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In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Kingo Gushikuma
Kingo Gushikuma Kingo worked for Parker Ranch before joining the army in 1944. After service he worked as an independent contractor for cattle and was in the horse breeding and ranching business in Waiawa and Waihona valleys. Kingo is best known as a master saddle maker. His saddle craft made him famous as the designer of the "Kingo Slick" and "Kohala Slick" saddles, now being manufactured in Utah and Texas. Kingo still runs his own stable in Pearl City, “the Double Rainbow”, where he has shared his secrets and skills with young and old alike. Series 2, Tape 1 ORAL HISTORY INTERVIEW with Kingo Gushikuma (KG) at Double-Rainbow Ranch September 13, 2000 BY: Anna Loomis (AL) Note: There were some difficulties with the tape recorder in the first part of the interview. Some of the questions and a few of the answers are unclear. AL: Alright, this is an interview with Mr. Kingo Gushikuma at Double-Rainbow Ranch on October 13, 2000. He’s being interviewed by Anna [Loomis]. AL: [I just want to ask you about where you grew up.] KG: I was born in Kohala, grew up in Kohala too. Went school there. AL: Could you tell me about the house where you grew up? The house you were born in? KG: I was born in the Camp 18 in Kohala. When I was a little boy, my father made his own house and move out of the plantation camp. And that’s when he start raising cattle, and his own sugarcane. As I grew up, I help him with the sugar and the cattle. -
States of Affect: Trauma in Partition/Post-Partition South Asia
STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English – Doctor of Philosophy 2015 ABSTRACT STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra The Partition of the Indian subcontinent – into India and Pakistan in 1947 – was one of the crucial moments marking the break between the colonial and postcolonial era. My project is invested in exploring the Partition not merely in terms of the events of August 1947, but as an ongoing process that continues to splinter political, cultural, emotional and sexual life-worlds in South Asia. My dissertation seeks to map analytical pathways to locate the Partition and the attendant formations of minoritization and sectarian violence as continuing, unfolding processes that constitute postcolonial nation-building. It examines the far-reaching presence of these formations in current configurations of politics, culture and subjectivity by mobilizing the interdisciplinary scope of affect-mediated Trauma and Memory Studies and Postcolonial Studies, in conjunction with literary analysis. My project draws on a wide range of cultural artifacts such as poetry, cantillatory performance, mourning rituals, testimonials, archaeological ruins, short stories and novels to develop a heuristic and affective re-organization of post-Partition South Asia. It seeks to illuminate through frameworks of memory, melancholia, trauma, affect and postcoloniality how the ongoing effects of the past shape the present, which in turn, offers us ways to reimagine the future. This dissertation reaches out to recent work developing a vernacular framework to analyze violence, trauma and loss in South Asia. -
Not Really Bollywood a History of Popular Hindi Films, Songs, and Dance with Pedagogical Applications for Understanding Indian History and Culture
University of Central Florida STARS HIM 1990-2015 2012 Not really bollywood a history of popular hindi films, songs, and dance with pedagogical applications for understanding indian history and culture Sanjana Nayee University of Central Florida Part of the Education Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Nayee, Sanjana, "Not really bollywood a history of popular hindi films, songs, and dance with pedagogical applications for understanding indian history and culture" (2012). HIM 1990-2015. 1366. https://stars.library.ucf.edu/honorstheses1990-2015/1366 NOT REALLY BOLLYWOOD: A HISTORY OF POPULAR HINDI FILMS, SONGS, AND DANCE WITH PEDAGOGICAL APPLICATIONS FOR UNDERSTANDING INDIAN HISTORY AND CULTURE by SANJANA P. NAYEE A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in English Language Arts in the College of Education and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall 2012 Thesis Chair: Dr. Jeffrey Kaplan © 2012 Sanjana P. Nayee ii Abstract Contemporary fascination with ‘Bollywood’ proliferates much of reality TV dance shows, media blurbs and other communicative outlets. These avenues homogenize India as ‘Bollywood’, while social and political outlets place Indians and people of South Asian descent into fitted stereotypes that are ridiculed and largely distorted. The intent of this thesis was to explore how the growing international intrigues of popular Hindi films exist beyond ‘Bollywood’. -
Welcome, Everyone, and Thank You So Much for Joining Us for the Indigenous Wisdom for the Earth Series
Welcome, everyone, and thank you so much for joining us for the Indigenous Wisdom for the Earth series. This series is a place for indigenous people to share their wisdom, their cultural heritage, their beliefs, and the challenges that they face. It is also for groups who work to help indigenous people to bring a voice to their needs and offer ways that you can get involved. The purpose of the series is to open our hearts and minds to cultures who have treasured our planet and could share with us insights that we can use to become more connected with nature and each other. We hope that you will be inspired, informed and intrigued. This month our guest is Madi Sato of Praising Earth. Madi is a singer, community leader, and ceremonialist of Japanese Ainu and Celtic roots. She is devoted to raising women’s voices for the benefit of our Earth Mother. Madi and her husband, poet Timothy P. McLaughlin, are the co-founders of PRAISING EARTH, an organization devoted to rewilding the human heart through the traditions of song, story, dance and ritual to enliven all people’s essential belonging to Earth. Praising Earth with Madi Sato ~ Cover © TreeSisters 2020 Terra: Welcome everyone. Thank you so much for joining us the Indigenous Wisdom for the Earth series. We have a very special guest today. Her name is Madi Sato. Madi Sato is a singer, community leader and ceremonialist of Japanese Ainu and Celtic roots. She's devoted to raising women's voices for the benefit of our Earth Mother and her Sacred Waters. -
Tupac Shakur 29 Dr
EXPONENTES DEL VERSO computación PDF generado usando el kit de herramientas de fuente abierta mwlib. Ver http://code.pediapress.com/ para mayor información. PDF generated at: Sat, 08 Mar 2014 05:48:13 UTC Contenidos Artículos Capitulo l: El mundo de el HIP HOP 1 Hip hop 1 Capitulo ll: Exponentes del HIP HOP 22 The Notorious B.I.G. 22 Tupac Shakur 29 Dr. Dre 45 Snoop Dogg 53 Ice Cube 64 Eminem 72 Nate Dogg 86 Cartel de Santa 90 Referencias Fuentes y contribuyentes del artículo 93 Fuentes de imagen, Licencias y contribuyentes 95 Licencias de artículos Licencia 96 1 Capitulo l: El mundo de el HIP HOP Hip hop Hip Hop Orígenes musicales Funk, Disco, Dub, R&B, Soul, Toasting, Doo Wop, scat, Blues, Jazz Orígenes culturales Años 1970 en el Bronx, Nueva York Instrumentos comunes Tocadiscos, Sintetizador, DAW, Caja de ritmos, Sampler, Beatboxing, Guitarra, bajo, Piano, Batería, Violin, Popularidad 1970 : Costa Este -1973 : Costa, Este y Oeste - 1980 : Norte America - 1987 : Países Occidentales - 1992 : Actualidad - Mundial Derivados Electro, Breakbeat, Jungle/Drum and Bass, Trip Hop, Grime Subgéneros Rap Alternativo, Gospel Hip Hop, Conscious Hip Hop, Freestyle Rap, Gangsta Rap, Hardcore Hip Hop, Horrorcore, nerdcore hip hop, Chicano rap, jerkin', Hip Hop Latinoamericano, Hip Hop Europeo, Hip Hop Asiatico, Hip Hop Africano Fusiones Country rap, Hip Hop Soul, Hip House, Crunk, Jazz Rap, MerenRap, Neo Soul, Nu metal, Ragga Hip Hop, Rap Rock, Rap metal, Hip Life, Low Bap, Glitch Hop, New Jack Swing, Electro Hop Escenas regionales East Coast, West Coast, -
Girl Scout Song Book
Song Book For meetings, campfires and other Girl Scout adventures. VE700/7‐2016 Table of Contents A RAM SAM SAM .......................................................................................................................................... 5 ABC ................................................................................................................................................................ 5 ADDAMS FAMILY ........................................................................................................................................... 5 AIN’T IT GREAT TO BE CRAZY ........................................................................................................................ 5 ALFRED THE ALLIGATOR ................................................................................................................................ 6 ALICE ............................................................................................................................................................. 6 ALIVE, AWAKE, ALERT ................................................................................................................................... 6 AMEN ............................................................................................................................................................ 6 AMERICA ....................................................................................................................................................... 6 AMERICA THE BEAUTIFUL ............................................................................................................................ -
Playback Singers of Bollywood and Hollywood
ILLUSION AND REALITY: PLAYBACK SINGERS OF BOLLYWOOD AND HOLLYWOOD By MYRNA JUNE LAYTON Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject MUSICOLOGY at the UNIVERSITY OF SOUTH AFRICA. SUPERVISOR: PROF. M. DUBY JANUARY 2013 Student number: 4202027-1 I declare that ILLUSION AND REALITY: PLAYBACK SINGERS OF BOLLYWOOD AND HOLLYWOOD is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. SIGNATURE DATE (MRS M LAYTON) Preface I would like to thank the two supervisors who worked with me at UNISA, Marie Jorritsma who got me started on my reading and writing, and Marc Duby, who saw me through to the end. Marni Nixon was most helpful to me, willing to talk with me and discuss her experiences recording songs for Hollywood studios. It was much more difficult to locate people who work in the Bollywood film industry, but two people were helpful and willing to talk to me; Craig Pruess and Deepa Nair have been very gracious about corresponding with me via email. Lastly, putting the whole document together, which seemed an overwhelming chore, was made much easier because of the expert formatting and editing of my daughter Nancy Heiss, sometimes assisted by her husband Andrew Heiss. Joe Bonyata, a good friend who also happens to be an editor and publisher, did a final read-through to look for small details I might have missed, and of course, he found plenty. For this I am grateful. -
SONGS to SING!!! 72 1 out of This World! NOTES Song Book
Turn the page for SONGS TO SING!!! 72 1 Out of this World! NOTES Song Book THE AARDVARK SONG………………………………………..………4 APPLES AND BANANAS………………………………………….…5 ARUSTASHA………………………………………………….…....…….5 BABY JAWS………………………………………………………….… 5 BAZOOKA BUBBLE GUM…………………………………………....6 BANANAS, COCONUTS, AND GRAPES…..………………...………7 BANANA SONG…………………………………………….………..….7 BLACK SOCKS………………………………………………………....7 BEAVER CALL………………………………………………………....8 THE BOA CONSTRICTOR…………………………………………..…9 BOOM-CHICKA-BOOM…………………………………………….…10 BROWN EYED GIRL…………………………………………………..11 BUMBLEBEE SONG………………………………………………….12 BUNGALOW……………………………………………………………13 CABIN IN THE WOODS……………………………………………….14 CAN YOU FEEL THE LOVE TONIGHT.……………………………14 CHUGGY CHUGGY….………………………………………………15 CLEAN IT UP BABY……………………………………………………15 CLEAN IT UP BABY (ROCK VERSION)……………………………16 DAY-O……………………………………………………………………17 DESPERADO………..…………………………………………………18 DOWN BY THE BAY…..………………………………………….……19 GOODNIGHT SONG….……………………………………….………20 GOOD RIDDANCE (TIME OF YOUR LIFE)………………………...21 HANDS ON MY SHELL……………………………………………….21 HERE COMES THE SUN……………………………………………...22 HERMIE THE WORM…………………………………………………23 HI, MY NAME IS JOE…………………………………………………25 HUMPTY DUMP……………………………………………………..…26 I DON’T WANT TO LIVE ON THE MOON…………………………27 I’M COMING OUT OF MY SHELL………………………………….28 JET PLANE………………………………………………………………30 2 71 NOTES LEAN ON ME……….……………………………………………….…31 THE LION SLEEPS TONIGHT….….………………………………..32 THE LITTLEST WORM……………………………………………..…33 MOMMA DON’T WEAR NO SOCKS………………………………34 HIGH HEELS…………………………………………………………35 HAVE FUN, BE YOURSELF……………………........................... -
Toward a Fully Resolved Fungal Tree of Life
Annual Review of Microbiology Toward a Fully Resolved Fungal Tree of Life Timothy Y. James,1 Jason E. Stajich,2 Chris Todd Hittinger,3 and Antonis Rokas4 1Department of Ecology and Evolutionary Biology, University of Michigan, Ann Arbor, Michigan 48109, USA; email: [email protected] 2Department of Microbiology and Plant Pathology, Institute for Integrative Genome Biology, University of California, Riverside, California 92521, USA; email: [email protected] 3Laboratory of Genetics, DOE Great Lakes Bioenergy Research Center, Wisconsin Energy Institute, Center for Genomic Science and Innovation, J.F. Crow Institute for the Study of Evolution, University of Wisconsin–Madison, Madison, Wisconsin 53726, USA; email: [email protected] 4Department of Biological Sciences, Vanderbilt University, Nashville, Tennessee 37235, USA; email: [email protected] Annu. Rev. Microbiol. 2020. 74:291–313 Keywords First published as a Review in Advance on deep phylogeny, phylogenomic inference, uncultured majority, July 13, 2020 classification, systematics The Annual Review of Microbiology is online at micro.annualreviews.org Abstract https://doi.org/10.1146/annurev-micro-022020- Access provided by Vanderbilt University on 06/28/21. For personal use only. In this review, we discuss the current status and future challenges for fully 051835 Annu. Rev. Microbiol. 2020.74:291-313. Downloaded from www.annualreviews.org elucidating the fungal tree of life. In the last 15 years, advances in genomic Copyright © 2020 by Annual Reviews. technologies have revolutionized fungal systematics, ushering the field into All rights reserved the phylogenomic era. This has made the unthinkable possible, namely ac- cess to the entire genetic record of all known extant taxa. -
The History of Tree Health and Tree Populations in England Since C.1550
The History of Tree Health and Tree Populations in England since c.1550. Tom Williamson Gerry Barnes Toby Pillatt Acknowledgements A large number of people have helped with this project, providing access to documents or providing information and advice. We would like to thank, in particular, the staff at Hertfordshire Archives and Local History, the Northamptonshire Record Office, Norfolk Record Office, and the various Yorkshire Record Offices (at Northallerton, Leeds, Bradford, Calderdale, Kirklees, Sheffield, Doncaster, Barnsley, Hull and Beverley); and Crispin Towell at Boughton House archives, Northamptonshire. Thanks also to Anne Rowe and Peter Austin, for information about Hertfordshire; Tracey Partida, for access to her research on Northamptonshire enclosure; and to Sid Cooper, Teresa Betterton, Rachel Riley, Richard Brooke, Jim Lyon, Andrew Falcon, Rod Pass, John White, Mark Pritchard, Rory Hart, Peter Clarke, Garry Battell, Nicola Orchard, Justin Gilbert, Andrew MacNair, Jack Langton, Rob Liddiard, Steve Scott and Patsy Dallas. Contents Part 1: Report Summary ……………………………………………………………………………… ........................ 4 Part 2: Main Report: ................................................................................................................ 18 1. Introduction: trees, woods and landscapes ….. .................................................................... 18 2. Farmland Trees ..................................................................................................................... 51 3. Woodland and Wood-Pasture -
Feat. Eminen) (4:48) 77
01. 50 Cent - Intro (0:06) 75. Ace Of Base - Life Is A Flower (3:44) 02. 50 Cent - What Up Gangsta? (2:59) 76. Ace Of Base - C'est La Vie (3:27) 03. 50 Cent - Patiently Waiting (feat. Eminen) (4:48) 77. Ace Of Base - Lucky Love (Frankie Knuckles Mix) 04. 50 Cent - Many Men (Wish Death) (4:16) (3:42) 05. 50 Cent - In Da Club (3:13) 78. Ace Of Base - Beautiful Life (Junior Vasquez Mix) 06. 50 Cent - High All the Time (4:29) (8:24) 07. 50 Cent - Heat (4:14) 79. Acoustic Guitars - 5 Eiffel (5:12) 08. 50 Cent - If I Can't (3:16) 80. Acoustic Guitars - Stafet (4:22) 09. 50 Cent - Blood Hound (feat. Young Buc) (4:00) 81. Acoustic Guitars - Palosanto (5:16) 10. 50 Cent - Back Down (4:03) 82. Acoustic Guitars - Straits Of Gibraltar (5:11) 11. 50 Cent - P.I.M.P. (4:09) 83. Acoustic Guitars - Guinga (3:21) 12. 50 Cent - Like My Style (feat. Tony Yayo (3:13) 84. Acoustic Guitars - Arabesque (4:42) 13. 50 Cent - Poor Lil' Rich (3:19) 85. Acoustic Guitars - Radiator (2:37) 14. 50 Cent - 21 Questions (feat. Nate Dogg) (3:44) 86. Acoustic Guitars - Through The Mist (5:02) 15. 50 Cent - Don't Push Me (feat. Eminem) (4:08) 87. Acoustic Guitars - Lines Of Cause (5:57) 16. 50 Cent - Gotta Get (4:00) 88. Acoustic Guitars - Time Flourish (6:02) 17. 50 Cent - Wanksta (Bonus) (3:39) 89. Aerosmith - Walk on Water (4:55) 18.