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A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
The Bulletin Story Book a Selection of Stories and Literary Sketches from “The Bulletin”
The Bulletin Story Book A Selection of Stories and Literary Sketches from “The Bulletin” A digital text sponsored by Australian Literature Gateway University of Sydney Library Sydney http://purl.library.usyd.edu.au/setis/id/bulstor © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission 2003 Source Text: Prepared from the print edition published by The Bulletin Newspaper Company Sydney 1902 303pp Extensive efforts have been made to track rights holders Please let us know if you have information on this. All quotation marks are retained as data. First Published: 1901 A823.8909/1 Australian Etext Collections at short stories 1890-1909 The Bulletin Story Book A Selection of Stories and Literary Sketches from “The Bulletin” Sydney The Bulletin Newspaper Company 1902 2nd Edition Prefatory THE files of The Bulletin for twenty years offer so much material for a book such as this, that it was not possible to include more than a small number of the stories and literary sketches judged worthy of republication. Consequently many excellent Australian writers are here unrepresented, their work being perforce held over for The Second Bulletin Story Book, although it is work of a quality equal to that which is now given. The risk and expense of this publication are undertaken by The Bulletin Newspaper Company, Limited. Should any profits accrue, a share of forty per cent, will be credited to the writers represented. Owing to the length of time which, in some cases, has elapsed since the original publication in The Bulletin, the names and addresses of some of the writers have been lost sight of; and their work appears over pen-names, The editor will be glad if these writers will communicate with him and assist in completing the Biographical Index at the end of the book. -
STEELE RUDD," and HIS GIFT of LAUGHTER an Australian Literary Heritage [By ERIC D
127 "STEELE RUDD," AND HIS GIFT OF LAUGHTER An Australian Literary Heritage [By ERIC D. DAVIS] (Read at a Meeting of the Society on 26 March 1970) To me personally—it is something very close to my heart to be asked to address you concerning my late father—bet ter known as "Steele Rudd." From as early as I can remember, I always thought he was the greatest man in the world, and with the passing of the years, my admiration for him has not diminished any. Needless to say, I am honoured when 1 am called upon to tell people about the person I always called "Dad." No doubt this is also the cardinal reason why I am in the process of writing his biography. The wording on his memorial cairn at Drayton, where he was bom, on the Darling Downs, Queensland, has always impressed me. It reads: "He brought to Australian writing the rich gift of hon est laughter with the undertones of the struggles and sor rows of the pioneers." Yes, indeed, he had the abUity to make people laugh, and at the same time combine his humour with pathos. I think it can be truthfully said his writings were an affirmation of the thoughts of W. M. Thackeray, the famous English author, that "A good laugh is sunshine in the house." Strangely enough, it wasn't my father's intention to ap pear as a funny man when he started to write in the early 'nineties, but as time went by, the literary mantle of fame which became his lot, I fear often weighed heavUy upon him as he endeavoured to please his reading public. -
March 2020 Newsletter
MARCH 2020 IN THIS ISSUE Strength Based Recovery Training with Helen Glover By Julian & Deanne Gambling Support by Deanne Bloom A MESSAGE FROM Steel Rudd Park - East OUR CEO Greenmount D E B B I E B A I L E Y by Julian Mudge Welcome to the March 2020 edition of our newsletter. We apologise for t he delay in publishing this month - we've been working to redesign our service so that we can continue to provide support in these changing Care For The Environment times. At Clubhouse Following the latest Government restrictions around COVID-19 we have by Amie Jennison d eveloped a new program which will commence from Monday 30 March. Our service will continue to evolve but for now, the focus is on providing extensive phone, email and text support to members with the Member Profile: addition of online programs and some face-to-face small group Deanne Bloom activities outside of Clubhouse (while observing social distancing, hygiene, group size and safety/wellbeing requirements for all.) by Julian Mudge Key features of the new program include: Morning Meetings will be streamed live on our Toowoomba Clubhouse News - New Clubhouse Facebook page daily Monday - Friday at 9:30am. Water tanks - Donation Face-to-Face - Connection through Gardening at Clubhouse (Monday, Wednesday, Thursday , 9am -11am.) Face-to-Face - Connection through Getting Healthy meet at Creative Corner: Clubhouse (Walk/Tai Chi, Tuesday and Friday, 1pm-3pm.) Poem - By Tia Marshall Online - Media and Comms crew Thursday 1-3pm Online - Private Facebook and chat groups for members Art - by Deanne Bloom Online - Regular phone, email and text check ins and support from staff (Monday - Friday, 9am - 4:30pm.) This new program means the main Clubhouse building will be closed All articles in this newsletter from Monday 30 March. -
Dad Rudd, M.P. and the Making of a National Audience. Dad Rudd, M.P
Dad Rudd, M.P. and the making of a national audience. Dad Rudd, M.P. was the fourth and final film made by Ken G. Hall based on characters originally created by ‘Steele Rudd’ (Arthur Hoey Davis) in 1895. It. was also the first of four films to receive a £15,000 overdraft from the NSW government as part of an attempt to encourage local film production. It was released by Cinesound in Australia in June 1940. According to the Australasian’s film critic ‘The Chiel,’ when the film was shown in Melbourne, ‘a queue that was 100 yards long to the box office, a crowded theatre, and sustained applause indicated that the Australian people have no fault to find with “Dad Rudd, M.P.”’(Chiel 1940). Box office for the film was indeed remarkable in Australia and the film also gained popular acclaim in Britain, where it was screened more than 1400 times before mid-1941 (Pike 1980:45). The Rudd family texts are unique in Australian cultural history for the extent to which they have been adapted, and the degree of their popularity in a variety of media over time. Authors, producers, directors and publicists of these texts engendered a market defined by its recognition of Australian cultural commonplaces. In this respect the Rudd characters have been instrumental in the creation and characterization of a specifically ‘Australian’ audience that can be defined in relation to a set of national symbols. Dad Rudd, M.P., in particular, illustrates the way in which such national symbols can be a product of market imperatives, overseas influences and chance. -
GETTING IT TOGETHER from Colonies to Federation
GETTING IT TOGETHER From Colonies to Federation queensland People and Places InVESTIGaTIONS OF AUSTRALIa’s JOuRNEYInvestigations of Australia’s journey TO NATIOnHOOd FOR THe MIDDLE to nationhood for the middle years classroom YEARs CLASSROOM GETTING IT TOGETHER queensland – PeOPLE AND PLACES © COMMOnWEALTH OF AUSTRALIa i Getting It Together: From Colonies to Federation has been funded by the Museum of Australian Democracy at Old Parliament House. Getting It Together: From Colonies to Federation – Queensland ISBN: 978 1 74200 099 2 SCIS order number: 1427630 Full bibliographic details are available from Curriculum Corporation. PO Box 177 Carlton South Vic 3053 Australia Tel: (03) 9207 9600 Fax: (03) 9910 9800 Email: [email protected] Website: www.curriculum.edu.au Published by the Museum of Australian Democracy at Old Parliament House PO Box 7088 Canberra BC ACT 2610 Tel: (02) 6270 8222 Fax: (02) 6270 8111 www.moadoph.gov.au September 2009 © Commonwealth of Australia 2009 This work is copyright. You may download, display, print and reproduce this material in unaltered form only (retaining this notice) for your personal, non-commercial use or use within your organisation. Apart from any use as permitted under the Copyright Act 1968, all other rights are reserved. Requests and inquiries concerning reproduction and rights should be addressed to Commonwealth Copyright Administration, Attorney General’s Department, National Circuit, Barton ACT 2600 or posted at www.ag.gov.au/cca This work is available for download from the Museum of Australian Democracy at Old Parliament House: http://moadoph.gov.au/learning/resources-and-outreach Edited by Katharine Sturak and Zoe Naughten Designed by Deanna Vener GETTING IT TOGETHER queensland – PeOPLE AND PLACES © COMMOnWEALTH OF AUSTRALIa People and Places From the 1860s to the early 1890s, Queensland had laid the foundations for a prosperous colony. -
On Our Selection Steele Rudd
University of North Dakota UND Scholarly Commons Settler Literature Archive Department of English 1899 On Our Selection Steele Rudd Follow this and additional works at: https://commons.und.edu/settler-literature Recommended Citation Rudd, Steele, "On Our Selection" (1899). Settler Literature Archive. 105. https://commons.und.edu/settler-literature/105 This Book is brought to you for free and open access by the Department of English at UND Scholarly Commons. It has been accepted for inclusion in Settler Literature Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Wm. Shankfancf. ON OUR SELECTION First edition, 8000 copies, November, 1H99. Reprinted, 3750 copies, April, 1901. Reprinted, 5000 copies, August, 1902. Reprinted, S/,50 copies, August, 1903. On Our Selection! Written by JlrtDur 6. Davis ("Steele Rudd") Illustrated from Drawings *V H. 3. Tfscftcr, fl. I). TuHwood, 0. UP. Lambert, Tred Eeist, T. P. mabony, andJW. Ulncent for Huiirall? Twentieth Thousand Publlsbea at Sydney by the Bulletin newspaper Co., Etl roemffl. The contents of this book were originally published in The Bulletin. \ Copyright, 1S00, by The Bulletin Newspaper Co., Ltd. Printed and Published by William ilart<tod, of Botany-street, Waverley, for The Bulletin Newspaper Co., Ltd., at the office of the Co., 21U George-street A'orth, Sydney, Australia. PIONEERS OF AUSTRALIA! To You "Who Gave Our Country Birth j" TO THE MEMORY OF -
Towards a History of Transtasman Literary Relations
The Neglected Middle Distance: Towards a History of Transtasman Literary Relations TERRY STURM Prefatory Note. The following article was originally delivered as a public lecture at the University of Auckland. In some intro• ductory remarks I spoke of contemporary economic and political developments in Transtasman relations as giving some urgency to the more specific literary and cultural questions raised in the lecture. I was also conscious — in thinking about the ways in which New Zealand and Australian literature might be related — of pressures from a very different quarter : the burgeoning academic industry in comparative Commonwealth literary studies. I remain obstinately sceptical about many of its tendencies, and the lecture was an implicit argument against at least one of them : the anti-historical tendency in comparative studies to treat authors and works, and the national traditions they belong to, as autonomous, self-contained totalities. What is attempted here is a mapping of the historical contours of Australian cultural influ• ence on, and presence in, New Zealand literature: a continuous, shifting history within which any comparative literary analysis needs, in my view, to be situated. JLHE TITLE OF THIS ESSAY is a phrase used by Allen Curnow in a longish review of twentieth-century Australian poetry which appeared in the second number of the New Zealand magazine Landfall in 1947.1 Its implication was that New Zealanders had concerned themselves too little with understanding a neighbour• ing culture which occupied the "middle distance" of their out• ward perspective — too much, perhaps, with the Anglo-European and American horizons beyond. Until very recently, awareness of each other's literature has been at an even lower ebb, perhaps, 30 TERRY STURM than when Allen Curnow wrote. -
Theatre in Melbourne, 1914–18: the Best, the Brightest and the Latest
6 ELISABETH KUMM Theatre in Melbourne, 1914–18: the best, the brightest and the latest Australian theatre was already undergoing momentous change when war broke out in 1914. Corporations were replacing actor–managers, theatre interests were contracting from multiple groups to just a few, and Australian audiences were increasingly open to American plays and players. The years immediately before the war saw the passing of two of the country’s leading entrepreneurs – music hall singer and founder of the Tivoli circuit Harry Rickards, and actor–manager JC Williamson, founder of JC Williamson Ltd – while other 19th-century show-business luminaries – George Coppin, George Rignold and Bland Holt – had died or retired.1 What did not change was the role of the audience as the arbiter of taste, which saw the public demanding the best, the brightest and the latest. JC Williamson and its competitors Known as JCW or ‘The Firm’, JC Williamson Ltd was the dominant force in Australian theatrical promotion, with controlling interests in theatres throughout Australia and New Zealand. The company was founded by American actor James Cassius Williamson, who first visited Australia under the auspices of George Coppin in 1874. He made his preliminary foray into Front cover of musical score for George R Hyam’s ‘Imshi’, which was first sung inStop Your Nonsense – an original Australian musical burlesque – at the King’s Theatre in December 1915. Sydney: J Wynter, c. 1915. National Library of Australia MUS N mba 783.2421599 H992 Theatre in Melbourne, 1914–18 8 The La Trobe Journal No. 97 March 2016 management in 1879 when he purchased the Australian performance rights for the operas of Gilbert and Sullivan. -
On Our Selection
On our selection Rudd, Steele (A.H.Davis) (1868-1935) University of Sydney Library Sydney 1998 http://setis.library.usyd.edu.au/ozlit © University of Sydney Library. The text and images are not to be used for commercial purposes without permission. Source Text: Prepared from the print edition published by The Bulletin Newspaper, Sydney 1899 All quotation marks retained as data Author First Published 1899 Australian Etexts 1890-1909 short stories prose fiction On our selection Sydney The Bulletin Newspaper 1899 [Dedication] PIONEERS OF AUSTRALIA! To You “Who Gave Our Country Birth;” to the memory of You whose names, whose giant enterprise, whose deeds of fortitude and daring were never engraved on tablet or tombstone; to You who strove through the silences of the Bush-lands and made them ours; to You who delved and toiled in loneliness through the years that have faded away; to You who have no place in the history of our Country so far as it is yet written; to You who have done MOST for this Land; to You for whom few, in the march of settlement, in the turmoil of busy city life, now appear to care; and to you particularly, GOOD OLD DAD, This Book is most affectionately dedicated. “STEELE RUDD.” Contents CONTENTS. PAGE. CHAPTER I. STARTING THE SELECTION 1 CHAPTER II. OUR FIRST HARVEST 8 CHAPTER III. BEFORE WE GOT THE DEEDS 14 CHAPTER IV. WHEN THE WOLF WAS AT THE DOOR 23 CHAPTER V. THE NIGHT WE WATCHED FOR WALLABIES 32 CHAPTER VI. GOOD OLD BESS 38 CHAPTER VII. CRANKY JACK 48 CHAPTER VIII. -
Kate Howarde
KATE HOWARDE (1864-1939) The leading Australian female thespian/writer/entrepreneur of the late nineteenth and early twentieth-centuries, Kate Howarde carved out a distinguished stage career over more than forty years, producing drama, musical comedies, pantomime, revusicals, and film. Between 1905 and 1909 she and her second husband, Scottish comedian Elton Black, lived overseas, spending most of the time in the USA, where she worked as a journalist and theatre critic, and also the United Kingdom. As a result of her remarkable activity in Australia and New Zealand, Howarde not only provided much needed entertainment to audiences throughout the two countries but also provided opportunities for numerous theatre practitioners, several of whom went on to establish their own high-profile careers. Most notable were S. A. Fitzgerald, Bert Bailey, and Charles Villiers. As a writer, her most popular original stage works were Possum Paddock (1919) and Gum Tree Gully (1924). Howarde's earliest-known radio appearance was with her dramatic company in 1931. She continued presenting her views and memories on air at irregular intervals up until at least 1938. 1864-1904 Born in North Woolwich, London, to labourer Edward George Jones and Harriett Hannah (nee Payne), Kate Howarde was born Catherine Clarissa Jones on 28 July 1864. She began her association with the Antipodes as a child, when her family immigrated to New Zealand. Although Howarde has claimed that she began receiving payment for her contributions to the Wellington Post at age nine after being encouraged to write by the paper's editor, this is believed to have occurred later in her teens.1 Her name is first identified with theatrical endeavours in June 1883 when she was billed as one of the members of Willmott's Dramatic Company, then playing a season at the Alexandra Hall, New Plymouth, New Zealand.2 The following year she married musician William Henry de Saxe. -
Summer 2011-2012
–Magazine for members Summer 2011–12 SL Message When Chief Librarian William Herbert Ifould received a letter from Daisy Bates in 1926, urging him to acquire an artefact owned by French royalty, he didn’t put it aside as a quaint suggestion from a remote ontents outpost. As you’ll read in Senior Curator Paul Brunton’s feature article Summer 2011–12 on page 14, Ifould took extraordinary steps over several years to secure Abel Tasman’s original map of Australia for the people of NSW. Alex Byrne feAture It is inspiring, if somewhat daunting, to follow in the footsteps of 4 24 Introducing our new Bringing a bestseller great librarians such as Ifould and John Metcalfe (Principal Librarian, State Librarian to life 1942–59). If we can continue to build and manage the Library’s collection with only a portion of their energy and foresight, we will be doing well. 6 neWs 28 A living collection Of course, technology has transformed the world of libraries since Our new library The search for those days. Digitising our collection is a top priority for the State Library Sensational purchase: an Australian of NSW, and for all major libraries. It is vital for expanding access and Wallis album anthropologist helping to preserve unique contemporary and historical material. Lost and found In 2010–11 we created over 30,000 digital images from our collection, 32 neW Acquisitions capturing fragile charts in the Sir William Dixson map collection and SL Pieces of Wedgwood First words the 3500 glass-plate negatives that make up Bernard Holtermann’s c The magazine for stAte liBrAry of nsW Take an e-book Much more than foundaTion members, remarkable snapshot of the 1870s goldfields.