The Haciendas of Mexico, by Paul Alexander Bartlett
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The Architectural Style of Bay Pines VAMC
The Architectural Style of Bay Pines VAMC Lauren Webb July 2011 The architectural style of the original buildings at Bay Pines VA Medical Center is most often described as “Mediterranean Revival,” “Neo-Baroque,” or—somewhat rarely—“Churrigueresque.” However, with the shortage of similar buildings in the surrounding area and the chronological distance between the facility’s 1933 construction and Baroque’s popularity in the 17th and 18th centuries, it is often wondered how such a style came to be chosen for Bay Pines. This paper is an attempt to first, briefly explain the Baroque and Churrigueresque styles in Spain and Spanish America, second, outline the renewal of Spanish-inspired architecture in North American during the early 20th century, and finally, indicate some of the characteristics in the original buildings which mark Bay Pines as a Spanish Baroque- inspired building. The Spanish Baroque and Churrigueresque The Baroque style can be succinctly defined as “a style of artistic expression prevalent especially in the 17th century that is marked by use of complex forms, bold ornamentation, and the juxtaposition of contrasting elements.” But the beauty of these contrasting elements can be traced over centuries, particularly for the Spanish Baroque, through the evolution of design and the input of various cultures living in and interacting with Spain over that time. Much of the ornamentation of the Spanish Baroque can be traced as far back as the twelfth century, when Moorish and Arabesque design dominated the architectural scene, often referred to as the Mudéjar style. During the time of relative peace between Muslims, Christians, and Jews in Spain— the Convivencia—these Arabic designs were incorporated into synagogues and cathedrals, along with mosques. -
September 2019 Cover Story Trajes De Charro
September 2019 Cover Story Trajes de Charro 멕시코 카우보이의 전통 의상 멕시코의 ‘차로’만큼 멋지게 차려입은 카우보이도 없을 것이다. 섬세한 자수 장식 재킷, 세선 세공의 벨트 버클, 정교한 문양이 들어간 모자 차림의 차로 덕분에 로데오 경기는 오페라 공연만큼이나 격식과 품위가 넘친다. Suit Up, Saddle Up You’ll never see a better-dressed cowboy than the Mexican charro. In exquisitely embroidered jackets, finely filigreed belt buckles and intricately embellished sombreros, they make going to the rodeo seem as refined as a trip to the opera. 1519년 스페인의 정복자 에르난 코르테스가 멕시코에 When Hernán Cortés arrived in Mexico in 1519, he 입성한 이래 스페인의 다양한 풍습과 화려한 의상도 이 땅에 brought centuries of Spanish customs and ornate styles of 전해졌다. 300여 년의 식민 통치 기간 스페인 문화는 멕시코 dress with him. Over the next 300 years, these would form 사회에 단단하게 뿌리를 내렸다. 특히 오늘날 멕시코 중서부 the bedrock of Mexican society, exemplified by the rise of 할리스코주의 과달라하라에 해당하는 지역을 중심으로 한 wealthy Spanish landowners who were the ultimate tier of 스페인 제국의 통치 지역 누에바갈리시아에서는 스페인 cattle ranchers and farmers known as chinacos. 출신의 기마병인 ‘치나코’가 목장과 농장을 소유하면서 Throughout the 19th century, the Spanish-derived 부유한 지배층으로 성장했다. chinaco slowly transformed into the uniquely Mexican 19세기에는 치나코에 영향을 받아 멕시코 고유의 카우보이 charro. While chinacos carried spears and wore flared ‘차로’가 탄생했다. 치나코가 창을 들고 다니며 무릎 높이에서 pants often left open up to the knee, charros carried ropes 양쪽으로 트이며 바지폭이 넓어지는 나팔바지를 입고 다녔다면, and wore straight-legged pants fitted above ankle boots. 차로는 밧줄을 들고 다니며 일자바지를 입고 바지 끝자락이 In 1920, a group of charros in Guadalajara founded 발목 높이의 부츠를 덮는 스타일을 고수했다. -
Inkaterra Hacienda Urubamba | 1
Inkaterra Hacienda Urubamba | 1 Andalucía 174 T. (51 1) 6100400 www.inkaterra.com Lima 18 - Perú F. (51 1) 422 4701 Inkaterra Hacienda Urubamba | 2 INDEX DESCRIPTION OF HACIENDA URUBAMBA 3 SACRED VALLEY INFORMATION 3 LOCATION 4 LOCATION MAP 5 ROOMS 6 - URUBAMBA OWNERS QUARTERS (Up to 6 guests) - URUBAMBA OWNERS QUARTERS (Up to 4 guests) - URUBAMBA JUNIOR SUITE - URUBAMBA CASITA - URUBAMBA SUPERIOR DELUXE FACILITIES 13 - DINING ROOM - BAR - ECOCENTER - GALLERY SERVICES 14 - INCLUDED SERVICES - ADDITIONAL SERVICES EXCURSIONS 16 - INCLUDED EXCURSIONS - ADDITIONAL EXCURSIONS WILDLIFE OBSERVATION 19 Andalucía 174 T. (51 1) 6100400 www.inkaterra.com Lima 18 - Perú F. (51 1) 422 4701 Inkaterra Hacienda Urubamba | 3 DESCRIPTION OF HACIENDA URUBAMBA Inkaterra Hacienda Urubamba is a contemporary hotel with colonial inspiration, built in the heart of Urubamba Valley (Cusco), among mountains and trees. It creates an enabling environment for mental, spiritual and physical rest. The hotel has a design inspired by the architecture of the Cusco region, with an interior design inspired by local materials. A luxurious Andean environment proper of the Inkaterra spirit preserves the authenticity of Peruvian highlands. It is ideal for family holidays, offering various activities at the Valley and its surroundings, which are perfectly designed to assist travellers with the process of acclimatization. These allow the discovery of ancient traditions on the Andean farm and emphasize the history, traditions, nature and charm of the Sacred Valley. SACRED VALLEY INFORMATION The traditional village of Urubamba is one of the 7 districts belonging to the province of Urubamba. Also known as "The Heart of Sacred Valley of Incas" or "The Pearl of Vilcanota", it has a warm and welcoming atmosphere, and today is one of the most beautiful cities in the Sacred Valley. -
Comparison of Spanish Colonization—Latin America and the Philippines
Title: Comparison of Spanish Colonization—Latin America and the Philippines Teacher: Anne Sharkey, Huntley High School Summary: This lesson took part as a comparison of the different aspects of the Spanish maritime empires with a comparison of Spanish colonization of Mexico & Cuba to that of the Philippines. The lessons in this unit begin with a basic understanding of each land based empire of the time period 1450-1750 (Russia, Ottomans, China) and then with a movement to the maritime transoceanic empires (Spain, Portugal, France, Britain). This lesson will come after the students already have been introduced to the Spanish colonial empire and the Spanish trade systems through the Atlantic and Pacific. Through this lesson the students will gain an understanding of Spanish systems of colonial rule and control of the peoples and the territories. The evaluation of causes of actions of the Spanish, reactions to native populations, and consequences of Spanish involvement will be discussed with the direct correlation between the social systems and structures created, the influence of the Christian missionaries, the rebellions and conflicts with native populations between the two locations in the Latin American Spanish colonies and the Philippines. Level: High School Content Area: AP World History, World History, Global Studies Duration: Lesson Objectives: Students will be able to: Compare the economic, political, social, and cultural structures of the Spanish involvement in Latin America with the Spanish involvement with the Philippines Compare the effects of mercantilism on Latin America and the Philippines Evaluate the role of the encomienda and hacienda system on both regions Evaluate the influence of the silver trade on the economies of both regions Analyze the creation of a colonial society through the development of social classes—Peninsulares, creoles, mestizos, mulattos, etc. -
Artistic Geography and the Northern Jesuit Missions of New Spain
Artistic Geography and the Northern Jesuit Missions of New Spain By Clara Bargellini Universidad Nacional Autónoma de México [email protected] (working paper, not be reproduced without the author’s permission) George Kubler´s seminal thoughts on artistic geography came out of his involvement with the art and architecture of the Hispanic New World. This paper examines a group of 17th and 18th century Jesuit missions in northern Mexico in order to expand our understanding of New World artistic geography, and also to explore the history of some geographic notions and their place in art historical discussions. Whereas Kubler was concerned with the transmission of styles, my interest here will be the movement of specific objects and individuals within a particular historical configuration. This will involve, of course, considerations about patronage and institutions, with some references to iconography, all of which ultimately has implications for the transmission of styles, as Kubler would no doubt have recognized. The missions in question were established in the first half of the 17th century by the Jesuits in the northern Tepehuan and Southeastern Tarahumara region, and were held by the Society until its 1767 expulsion from New Spain. From their arrival in 1572 the Jesuits focused on ministry among the native population of New Spain. Almost at once they began missionary activity among the indigenous populations in places near Mexico City. By 1580 they were established at Tepotzotlán learning native languages. In 1589 the Jesuits were among the legendary chichimecas at San Luis de la Paz, and two years later they were in Sinaloa, where they established an extraordinary system of missions about which we now have only documents and very sparse remains. -
Y\5$ in History
THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 A thesis submitted to the faculty of San Francisco State University A5 In partial fulfillment of The Requirements for The Degree Mi ST Master of Arts . Y\5$ In History by James Harvey Mitchell, Jr. San Francisco, California May, 2016 Copyright by James Harvey Mitchell, Jr. 2016 CERTIFICATION OF APPROVAL I certify that I have read The Gargoyles of San Francisco: Medievalist Architecture in Northern California 1900-1940 by James Harvey Mitchell, Jr., and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in History at San Francisco State University. <2 . d. rbel Rodriguez, lessor of History Philip Dreyfus Professor of History THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 James Harvey Mitchell, Jr. San Francisco, California 2016 After the fire and earthquake of 1906, the reconstruction of San Francisco initiated a profusion of neo-Gothic churches, public buildings and residential architecture. This thesis examines the development from the novel perspective of medievalism—the study of the Middle Ages as an imaginative construct in western society after their actual demise. It offers a selection of the best known neo-Gothic artifacts in the city, describes the technological innovations which distinguish them from the medievalist architecture of the nineteenth century, and shows the motivation for their creation. The significance of the California Arts and Crafts movement is explained, and profiles are offered of the two leading medievalist architects of the period, Bernard Maybeck and Julia Morgan. -
Presidio of San Francisco an Outline of Its Evolution As a U.S
Special History Study Presidio of San Francisco An Outline of Its Evolution as a U.S. Army Post, 1847-1990 Presidio of San Francisco GOLDEN GATE National Recreation Area California NOV 1CM992 . Special History Study Presidio of San Francisco An Outline of Its Evolution as a U.S. Army Post, 1847-1990 August 1992 Erwin N. Thompson Sally B. Woodbridge Presidio of San Francisco GOLDEN GATE National Recreation Area California United States Department of the Interior National Park Service Denver Service Center "Significance, like beauty, is in the eye of the beholder" Brian W. Dippie Printed on Recycled Paper CONTENTS PREFACE vii ABBREVIATIONS viii ACKNOWLEDGEMENTS ix INTRODUCTION 1 CHAPTER 1: THE BEGINNINGS, 1846-1861 5 A. Takeover 5 B. The Indians 8 C. The Boundaries 9 D. Adobes, Forts, and Other Matters 10 CHAPTER 2: CIVIL WAR, 1861-1865 21 A. Organizing 21 B. Keeping the Peace 22 C. Building the Post 23 CHAPTER 3: THE PRESIDIO COMES OF AGE, 1866-1890 31 A. Peacetime 31 B. The Division Comes to the Presidio 36 C. Officers' Club, 20 46 D. Other Buildings 47 E. Troop Duty 49 F. Fort Winfield Scott 51 CHAPTER 4: BEAUTIFICATION, GROWTH, CAMPS, EARTHQUAKE, FORT WINFIELD SCOTT, 1883-1907 53 A. Beautification 53 B. Growth 64 C. Camps and Cantonments 70 D. Earthquake 75 E. Fort Winfield Scott, Again 78 CHAPTER 5: THE PRESIDIO AND THE FORT, 1906-1930 81 A. A Headquarters for the Division 81 B. Housing and Other Structures, 1907-1910 81 C. Infantry Terrace 84 D. Fires and Firemen 86 E. Barracks 35 and Cavalry Stables 90 F. -
Jewish Community Center of San Francisco 3200 California Street San Francisco San Francisco County California
HABSNo. CA-2724 Jewish Community Center of San Francisco 3200 California Street San Francisco San Francisco County California PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA Historic American Buildings Survey National Park Service Western Region Department of the Interior San Francisco, California 94107 HABs C.AL :;<o-sA HISTORIC AMERICAN BUILDING SURVEY JEWISH COMMUNITY CENTER OF SAN FRANCISCO HABS No. CA - 2724 Location: 3200 California Street (at Presidio Avenue) . San Francisco, San Francisco County, California 94118 - 1904 UTM Coordinates: 10-548750-4181850 Present Owner: Jewish Community Center of San Francisco Present Occupant: Jewish Community Center of San Francisco Present Use: Vacant Significance The Jewish Community Center of San Francisco QCC SF) was formally incorporated in 1930. However, its roots go back to 1874 with the establishment of the city's first Young Men's Hebrew Association (YMHA). The JCC SF reflects a progressive period in American history that resulted in provision of services and facilities for the underprivileged, and/or for minority ethnic groups. The Jewish Community Center project reflected both national and local efforts to facilitate coordination and effective work among Jewish social, athletic, cultural and charitable organizations by gathering them under one roof. Nationwide the Jewish community was influential in group social work, helping to develop the profession of social workers, and a wide variety of inclusive charitable organizations. In the era spanning 1900 to 1940, Jewish leaders in many American cities promoted the local development of these community centers to serve their communities as a central location for public service organizations, and recreational and social venues. The JCC SF is not closely associated with any specific event in the history of San Francisco or community, nor with any one individual significant to the city, state or nation. -
ALL the PRETTY HORSES.Hwp
ALL THE PRETTY HORSES Cormac McCarthy Volume One The Border Trilogy Vintage International• Vintage Books A Division of Random House, Inc. • New York I THE CANDLEFLAME and the image of the candleflame caught in the pierglass twisted and righted when he entered the hall and again when he shut the door. He took off his hat and came slowly forward. The floorboards creaked under his boots. In his black suit he stood in the dark glass where the lilies leaned so palely from their waisted cutglass vase. Along the cold hallway behind him hung the portraits of forebears only dimly known to him all framed in glass and dimly lit above the narrow wainscotting. He looked down at the guttered candlestub. He pressed his thumbprint in the warm wax pooled on the oak veneer. Lastly he looked at the face so caved and drawn among the folds of funeral cloth, the yellowed moustache, the eyelids paper thin. That was not sleeping. That was not sleeping. It was dark outside and cold and no wind. In the distance a calf bawled. He stood with his hat in his hand. You never combed your hair that way in your life, he said. Inside the house there was no sound save the ticking of the mantel clock in the front room. He went out and shut the door. Dark and cold and no wind and a thin gray reef beginning along the eastern rim of the world. He walked out on the prairie and stood holding his hat like some supplicant to the darkness over them all and he stood there for a long time. -
Spanish Style Home Plans
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Paul Alexander Bartlett Papers, 1923-1990
http://oac.cdlib.org/findaid/ark:/13030/ft596nb0gx No online items Finding Aid for the Paul Alexander Bartlett Papers, 1923-1990 Processed by Lilace Hatayama; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections UCLA Library Special Collections staff Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. Finding Aid for the Paul 2106 1 Alexander Bartlett Papers, 1923-1990 Finding Aid for the Paul Alexander Bartlett Papers, 1923-1990 Collection number: 2106 UCLA Library Special Collections UCLA Library Special Collections staff Los Angeles, CA Contact Information UCLA Library Special Collections staff UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Lilace Hatayama, October 1981 Encoded by: Caroline Cubé Online finding aid edited by: Josh Fiala, February 2002 © 2002 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Paul Alexander Bartlett Papers, Date (inclusive): 1923-1990 Collection number: 2106 Creator: Bartlett, Paul Alexander Extent: 9 boxes (4.5 linear ft.) Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Abstract: Paul Alexander Bartlett (1909- ) was born in Moberly, Missouri, and raised in Sault Ste. Marie, Michigan. He was an instructor in creative writing at Georgia State College (1955) and editor of publications at the University of California Santa Barbara (1964-70). -
2019 AIA Fellowship
This cover section is produced by the AIA Archives to show information from the online submission form. It is not part of the pdf submission upload. 2019 AIA Fellowship Nominee Michael Burch Organization Michael Burch Architects Location La Canada Flintridge, California Chapter AIA California Council; AIA Pasadena and Foothill Category of Nomination Object 2 - Practice (Technical Advancement) Summary Statement Michael Burch is recognized internationally as a master of the Spanish Colonial/Mediterranean Revival idiom. His work honors and extends the tradition, raising both public and professional expectations. Education Yale Univeristy, School of Architecture, New Haven, CT, 3 years, M.Arch. 1982 University of California Berkeley, College of Environmental Design, Berkeley, CA, 2 years, B.A. (Architecture) 1975 Occidental College, Eagle Rock, CA, 1 year, attended 1973 (no degree) Columbia University, Columbia College, New York City, NY, 1 year, attended 1972 (no degree) Licensed in: California, C 16827 Employment Michael Burch Architects, La Canada Flintridge, CA 1989-present Michael Burch Architect, Los Angeles, CA 1985-1989 The Jerde Partnership, Los Angeles, CA, 1985 Charles Moore, Urban Innovations Group, Los Angeles, CA, 1983-85 Skidmore, Owings and Merrill, Los Angeles, CA, 1983 K illingsworth, Brady and Associates, Long Beach, CA, 1976-80, 82 October 1, 2018 Mary P. Cox, FAIA, Chair, 2019 Jury of Fellows American Institute of Architects 1735 New York Avenue, NW, Washington, D.C. 20006-5292 Re: Michael Burch, FAIA; Elevation to Fellowship Dear Ms. Cox and Members of the Jury of Fellows: I’ve known Michael Burch since 1983, when I was director of the Urban Innovations Group, UCLA’s clinical training office, and he, as my trusty assistant, was an exemplary project manager and instructor.