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												Ladysmith Black Mambazo
CAL PERFORMANCES PRESENTS Sunday, March 2, 2014, 7pm Zellerbach Hall Ladysmith Black Mambazo Joseph Shabalala ( with us in spiritual support ) Msizi Shabalala Russel Mthembu Albert Mazibuko Thulani Shabalala Thamsanqa Shabalala Sibongiseni Shabalala Abednego Mazibuko Ngane Dlamini Babuyile Shabalala Pius Shezi l a e L s i u L In Honor of Nelson Mandela Cal Performances’ (&')–(&'* season is sponsored by Wells Fargo. PLAYBILL ABOUT THE ARTISTS N 8679 , LADYSMITH BLACK MAMBAZO cele - the group’s ability to “chop down” any singing Ibrates over 50 years of joyous and uplifting rival who might challenge them. Their collec - music. Within Ladysmith’s singing are the in - tive voices were so tight and their harmonies so tricate rhythms and harmonies of their native polished that by the end of the 1960s the singers South African musical traditions. In those 50- were banned from competitions, although they plus years, the a cappella vocal group has cre - were welcome to participate as entertainers. ated a musical and spiritual message that has A radio broadcast in 1970 opened the touched a worldwide audience. Its singing door to the group’s first record contract—the efforts have garnered praise and accolades beginning of an ambitious discography that from a wide body of people, organizations, currently includes more than 50 recordings. and countries. Its p hilosophy in the studio was—and contin - As we all know, the father of their nation, ues to be—just as much about preservation of Nelson Mandela, passed away on December 5, musical heritage as it is about entertainment. 2013. His passing, while terribly sad, brings a The group sings a traditional music called isi - celebration for a life and message that cathamiya (is-cot-a- me -ya), which developed Ladysmith Black Mambazo has been con - in the mines of South Africa, where black nected with for many years. - 
												
												Ladysmith Black Mambazo Monday, February 16, 2004 Theater Etiquette and Experiences
A Performing Arts Series For Children PRESENTED BY THE MADISON CIVIC CENTER Ladysmith Black Mambazo Monday, February 16, 2004 Theater Etiquette and Experiences We have a wonderful opportunity at this performance to help youth learn about attending live performances. Sometimes young people do not realize how a live performance differs from watching a movie or television show. Please discuss the following with your students: 1. A live presentation has not been pre-recorded with the mistakes edited out. This makes it riskier for the performer and more exciting for the audience. It also means the audience contributes to the overall event. Each audience member affects those around him/her as well as the performer. The audience gives energy to the performer who uses that energy to give life to the performance. 2. An usher will show you where to sit. Walk slowly and talk quietly as you enter the theater. 3. If necessary, use the restroom before the performance begins. 4. Once you are seated, you may talk quietly to the people next to you until the performance begins. 5. When the lights dim, it is the signal that the performance is about to start. Stop talking and turn your attention to the stage. 6. Stay in your seat throughout the entire performance. 7. During the performance, listen quietly and watch closely. Talking during the performance will distract others around you, and the performers may think you’re not interested in the show. 8. LAUGHING IS APPROPRIATE. (Teachers, please do not hush the students while they are laughing.) If something is funny, it’s good to laugh. - 
												
												Audiences Will Dance in Their Seats When the Grammy® Award-Winning
March 1, 2011 Audiences will dance in their seats when the Grammy® award-winning South African ensemble Ladysmith Black Mambazo returns for a special one-night-only performance at the Annenberg Center Performance to include selections from the just released CD Songs from a Zulu Farm (Philadelphia, March 1, 2011) — Audiences will delight in the gentle, uplifting and intoxicating harmonies of the all-male a capella South African ensemble Ladysmith Black Mambazo when they return to the Annenberg Center stage for a special one-night-only performance on Friday, March 18 at 8:00 PM. The group will perform hits from their just released album Songs from a Zulu Farm, a collection of songs about growing up on the farm in South Africa, considered Ladysmith’s most personal album to date. Tickets for Ladysmith Black Mambazo are $20-$60. For tickets or for more information, please visit www.AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. Songs From A Zulu Farm, released on February 1, 2011, is a collection of South African children’s songs filled with lessons and sentiments that members of the group would have heard and sung themselves as children growing up on Zulu farms. Of the album Ladysmith founder and frontman Joseph Shabalala has said, “These are songs from the earliest time in our lives. When we sing these songs, we're singing from our personal history. We hope that these songs sung to South African children can be enjoyed by families in many other places in the world.” In 2010, Ladysmith Black Mambazo celebrated forty years of joyous and uplifting music that marries the intricate rhythms and harmonies of their native South African musical traditions to the sounds and sentiments of Christian gospel music. - 
												
												Ladysmith Black Mambazo Wednesday, February 17, 7:00 P.M. ET Virtual Performance with Artist Talkback
Ladysmith Black Mambazo Wednesday, February 17, 7:00 p.m. ET Virtual Performance with Artist Talkback The UMass Fine Arts Center is supported by the New England Foundation for the Arts through the New England Arts Resilience Fund, part of the United States Regional Arts Resilience Fund, an initiative of the U.S. Regional Arts Organizations and The Andrew W. Mellon Foundation, with major funding from the federal CARES Act from the National Endowment for the Arts. UMass Amherst occupies the traditional land of the Nonotuck tribe. We would also like to acknowledge our neighboring Indigenous nations: the Nipmuc and the Wampanoag to the East, the Mohegan and Pequot to the South, the Mohican to the West, and the Abenaki to the North. The presentation of Ladysmith Black Mambazo is sponsored by: THE ARTISTS Thulani Shabalala Sibongiseni Shabalala Thamsanqa Shabalala Msizi Shabalala Albert Mazibuko Abednego Mazibuko Mfanafuthi Dlamini Pius Shezi Sabelo Mthembu PROGRAM 1. Love Your Neighbor 2. Nomathemba 3. Thalaza 4. Long Walk To Freedom 5. Joseph Shabalala Tribute 6. Hello My Baby 7. Tough Times Never Last 8. Never Give Up 9. Nqokonqoko 10. Homeless 11. Wenothanda Bantu 12. This Little Light of Mine ABOUT LADYSMITH BLACK MAMBAZO South Africa’s Five Time GRAMMY Award winning singing group, Ladysmith Black Mambazo, was founded in the early 1960s by Joseph Shabalala, a teenage Zulu farm boy living on the lands just outside the small town of Ladysmith. The groups name represents a combination of references: Ladysmith, Joseph’s hometown, honors his family history; Black for the black oxen he worked with and the strongest of farm animals symbolizes the strength of the group’s vocal singing and the Zulu word mambazo for chopping axe, a symbol of the group’s vocal ability. - 
												
												Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. - 
												
												SHARON HOWARD-FIELD 1 Casting Director
SHARON HOWARD-FIELD 1 Casting Director EMPLOYMENT HISTORY: • Howard-Field Casting, (Los Angeles, London & Europe) 1993-2014 • Director of Feature Casting, Warner Bros. Studios, Los Angeles 1989-1993 • Howard-Field Casting ( London & Europe) 1983-1989 • Casting & Project Consultant RKO, London operations 1983-1985 • Associate Casting Director Royal Shakespeare Company, London 1977-1983 • Production Assistant to director/producer Martin Campbell, London 1975-1977 • Assistant to writer, Tudor Gates, Drumbeat Productions, London 1975-1977 FILMS CURRENTLY IN DEVELOPMENT FOR 2014/15: AMOK – Director: Kasia Adamik. Screenplay: Richard Karpala. Executive producer: Agnieszka Holland. Producers: Beata Pisula, Debbie Stasson - in development for spring 2015 WALKING TO PARIS – Director: Peter Greenaway, Producer: Kees Kasander and Julia Ton. Scheduled to commence pp February 2015 in Romania, Switzerland and France. THE WORLD AT NIGHT – Director: TBC. Screenplay: William Nicholson. Producer: Vanessa van Zuylen, (VVZ Presse, Paris, France), Matthias Ehrenberg, Jose Levy, (Cuatro Films Plus) Ibon Cormenzana, (Arcadia Motion Pictures), – in development to shoot Argentina and France Spring 2015. Daniel Bruhl attached. RACE – In association with Suzanne Smith Casting. Director: Stephen Hopkins. Filming Berlin and Canada, September 2014. Casting a selection of cameo roles from the UK AMERICAN MASSACRE – Director: TBC Producer: Emjay Rechsteiner (Staccato Films); Executive Producer: Harris Tulchin - in development for Spring 2015, shooting New Zealand and Canary Islands LITTLE SECRET (Pequeno Segredo) – Director: David Schurmann; Writer: Marcos Bernstein; Producers: Matthias Ehrenberg (Cuatro Films Plus), Joao, Roni (Ocean Films, Brazil), Emma Slade (Fire Fly Films, NZ), Barrie Osborn – in development to shoot Brazil, October 2014. Finnoula Flanagan attached THE BAY OF SILENCE: - Director: Mark Pellington; Screenwriter & Producer: Caroline Goodall, Executive Producer: Peter Garde. - 
												
												Ladysmith Black Mambazo & Vusi Mahlasela
CAL PERFORMANCES PRESENTS Ladysmith Black Mambazo & Vusi Mahlasela Long Walk to Freedom Thursday, February 3, 2005, 8 pm Zellerbach Hall Ladysmith Black Mambazo Joseph Shabalala Thulani Shabalala Msizi Shabalala Thamsanqa Shabalala Russel Mthembu Sibongiseni Shabalala Albert Mazibuko Jockey Shabalala Jabulani Dubazana Abednego Mazibuko Vusi Mahlasela Tonight’s program will be announced from the stage. Ladysmith Black Mambazo’s set will be approximately 60 minutes in length. Vusi Mahlasela’s set will be approximately 30 minutes in length. There will be one intermission. This performance has been made possible, in part, by the Friends of Cal Performances. Cal Performances thanks the William and Flora Hewlett Foundation, The Wallace Foundation, and the Zellerbach Family Foundation for their generous support. 23 CAL PERFORMANCES ABOUT THE ARTISTS Ladysmith Black Mambazo has come to represent It’s been more than 15 years since Paul the traditional culture of South Africa in many Simon made his initial trip to South Africa and people’s minds, and they are regarded as cultural met Joseph Shabalala and the other members of emissaries around the world. In 1993, at Nelson Ladysmith Black Mambazo in a recording studio Mandela’s request, Mambazo accompanied the in Johannesburg. Having listened to a cassette of future president, and then South African President their music sent by a DJ based in Los Angeles, F.W. de Klerk, to the Nobel Peace Prize ceremony Simon was captivated by the stirring sound of bass, in Oslo, Norway. Mambazo sang again at President alto and tenor harmonies. Simon incorporated Mandela’s inauguration in May of 1994. They are the traditional sounds of black South Africa into a national treasure of the new South Africa in part the Graceland album, a project regarded by many because they embody the traditions suppressed in as seminal to today’s explosive interest in World the old South Africa. - 
												
												THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell. - 
												
												Ladysmith Black Mambazo Notes.Indd
CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Th ursday, March , , pm ladysmith black mambazo city of Durban, which provided him the oppor- Zellerbach Hall tunity to seek work in a factory. Leaving the fam- Mention African song and most people think of ily farm was not easy, but it was during this time South African practitioners of the vocal arts— that Joseph fi rst showed a talent for singing. After Solomon Linda, Miriam Makeba and, perhaps singing with several groups in Durban, he returned Ladysmith Black Mambazo more than anyone else in recent memory, Ladysmith to his hometown of Ladysmith and began to put Black Mambazo. Ladysmith Black Mambazo has together groups of his own. come to represent the traditional culture of South He was rarely satisfi ed with the results. “I felt Africa. Th ey are regarded as South Africa’s cultural there was something missing…. I tried to teach the emissaries at home and around the world. In , music that I felt, but I failed until , when a at Nelson Mandela’s request, Black Mambazo harmonious dream came to me. I always heard the accompanied the future President to the Nobel harmony from that dream and I said ‘Th is is the Peace Prize ceremony in Oslo, Norway. Mambazo sound that I want and I can teach it to my guys.’” sang again at President Mandela’s inauguration in In the early years, Joseph recruited members May . Th ey are a national treasure of the new of his family, and friends—brothers Headman and South Africa, in part because they embody the Jockey, cousins Albert and Abednego Mazibuko traditions suppressed in the old South Africa. - 
												
												Ladysmith Black Mambazo Erano Stati Suo Insediamento Come Primo Presidente Di Colore Di Una Nazione Per Lui Uno Dei Più Potenti Messaggi Di Pace Ascoltati in Prigione
Cape Town Opera 9-12 Comune di Forlì giugno Mandela Teatro Alighieri Trilogy A musical tribute to the life Ladysmith of Nelson Mandela Black 3 Mambazo Albert Mazibuko Abednego Mazibuko Thulani Shabalala Sibongiseni Shabalala Thamsanqa Shabalala Msizi Shabalala Mfanafuthi Dlamini Pius Shezi Sabelo Mthembu Rocca Brancaleone 20 For Mandela giugno MinAfric Orchestra si ringrazia l’Ambasciata del Sudafrica in Italia Teatro Rasi Louis Moholo-Moholo 21 5 Blokes giugno a seguire Keith & Julie Tippett Forlì, Chiesa di San Giacomo “Couple in Spirit” 28 maggio, ore 21 Teatro Rasi Con il patrocinio di 23 Hugh Masekela Iniziativa nell’ambito di giugno gallerieditalia.com In un Sudafrica diviso dall’apartheid, per gli artisti e i musicisti approdò in Sudafrica alla ricerca di nuove suggestioni musicali, Cantando per la pace si aprivano due possibili percorsi di resistenza: alcuni si fecero fu immediatamente conquistato dai loro ricchi e irresistibili interpreti di un potente messaggio di aperta e violenta ribellione arrangiamenti vocali, tanto da coinvolgerli in Graceland (1986), in tutto il mondo contro gli orrori della segregazione razziale; altri, come i Ladysmith l’album che diventa la pietra miliare nella storia e nel successo Black Mambazo, scelsero la protesta pacifica. Così, seguendo planetario della world music. E’ sempre Paul Simon poi, l’anno l’esempio americano di Martin Luther King, Joseph Shabalala successivo, a produrre il loro primo disco pubblicato negli Stati Alla cerimonia per la consegna del Nobel, a Oslo nel 1993, ad firmò molte canzoni capaci di esprimere e di infondere speranza Uniti, Shala Zulu, che, manco a dirlo, si aggiudicherà il Grammy accompagnare Nelson Mandela c’erano proprio loro, i Ladysmith in un domani migliore, tanto che quando, nel 1990, Mandela fu Award. - 
												
												COUPS D'oeil Ges En Quête D'individualité
Document generated on 09/23/2021 8:16 a.m. Séquences La revue de cinéma Coups d’oeil Number 202, May–June 1999 URI: https://id.erudit.org/iderudit/49050ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (1999). Review of [Coups d’oeil]. Séquences, (202), 55–57. Tous droits réservés © La revue Séquences Inc., 1999 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ IR I T I Q U E S tion psychanalytique incisive de quelques personna COUPS D'OEIL ges en quête d'individualité. Mais dans cette dernière production, la remise en question de l'institution familiale tombe à plat simplement parce que le réa lisateur emprunte les voies de la facilité, ne se préoc li* 'i *v cupant que de faire vibrer les cordes sensibles des spectateurs. La finale, d'une faiblesse narrative dé concertante, confirme avec justesse que le film s'adresse à un auditoire de télévision du genre Movie of the Week. (EC) ÉU 1999, 105 min. — Réal.: Ulu Grosbard — Int.: Michelle Pfeiffer, Treat Williams, Jonathan Jackson, John Kapelos — Dist.: Columbia. - 
												
												The Man Who Invented Christmas Pk
THE MAN WHO INVENTED CHRISTMAS Directed by Bharat Nalluri Starring Dan Stevens, Christopher Plummer and Jonathan Pryce UK release date | 1st December 2017 Running time | 104 minutes Certificate | PG Press information | Saffeya Shebli | [email protected] | 020 7377 1407 1 OFFICIAL SYNOPSIS The Man Who Invented Christmas tells of the magical journey that led to the creation of Ebenezer Scrooge (Christopher Plummer), Tiny Tim and other classic characters from A Christmas Carol. Directed by Bharat Nalluri (Miss Pettigrew Lives for a Day), the film shows how Charles Dickens (Dan Stevens) mixed real life inspirations with his vivid imagination to conjure up unforgettable characters and a timeless tale, forever changing the holiday season into the celebration we know today. LONG SYNOPSIS The bestselling writer in Victorian London sets out to revive his flagging career and reimagines Yuletide celebrations in The Man Who Invented Christmas, an entertaining and enchanting glimpse into the life and mind of master storyteller Charles Dickens as he creates the quintessential holiday tale, A Christmas Carol. After a string of successful novels, world-renowned writer Dickens (Dan Stevens) has had three flops in a row. With the needs of his burgeoning family and his own extravagance rapidly emptying his pockets, Dickens grows desperate for another bestseller. Tormented by writer’s block and at odds with his publishers, he grasps at an idea for a surefire hit, a Christmas story he hopes will capture the imagination of his fans and solve his financial problems. But with only six weeks to write and publish the book before the holiday, and without the support of his publishers – who question why anyone would ever read a book about Christmas – he will have to work feverishly to meet his deadline.