Proceedings W Esley Historical Society
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Conservation Bulletin | Issue 56: Autumn 2007 Images of Change
A BULLETIN OF THE HISTORIC ENVIRONMENT WHY OUR RURAL LANDSCAPESIssue 56: Autumn MA 2007 Issue 56: Autumn 2007 Issue Conservation bulletin 2 Editorial 3 Images of Change Modern Times 3 Change and creation 5 The post-industrial sublime 7 Social Landscapes 7 Post-war suburbs 9 New townscapes 11 The car: agent of transformation 13 People we knew 13 The M1 14 Opinion 15 Profitable Landscapes 15 Prairies and sheds? 17 Cars and chips 20 The ‘Sunrise Strip’ 21 Broadmead: art and heritage 22 Opinion 23 Political Landscapes 23 Recreating London 25 Artists and airmen 27 Hidden heritage 28 Architecture for the Welfare State 31 England’s atomic age 32 Opinion 33 Leisure and Pleasure 33 Taking a break 35 Popular music 36 Where the action was 37 The late 20th-century seabed 38 Making memoryscapes 38 Opinion 39 ‘It’s Turned Out Nice Again’ 41 Sex and shopping 41 News For many younger people, the buildings and landscapes of the late 20th 44 The National century are already heritage. So where does the historic environment Monuments Record begin and end? 46 Legal Developments 47 New Publications Built to celebrate the future in a disused china-clay quarry that is a monument to Cornwall’s industrial past, the Eden Project has become an icon of the new leisure culture of the early 21st century. Will it in turn become the heritage of tomorrow? © English Heritage.NMR Issue 56: Editorial: Modern Times Today’s landscapes have the potential to become tomorrow’s heritage, but how do we know what matters and what to preserve. -
Edward Maufe‟S Finest Church
Welcome to the Church of St Thomas the Apostle, Hanwell. Churches are unlike any other building. They are places for our daily and Sabbath prayers, and a focus for our community and family. They are the places for the important times of our lives, for births, weddings and funerals. They are places of interest and are often a centre for social history, art and music. However, primarily they direct our hearts to the God and the gospel and provide a centre for our interior pilgrimage. As you walk through the church and the surrounding land it is very much like a pilgrimage as so much of the building or artifacts remind you of God. Elain Harwood of English Heritage wrote in 1995 : This is Edward Maufe‟s finest church. Many people regard it as being more successful than his Guildford Cathedral and certainly more cohesive and richly detailed St Thomas‟ was paid for by the demolition of St Thomas‟, Portman Square. This church was in fact on Orchard Street and was built in 1858 by P. C. Hardwick. A reordering scheme was started in 1906 under the architect Arthur Blomfield and in 1911 a new reredos was ordered , designed by Cecil Hare, Bodley‟s last partner and successor to his practice. A drawing by Hare exists showing the reredos although by 1911 the entire funds has not been raised for its manufacture. This reredos was installed at St Thomas, Hanwell in 1934. The 3 manual Walker Organ also came from St Thomas‟ Portman Square. The building stands on land donated by the Earl of Jersey and it was he who laid the Foundation Stone on 8th July 1933. -
Open House™ London
Publication design: www.badrockdesign.co.uk design: Publication Open Open House™ — City London 2015 Open House™ London Revealing great architecture for free 19–20 September Your essential guide to the capital’s greatest architecture festival Culture Crawl Come with us as we head out into the night, discovering cultural, architectural Friday 18 September 2015 and artistic delights in London, whilst raising as much as we can for Maggie’s to support people with cancer and their family and friends. www.maggiescentres.org/culturecrawl In partnership with Sponsored by Maggie Keswick Jencks Cancer Caring Centres Trust (Maggie’s) is a registered charity, no.SC024414 this is civil engineering transport flood risk management • St Pancras • Thames Barrier International (pictured) (pictured) • King George V Crossrail • Pumping Station • London Overground (East London Line) See Camden section See Greenwich section structures water/ waste water • Queen Elizabeth • Old Ford Water Olympic Park Recycling Plant (Velodrome pictured) (pictured) • Coca-Cola London Eye • Walthamstow Wetlands See Newham section See Newham section waste energy Water Recycling Centre – ©Thames Old Ford - © ODA Velodrome The Culture Crawl • Southwark • Bunhill Heat & Integrated Waste Power Energy Centre Come with us as we head out into the night, discovering cultural, architectural Friday 18 September 2015 Management (pictured) and artistic delights in London, whilst raising as much as we can for Maggie’s www.maggiescentres.org/culturecrawl Facility (pictured) • The Crystal to support people with cancer and their family and friends. • Abbey Mills Pumping Station In partnership with Sponsored by See Southwark section See Islington section Bunhill Heat and Energy – ©Islington Council IWMF – ©Veolia Southwark International – ©OAG Pancras St. -
Plymouth Vision of a Modern City
Plymouth Vision of a modern city Plymouth Vision of a modern city Jeremy Gould Front cover Published by English Heritage, Kemble Drive, Swindon SN2 2GZ Detail from Armada Way showing www.english-heritage.org.uk (left to right) Westons, Horne Bros English Heritage is the Government’s statutory adviser on all aspects of the historic environment. and Dingles department store. Percy V Burnett and Partners, 1954; © English Heritage 2010 E H Davie of Hillier Parker May and Images (except as otherwise shown) © English Heritage.NMR or Rowden, 1953–4; T S Tait of Sir John © English Heritage.NMR. Aerofilms Collection. Burnet Tait and Partners, 1949–51. [DP086808] Figure 47, Figure 70, Figure 86 and the map on the inside back cover are © Crown Copyright and database right 2010. All rights reserved. Ordnance Survey Licence number 100019088. Inside front cover The Hoe in 1937. Tinside Pool in the First published 2010 foreground with Smeaton’s Tower ISBN 978 1 84802 050 4 and the Naval Memorial in the Product code 51531 background. S Wibberley, city architect, 1929–35; British Library Cataloguing in Publication Data John Smeaton, re-erected 1882; A CIP catalogue record for this book is available from the British Library. Sir Robert Lorimer, 1920–4. [NMR/aflo03/aeropictorial/pr3252] All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or Frontispiece mechanical, including photocopying, recording, or any information storage or retrieval system, without permission in writing from the publisher. Exeter Street (above the bus station) and St Andrew’s Cross with the Application for the reproduction of images should be made to the National Monuments Record. -
Portland Place
DRAFT CHAPTER 17 Portland Place With its exceptional width and Adam architecture, Portland Place was one of the outstanding developments of its day, and despite extensive and often insensitive change remains one of London’s most memorable streets. Among the many post-Adam buildings, Broadcasting House and the headquarters of the Royal Institute of British Architects, both dating from the 1930s, are of major national significance. Though the Adams’ scheme for terraces of spacious and highly sophisticated townhouses was to be fully realized in Portland Place, it was not matched by financial rewards, and from a business point of view came close to disaster. The brothers’ involvement locally covered much more than just Portland Place, notably Mansfield Street, where their development began in the late 1760s, while land to either side of Portland Place was built up by others working under them, including large parts of Devonshire, New Cavendish, Hallam and Great Portland Streets – and a short stretch of Harley Street (see Ill. 17.3). But Portland Place was where the Adams’ energies and architectural flair were chiefly concentrated. Nash’s additions at either end – Park Crescent, Upper Regent Street and Langham Place (including the later Langham Hotel) – are discussed in succeeding chapters. For a century Portland Place was one of London’s most exclusive residential streets. But the big, expensive-to-run houses had lost their appeal by the early 1900s, when taller blocks of flats, often in a Beaux-Arts style, began to take their place. Subdivision and medical use, resisted at first by the Portland Estate, saved some; others have survived as legations and embassies. -
College Notes 1930S
342 THE EAGLE OBITUARY 343 had been a Justice ofthe Peace for the county. He was also cha Regim,ent. During his command at Chaman, ir� of the loth Baluch man of the governors of the Perse School and was active in Charles Yate, was Chief Commissioner of the while his brother, Sir foundation of the County School for Boys. inadvertently crossed into Afghan Baluchistan, he one morning The History of University Reform prisoner by a party of soldiers. He was Mr Tillyard was the author of territory, and was made Ameer Abdurrahman and of two religious works ; he was an Elder of St Columba's taken to the Spin Baldak Fort, which the his territory and was detained fo r Presbyterian Church. He married Catherine Sarah Wetenhall ; had set up on the edge of of of his children, Henry Julius Wetenhall Tillyard (Caius, B.A. nineteen days until the vigorous remonstrances the Viceroy, 1904) is Professor of Greek at Cardiff ,and Eustace Mandeville Lord Curzon, secured orders from Kabul for his release. Wetenhall Tillyard (Jesus, RA. 19II) is University Lecturer in Colonel Yate retired from the active list in 19°5 ; meanwhile he and English at Cambridge. had become interested in the St John Ambulance Association many years from 1900 he was the honorary organising Com The Rev. JOHN WOOD (RA. 1856), senior honorary canon of fo r sioner fo r India, being made a Knight of Justice of St John of Christ Church, Oxford, died at Hill House, Babbacombe, on mis salem in England. He served on the council of the Central November 19th, 1929, aged 95. -
The Cathedral Church of St Peter, Bradford Monuments & Memorial Inscriptions Within the Building, Summer 2015
The Cathedral Church of St Peter, Bradford Monuments & Memorial Inscriptions within the building, summer 2015 Transcriptions and Download created by members of Bradford Family History Society Images by courtesy of Cathedral staff. The Cathedral Church of St Peter, Bradford Monuments & Memorial Inscriptions within the building About this church The Parish There has been a church on the site now occupied by the Cathedral for Bradford was an Ancient Parish which existed before parish registers about 1000 years. The first building was probably a small wooden one started. It covered a wide area, taking in the thirteen townships of to be replaced by a stone one sometime around 1200. It has undergone Allerton, Bowling, Bradford, Clayton, Eccleshill, Haworth (which many changes since then. Scots raiders burnt its roof in the 14th century, included Oxenhope and Stanbury), Heaton, Horton, Manningham, in 1643 it was the centre of fighting between Royalist and Roundhead North Bierley (which included Low Moor and Wibsey), Shipley, armies, with the Tower protected by bags of wool. There were Thornton (which included Denholme) and Wilsden. Chapels of Ease significant alterations in the 1890’s and again, after the Parish Church were established at Haworth in the fifteenth century, at Thornton and of St Peter became Bradford Cathedral. Wibsey in the early sixteenth century, and at Great Horton in 1806; there was also a private chapel built at Bierley in 1766. From the early For a detailed history of the church, see the Cathedral’s own nineteenth century onwards many churches were built and new website: www.bradfordcathedral.org/ ecclesiastical parishes created. -
The National Life Story Collection
THE NATIONAL LIFE STORY COLLECTION INTERVIEW SUMMARY SHEET Title Page ____________________________________________________________________ Ref. No.: C467/22 Playback No.: F5868-F5876 ____________________________________________________________________ Collection title: Architects’ Lives ____________________________________________________________________ Interviewee’s surname: Hollamby Title: Mr Interviewee’s forenames: Edward Date of birth: 8.1.1921- 29.12.1999 Sex: Male ____________________________________________________________________ Date(s) of recording: 21.08.1997; 12.09.1997; 26.09.1997 Location of interview: Interviewee’s home Name of interviewer: Jill Lever Type of recorder: Marantz Total no. of tapes: 9 Type of tape: 60” cassette Mono or stereo: Stereo Speed: Normal Noise reduction: Dolby B Original or copy: Original ____________________________________________________________________ Additional material: ____________________________________________________________________ Copyright/Clearance: Full clearance ____________________________________________________________________ Interviewer’s comments: ____________________________________________________________________ Edward Hollamby C467/22/01 F5868A Page 1 F5868 Side A Interviewing Ted Hollamby on the 21st of August 1997 at his home, the Red House, Upton, Bexley. Interviewer is Jill Lever, and this is tape One A. And we’re going to start, Ted, as far back as you wish to go. Well as far back as I wish to go, is to some extent as far back I suppose as I can memorise. I can memorise some things intensely when I was very very young, like walking, so it seemed to me, a long distance, along the cliffs to Brighton with my mother, I always think I was about four or five then, remembering that. My mother had a tremendous influence on me, so I tend to remember things often through her. But my grandparents, with the exception...well, all my grandparents really were an absolute mystery, an absolute mystery in the case of my paternal side because I didn’t know them at all. -
Stained Glass Art and Gendered Creativity in the Suburban Church
Culture and Religion An Interdisciplinary Journal ISSN: 1475-5610 (Print) 1475-5629 (Online) Journal homepage: https://www.tandfonline.com/loi/rcar20 ‘Living, changing light’: stained glass art and gendered creativity in the suburban church Nazneen Ahmed & Claire Dwyer To cite this article: Nazneen Ahmed & Claire Dwyer (2017) ‘Living, changing light’: stained glass art and gendered creativity in the suburban church, Culture and Religion, 18:4, 371-387, DOI: 10.1080/14755610.2017.1376695 To link to this article: https://doi.org/10.1080/14755610.2017.1376695 © 2017 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 27 Sep 2017. Submit your article to this journal Article views: 686 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcar20 CULTURE AND RELIGION, 2017 VOL. 18, NO. 4, 371–387 https://doi.org/10.1080/14755610.2017.1376695 OPEN ACCESS ‘Living, changing light’: stained glass art and gendered creativity in the suburban church Nazneen Ahmed and Claire Dwyer Department of Geography, University College London, London, UK ABSTRACT The creativity of religious art and practice is largely ignored in discussions of urban creativity. In this paper the importance of religious creativity in the making of suburban space is explored through a focus on the role of artists in two Christian churches in West London. Drawing on an analysis of two female stained glass artists, working in different time periods and religious contexts, this paper suggests the significance of churches as sites of creative innovation in suburban landscapes. -
Peter Webster Guildford Cathedral
Peter Webster Guildford Cathedral: a short history [An article first published in English cathedrals and monasteries through the centuries (2014), an electronic resource available for purchase from the Christianity and Culture project at the University of York. http://www.christianityandculture.org.uk The text here is unchanged from that edition, save for some minor corrections. It was created for Humanities Commons in April 2019.] The rapid collapse in confidence amongst British Christians in the years after 1960 has tended to colour the history of the previous years, such that periods of confidence and expansion are rendered otiose when viewed at a distance. Such is the visible commitment to the future that was the foundation of the Anglican diocese of Guildford in 1927. The ancient diocese of Winchester stretched from the Thames in the north to Portsmouth, Southampton and the south coast. By the twentieth century it was much too large for the bishop to serve effectively, and so it was divided, with new dioceses created: Portsmouth in the south and Guildford in the north, leaving Winchester with the central portion. There were five new dioceses created in 1926-7 (the last such sub-division; in later years the direction of travel was more likely to be towards consolidation and amalgamation under pressure of finance.) Of the five (Derby, Leicester, and Blackburn being the others), it was only for Guildford that a new cathedral was planned. In each of the other four an existing city parish church was taken over, and (as with Portsmouth) expanded if it was felt necessary. Guildford’s first bishop, John Greig, was consecrated in Holy Trinity Guildford, a handsome Georgian building in the historic centre of the town, incorporating part of the medieval parish church. -
Open House London Guide 2016
48 4 Listings Key to listings Ballots A Architect on site Address of the building The following buildings / meeting point and events are only Bookshop B accessible by entering Opening times C Children’s activities our public ballot: Nearest tube/rail station d Some disabled access 10 Downing Street → p131 Useful bus routes D Full wheelchair access Arcelormittal Orbit → p107 Occasional boat trip The Shard → p119 E Engineer on site G Green Features The ballots will be open f r o m 18 –31 August. Go to Normally open to the N openhouselondon.org.uk/ public free of charge ballots to enter. Please note, P Parking only successful applicants will be notified. Q Long queues envisaged R Refreshments T Toilets The programme listings on the following pages Barking & Dagenham → p49, Barnet → p51, Brent are ordered by borough area. Open House → p53, Camden → p55, City of London → p 61, London is in part funded by individual local Croydon → p67, Ealing → p69, Enfield → p71, authorities. Unfortunately Bexley, Bromley and Greenwich → p73, Hackney → p76, Hammersmith Kingston-upon-Thames are not participating & Fulham → p80, Haringey → p82, Harrow → p85, this year. Lobby your local councillors to ensure Havering → p87, Hillingdon → p89, Hounslow their inclusion next year! The index (→ p140) lists → p91, Islington → p93, Kensington & Chelsea buildings by type. You can also use our online → p96, Lambeth → p99, Lewisham → p102, Merton search facility at openhouselondon.org.uk/search → p105, Newham → p107, Redbridge → p110, and our app to find the buildings you want to visit. Richmond → p112 , Southwark → p115, Sutton All access to buildings is on a first come basis → p120, Tower Hamlets → p122, Waltham Forest unless otherwise specified. -
Atmospherics, Numinosity and 1930S Interiors in Ealing, London. David Gilbert, Laura Cuch, Claire
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery The Sacred and the Suburban: Atmospherics, numinosity and 1930s interiors in Ealing, London. David Gilbert, Laura Cuch, Claire Dwyer and Nazneen Ahmed ABSTRACT Near each other in Ealing, London, and both dating from the 1930s, the Ealing Christian Centre (ECC) and the Anglican Church of St Thomas the Apostle show contrasting relationships between interior design and Christian faith. Architect Edward Maufe’s St Thomas’s was a purposeful quest to create numinous sacred space in suburbia. The ECC, a branch of the Elim Pentecostal Church, took over the old Avenue cinema, one of the finest British examples of the ‘atmospheric’ style. At the ECC, the distinctiveness and theatricality of the building makes an important contribution to the nature of collective worship, but the Church resists on theological grounds any suggestions that the space itself has sacred qualities. Keywords: Sacred space; suburbs; theology; atmospheric cinemas; numinous space; 1930s architecture; London The authors are all participants in the AHRC-funded “Making Suburban Faith” project, based in the Geography Department at University College London. The project explores the creativity of suburban faith communities from different religions and migration traditions, focusing on architecture, material culture, ritual, music and performance. www.makingsuburbanfaith.org David Gilbert is Professor of Geography, Royal Holloway University of London [email protected] Laura Cuch is a documentary and fine art photographer undertaking a Ph.D. at UCL, and contributes the photo-essay to this article. [email protected] Claire Dwyer is Reader in Geography at UCL and leader of the Making Suburban Faith Project [email protected] Nazneen Ahmed is a historian of religion and migration, and Research Associate at UCL in the Making Suburban Faith Project.