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In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Welcome, Everyone, and Thank You So Much for Joining Us for the Indigenous Wisdom for the Earth Series
Welcome, everyone, and thank you so much for joining us for the Indigenous Wisdom for the Earth series. This series is a place for indigenous people to share their wisdom, their cultural heritage, their beliefs, and the challenges that they face. It is also for groups who work to help indigenous people to bring a voice to their needs and offer ways that you can get involved. The purpose of the series is to open our hearts and minds to cultures who have treasured our planet and could share with us insights that we can use to become more connected with nature and each other. We hope that you will be inspired, informed and intrigued. This month our guest is Madi Sato of Praising Earth. Madi is a singer, community leader, and ceremonialist of Japanese Ainu and Celtic roots. She is devoted to raising women’s voices for the benefit of our Earth Mother. Madi and her husband, poet Timothy P. McLaughlin, are the co-founders of PRAISING EARTH, an organization devoted to rewilding the human heart through the traditions of song, story, dance and ritual to enliven all people’s essential belonging to Earth. Praising Earth with Madi Sato ~ Cover © TreeSisters 2020 Terra: Welcome everyone. Thank you so much for joining us the Indigenous Wisdom for the Earth series. We have a very special guest today. Her name is Madi Sato. Madi Sato is a singer, community leader and ceremonialist of Japanese Ainu and Celtic roots. She's devoted to raising women's voices for the benefit of our Earth Mother and her Sacred Waters. -
Tupac Shakur 29 Dr
EXPONENTES DEL VERSO computación PDF generado usando el kit de herramientas de fuente abierta mwlib. Ver http://code.pediapress.com/ para mayor información. PDF generated at: Sat, 08 Mar 2014 05:48:13 UTC Contenidos Artículos Capitulo l: El mundo de el HIP HOP 1 Hip hop 1 Capitulo ll: Exponentes del HIP HOP 22 The Notorious B.I.G. 22 Tupac Shakur 29 Dr. Dre 45 Snoop Dogg 53 Ice Cube 64 Eminem 72 Nate Dogg 86 Cartel de Santa 90 Referencias Fuentes y contribuyentes del artículo 93 Fuentes de imagen, Licencias y contribuyentes 95 Licencias de artículos Licencia 96 1 Capitulo l: El mundo de el HIP HOP Hip hop Hip Hop Orígenes musicales Funk, Disco, Dub, R&B, Soul, Toasting, Doo Wop, scat, Blues, Jazz Orígenes culturales Años 1970 en el Bronx, Nueva York Instrumentos comunes Tocadiscos, Sintetizador, DAW, Caja de ritmos, Sampler, Beatboxing, Guitarra, bajo, Piano, Batería, Violin, Popularidad 1970 : Costa Este -1973 : Costa, Este y Oeste - 1980 : Norte America - 1987 : Países Occidentales - 1992 : Actualidad - Mundial Derivados Electro, Breakbeat, Jungle/Drum and Bass, Trip Hop, Grime Subgéneros Rap Alternativo, Gospel Hip Hop, Conscious Hip Hop, Freestyle Rap, Gangsta Rap, Hardcore Hip Hop, Horrorcore, nerdcore hip hop, Chicano rap, jerkin', Hip Hop Latinoamericano, Hip Hop Europeo, Hip Hop Asiatico, Hip Hop Africano Fusiones Country rap, Hip Hop Soul, Hip House, Crunk, Jazz Rap, MerenRap, Neo Soul, Nu metal, Ragga Hip Hop, Rap Rock, Rap metal, Hip Life, Low Bap, Glitch Hop, New Jack Swing, Electro Hop Escenas regionales East Coast, West Coast, -
Girl Scout Song Book
Song Book For meetings, campfires and other Girl Scout adventures. VE700/7‐2016 Table of Contents A RAM SAM SAM .......................................................................................................................................... 5 ABC ................................................................................................................................................................ 5 ADDAMS FAMILY ........................................................................................................................................... 5 AIN’T IT GREAT TO BE CRAZY ........................................................................................................................ 5 ALFRED THE ALLIGATOR ................................................................................................................................ 6 ALICE ............................................................................................................................................................. 6 ALIVE, AWAKE, ALERT ................................................................................................................................... 6 AMEN ............................................................................................................................................................ 6 AMERICA ....................................................................................................................................................... 6 AMERICA THE BEAUTIFUL ............................................................................................................................ -
SONGS to SING!!! 72 1 out of This World! NOTES Song Book
Turn the page for SONGS TO SING!!! 72 1 Out of this World! NOTES Song Book THE AARDVARK SONG………………………………………..………4 APPLES AND BANANAS………………………………………….…5 ARUSTASHA………………………………………………….…....…….5 BABY JAWS………………………………………………………….… 5 BAZOOKA BUBBLE GUM…………………………………………....6 BANANAS, COCONUTS, AND GRAPES…..………………...………7 BANANA SONG…………………………………………….………..….7 BLACK SOCKS………………………………………………………....7 BEAVER CALL………………………………………………………....8 THE BOA CONSTRICTOR…………………………………………..…9 BOOM-CHICKA-BOOM…………………………………………….…10 BROWN EYED GIRL…………………………………………………..11 BUMBLEBEE SONG………………………………………………….12 BUNGALOW……………………………………………………………13 CABIN IN THE WOODS……………………………………………….14 CAN YOU FEEL THE LOVE TONIGHT.……………………………14 CHUGGY CHUGGY….………………………………………………15 CLEAN IT UP BABY……………………………………………………15 CLEAN IT UP BABY (ROCK VERSION)……………………………16 DAY-O……………………………………………………………………17 DESPERADO………..…………………………………………………18 DOWN BY THE BAY…..………………………………………….……19 GOODNIGHT SONG….……………………………………….………20 GOOD RIDDANCE (TIME OF YOUR LIFE)………………………...21 HANDS ON MY SHELL……………………………………………….21 HERE COMES THE SUN……………………………………………...22 HERMIE THE WORM…………………………………………………23 HI, MY NAME IS JOE…………………………………………………25 HUMPTY DUMP……………………………………………………..…26 I DON’T WANT TO LIVE ON THE MOON…………………………27 I’M COMING OUT OF MY SHELL………………………………….28 JET PLANE………………………………………………………………30 2 71 NOTES LEAN ON ME……….……………………………………………….…31 THE LION SLEEPS TONIGHT….….………………………………..32 THE LITTLEST WORM……………………………………………..…33 MOMMA DON’T WEAR NO SOCKS………………………………34 HIGH HEELS…………………………………………………………35 HAVE FUN, BE YOURSELF……………………........................... -
Toward a Fully Resolved Fungal Tree of Life
Annual Review of Microbiology Toward a Fully Resolved Fungal Tree of Life Timothy Y. James,1 Jason E. Stajich,2 Chris Todd Hittinger,3 and Antonis Rokas4 1Department of Ecology and Evolutionary Biology, University of Michigan, Ann Arbor, Michigan 48109, USA; email: [email protected] 2Department of Microbiology and Plant Pathology, Institute for Integrative Genome Biology, University of California, Riverside, California 92521, USA; email: [email protected] 3Laboratory of Genetics, DOE Great Lakes Bioenergy Research Center, Wisconsin Energy Institute, Center for Genomic Science and Innovation, J.F. Crow Institute for the Study of Evolution, University of Wisconsin–Madison, Madison, Wisconsin 53726, USA; email: [email protected] 4Department of Biological Sciences, Vanderbilt University, Nashville, Tennessee 37235, USA; email: [email protected] Annu. Rev. Microbiol. 2020. 74:291–313 Keywords First published as a Review in Advance on deep phylogeny, phylogenomic inference, uncultured majority, July 13, 2020 classification, systematics The Annual Review of Microbiology is online at micro.annualreviews.org Abstract https://doi.org/10.1146/annurev-micro-022020- Access provided by Vanderbilt University on 06/28/21. For personal use only. In this review, we discuss the current status and future challenges for fully 051835 Annu. Rev. Microbiol. 2020.74:291-313. Downloaded from www.annualreviews.org elucidating the fungal tree of life. In the last 15 years, advances in genomic Copyright © 2020 by Annual Reviews. technologies have revolutionized fungal systematics, ushering the field into All rights reserved the phylogenomic era. This has made the unthinkable possible, namely ac- cess to the entire genetic record of all known extant taxa. -
The History of Tree Health and Tree Populations in England Since C.1550
The History of Tree Health and Tree Populations in England since c.1550. Tom Williamson Gerry Barnes Toby Pillatt Acknowledgements A large number of people have helped with this project, providing access to documents or providing information and advice. We would like to thank, in particular, the staff at Hertfordshire Archives and Local History, the Northamptonshire Record Office, Norfolk Record Office, and the various Yorkshire Record Offices (at Northallerton, Leeds, Bradford, Calderdale, Kirklees, Sheffield, Doncaster, Barnsley, Hull and Beverley); and Crispin Towell at Boughton House archives, Northamptonshire. Thanks also to Anne Rowe and Peter Austin, for information about Hertfordshire; Tracey Partida, for access to her research on Northamptonshire enclosure; and to Sid Cooper, Teresa Betterton, Rachel Riley, Richard Brooke, Jim Lyon, Andrew Falcon, Rod Pass, John White, Mark Pritchard, Rory Hart, Peter Clarke, Garry Battell, Nicola Orchard, Justin Gilbert, Andrew MacNair, Jack Langton, Rob Liddiard, Steve Scott and Patsy Dallas. Contents Part 1: Report Summary ……………………………………………………………………………… ........................ 4 Part 2: Main Report: ................................................................................................................ 18 1. Introduction: trees, woods and landscapes ….. .................................................................... 18 2. Farmland Trees ..................................................................................................................... 51 3. Woodland and Wood-Pasture -
Feat. Eminen) (4:48) 77
01. 50 Cent - Intro (0:06) 75. Ace Of Base - Life Is A Flower (3:44) 02. 50 Cent - What Up Gangsta? (2:59) 76. Ace Of Base - C'est La Vie (3:27) 03. 50 Cent - Patiently Waiting (feat. Eminen) (4:48) 77. Ace Of Base - Lucky Love (Frankie Knuckles Mix) 04. 50 Cent - Many Men (Wish Death) (4:16) (3:42) 05. 50 Cent - In Da Club (3:13) 78. Ace Of Base - Beautiful Life (Junior Vasquez Mix) 06. 50 Cent - High All the Time (4:29) (8:24) 07. 50 Cent - Heat (4:14) 79. Acoustic Guitars - 5 Eiffel (5:12) 08. 50 Cent - If I Can't (3:16) 80. Acoustic Guitars - Stafet (4:22) 09. 50 Cent - Blood Hound (feat. Young Buc) (4:00) 81. Acoustic Guitars - Palosanto (5:16) 10. 50 Cent - Back Down (4:03) 82. Acoustic Guitars - Straits Of Gibraltar (5:11) 11. 50 Cent - P.I.M.P. (4:09) 83. Acoustic Guitars - Guinga (3:21) 12. 50 Cent - Like My Style (feat. Tony Yayo (3:13) 84. Acoustic Guitars - Arabesque (4:42) 13. 50 Cent - Poor Lil' Rich (3:19) 85. Acoustic Guitars - Radiator (2:37) 14. 50 Cent - 21 Questions (feat. Nate Dogg) (3:44) 86. Acoustic Guitars - Through The Mist (5:02) 15. 50 Cent - Don't Push Me (feat. Eminem) (4:08) 87. Acoustic Guitars - Lines Of Cause (5:57) 16. 50 Cent - Gotta Get (4:00) 88. Acoustic Guitars - Time Flourish (6:02) 17. 50 Cent - Wanksta (Bonus) (3:39) 89. Aerosmith - Walk on Water (4:55) 18. -
A City Is Not a Tree 1 Christopher Alexander University of California, Berkeley and Center for Environmental Structure
CHRISTOPHER A LEX A N D ER A CIT Y IS N OT A T REE: 50TH A NNIVERSARY E DITION WITH MIKE BATTY * LUÍS BETTENCOURT * HOWARD DAVIS JAAP DAW SO N * BIN JIAN G * M ICH AEL W M EH AFFY HANS JOACHIM NEIS * DELLÉ ODELEYE * SERGIO PO RTA * YO DAN RO FÈ * MARIAPIA VIDO LI AND OTHER CONTRIBUTORS ED ITED BY MICHAEL W MEHAFFY SUSTASIS P RESS IN A SSO C IAT IO N W IT H CEN TER FO R E NVIRONM ENTAL S TRUCTURE 1 ISBN 978-0-9893469-7-9 Copyright © 2015 Sustasis Press Sustasis Foundation, Portland, Oregon USA 2 Table of Contents Editor's Preface iv Acknowledgements vi I THE ORIGINAL 1965 TEXT Chapter 1 A City is Not a Tree 1 Christopher Alexander University of California, Berkeley and Center for Environmental Structure II CONTEMPORARY COMMENTARIES Chapter 2 Alexander’s Challenge: 35 Beyond Hierarchy In City Systems and Systems of Cities Michael Batty University College London Chapter 3 The Complexity of Cities 45 and the Problem of Urban Design Luís Bettencourt Santa Fe Institute Chapter 4 A Building Culture is Not a Tree 63 Howard Davis University of Oregon Chapter 5 A City is a World Full of Bodies 77 Jaap Dawson Delft University of Technology Chapter 6 A City is a Complex Network 89 Bin Jiang University of G8vle Chapter 7 Notes on the genesis of wholes: 101 “A city is not a tree” in the larger context of Alexander's work Michael Mehaffy Sustasis Foundation Chapter 8 ‘A City is Not a Tree’ and 121 A New Theory of Urban Design From Urban Critique to Environmental Structure to Urban Process Hans Joachim Neis University of Oregon Chapter 9 Alexander and Emerging 139 'Images of the City’: On Form, Metaphor and Theory Dellé Odeleye Anglia Ruskin University Chapter 10 The City and the Grid: 163 Building Beauty at Large Scale Sergio Porta, Yodan Rofè, MariaPia Vidoli University of Strathclyde, Switzerland Institute for Dryland Environmental and Energy Research, and Ben-Gurion University of the Negev III REMINISCENCES Chapter 11 Robert Campbell, Bruce F. -
The Mississippi Mass Choir
R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z. -
Zaštićena Zona
ZAŠTIĆENA ZONA „crna“ komedija DAMIR ŠODAN SADRŽAJ Lica ....................................................................................................................................... 2 Čin prvi ................................................................................................................................. 4 Čin drugi ............................................................................................................................. 33 Čin treći .............................................................................................................................. 66 O autoru .............................................................................................................................. 86 Impresum ............................................................................................................................ 87 Things are more like they are now than they ever were. Dwight Eisenhower 1 LICA bolesnici: HANKA, 37, bivša frizerka i nesuđena estradna zvijezda PETRA, 42, bivša službenica SDK ĐOVANI, 33, sitni švercer, folirant ĐEGER, 35, provincijski roker, pomalo megaloman TITO, 60, pravo ime Gvozden, bivši referent za ONO i DSZ GAZDA, 55, nekadašnji direktor tvornice “Vijak”, pati, između ostalog, i od prijapizma GENERALNI, 60, bivši generalni direktor drvnog kombinata “Naša šuma” PROFESOR, 50, bivši heideggerijanac, teoretičar postmoderne, erudit, lacanovac, itd. TROKUT, 40, bivši rudar, trčao štafetu, ima govornu manu BRZI, 27, bivši konobar i student veterine PEPO, 65, bivši -
The Poetic Theory and Practice of Langston Hughes
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 The Poetic Theory and Practice of Langston Hughes Philip M. Royster Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Royster, Philip M., "The Poetic Theory and Practice of Langston Hughes" (1974). Dissertations. 1439. https://ecommons.luc.edu/luc_diss/1439 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Philip M. Royster THE POETIC THEORY AND PRACTICE OF LANGSTON HUGHES by Philip M. Royster A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy February 1974 -- TABLE OF CONTENTS Page PREFACE ii LIFE .. iii Chapter I. THE POETIC THEORY OF LANGSTON HUGHES 1 A. Approach and Capture . 1 B. The Emotion and Rhythm of Experience . 5 c. The Function of Poetry . 18 D. The Nature of the Artist . 39 E. The Intention of the Artist. 48 F. Materials for the Artist . 67 Chapter .II. THE TECHNIQUES OF LANGSTON HUGHES' POETRY • • . 73 A •• The Weary Blues • . • • • • • • • • • 74 B. • Fine Clothes to the Jew • . • • • • • . 120 c. Dear Lovely Death. • • • • • . • • 170 D. The Negro Mother . • • 178 E. The Dream Keeper .