5.1 Introduction

Total Page:16

File Type:pdf, Size:1020Kb

5.1 Introduction Structure Objectives Introduction CrankyJack - The Text OvdSn of Cranky Jack Interpretalions 5.4.1 What is Psychoadysis? 5.4.2 Psychoanalysing Cranky Jack ConteWsing Cranky Jack 5.5.1 The Pioneer Legend 5.5.2 Labour and Alienation 5.5.3 Panicide Let us Sum Up Questions Glossary Suggested Readings The main objective of this unit is to look at the story, Cranky Jack by Arthur Hoey Davis, better known as Steele Rudd. 1 will give a brief sketch of his life and take a quick look at his style and the kind af stories he wrote. I will also read Cranky Jack as an attempt to dismantle paternal authority. 5.1 INTRODUCTION Arthur Hoey Davis was born in 1868. His pen name was derived fhm the eighteenth century editor and essayist of The Tatler and The Spectator Richard Steele. He arousedthe attention of the founding father of the Bulletin, J.T. Archibald who already had Lawson and AB. Paterson writing for him regularly. His kststory in the Bulletin was called Starting the Selection and appeared on 6* April 1895. His On Our Selection tales were published routinely after that and they told the story of the Rudd family, Dad, Mother, Dan, Dave, Joe, Kate, Sarah, Norah, the younger siblings, fiends and neighborn. The short sketches were basically a humorous look at the hardships of Bush life. These short stories however, exhibit neither pessimism nor sentimentality, just a never-say-die spirit of stmggle that keeps everybody going. In a pithy, sardonic style, inkaspersed with kqmtexclamatim, Davis tells the stmy of his own family, which moved to a shingle hut in an out of the way place in Quemsland's Darling Downs in 1870. In his 1895 story, he talks about this exodus to the Creek. "It's twenty years now since we settled on the Creek Twenty years! I remember well the day we came hmStanthop, on Jemme's dray - eight of us, and all the things - beds, tubs, a bucket, the two cedar chain with the pine bottoms atad backs that Dad put in them, some pint-pots and old Crib. It was a scorching hot day, too, taIk about thirst! At every creek we came to we dm& till it stopped nmning." As mentioned eariia, in the mdition of Steele and Addison, Arthur Hoey Davis' 1 SdeRudd' shcnt stories were published in periodicals. These short stories wae later put together in a book fmfor the first time in 1899 and were also called On Our Selection. The book can be called a colldon of various comic incidents with only a Introduction to Sh ort very loose kind of im-ofxlination between the chapters. The stories tell of the initial Fiction rnisfomes and privations, trials and tribulations of the Rudd family until the desperate fight for survival gets over and there is hop of eking out some kind of bargain fmn the inhospitable, harsh alien land. Arthur Hey Davis I Steele Rudd (as he is more popularly remenlbered) wrote henty- four books in all and hsearly books almost made the Rudd fdya kind of grand myth of the Australian pioneer family. But as the fortwnes of the Rudds s Mfinancial bankruptcy. He lived on a pension of & per week until his death in 1935. )Ils last Rudd family book was published in 1926. Having talked about his life and the kind of stories he wrote briefly, let us now try and take a quick look at his style. DaGs' style had steadily declined, n*ng hls stories more of the banana-peel variety. He desperately tried to keep entertaining an audience that no longer wanted to mdhim and was content with the hn, frolic and laughter of the carlier stones. Davis' stories WI be scen as entertaining, farcical. and hilariaus - and this idea was reinfexed by ahe illustrations that accompanied his early stories that mphzaqised elhe idea sf a kind of rollicking slapstick comedy. CranbJackthat foms Chapter VII of On Our Selection is somehow &Rerent km the other stories in that the apparent meaninglessness of Jack's action$ and words awaken a sense of the absurdly pesome. 'The tqolence and morbirblt.i sf the story needs a thorough explication of the nuances of humour and the problemtics attached to paternal power. It was early in the day. TraveMer after traveller was trudging by Shingle Hut. One who camed no swag Mted at the rails and came in. He asked Dad for a job. "I dunno," Dad answered-'What wages would you want'?" The man said he would n't want any. Dad engaged him at once. And such a man! Tall, bony, heavy-jawed. shaven with a reaping-hook. apparently. He had a thick crop of black hair-shaggy. unkempt. and 111of grease, grass. and fragments of dry win-leaves. On his head were two old felt hats--one sewn inside the other. On his back a shirt made from a piece of blue blanket. ~lthwhite cotton stitches striding up and down it likc lines of fencing. His trousers were gloom itself; they were a problem, md bore reliable evidei~ceof his industry. No ordlilary person would consider hmself out of work while in them. And the new-comer was no ordinary person. He seemed to have dl the woe of the world upon him: he was 3s sad and weird-looliing as a widow out in thc wet In the yard was a large harp of firewood-:emarhable tnrflu!-which Dad told him te chop up. He began. And kn~whc wodieal! The axe rang again-particular1 %ken :, left the handle--and pieces of wmd scattered eveqwhcre ?ad watched him chopping for a while. then went ~lthDave to pun corn. For hours the man chopped away without once looking at the sun. Mother came out. Joy! She had never seen so much wood cut before. She was delighted. Shc: made a cup of tea and took it to the man, and apologlsed for having no sugar to put in it. He paid no attention to her; he worked harder. Mother waited, holding the tea in her hand. A lump of wood nearly as big as a shingle flew up and shavd hcr left ear. She put the tea on the ground and went in smch of eggs for dlnner. (We were out of meat-the kangaroodog was lame. He had got "ripped" the last time we killed.) The tea remained on the ground. Ch~psfell into it. The dog saw it. HI: limped towards it eagerly, and dipped the point of his nose in it. It burnt him. An aged rooster strutted along and looked sideways at' it. He distrusted it and went away It nanacted the pig- a sow with nine young ones. She waddled up. and poked the cup over with her nose; Arthur Hoey Davis then she sat down on it, mhile the family joyously gathered round the saucer. Still the man chopped on. Mother rehmed-nithout any eggs. She rescued the crockeq fiom the pigs and turned curiously to the man. She said: "Why, you've let them take the tea!" No answer. She wondered. Suddenly, and for the fiftieth time, the axe flew off. Thz man held the handle and stared at the woodheap. Mother watched him. He removed his hats, and looked inside them. He remaincd looking inside them. Mother watched him more closely. HIS lips moved. He said, " Listen to them! They're com~ng!I knew ihey'd.fbllowr' "Who?" asked Mother. trembling slightly. " They're in the woodr he went on. "Ha ha! I've got them. They'll never get out; never get out!" Mother fled, screaming. She ran inside and called the children. Sal assisted her. They trooped in like wallabies--all but Joe. He was away earning money. He was getting a shilling a week fiom Maloney. for chasing cockatoos fiom the corn. They closed and bamcaded the doors. and Sal took dorm the gun, which Mother made her hde beneath the bed. They sat listening, an~ouslyand intently. The wind began to rise. A lump of soot fell i?om the chimney into the fireplace--where there was no fire. Mother shuddered. Some more fell. Mother jumped to her feet. So did Sal. They looked at each other in dismay. The children began to cry. hechain for hanging the kettle on started swinging to and fio. Mother's knees gave way. The chain continued swinging. A pair of bare legs came down into the fireplac-they were cullcd round the chain. Mother collapsed. Sal screamed. and ran to the door, but couldn't open it. The legs left the chain and dangled in the air. Sal called "Murder!" Her cry was answered. It was Joe, who had been over at Maloney's making his fortune. He came to the rescue. He dropped out of the chimney and shook himself. Sal stared at him. He was calm and covered fiom head to foot with soot and dirt, He looked round and said. "Thought yuz could keep me out. did'n'v'?" Sal could only loclc at him. "I saw JIIZ all run in." he was saying. when Sal thought of Mother, and sprang to her. Sal shook her, and slapped her. and threw water on her till she sat up and stared about. Then Joe stared. Dad came in for dinner-which. of course. wasn't ready. Mother began to cry, and asked him what he meant by keeping a madman on the place, and told him she knew he wanted to have them all murdered.
Recommended publications
  • De Jure Belli Et Pacis Libri Tres Volume 2 (Latin Edition) by Hugo Grotius
    De Jure Belli Et Pacis Libri Tres Volume 2 (Latin Edition) By Hugo Grotius If you are searching for a book by Hugo Grotius De jure belli et pacis libri tres Volume 2 (Latin Edition) in pdf form, then you have come on to the faithful site. We furnish utter edition of this book in doc, DjVu, txt, ePub, PDF forms. You may reading De jure belli et pacis libri tres Volume 2 (Latin Edition) online by Hugo Grotius or load. Additionally, on our website you can read instructions and other art eBooks online, either download them as well. We want to draw on your consideration what our website does not store the eBook itself, but we give reference to website whereat you can download either reading online. If you need to load pdf by Hugo Grotius De jure belli et pacis libri tres Volume 2 (Latin Edition) , then you have come on to faithful website. We have De jure belli et pacis libri tres Volume 2 (Latin Edition) txt, doc, DjVu, PDF, ePub formats. We will be happy if you revert again. Mashpedia - Watch Videos about De jure belli ac Synopsis | De Jure Belli Ac Pacis Libri Tres (1646) By Hugo Grotius. DATE: 2015/03/10:: 2 Del Derecho de la Guerra y de la Paz. by Hugo De Jure Belli ac Pacis Libri Tres. By Hugo selves of the modern Leyden edition of the Latin must be illuminating even for those to whom Grotius's Latin is Nabu Press Hugonis Grottii De Jure Belli Ac from Find something great Appliances.
    [Show full text]
  • A STUDY GUIDE by Katy Marriner
    © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter.
    [Show full text]
  • The Bulletin Story Book a Selection of Stories and Literary Sketches from “The Bulletin”
    The Bulletin Story Book A Selection of Stories and Literary Sketches from “The Bulletin” A digital text sponsored by Australian Literature Gateway University of Sydney Library Sydney http://purl.library.usyd.edu.au/setis/id/bulstor © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission 2003 Source Text: Prepared from the print edition published by The Bulletin Newspaper Company Sydney 1902 303pp Extensive efforts have been made to track rights holders Please let us know if you have information on this. All quotation marks are retained as data. First Published: 1901 A823.8909/1 Australian Etext Collections at short stories 1890-1909 The Bulletin Story Book A Selection of Stories and Literary Sketches from “The Bulletin” Sydney The Bulletin Newspaper Company 1902 2nd Edition Prefatory THE files of The Bulletin for twenty years offer so much material for a book such as this, that it was not possible to include more than a small number of the stories and literary sketches judged worthy of republication. Consequently many excellent Australian writers are here unrepresented, their work being perforce held over for The Second Bulletin Story Book, although it is work of a quality equal to that which is now given. The risk and expense of this publication are undertaken by The Bulletin Newspaper Company, Limited. Should any profits accrue, a share of forty per cent, will be credited to the writers represented. Owing to the length of time which, in some cases, has elapsed since the original publication in The Bulletin, the names and addresses of some of the writers have been lost sight of; and their work appears over pen-names, The editor will be glad if these writers will communicate with him and assist in completing the Biographical Index at the end of the book.
    [Show full text]
  • Book Reviews
    Kunapipi Volume 3 Issue 2 Article 15 1981 Book Reviews Anna Rutherford University of Aarhus, Denmark Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Rutherford, Anna, Book Reviews, Kunapipi, 3(2), 1981. Available at:https://ro.uow.edu.au/kunapipi/vol3/iss2/15 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Book Reviews Abstract Book Reviews This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol3/iss2/15 Book Reviews CURRENCY'S DECADE: A TRIBUTE In March this· year Currency Press celebrated ten years of publishing Australian plays by launching Contemporary Australian Drama, a collection of essays which deals with 1 historical as well as critical perspectives since 1955. In tracing and bringing into focus the main currents of thought and critical studies of twenty-five years of dramatic writings, the book demonstrates not only the consistently high quality of Currency publications, but also the debt of Australian drama to the determined efforts of Curren­ cy's directors, Katharine Brisbane and Philip Parsons. Publishing does not create good literature, but it influences it in several ways. Availability of play texts means critical studies and research, and a continuous debate; it means teaching of the texts in secondary schools and tertiary institutions, and an increased awareness on the part of the general public. Currency Press published about ninety Australian plays in the last decade, a remark­ able achievement considering the financial uncertainties of publishing exclusively in an art form which is still considered the step-child of Australian literature.
    [Show full text]
  • STEELE RUDD," and HIS GIFT of LAUGHTER an Australian Literary Heritage [By ERIC D
    127 "STEELE RUDD," AND HIS GIFT OF LAUGHTER An Australian Literary Heritage [By ERIC D. DAVIS] (Read at a Meeting of the Society on 26 March 1970) To me personally—it is something very close to my heart to be asked to address you concerning my late father—bet­ ter known as "Steele Rudd." From as early as I can remember, I always thought he was the greatest man in the world, and with the passing of the years, my admiration for him has not diminished any. Needless to say, I am honoured when 1 am called upon to tell people about the person I always called "Dad." No doubt this is also the cardinal reason why I am in the process of writing his biography. The wording on his memorial cairn at Drayton, where he was bom, on the Darling Downs, Queensland, has always impressed me. It reads: "He brought to Australian writing the rich gift of hon­ est laughter with the undertones of the struggles and sor­ rows of the pioneers." Yes, indeed, he had the abUity to make people laugh, and at the same time combine his humour with pathos. I think it can be truthfully said his writings were an affirmation of the thoughts of W. M. Thackeray, the famous English author, that "A good laugh is sunshine in the house." Strangely enough, it wasn't my father's intention to ap­ pear as a funny man when he started to write in the early 'nineties, but as time went by, the literary mantle of fame which became his lot, I fear often weighed heavUy upon him as he endeavoured to please his reading public.
    [Show full text]
  • March 2020 Newsletter
    MARCH 2020 IN THIS ISSUE Strength Based Recovery Training with Helen Glover By Julian & Deanne Gambling Support by Deanne Bloom A MESSAGE FROM Steel Rudd Park - East OUR CEO Greenmount D E B B I E B A I L E Y by Julian Mudge Welcome to the March 2020 edition of our newsletter. We apologise for t he delay in publishing this month - we've been working to redesign our service so that we can continue to provide support in these changing Care For The Environment times. At Clubhouse Following the latest Government restrictions around COVID-19 we have by Amie Jennison d eveloped a new program which will commence from Monday 30 March. Our service will continue to evolve but for now, the focus is on providing extensive phone, email and text support to members with the Member Profile: addition of online programs and some face-to-face small group Deanne Bloom activities outside of Clubhouse (while observing social distancing, hygiene, group size and safety/wellbeing requirements for all.) by Julian Mudge Key features of the new program include: Morning Meetings will be streamed live on our Toowoomba Clubhouse News - New Clubhouse Facebook page daily Monday - Friday at 9:30am. Water tanks - Donation Face-to-Face - Connection through Gardening at Clubhouse (Monday, Wednesday, Thursday , 9am -11am.) Face-to-Face - Connection through Getting Healthy meet at Creative Corner: Clubhouse (Walk/Tai Chi, Tuesday and Friday, 1pm-3pm.) Poem - By Tia Marshall Online - Media and Comms crew Thursday 1-3pm Online - Private Facebook and chat groups for members Art - by Deanne Bloom Online - Regular phone, email and text check ins and support from staff (Monday - Friday, 9am - 4:30pm.) This new program means the main Clubhouse building will be closed All articles in this newsletter from Monday 30 March.
    [Show full text]
  • Dad Rudd, M.P. and the Making of a National Audience. Dad Rudd, M.P
    Dad Rudd, M.P. and the making of a national audience. Dad Rudd, M.P. was the fourth and final film made by Ken G. Hall based on characters originally created by ‘Steele Rudd’ (Arthur Hoey Davis) in 1895. It. was also the first of four films to receive a £15,000 overdraft from the NSW government as part of an attempt to encourage local film production. It was released by Cinesound in Australia in June 1940. According to the Australasian’s film critic ‘The Chiel,’ when the film was shown in Melbourne, ‘a queue that was 100 yards long to the box office, a crowded theatre, and sustained applause indicated that the Australian people have no fault to find with “Dad Rudd, M.P.”’(Chiel 1940). Box office for the film was indeed remarkable in Australia and the film also gained popular acclaim in Britain, where it was screened more than 1400 times before mid-1941 (Pike 1980:45). The Rudd family texts are unique in Australian cultural history for the extent to which they have been adapted, and the degree of their popularity in a variety of media over time. Authors, producers, directors and publicists of these texts engendered a market defined by its recognition of Australian cultural commonplaces. In this respect the Rudd characters have been instrumental in the creation and characterization of a specifically ‘Australian’ audience that can be defined in relation to a set of national symbols. Dad Rudd, M.P., in particular, illustrates the way in which such national symbols can be a product of market imperatives, overseas influences and chance.
    [Show full text]
  • GETTING IT TOGETHER from Colonies to Federation
    GETTING IT TOGETHER From Colonies to Federation queensland People and Places InVESTIGaTIONS OF AUSTRALIa’s JOuRNEYInvestigations of Australia’s journey TO NATIOnHOOd FOR THe MIDDLE to nationhood for the middle years classroom YEARs CLASSROOM GETTING IT TOGETHER queensland – PeOPLE AND PLACES © COMMOnWEALTH OF AUSTRALIa i Getting It Together: From Colonies to Federation has been funded by the Museum of Australian Democracy at Old Parliament House. Getting It Together: From Colonies to Federation – Queensland ISBN: 978 1 74200 099 2 SCIS order number: 1427630 Full bibliographic details are available from Curriculum Corporation. PO Box 177 Carlton South Vic 3053 Australia Tel: (03) 9207 9600 Fax: (03) 9910 9800 Email: [email protected] Website: www.curriculum.edu.au Published by the Museum of Australian Democracy at Old Parliament House PO Box 7088 Canberra BC ACT 2610 Tel: (02) 6270 8222 Fax: (02) 6270 8111 www.moadoph.gov.au September 2009 © Commonwealth of Australia 2009 This work is copyright. You may download, display, print and reproduce this material in unaltered form only (retaining this notice) for your personal, non-commercial use or use within your organisation. Apart from any use as permitted under the Copyright Act 1968, all other rights are reserved. Requests and inquiries concerning reproduction and rights should be addressed to Commonwealth Copyright Administration, Attorney General’s Department, National Circuit, Barton ACT 2600 or posted at www.ag.gov.au/cca This work is available for download from the Museum of Australian Democracy at Old Parliament House: http://moadoph.gov.au/learning/resources-and-outreach Edited by Katharine Sturak and Zoe Naughten Designed by Deanna Vener GETTING IT TOGETHER queensland – PeOPLE AND PLACES © COMMOnWEALTH OF AUSTRALIa People and Places From the 1860s to the early 1890s, Queensland had laid the foundations for a prosperous colony.
    [Show full text]
  • Australia: a Cultural History (Third Edition)
    AUSTRALIA A CULTURAL HISTORY THIRD EDITION JOHN RICKARD AUSTRALIA Australia A CULTURAL HISTORY Third Edition John Rickard Australia: A Cultural History (Third Edition) © Copyright 2017 John Rickard All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/ach-9781921867606.html Series: Australian History Series Editor: Sean Scalmer Design: Les Thomas Cover image: Aboriginal demonstrators protesting at the re-enactment of the First Fleet. The tall ships enter Sydney Harbour with the Harbour Bridge in the background on 26 January 1988 during the Bicentenary celebrations. Published in Sydney Morning Herald 26 January, 1988. Courtesy Fairfax Media Syndication, image FXJ24142. National Library of Australia Cataloguing-in-Publication entry: Creator: Rickard, John, author. Title: Australia : a cultural history / John Rickard. Edition: Third Edition ISBN: 9781921867606 (paperback) Subjects: Australia--History. Australia--Civilization. Australia--Social conditions. ISBN (print): 9781921867606 ISBN (PDF): 9781921867613 First published 1988 Second edition 1996 In memory of John and Juan ABOUT THE AUTHOR John Rickard is the author of two prize-winning books, Class and Politics: New South Wales, Victoria and the Early Commonwealth, 1890-1910 and H.B.
    [Show full text]
  • On Our Selection Steele Rudd
    University of North Dakota UND Scholarly Commons Settler Literature Archive Department of English 1899 On Our Selection Steele Rudd Follow this and additional works at: https://commons.und.edu/settler-literature Recommended Citation Rudd, Steele, "On Our Selection" (1899). Settler Literature Archive. 105. https://commons.und.edu/settler-literature/105 This Book is brought to you for free and open access by the Department of English at UND Scholarly Commons. It has been accepted for inclusion in Settler Literature Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Wm. Shankfancf. ON OUR SELECTION First edition, 8000 copies, November, 1H99. Reprinted, 3750 copies, April, 1901. Reprinted, 5000 copies, August, 1902. Reprinted, S/,50 copies, August, 1903. On Our Selection! Written by JlrtDur 6. Davis ("Steele Rudd") Illustrated from Drawings *V H. 3. Tfscftcr, fl. I). TuHwood, 0. UP. Lambert, Tred Eeist, T. P. mabony, andJW. Ulncent for Huiirall? Twentieth Thousand Publlsbea at Sydney by the Bulletin newspaper Co., Etl roemffl. The contents of this book were originally published in The Bulletin. \ Copyright, 1S00, by The Bulletin Newspaper Co., Ltd. Printed and Published by William ilart<tod, of Botany-street, Waverley, for The Bulletin Newspaper Co., Ltd., at the office of the Co., 21U George-street A'orth, Sydney, Australia. PIONEERS OF AUSTRALIA! To You "Who Gave Our Country Birth j" TO THE MEMORY OF
    [Show full text]
  • THE MELANCHOLY SPECTACLES a STUDY of THC AUSTRALIAN FILM INDUSTRY Jujian Craft
    THE MELANCHOLY SPECTACLES A STUDY OF THC AUSTRALIAN FILM INDUSTRY Jujian Craft One of the problems in talking about the Australian film industry is that it is an industry. One has to forget about the lofty ideals of art and recognise that like any other industry it must be efficient and progressive. If it is not and it can't compete with overseas products then it must be protected. For the government to reach this decision it must feel that the film industry is of vital national importance, or that imports of foreign films place too great a strain on our overseas reserves. It is possible that once a viable Australian feature film industry exists the Australian experience might produce an article which is unique and, as such, valuable in international markets. Thus an import loss might become an export gain. These prosaic considerations are unfortunately the only facts which will influence a reticent government to take direct action to support the film industry. At the moment the government is not particularly concerned about the cultural aspects of a national film industry, and possibly this is a good thing as the encouragement of feature films which would be distinctly Australian would 'lead to the gross perversiOnS of excessive nationalism which have bedevilled so much of Australia's artistic expression. The main concern at the moment should be to put the film industry on a firm economic foundation. 4.5 At -the present time the film industry is in a very precarious position. Since 1960 when legislation was passed to prohibit the importation of foreign television commercials the industry has been dependent on advertising contracts.
    [Show full text]
  • Historical Officers Report from the Pages of the Camden Advertiser 1St
    Historical Officers Report From the Pages of the Camden Advertiser 1st February 1940 WE PROTEST Against Milk Board's Decision This newspaper has ranged its self alongside the district dairy farmers in their battle against the undemocratic methods of the Milk Board, which, according to latest information, intend to refute to accept local milk testing below 3.4 per cent, cream, on and after February 14 next. We claim that it U the first essential of the Government to raise the legal standard of milk from 3.2 to 3.4 per cent, before the Milk Board is handed the power to insist on a better quality product from the farmer. Secondly, it is only fair for the dairy farmer to be paid an increased price for the increased cream content of his milk. To-day, in this district, dairy farmers are appealing for fair-play. Here they work 18 hour a day and often enlist the services of their families to eke out a precarious existence, while subject to a distasteful dictation from the city distributing end of the industry, where Milk Board members and employees, together with distributing agency staffs, enjoy award rates of pay and 8 hours n day—at the farmers' expense. While Britain is fighting a war for democracy we have to contend with the undemocratic acts of a Milk Board—blessed by one of His Majesty's Governments. The "Advertiser" has a circulation large enough, we believe, to swing the Wollondilly electorate against the Government, at the next State elections if equal conditions are denied the farmers.
    [Show full text]