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LARRY MADARAS EDITOR FEATURES THE ETRUSCAN SMILE Po Valley Productions Prod: Arthur Cohn Dir: Oded Binnun, (Co-Editor) Mihal Brezis THE HOMESMAN (Co-Editor) EuropaCorp/Saban Films Prod: Luc Besson, Tommy Lee Jones, Dir: Tommy Lee Jones *Dramatic Competition, Cannes 2014 Michael Fitzgerald FRONTERA Magnolia Pictures/ Prod: Eric Williams Dir: Michael Berry Rise Entertainment CLOSER TO THE MOON Mandragora Movies Prod: Michael Fitzgerald Dir: Nae Caranfil (Co-Editor) THE THREE STOOGES 20th Century Fox Prod: Marc Fischer, Bradley Thomas Dir: Farrelly Bros. (Additional Editor) HALL PASS (Additional Editor) New Line Cinema Prod: Marc Fischer, Bradley Thomas Dir: Farrelly Bros. IN THE ELECTRIC MIST WITH Image Entertainment Prod: Michael Fitzgerald Dir: Bertrand Tavernier CONFEDERATE DEAD (Co-Editor) WANTED: UNDEAD OR ALIVE Dark Lot Entertainment Prod: Gigi Pritzker, Deborah Del Prete Dir: Glasgow Phillips HOMIE SPUMONI R-Caro Productions Prod: Mike Cerrone, Steve Cerrone Dir: Cerrone Brothers THE THREE BURIALS OF EuropaCorp. Prod: Michael Fitzgerald Dir: Tommy Lee Jones MELQUIADES ESTRADA (Addl. Editor) WASABI TUNA Indican Pictures Prod: Lee Friedlander, Celia Fox Dir: Lee Friedlander ROLLING KANSAS (Shared credit) Gold Circle Films Prod: Larry Katz Dir: Thomas Haden Church AMERICAN PIE 2 Universal Pictures Prod: Craig Perry, Warren Zide Dir: James B. Rogers SAY IT ISN’T SO 20th Century Fox Prod: Bradley Thomas, Farrelly Bros. Dir: James B. Rogers GASOLINE RAINBOWS Panorama Entertainment Prod: Paul Flinton Dir: Jim Cricchi ME, MYSELF & IRENE 20th Century Fox Prod: Bradley Thomas, Marc Fischer Dir: Farrelly Bros. (Assistant Editor) AMERICAN BEAUTY DreamWorks Prod: Dan Jinks, Bruce Cohen Dir: Sam Mendes (Assistant Editor) LOST & FOUND (Assistant Editor) Warner Bros. Pictures Prod: Morrie Eisenman, Matt Huson Dir: Jeff Pollack THERE’S SOMETHING 20th Century Fox Prod: Bradley Thomas, Farrelly Bros. Dir: Farrelly Bros. ABOUT MARY (Assistant Editor) MOST WANTED New Line Cinema Prod: Tony Mark, Eric Gold Dir: David Hogan (Additional editing - Assistant Editor) KINGPIN (Assistant Editor) MPCA/MGM Prod: Brad Krevoy, Steve Stabler Dir: Farrelly Bros. THE MAKER (Assistant Editor) Nu Image Prod: Avi Lerner, Andrew Lazar Dir: Tim Hunter TELEVISION THE SUNSET LIMITED (MOW) HBO Prod: Barbara Hall, Tommy Lee Jones Dir: Tommy Lee Jones (Co-Editor) UNHITCHED (Pilot) 20th Century Fox/FOX Prod: Kevin Barnett, Katy McCaffrey Dir: Farrelly Bros. 30 DAYS UNTIL VH1 Prod: Kevin Bannerman Dir: Gabriela Tagliavini I’M FAMOUS (MOW) UNAUTHORIZED! THE VH1 Prod: Tina Stern Dir: Drew Daywalt ARNOLD SCHWARZENEGGER MINI-MOVIE David Schneider KNEE HIGH P.I. (MOW) Comedy Central Prod: Troy Miller, Carl Mazzocone Dir: J.B. Rogers RAVEN HAWK (MOW) Toga Prods/HBO Prod: Tom Karnowski Dir: Albert Pyun 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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108 Kansas History “Facing This Vast Hardness”: the Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film
Premiere of Dark Command, Lawrence, 1940. Courtesy of the Douglas County Historical Society, Watkins Museum of History, Lawrence, Kansas. Kansas History: A Journal of the Central Plains 38 (Summer 2015): 108–135 108 Kansas History “Facing This Vast Hardness”: The Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film edited and introduced by Thomas Prasch ut the great fact was the land itself which seemed to overwhelm the little beginnings of human society that struggled in its sombre wastes. It was from facing this vast hardness that the boy’s mouth had become so “ bitter; because he felt that men were too weak to make any mark here, that the land wanted to be let alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness” (Willa Cather, O Pioneers! [1913], p. 15): so the young boy Emil, looking out at twilight from the wagon that bears him backB to his homestead, sees the prairie landscape with which his family, like all the pioneers scattered in its vastness, must grapple. And in that contest between humanity and land, the land often triumphed, driving would-be settlers off, or into madness. Indeed, madness haunts the pages of Cather’s tale, from the quirks of “Crazy Ivar” to the insanity that leads Frank Shabata down the road to murder and prison. “Prairie madness”: the idea haunts the literature and memoirs of the early Great Plains settlers, returns with a vengeance during the Dust Bowl 1930s, and surfaces with striking regularity even in recent writing of and about the plains.
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The National Film Preserve Ltd. Presents the This Festival Is Dedicated To
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June 2021 San Antonio, TX 78278-2261 Officers Howdy Texican Rangers
The Texas Star Newsletter for the Texican Rangers A Publication of the Texican Rangers An Authentic Cowboy Action Shooting Club That Treasures & Respects the Cowboy Tradition SASS Affiliated PO Box 782261 June 2021 San Antonio, TX 78278-2261 Officers Howdy Texican Rangers President Asup Sleeve (954) 632-3621 [email protected] Vice President Its official, summer is here! The June Burly Bill Brocius matches were a huge success thanks to the 210-310-9090 work of the loyal Texicans who came out [email protected] to maintain our club range. The June matches continued and Secretary improved on the fast pace stages set in Tombstone Mary May. With 50 competitors on Saturday, 210-262-7464 Alamo Andy bested the field with a stage [email protected] average of 18.4 seconds while taking the honor of Top Overall Cowboy. Panhandle Treasurer Cowgirl came in second place overall and A.D. Top Lady Shooter for the day. 210-862-7464 Sunday saw the Top Overall shooter [email protected] position go to Brazos Bo with an average stage time under 20 seconds. Talk about Range Master consistency, Panhandle Cowgirl reigned in the Top Lady honors on Sunday as well, Colorado Horseshoe for a back-to-back sweep of the Lady 719-231-6109 category. [email protected] Other notable awards were the 15 shooters who completed all five stages Communications perfectly clean on Saturday and one on Dutch Van Horn Sunday. Yee haw to all the shooters with 210-823-6058 a fast paced and fun two days of shooting.
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29Th JUNE > 1St [email protected]
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Les Représentations Filmiques De La Santé Mentale Des Migrants : Pistes Réflexives Mouloud Boukala
Document generated on 09/28/2021 9:21 p.m. Alterstice Revue internationale de la recherche interculturelle International Journal of Intercultural Research Revista International de la Investigacion Intercultural Les représentations filmiques de la santé mentale des migrants : pistes réflexives Mouloud Boukala Santé mentale et sociétés plurielles Article abstract Volume 4, Number 2, 2014 Cet article propose des pistes réflexives sur l’analyse des représentations cinématographiques, principalement fictionnelles, abordant la santé mentale URI: https://id.erudit.org/iderudit/1077428ar des migrants. L’un des enjeux de notre réflexion est de cerner les films se DOI: https://doi.org/10.7202/1077428ar consacrant à ce sujet et, de les identifier puis d’analyser comment des individus – en l’occurrence des migrants malades – y sont représentés. See table of contents Qu’apporte ce mode de figuration qu’est le cinéma à la compréhension de la santé mentale en contexte migratoire ? Le cinéma fictionnel est-il source de stéréotypie (les migrants comme porteurs de danger social, responsables des déficits publics, etc.) ou marque-t-il une rupture avec des représentations Publisher(s) réductrices ? Le cinéma met-il en image et en sons les impacts des violences, de Alterstice l’isolement affectif, de la guerre, des persécutions, des menaces, des troubles du sommeil sur la santé mentale des migrants ? La fiction rend-elle compte des espaces cliniques et thérapeutiques proposés aux migrants ? ISSN 1923-919X (digital) Explore this journal Cite this article Boukala, M. (2014). Les représentations filmiques de la santé mentale des migrants : pistes réflexives. Alterstice, 4(2), 85–98. https://doi.org/10.7202/1077428ar © Mouloud Boukala, 2014 This document is protected by copyright law.
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