A City Is Not a Tree 1 Christopher Alexander University of California, Berkeley and Center for Environmental Structure
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Neuroscience, the Natural Environment, and Building Design
Neuroscience, the Natural Environment, and Building Design. Nikos A. Salingaros, Professor of Mathematics, University of Texas at San Antonio. Kenneth G. Masden II, Associate Professor of Architecture, University of Texas at San Antonio. Presented at the Bringing Buildings to Life Conference, Yale University, 10-12 May 2006. Chapter 5 of: Biophilic Design: The Theory, Science and Practice of Bringing Buildings to Life, edited by Stephen R. Kellert, Judith Heerwagen, and Martin Mador (John Wiley, New York, 2008), pages 59-83. Abstract: The human mind is split between genetically-structured neural systems, and an internally-generated worldview. This split occurs in a way that can elicit contradictory mental processes for our actions, and the interpretation of our environment. Part of our perceptive system looks for information, whereas another part looks for meaning, and in so doing gives rise to cultural, philosophical, and ideological constructs. Architects have come to operate in this second domain almost exclusively, effectively neglecting the first domain. By imposing an artificial meaning on the built environment, contemporary architects contradict physical and natural processes, and thus create buildings and cities that are inhuman in their form, scale, and construction. A new effort has to be made to reconnect human beings to the buildings and places they inhabit. Biophilic design, as one of the most recent and viable reconnection theories, incorporates organic life into the built environment in an essential manner. Extending this logic, the building forms, articulations, and textures could themselves follow the same geometry found in all living forms. Empirical evidence confirms that designs which connect humans to the lived experience enhance our overall sense of wellbeing, with positive and therapeutic consequences on physiology. -
Open Source Architecture, Began in Much the Same Way As the Domus Article
About the Authors Carlo Ratti is an architect and engineer by training. He practices in Italy and teaches at the Massachusetts Institute of Technology, where he directs the Senseable City Lab. His work has been exhibited at the Venice Biennale and MoMA in New York. Two of his projects were hailed by Time Magazine as ‘Best Invention of the Year’. He has been included in Blueprint Magazine’s ‘25 People who will Change the World of Design’ and Wired’s ‘Smart List 2012: 50 people who will change the world’. Matthew Claudel is a researcher at MIT’s Senseable City Lab. He studied architecture at Yale University, where he was awarded the 2013 Sudler Prize, Yale’s highest award for the arts. He has taught at MIT, is on the curatorial board of the Media Architecture Biennale, is an active protagonist of Hans Ulrich Obrist’s 89plus, and has presented widely as a critic, speaker, and artist in-residence. Adjunct Editors The authorship of this book was a collective endeavor. The text was developed by a team of contributing editors from the worlds of art, architecture, literature, and theory. Assaf Biderman Michele Bonino Ricky Burdett Pierre-Alain Croset Keller Easterling Giuliano da Empoli Joseph Grima N. John Habraken Alex Haw Hans Ulrich Obrist Alastair Parvin Ethel Baraona Pohl Tamar Shafrir Other titles of interest published by Thames & Hudson include: The Elements of Modern Architecture The New Autonomous House World Architecture: The Masterworks Mediterranean Modern See our websites www.thamesandhudson.com www.thamesandhudsonusa.com Contents -
An Introduction to Architectural Theory Is the First Critical History of a Ma Architectural Thought Over the Last Forty Years
a ND M a LLGR G OOD An Introduction to Architectural Theory is the first critical history of a ma architectural thought over the last forty years. Beginning with the VE cataclysmic social and political events of 1968, the authors survey N the criticisms of high modernism and its abiding evolution, the AN INTRODUCT rise of postmodern and poststructural theory, traditionalism, New Urbanism, critical regionalism, deconstruction, parametric design, minimalism, phenomenology, sustainability, and the implications of AN INTRODUCTiON TO new technologies for design. With a sharp and lively text, Mallgrave and Goodman explore issues in depth but not to the extent that they become inaccessible to beginning students. ARCHITECTURaL THEORY i HaRRY FRaNCiS MaLLGRaVE is a professor of architecture at Illinois Institute of ON TO 1968 TO THE PRESENT Technology, and has enjoyed a distinguished career as an award-winning scholar, translator, and editor. His most recent publications include Modern Architectural HaRRY FRaNCiS MaLLGRaVE aND DaViD GOODmaN Theory: A Historical Survey, 1673–1968 (2005), the two volumes of Architectural ARCHITECTUR Theory: An Anthology from Vitruvius to 2005 (Wiley-Blackwell, 2005–8, volume 2 with co-editor Christina Contandriopoulos), and The Architect’s Brain: Neuroscience, Creativity, and Architecture (Wiley-Blackwell, 2010). DaViD GOODmaN is Studio Associate Professor of Architecture at Illinois Institute of Technology and is co-principal of R+D Studio. He has also taught architecture at Harvard University’s Graduate School of Design and at Boston Architectural College. His work has appeared in the journal Log, in the anthology Chicago Architecture: Histories, Revisions, Alternatives, and in the Northwestern University Press publication Walter Netsch: A Critical Appreciation and Sourcebook. -
Design Patterns Promote Reuse
Design Patterns Promote Reuse “A pattern describes a problem that occurs often, along with a tried solution to the problem” - Christopher Alexander, 1977 • Christopher Alexander’s 253 (civil) architectural patterns range from the creation of cities (2. distribution of towns) to particular building problems (232. roof cap) • A pattern language is an organized way of tackling an architectural problem using patterns Kinds of Patterns in Software • Architectural (“macroscale”) patterns • Model-view-controller • Pipe & Filter (e.g. compiler, Unix pipeline) • Event-based (e.g. interactive game) • Layering (e.g. SaaS technology stack) • Computation patterns • Fast Fourier transform • Structured & unstructured grids • Dense linear algebra • Sparse linear algebra • GoF (Gang of Four) Patterns: structural, creational, behavior The Gang of Four (GoF) • 23 structural design patterns • description of communicating objects & classes • captures common (and successful) solution to a category of related problem instances • can be customized to solve a specific (new) problem in that category • Pattern ≠ • individual classes or libraries (list, hash, ...) • full design—more like a blueprint for a design The GoF Pattern Zoo 1. Factory 13. Observer 14. Mediator 2. Abstract factory 15. Chain of responsibility 3. Builder Creation 16. Command 4. Prototype 17. Interpreter 18. Iterator 5. Singleton/Null obj 19. Memento (memoization) 6. Adapter Behavioral 20. State 21. Strategy 7. Composite 22. Template 8. Proxy 23. Visitor Structural 9. Bridge 10. Flyweight 11. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Kingo Gushikuma
Kingo Gushikuma Kingo worked for Parker Ranch before joining the army in 1944. After service he worked as an independent contractor for cattle and was in the horse breeding and ranching business in Waiawa and Waihona valleys. Kingo is best known as a master saddle maker. His saddle craft made him famous as the designer of the "Kingo Slick" and "Kohala Slick" saddles, now being manufactured in Utah and Texas. Kingo still runs his own stable in Pearl City, “the Double Rainbow”, where he has shared his secrets and skills with young and old alike. Series 2, Tape 1 ORAL HISTORY INTERVIEW with Kingo Gushikuma (KG) at Double-Rainbow Ranch September 13, 2000 BY: Anna Loomis (AL) Note: There were some difficulties with the tape recorder in the first part of the interview. Some of the questions and a few of the answers are unclear. AL: Alright, this is an interview with Mr. Kingo Gushikuma at Double-Rainbow Ranch on October 13, 2000. He’s being interviewed by Anna [Loomis]. AL: [I just want to ask you about where you grew up.] KG: I was born in Kohala, grew up in Kohala too. Went school there. AL: Could you tell me about the house where you grew up? The house you were born in? KG: I was born in the Camp 18 in Kohala. When I was a little boy, my father made his own house and move out of the plantation camp. And that’s when he start raising cattle, and his own sugarcane. As I grew up, I help him with the sugar and the cattle. -
The Origins of Pattern Theory: the Future of the Theory, and the Generation of a Living World
www.computer.org/software The Origins of Pattern Theory: The Future of the Theory, and the Generation of a Living World Christopher Alexander Vol. 16, No. 5 September/October 1999 This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder. © 2006 IEEE. Personal use of this material is permitted. However, permission to reprint/republish this material for advertising or promotional purposes or for creating new collective works for resale or redistribution to servers or lists, or to reuse any copyrighted component of this work in other works must be obtained from the IEEE. For more information, please see www.ieee.org/portal/pages/about/documentation/copyright/polilink.html. THE ORIGINS OF PATTERN THEORY THE FUTURE OF THE THEORY, AND THE GENERATION OF A LIVING WORLD Christopher Alexander Introduction by James O. Coplien nce in a great while, a great idea makes it across the boundary of one discipline to take root in another. The adoption of Christopher O Alexander’s patterns by the software community is one such event. Alexander both commands respect and inspires controversy in his own discipline; he is the author of several books with long-running publication records, the first recipient of the AIA Gold Medal for Research, a member of the Swedish Royal Academy since 1980, a member of the American Academy of Arts and Sciences, recipient of dozens of awards and honors including the Best Building in Japan award in 1985, and the American Association of Collegiate Schools of Architecture Distinguished Professor Award. -
Frontiers of Pattern Language Technology
Frontiers of Pattern Language Technology Pattern Language, 1977 Network of Relationships “We need a web way of thinking.” - Jane Jacobs Herbert Simon, 1962 “The Architecture of Complexity” - nearly decomposable hierarchies (with “panarchic” connections - Holling) Christopher Alexander, 1964-5 “A city is not a tree” – its “overlaps” create clusters, or “patterns,” that can be manipulated more easily (related to Object-Oriented Programming) The surprising existing benefits of Pattern Language technology.... * “Design patterns” used as a widespread computer programming system (Mac OS, iPhone, most games, etc.) * Wiki invented by Ward Cunningham as a direct outgrowth * Direct lineage to Agile, Scrum, Extreme Programming * Pattern languages used in many other fields …. So why have they not been more infuential in the built environment??? Why have pattern languages not been more infuential in the built environment?.... * Theory 1: “Architects are just weird!” (Preference for “starchitecure,” extravagant objects, etc.) * Theory 2: The original book is too “proprietary,” not “open source” enough for extensive development and refinement * Theory 3: The software people, especially, used key strategies to make pattern languages far more useful, leading to an explosion of useful new tools and approaches …. So what can we learn from them??? * Portland, OR. Based NGO with international network of researchers * Executive director is Michael Mehaffy, student and long-time colleague of Christopher Alexander, inter-disciplinary collaborator in philosophy, sciences, public affairs, business and economics, architecture, planning * Board member is Ward Cunningham, one of the pioneers of pattern languages in software, Agile, Scrum etc., and inventor of wiki * Other board members are architects, financial experts, former students of Alexander Custom “Project Pattern Languages” (in conventional paper format) Custom “Project Pattern Languages” create the elements of a “generative code” (e.g. -
The Origins of Pattern Theory the Future of the Theory, and the Generation of a Living World
THE ORIGINS OF PATTERN THEORY THE FUTURE OF THE THEORY, AND THE GENERATION OF A LIVING WORLD Christopher Alexander Introduction by James O. Coplien nce in a great while, a great idea makes it across the boundary of one discipline to take root in another. The adoption of Christopher O Alexander’s patterns by the software community is one such event. Alexander both commands respect and inspires controversy in his own discipline; he is the author of several books with long-running publication records, the first recipient of the AIA Gold Medal for Research, a member of the Swedish Royal Academy since 1980, a member of the American Academy of Arts and Sciences, recipient of dozens of awards and honors including the Best Building in Japan award in 1985, and the American Association of Collegiate Schools of Architecture Distinguished Professor Award. It is odd that his ideas should have found a home in software, a discipline that deals not with timbers and tiles but with pure thought stuff, and with ephemeral and weightless products called programs. The software community embraced the pattern vision for its relevance to problems that had long plagued software design in general and object-oriented design in particular. September/October 1999 IEEE Software 71 Focusing on objects had caused us to lose the pattern discipline that the software community has system perspective. Preoccupation with design yet scarcely touched: the moral imperative to build method had caused us to lose the human perspec- whole systems that contribute powerfully to the tive. The curious parallels between Alexander’s quality of life, as we recognize and rise to the re- world of buildings and our world of software con- sponsibility that accompanies our position of influ- struction helped the ideas to take root and thrive in ence in the world. -
Assessing Alexander's Later Contributions to a Science of Cities
Review Assessing Alexander’s Later Contributions to a Science of Cities Michael W. Mehaffy KTH Royal Institute of Technology, 114 28 Stockholm, Sweden; mmehaff[email protected] or michael.mehaff[email protected] Received: 23 April 2019; Accepted: 28 May 2019; Published: 30 May 2019 Abstract: Christopher Alexander published his longest and arguably most philosophical work, The Nature of Order, beginning in 2003. Early criticism assessed that text to be a speculative failure; at best, unrelated to Alexander’s earlier, mathematically grounded work. On the contrary, this review presents evidence that the newer work was a logically consistent culmination of a lifelong and remarkably useful inquiry into part-whole relations—an ancient but still-relevant and even urgent topic of design, architecture, urbanism, and science. Further evidence demonstrates that Alexander’s practical contributions are remarkably prodigious beyond architecture, in fields as diverse as computer science, biology and organization theory, and that these contributions continue today. This review assesses the potential for more particular contributions to the urban professions from the later work, and specifically, to an emerging “science of cities.” It examines the practical, as well as philosophical contributions of Alexander’s proposed tools and methodologies for the design process, considering both their quantitative and qualitative aspects, and their potential compatibility with other tools and strategies now emerging from the science of cities. Finally, it highlights Alexander’s challenge to an architecture profession that seems increasingly isolated, mired in abstraction, and incapable of effectively responding to larger technological and philosophical challenges. Keywords: Christopher Alexander; The Nature of Order; pattern language; structure-preserving transformations; science of cities 1. -
The Patterns of Architecture/T3xture
THE PATTERNS OF ARCHITECTURE NIKOS A. SALINGAROS Published in Lynda Burke, Randy Sovich, and Craig Purcell, Editors: T3XTURE No. 3, CreateSpace Independent Publishing Platform, 2016, pages 7-24. EDITORS’ INTRODUCTION Pattern theory has not as yet transformed architectural practice—despite the acclaim for A Pattern Language, 1 Christopher Alexander’s book, which introduced and substantiated the theory. However, it has generated a great amount of far-ranging, supportive scholarship. In this essay Nikos Salingaros expands the scope of the pattern types under consideration, and explicates some of the mathematical, scientific and humanistic justification for the pattern approach. The author also argues for the manifest superiority of the pattern approach to design over Modernist and contemporary theories of the last one hundred years. To a great extent Dr. Salingaros’s conviction rests on the process and goals of the pattern language method which have as their basis the fundamental realities of the natural world: the mathematics of nature (many that have been studied since the beginning of human history); the process of organic development; and the ideal structural environment for human activity. For Salingaros, Alexander, et al. aesthetics in Architecture derive from these principles rather than from notions of style or artistic inspiration. AUTHOR’S INTRODUCTION — KEY PATTERN CONCEPTS Pattern. A pattern is a discovered organization of space, and also a coherent merging of geometry with human actions. In common usage “pattern” has an expansive definition. In Architecture “pattern” often equates with “solution”. In any discussion of architectural pattern theory the word “pattern” itself is used repeatedly, often with reference to somewhat different concepts. -
Welcome, Everyone, and Thank You So Much for Joining Us for the Indigenous Wisdom for the Earth Series
Welcome, everyone, and thank you so much for joining us for the Indigenous Wisdom for the Earth series. This series is a place for indigenous people to share their wisdom, their cultural heritage, their beliefs, and the challenges that they face. It is also for groups who work to help indigenous people to bring a voice to their needs and offer ways that you can get involved. The purpose of the series is to open our hearts and minds to cultures who have treasured our planet and could share with us insights that we can use to become more connected with nature and each other. We hope that you will be inspired, informed and intrigued. This month our guest is Madi Sato of Praising Earth. Madi is a singer, community leader, and ceremonialist of Japanese Ainu and Celtic roots. She is devoted to raising women’s voices for the benefit of our Earth Mother. Madi and her husband, poet Timothy P. McLaughlin, are the co-founders of PRAISING EARTH, an organization devoted to rewilding the human heart through the traditions of song, story, dance and ritual to enliven all people’s essential belonging to Earth. Praising Earth with Madi Sato ~ Cover © TreeSisters 2020 Terra: Welcome everyone. Thank you so much for joining us the Indigenous Wisdom for the Earth series. We have a very special guest today. Her name is Madi Sato. Madi Sato is a singer, community leader and ceremonialist of Japanese Ainu and Celtic roots. She's devoted to raising women's voices for the benefit of our Earth Mother and her Sacred Waters.