of the tariff and the political differences it produced became tied to demands for ‘conscription of wealth,’ as the basis of a fairer and more democratic political culture. A species of what Ian McKay calls a “people’s enlightenment,” this critique resulted in the first Dominion income tax, the Income War Tax of 1917. A Dominion income tax introduced the new possibility of transferring income that had been taxed progressively from one region to another. The catastrophic economic depression of the 1930s exposed the weakness of the tariff as a fiscal instrument; a more powerful Dominion income tax was cast as the necessary solution to the crisis, and was duly introduced in 1941 and 1942. -
Canada January 2008
THE READING OF MACKENZIE KING by MARGARET ELIZABETH BEDORE A thesis submitted to the Department of History in conformity with the requirements for the degree of Doctor of Philosophy Queen's University Kingston, Ontario, Canada January 2008 Copyright © Margaret Elizabeth Bedore, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-37063-6 Our file Notre reference ISBN: 978-0-494-37063-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Jackie Shane
DISCOGRAPHY SINGLES MONEY (THAT’S WHAT I WANT), I’VE REALLY GOT THE BLUES, HAVE YOU EVER HAD THE BLUES?, ANY OTHER WAY , STICKS AND STONES, IN MY TENEMENT, COMIN’ DOWN, STAND UP STRAIGHT AND TALL, YOU ARE MY SUNSHINE, CRUEL CRUEL WORLD, NEW WAY OF LOVIN ALBUMS JACKIE SHANE LIVE, HONKIN’ AT MIDNIGHT, LIVE AT THE SAPHIRE TAVERN, SOUL SINGLES CLASSICS, JACKIE SHANE LIVE (REISSUE) COMPILATIONS SLAVE FOR YOU BABY, CHICKADEE, ANY OTHER WAY Jackie recorded the chart-topping “Any Other Way”, at Toronto’s Sapphire Tavern. Her popularity was so widespread she was offered an appearance JACKIE SHANE on The Ed MAY 15, 1940 – FEBRUARY 21, 2019 Sullivan Show. She declined because the contract was conditional on her presenting as male. Desh Pardesh was an influential queer South Asian arts festival which existed From 1988 to 2001 Promotional postcard from 1994 Desh Pardesh Festival. Photo by Rachel Kalpana James. Source: The ArQuives. Salaam: Queer Muslim Community formed in Toronto in 2009 primarily as a peer support network. By 2011 they organized the National Salaam Canada Conference in Vancouver in conjunction with the OUTGames Human Rights Conference. c What started as a fling cabinet in the ofces of The Body Politi has grow into the largest independent LGBTQ2+ archive in the world. The organization has also been known as The Canadian Gay Liberation Movement Archives (1971), The Canadian Gay Liberation Movement Archives (1975), Canadian Lesbian and Gay Archives (1993) to its present day name, The ArQuives. Carole Pope Lorraine Segato k.d. lang hAD been to CHEZ MOI, a lesbian bar at 30 hayden street between church & yonge street. -
(Virtual Meeting) Minutes of the 2019 Annual General Meetin
The ArQuives Annual General Meeting June 8, 2020, 6:00 p.m. via Zoom (virtual meeting) Minutes of the 2019 Annual General Meeting 1. Welcome and land acknowledgement Raegan Swanson (Executive Director) gave instructions on the Zoom platform and informed everyone that the meeting was being recorded. Raegan called the meeting to order at 6:05 p.m. and welcomed everyone to the 2019 Annual General Meeting of The ArQuives. Raegan Swanson read The ArQuives’ Indigenous Land Acknowledgment statement. 2. Minutes of the previous Annual General Meeting: May 6, 2019 There were no additions or alterations to the draft minutes of the 2018 Annual General Meeting. It was moved by Dennis Findlay, seconded by Kabir Ravindra, that the minutes of the 2018 Annual General Meeting be approved. Carried unanimously. 3. Business arising None. 4. President’s address Dennis Findlay addressed the meeting: “Firstly, I want to thank everyone for joining us in this new way for our AGM. For some it will be a new experience and for others it is now just an everyday part of our lives, as we have integrated technology into our daily routines, thanks to COVID 19 and maintaining social distancing to keep everyone healthy and safe. Secondly, on behalf of The ArQuives, I would like to thank the Directors of the Board who have served during 2019. Rachel Epstein, who finished her term at the last AGM, along with continuing members, Elspeth Brown, Paul Leatherdale, Justin Hughes-Jones, Marcos Persaud, Kabir Ravindra, David DesLauriers, Ana Rita Morais, Leyla Shahid (who stepped down in the fall) and our newest member, Fran Odette who joined us in November. -
Federal Court Final Settlement Agreement 1
1 Court File No.: T-370-17 FEDERAL COURT Proposed Class Proceeding TODD EDWARD ROSS, MARTINE ROY and ALIDA SATALIC Plaintiffs - and - HER MAJESTY THE QUEEN Defendant FINAL SETTLEMENT AGREEMENT WHEREAS: A. Canada took action against members of the Canadian Armed Forces (the "CAF"), members of the Royal Canadian Mounted Police (the "RCMP") and employees of the Federal Public Service (the “FPS”) as defined in this Final Settlement Agreement (“FSA”), pursuant to various written policies commencing in or around 1956 in the military and in or around 1955 in the public service, which actions included identifying, investigating, sanctioning, and in some cases, discharging lesbian, gay, bisexual and transgender members of the CAF or the RCMP from the military or police service, or terminating the employment of lesbian, gay, bisexual and transgender employees of the FPS, on the grounds that they were unsuitable for service or employment because of their sexual orientation, gender identity or gender expression (the “LGBT Purge”); B. In 2016, class proceedings were commenced against Canada in the Ontario Superior Court of Justice, the Quebec Superior Court and the Federal Court of Canada in connection with the LGBT Purge, and those proceedings have been stayed on consent or held in abeyance while this consolidated proposed class action (the “Omnibus Class Action”) has been pursued on behalf of all three of the representative plaintiffs in the preceding actions; C. The plaintiffs, Todd Edward Ross, Martine Roy and Alida Satalic (the “Plaintiffs”) commenced the Omnibus Class Action in the Federal Court (Court File No. T-370-17) on March 13, 2017 by the Statement of Claim attached as Schedule “A”.