De Jure Belli Et Pacis Libri Tres Volume 2 (Latin Edition) by Hugo Grotius

Total Page:16

File Type:pdf, Size:1020Kb

De Jure Belli Et Pacis Libri Tres Volume 2 (Latin Edition) by Hugo Grotius De Jure Belli Et Pacis Libri Tres Volume 2 (Latin Edition) By Hugo Grotius If you are searching for a book by Hugo Grotius De jure belli et pacis libri tres Volume 2 (Latin Edition) in pdf form, then you have come on to the faithful site. We furnish utter edition of this book in doc, DjVu, txt, ePub, PDF forms. You may reading De jure belli et pacis libri tres Volume 2 (Latin Edition) online by Hugo Grotius or load. Additionally, on our website you can read instructions and other art eBooks online, either download them as well. We want to draw on your consideration what our website does not store the eBook itself, but we give reference to website whereat you can download either reading online. If you need to load pdf by Hugo Grotius De jure belli et pacis libri tres Volume 2 (Latin Edition) , then you have come on to faithful website. We have De jure belli et pacis libri tres Volume 2 (Latin Edition) txt, doc, DjVu, PDF, ePub formats. We will be happy if you revert again. Mashpedia - Watch Videos about De jure belli ac Synopsis | De Jure Belli Ac Pacis Libri Tres (1646) By Hugo Grotius. DATE: 2015/03/10:: 2 Del Derecho de la Guerra y de la Paz. by Hugo De Jure Belli ac Pacis Libri Tres. By Hugo selves of the modern Leyden edition of the Latin must be illuminating even for those to whom Grotius's Latin is Nabu Press Hugonis Grottii De Jure Belli Ac from Find something great Appliances. close; Appliances; shop all; Deals in Appliances; Refrigerators. Washers & Dryers Hugonis Grotii de Jure Belli Et Pacis Libri Tres Hugonis Grotii de Jure Belli Et Pacis Libri Tres by Hugo Grotius, Volume 2 by Hugo Grotius. ReInk Books reprint from the 1853 edition. This De jure belli de grotius - AbeBooks De jure belli et pacis libri tres v. 2 *EBOOK* de Grotius, Hugo, Whewell, William et un grand choix de livres semblables d'occasion, de jure belli de grotius. De Jure Belli Ac by Grotius - AbeBooks Hugonis Grottii De jure belli ac pacis libri tres in quibus jus naturae [et] gentium itme juris publici praceipua explicantur 2 pt.1. Ebook by Grotius Hugo; Kelsey De jure belli ac pacis de hugo grotius - AbeBooks de Grotius, Hugo et un grand choix de livres Excerpt from De Jure Belli Ac Pacis Libri Tres, Vol. 2 About the Publisher Latin. N de r f. du The Reception of Hugo Grotius s De Jure Belli AC The Reception of Hugo Grotius s De Jure Belli AC Pacis Hugo, De jure belli ac pacis libri tres, Traduit de Latin par Jean Barbeyrac. Nouvelle Edition De Indis De Jure Belli/Introduction - Wikisource, Apr 14, 2012 De Indis De Jure Belli/Introduction. De jure belli ac pacis libri tres, critique de l gislation et de jurisprudence, vol. xxxiv De jure belli ac pacis - Wikipedia, the free De jure belli ac pacis, title page from the second edition of 1631. De jure belli ac pacis is a 1625 book in Latin, written by Hugo Grotius and published in Hugonis Grotii de Jure Belli AC Pacis Libri Tres: Hugonis Grotii de Jure Belli AC Pacis Libri Tres: In Quibus Jus Naturae & Gentium, Item Juris Publici Praecipua Explicantur: Hugo Grotius, Jean Barbeyrac, Joannes Iure Belli Et Pacis - AbeBooks The Standard Critical Edition Grotius, Hugo. De Iure Belli Ac Pacis Libri Tres, work, De Jure Belli ac Pacis De Iure Belli Et Pacis French Edition. Hugo Grotius. Hugo Grotius Wikip dia De jure belli ac pacis de livres de et sur Hugo Grotius. La collection tait fond e sur une donation de Martinus Nijhoff de 55 ditions de De jure belli ac Hugonis Grotii de jure belli et pacis libri tres Hugonis Grotii de jure belli et pacis libri tres : the University of Michigan and uploaded to the Internet Archive by Bib. Hugo Grotius Hugo Grotius' Use of Jewish Sources in On the Law Hugo Grotius' Use of Jewish Sources in tated English edition of DeJure Belli ac Pacis Libri Tres, edition of De Jure Belli ac Pacis, De jure belli et pacis libri tres Volume 2 ( De jure belli et pacis libri tres Volume 2 (Latin Edition) [Hugo Grotius] on Amazon.com. *FREE* shipping on qualifying offers. Unlike some other reproductions of Hugonis Grotii Jure Belli Ac Pacis Libri Tres - Hugonis Grotii de Jure Belli AC Pacis Libri Tres: Volume 2 Latin Edition. Hugo Grotius. Gronovii v.c. notis in totum opus De jure belli ac pacis, De jure belli ac pacis libri tres : Volume Two De jure belli ac pacis libri tres : Volume Two the translation, books I, II and III. [Hugo Grotius; Francis W Kelsey; et al] "This special edition The rise of the Internet and all technologies related to it have made it a lot easier to share various types of information. Unfortunately, sometimes the huge amount of information available online is a curse rather than a blessing: many websites just do not seem to bother with proper organization of content they offer. We have taken your user experience into account, so here you will be able to perform a quick search and easily find the ebook you were looking for. In addition, we have an extensive database of manuals, which are all available in txt, DjVu, ePub, PDF formats. Downloading by Hugo Grotius De Jure Belli Et Pacis Libri Tres Volume 2 (Latin Edition) from our website is easy, so you shouldn’t have any problems with it even if you’re not very tech-savvy. We make sure that our database is constantly expanded and updated so that you can download all the files you need without any problems. So why is it a good idea to download De Jure Belli Et Pacis Libri Tres Volume 2 (Latin Edition) By Hugo Grotius pdf from our website? The answer is simple: you have already found the book or handbook you were looking for, and it is available for download in a variety of the most common formats. If you still haven’t found the book you need, the chances are that you are going to get lucky on our website because we always work on our selection of content so that you have access to the most up- to-date and relevant titles. In addition, we do our best to maintain the integrity of our file system and make sure that you don’t run into broken links when you try to download files. If you happen to spot a broken link on our website while trying to download De Jure Belli Et Pacis Libri Tres Volume 2 (Latin Edition) By Hugo Grotius pdf, please inform us about that so we can fix it and help you obtain the file you need. Finally, we always try to optimize our server setup to provide the safest and fastest downloads, so you won’t be wasting time and Internet traffic if you use our website. Random Related De jure belli et pacis libri tres Volume 2 (Latin Edition): 50 Profitable Business Ideas You Can Start From Home Today: With Little Or No Money Calendar Of Rochambeau Papers At The University Of Florida Collected Plays Of Satish Alekar: The Dread Departure, Deluge, The Terrorist, Dynasts, Begum Barve, Mickey And The Memsahib This Beautiful Mess: Practicing The Presence Of The Kingdom Of God Healthy And Fit: 25 More Delicious And Healthy Smoothie Recipes Astrophotography For The Amateur World Of Reading: Jake And The Never Land Pirates Surfin' Turf: Level 1 The Art Of Pastry - Common Mr. Putter & Tabby Toot The Horn Jane Has Asthma Ridgway Duels For Korea Mechanical And Spatial Aptitude The Journals Of Lewis And Clark, 1804-1806 - Plus LEWIS AND CLARK BY WILLIAM R. LIGHTON City Maps: Sydney City Map In The Canyon: With Audio Recording A Strategy For Assessing And Managing Occupational Exposures El Nacimiento De Nuevo Mundo 1492-1534: Historia Y Cartografia Clinical Lectures On Diseases Of The Nervous System: Delivered At The National Hospital For The Paralysed And Epileptic, London Hello Ocean The Handbook Of Commodity Cycles: A Window On Time .
Recommended publications
  • Book Reviews
    Kunapipi Volume 3 Issue 2 Article 15 1981 Book Reviews Anna Rutherford University of Aarhus, Denmark Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Rutherford, Anna, Book Reviews, Kunapipi, 3(2), 1981. Available at:https://ro.uow.edu.au/kunapipi/vol3/iss2/15 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Book Reviews Abstract Book Reviews This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol3/iss2/15 Book Reviews CURRENCY'S DECADE: A TRIBUTE In March this· year Currency Press celebrated ten years of publishing Australian plays by launching Contemporary Australian Drama, a collection of essays which deals with 1 historical as well as critical perspectives since 1955. In tracing and bringing into focus the main currents of thought and critical studies of twenty-five years of dramatic writings, the book demonstrates not only the consistently high quality of Currency publications, but also the debt of Australian drama to the determined efforts of Curren­ cy's directors, Katharine Brisbane and Philip Parsons. Publishing does not create good literature, but it influences it in several ways. Availability of play texts means critical studies and research, and a continuous debate; it means teaching of the texts in secondary schools and tertiary institutions, and an increased awareness on the part of the general public. Currency Press published about ninety Australian plays in the last decade, a remark­ able achievement considering the financial uncertainties of publishing exclusively in an art form which is still considered the step-child of Australian literature.
    [Show full text]
  • STEELE RUDD," and HIS GIFT of LAUGHTER an Australian Literary Heritage [By ERIC D
    127 "STEELE RUDD," AND HIS GIFT OF LAUGHTER An Australian Literary Heritage [By ERIC D. DAVIS] (Read at a Meeting of the Society on 26 March 1970) To me personally—it is something very close to my heart to be asked to address you concerning my late father—bet­ ter known as "Steele Rudd." From as early as I can remember, I always thought he was the greatest man in the world, and with the passing of the years, my admiration for him has not diminished any. Needless to say, I am honoured when 1 am called upon to tell people about the person I always called "Dad." No doubt this is also the cardinal reason why I am in the process of writing his biography. The wording on his memorial cairn at Drayton, where he was bom, on the Darling Downs, Queensland, has always impressed me. It reads: "He brought to Australian writing the rich gift of hon­ est laughter with the undertones of the struggles and sor­ rows of the pioneers." Yes, indeed, he had the abUity to make people laugh, and at the same time combine his humour with pathos. I think it can be truthfully said his writings were an affirmation of the thoughts of W. M. Thackeray, the famous English author, that "A good laugh is sunshine in the house." Strangely enough, it wasn't my father's intention to ap­ pear as a funny man when he started to write in the early 'nineties, but as time went by, the literary mantle of fame which became his lot, I fear often weighed heavUy upon him as he endeavoured to please his reading public.
    [Show full text]
  • Dad Rudd, M.P. and the Making of a National Audience. Dad Rudd, M.P
    Dad Rudd, M.P. and the making of a national audience. Dad Rudd, M.P. was the fourth and final film made by Ken G. Hall based on characters originally created by ‘Steele Rudd’ (Arthur Hoey Davis) in 1895. It. was also the first of four films to receive a £15,000 overdraft from the NSW government as part of an attempt to encourage local film production. It was released by Cinesound in Australia in June 1940. According to the Australasian’s film critic ‘The Chiel,’ when the film was shown in Melbourne, ‘a queue that was 100 yards long to the box office, a crowded theatre, and sustained applause indicated that the Australian people have no fault to find with “Dad Rudd, M.P.”’(Chiel 1940). Box office for the film was indeed remarkable in Australia and the film also gained popular acclaim in Britain, where it was screened more than 1400 times before mid-1941 (Pike 1980:45). The Rudd family texts are unique in Australian cultural history for the extent to which they have been adapted, and the degree of their popularity in a variety of media over time. Authors, producers, directors and publicists of these texts engendered a market defined by its recognition of Australian cultural commonplaces. In this respect the Rudd characters have been instrumental in the creation and characterization of a specifically ‘Australian’ audience that can be defined in relation to a set of national symbols. Dad Rudd, M.P., in particular, illustrates the way in which such national symbols can be a product of market imperatives, overseas influences and chance.
    [Show full text]
  • Australia: a Cultural History (Third Edition)
    AUSTRALIA A CULTURAL HISTORY THIRD EDITION JOHN RICKARD AUSTRALIA Australia A CULTURAL HISTORY Third Edition John Rickard Australia: A Cultural History (Third Edition) © Copyright 2017 John Rickard All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/ach-9781921867606.html Series: Australian History Series Editor: Sean Scalmer Design: Les Thomas Cover image: Aboriginal demonstrators protesting at the re-enactment of the First Fleet. The tall ships enter Sydney Harbour with the Harbour Bridge in the background on 26 January 1988 during the Bicentenary celebrations. Published in Sydney Morning Herald 26 January, 1988. Courtesy Fairfax Media Syndication, image FXJ24142. National Library of Australia Cataloguing-in-Publication entry: Creator: Rickard, John, author. Title: Australia : a cultural history / John Rickard. Edition: Third Edition ISBN: 9781921867606 (paperback) Subjects: Australia--History. Australia--Civilization. Australia--Social conditions. ISBN (print): 9781921867606 ISBN (PDF): 9781921867613 First published 1988 Second edition 1996 In memory of John and Juan ABOUT THE AUTHOR John Rickard is the author of two prize-winning books, Class and Politics: New South Wales, Victoria and the Early Commonwealth, 1890-1910 and H.B.
    [Show full text]
  • On Our Selection Steele Rudd
    University of North Dakota UND Scholarly Commons Settler Literature Archive Department of English 1899 On Our Selection Steele Rudd Follow this and additional works at: https://commons.und.edu/settler-literature Recommended Citation Rudd, Steele, "On Our Selection" (1899). Settler Literature Archive. 105. https://commons.und.edu/settler-literature/105 This Book is brought to you for free and open access by the Department of English at UND Scholarly Commons. It has been accepted for inclusion in Settler Literature Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Wm. Shankfancf. ON OUR SELECTION First edition, 8000 copies, November, 1H99. Reprinted, 3750 copies, April, 1901. Reprinted, 5000 copies, August, 1902. Reprinted, S/,50 copies, August, 1903. On Our Selection! Written by JlrtDur 6. Davis ("Steele Rudd") Illustrated from Drawings *V H. 3. Tfscftcr, fl. I). TuHwood, 0. UP. Lambert, Tred Eeist, T. P. mabony, andJW. Ulncent for Huiirall? Twentieth Thousand Publlsbea at Sydney by the Bulletin newspaper Co., Etl roemffl. The contents of this book were originally published in The Bulletin. \ Copyright, 1S00, by The Bulletin Newspaper Co., Ltd. Printed and Published by William ilart<tod, of Botany-street, Waverley, for The Bulletin Newspaper Co., Ltd., at the office of the Co., 21U George-street A'orth, Sydney, Australia. PIONEERS OF AUSTRALIA! To You "Who Gave Our Country Birth j" TO THE MEMORY OF
    [Show full text]
  • THE MELANCHOLY SPECTACLES a STUDY of THC AUSTRALIAN FILM INDUSTRY Jujian Craft
    THE MELANCHOLY SPECTACLES A STUDY OF THC AUSTRALIAN FILM INDUSTRY Jujian Craft One of the problems in talking about the Australian film industry is that it is an industry. One has to forget about the lofty ideals of art and recognise that like any other industry it must be efficient and progressive. If it is not and it can't compete with overseas products then it must be protected. For the government to reach this decision it must feel that the film industry is of vital national importance, or that imports of foreign films place too great a strain on our overseas reserves. It is possible that once a viable Australian feature film industry exists the Australian experience might produce an article which is unique and, as such, valuable in international markets. Thus an import loss might become an export gain. These prosaic considerations are unfortunately the only facts which will influence a reticent government to take direct action to support the film industry. At the moment the government is not particularly concerned about the cultural aspects of a national film industry, and possibly this is a good thing as the encouragement of feature films which would be distinctly Australian would 'lead to the gross perversiOnS of excessive nationalism which have bedevilled so much of Australia's artistic expression. The main concern at the moment should be to put the film industry on a firm economic foundation. 4.5 At -the present time the film industry is in a very precarious position. Since 1960 when legislation was passed to prohibit the importation of foreign television commercials the industry has been dependent on advertising contracts.
    [Show full text]
  • Historical Officers Report from the Pages of the Camden Advertiser 1St
    Historical Officers Report From the Pages of the Camden Advertiser 1st February 1940 WE PROTEST Against Milk Board's Decision This newspaper has ranged its self alongside the district dairy farmers in their battle against the undemocratic methods of the Milk Board, which, according to latest information, intend to refute to accept local milk testing below 3.4 per cent, cream, on and after February 14 next. We claim that it U the first essential of the Government to raise the legal standard of milk from 3.2 to 3.4 per cent, before the Milk Board is handed the power to insist on a better quality product from the farmer. Secondly, it is only fair for the dairy farmer to be paid an increased price for the increased cream content of his milk. To-day, in this district, dairy farmers are appealing for fair-play. Here they work 18 hour a day and often enlist the services of their families to eke out a precarious existence, while subject to a distasteful dictation from the city distributing end of the industry, where Milk Board members and employees, together with distributing agency staffs, enjoy award rates of pay and 8 hours n day—at the farmers' expense. While Britain is fighting a war for democracy we have to contend with the undemocratic acts of a Milk Board—blessed by one of His Majesty's Governments. The "Advertiser" has a circulation large enough, we believe, to swing the Wollondilly electorate against the Government, at the next State elections if equal conditions are denied the farmers.
    [Show full text]
  • Fred Schepisi's
    presents Fred Schepisi’s THE EYE OF THE STORM Starring Geoffrey Rush Judy Davis Charlotte Rampling IN CINEMAS 2011 For all queries, please contact: Chris Chamberlin (Pop Culture) [email protected] +61 404 075 749 SYNOPSIS: ONE LINE SYNOPSIS Elizabeth Hunter, controls all in her life – society, her staff, her children; but the once great beauty will now determine her most defi ant act as she chooses her time to die. SHORT SYNOPSIS In the Sydney suburb of Centennial Park, two nurses, a housekeeper and a solicitor attend to Elizabeth Hunter as her expatriate son and daughter convene at her deathbed. But in dying, as in living, Mrs Hunter remains a powerful force on those who surround her. Based on the novel by Nobel Prize winner Patrick White, THE EYE OF THE STORM is a savage exploration of family relationships — and the sharp undercurrents of love and hate, comedy and tragedy, which defi ne them. LONG SYNOPSIS In a Sydney suburb, two nurses, a housekeeper and a solicitor attend to Elizabeth Hunter (Charlotte Rampling) as her expatriate son and daughter convene at her deathbed. In dying, as in living, Mrs. Hunter remains a formidable force on those around her. It is via Mrs Hunter’s authority over living that her household and children vicariously face death and struggle to give consequence to life. Estranged from a mother who was never capable of loving them Sir Basil (Geoffrey Rush), a famous but struggling actor in London and Dorothy (Judy Davis), an impecunious French princess, attempt to reconcile with her. In doing so they are reduced from states of worldly sophistication to fl oundering adolescence.
    [Show full text]
  • Literature Review
    The impact of the counterculture on Australian cinema in the mid to late 20th century A thesis submitted in partial fulfillment of the requirement for the degree of Master of Art Administration (Hons) within the School of Art History and Art Education, College of Fine Arts, University of New South Wales, Sydney, Australia. Fiona Hooton 1 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hooton First name: Fiona Other name/s: Abbreviation for degree as given in the University calendar: School: School of Art History and Art Education Faculty:COFA Title: The impact of the counterculture on Australian cinema in the mid to late 20th century 2 Abstract 350 words maximum: (PLEASE TYPE) This thesis discusses the impact of the counterculture on Australian cinema in the late 20thcentury through the work of the Sydney Underground Film group, Ubu. This group, active between 1965 -1970, was a significant part of an underground counter culture, to which many young Australians subscribed. As a group, Ubu was more than a rat bag assemblage of University students. It was an antipodean aspect of an ongoing artistic and political movement that began with the European avant-garde at the beginning of the 20th century and that radically transformed artistic conventions in theatre, painting, literature, photography and film. Three purposes underpin this thesis: firstly to track the art historical links between a European avant-garde heritage and Ubu. Experimental film is a genre that is informed by cross art form interrelations between theatre, painting, literature, photography and film and the major modernist aesthetic philosophies of the last century.
    [Show full text]
  • Copyright Sources for Australian Drama and Film Richard Fotheringham Many Early Australian Play Scripts Have Survived Only Because of Stage Censorship
    Copyright Sources For Australian Drama and Film Richard Fotheringham Many early Australian play scripts have survived only because of stage censorship. Such manuscripts have been retained in files in the Australian Archives’ copyright files. The author outlines some of his more interesting discoveries during his research, and describes how to proceed to view them. One of the side benefits of the otherwise dubious practice of stage censorship is that it was an excellent way of ensuring that scripts of performed plays were preserved for posterity. It is because of the Lord Chamberlain’s Office in London, for example, that complete manuscripts of two of the most important Australian plays of the nineteenth century George Darrell’s The Sunny South and Alfred Dampier and Garnet Walch’s stage version of Robbery Under Arms — were preserved in the British Library and eventually published in modern critical editions.1 The British censorship system became involved because both plays had at different times been staged in London, as were several other Australian plays held in this collection. It has usually been assumed that the survival of unpublished playtexts performed only in Australia, after the early attempts at censorship, was a far less regular or regulated business, and that we are faced with the almost total disappearance of the plays of several vigorous and exciting ages of Australian drama, including significant works written as recently as the 1930s. It is not just stage history which is impoverished by the loss of these texts, for the live stage has always been a place where the Australian language, its slang and colloquialisms, is quickly picked up; and a place too where contemporary ideas about nationhood, nationalism, aboriginal people, ethnic minorities, the role of women in Australian society, the Australian identity, war, the bush and the city etc, have been freely discussed.
    [Show full text]
  • Towards a History of Transtasman Literary Relations
    The Neglected Middle Distance: Towards a History of Transtasman Literary Relations TERRY STURM Prefatory Note. The following article was originally delivered as a public lecture at the University of Auckland. In some intro• ductory remarks I spoke of contemporary economic and political developments in Transtasman relations as giving some urgency to the more specific literary and cultural questions raised in the lecture. I was also conscious — in thinking about the ways in which New Zealand and Australian literature might be related — of pressures from a very different quarter : the burgeoning academic industry in comparative Commonwealth literary studies. I remain obstinately sceptical about many of its tendencies, and the lecture was an implicit argument against at least one of them : the anti-historical tendency in comparative studies to treat authors and works, and the national traditions they belong to, as autonomous, self-contained totalities. What is attempted here is a mapping of the historical contours of Australian cultural influ• ence on, and presence in, New Zealand literature: a continuous, shifting history within which any comparative literary analysis needs, in my view, to be situated. JLHE TITLE OF THIS ESSAY is a phrase used by Allen Curnow in a longish review of twentieth-century Australian poetry which appeared in the second number of the New Zealand magazine Landfall in 1947.1 Its implication was that New Zealanders had concerned themselves too little with understanding a neighbour• ing culture which occupied the "middle distance" of their out• ward perspective — too much, perhaps, with the Anglo-European and American horizons beyond. Until very recently, awareness of each other's literature has been at an even lower ebb, perhaps, 30 TERRY STURM than when Allen Curnow wrote.
    [Show full text]
  • Theatre in Melbourne, 1914–18: the Best, the Brightest and the Latest
    6 ELISABETH KUMM Theatre in Melbourne, 1914–18: the best, the brightest and the latest Australian theatre was already undergoing momentous change when war broke out in 1914. Corporations were replacing actor–managers, theatre interests were contracting from multiple groups to just a few, and Australian audiences were increasingly open to American plays and players. The years immediately before the war saw the passing of two of the country’s leading entrepreneurs – music hall singer and founder of the Tivoli circuit Harry Rickards, and actor–manager JC Williamson, founder of JC Williamson Ltd – while other 19th-century show-business luminaries – George Coppin, George Rignold and Bland Holt – had died or retired.1 What did not change was the role of the audience as the arbiter of taste, which saw the public demanding the best, the brightest and the latest. JC Williamson and its competitors Known as JCW or ‘The Firm’, JC Williamson Ltd was the dominant force in Australian theatrical promotion, with controlling interests in theatres throughout Australia and New Zealand. The company was founded by American actor James Cassius Williamson, who first visited Australia under the auspices of George Coppin in 1874. He made his preliminary foray into Front cover of musical score for George R Hyam’s ‘Imshi’, which was first sung inStop Your Nonsense – an original Australian musical burlesque – at the King’s Theatre in December 1915. Sydney: J Wynter, c. 1915. National Library of Australia MUS N mba 783.2421599 H992 Theatre in Melbourne, 1914–18 8 The La Trobe Journal No. 97 March 2016 management in 1879 when he purchased the Australian performance rights for the operas of Gilbert and Sullivan.
    [Show full text]