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Leaflet Canongate Wall
Mapwork based on Ordnance Survey Licence number 100033582 number Licence Survey Ordnance on based Mapwork scale to not GeoConservation Edinburgh. Borders Borders on Princes Street in in Street Princes on at the Balmoral Hotel Hotel Balmoral the at viewed from his room room his from viewed Lothian and and Lothian Funding by Scottish Natural Heritage Natural Scottish by Funding Edinburgh’s Old Town as as Town Old Edinburgh’s Project Coordinator: Elspeth Urquhart Elspeth Coordinator: Project 3000+ Parliament Buildings) of of Buildings) Parliament GeoConservation LEWISIAN (architect of the Scottish Scottish the of (architect Edinburgh Text from David McAdam, and Lothian and Borders Borders and Lothian and McAdam, David from Text HEBRIDEAN sketch by Enric Miralles Miralles Enric by sketch Photographs from Elspeth Urquhart Elspeth from Photographs based around the the around based Scottish Parliament Building Building Parliament Scottish 1500 Designed by Derek Munn Munn Derek by Designed the wall is a townscape townscape a is wall the At the eastern end of of end eastern the At www.edinburghgeolsoc.org 1200 Local Geodiversity Site Geodiversity Local HIGHLANDS ©2011 ©2011 MOINE concrete panels. concrete Produced by Lothian and Borders GeoConservation GeoConservation Borders and Lothian by Produced NORTHERN set in the large pre-cast pre-cast large the in set 950 Memorial Trust. Trust. Memorial the stone inserts are are inserts stone the Carcanet Press, Mrs K Henderson, and the W.L. Lorimer Lorimer W.L. the and Henderson, K Mrs Press, Carcanet Parliament building. All All building. Parliament Brooksbank Estates, Birlinn Publishers, Canongate Press, Press, Canongate Publishers, Birlinn Estates, Brooksbank 700 the building demolished to make way for the new new the for way make to demolished building the HIGHLANDS to reproduce material in this leaflet. -
Edwin Morgan's Early Concrete Poetry
ELEANOR BELL Experimenting with the Verbivocovisual: Edwin Morgan's Early Concrete Poetry In The Order of Things: An Anthology of Scottish Sound, Pattern and Goncrete Poems, Ken Cockburn and Alec Finlay suggest that with the advent of con- crete poetry, 'Scotland connected to an international avant-garde movement in a manner barely conceivable today'. The 'classic phase' of concrete poetry in Scotiand, they note, begins around 1962, and, referencing Stephen Scobie, they point out that it should probably be regarded as an experiment in late modernism in its concerns with 'self-refiexiveness, juxtaposition and simultanism'.^ Some of the chief concerns of concrete poetry were therefore to expand upon the conceptual possibilities of poetry itself, instüling it with a new energy which could then radiate off the page, or the alternative medium on which it was presented. Both Edwin Morgan and Ian Hamilton Finlay were instantly drawn to these contrasts between the word, its verbal utterance and its overaU visual impact (or, as termed in Joyce's Finnegans Wake, its 'verbivocovisual presentements', which the Brazüian Noigandres later picked up on). Although going on to become the form's main pro- ponents within Scotiand, Morgan and Finlay recognised from early on that its Scottish reception most likely be frosty (with Hugh MacDiarmid famously asserting that 'these spatial arrangements of isolated letters and geo- metricaüy placed phrases, etc. have nothing whatever to do with poetry — any more than mud pies can be caüed architecture').^ Both poets none- theless entered into correspondence with key pioneering practitioners across the globe, and were united in their defence of the potential and legitimacy of the form. -
CARRY on STREAMIN from EDINBURGH FOLK CLUB Probably the Best Folk Club in the World! Dateline: Wednesday 13 January 2021 Volume 1.15
CARRY ON STREAMIN from EDINBURGH FOLK CLUB Probably the best folk club in the world! Dateline: Wednesday 13 January 2021 Volume 1.15 EDINBURGH FOLK Except, as we mentioned in the previous singaround as well. COS(1.14) just before Christmas, this time Finally, to access the event on January CLUB et al: BURNS Burns Night for us is very, very different! 23rd at 8pm click on this link to email a This year’s version of the event is a joint request for the Zoom link. NIGHT 2021 effort with Edinburgh’s “The World’s Room” monthly traditional song club plus Edinburgh FC as well as with the Howth Go to PayPal to donate to Singers’ Circle across the water near Dublin. Ambitious? Not ‘arf! the Paddy Bort Fund. As with so much else these days, Zoom is once again our friend but it’s not And click here to go to straightfoward having various different EFC’s YouTube channel. inputs to bring together at the right time. There’s quite a number of performers from See the panel (right) for the ‘us’ and from Ireland and Edinburgh FC’s performers on the video regular video and streaming wizard, Sandy accompanying this edition of McGhie of Channel7A, will be the knob COS. twiddler marshalling the live performances and pre-recorded inserts at the right time so you won’t notice the join! WE’RE MOVING RAPIDLY towards the Edinburgh FC’s annual Burns Night Howth Singers Circle have been which is always one of the convivial organising a very successful annual Burns highlights of the Edinburgh Folk Club Night since 2000. -
Prelims 1..12
Scottish Literary Review Edited by Sarah M. Dunnigan and Margery Palmer McCulloch Reviews Editor Rhona Brown Volume 4 Number 2 . Autumn/Winter 2012 (formerly Scottish Studies Review) ASSOCIATION FOR SCOTTISH LITERARY STUDIES Scottish Literary Review is published by the Association for Scottish Literary Studies ISSN 1756^5634 www.asls.org.uk # Association for Scottish Literary Studies and individual contributors, 2012 Correspondence and articles (one electronic ¢le and two paper copies) should be sent to: Dr SARAH M. DUNNIGAN Department of English Literature, University of Edinburgh George Square, Edinburgh EH89JX Email: [email protected] or to: Dr MARGERY PALMER McCULLOCH Scottish Literature, University of Glasgow G12 8QH Email: [email protected] Books for review should be sent to: Dr RHONA BROWN Scottish Literature, University of Glasgow G12 8QH Email: [email protected] Subscriptions and enquiries about publications should be sent to: DUNCAN JONES General Manager, ASLS, c/o Scottish Literature University of Glasgow, 7 University Gardens, Glasgow G12 8QH Tel/Fax 0141 330 5309. Email: o⁄[email protected] The Association for Scottish Literary Studies is in receipt of subsidy from the Scottish Arts Council The annual subscription to ASLS in the UK for Æ"Æ is »ª for individuals and » corporate. EU subscribers (outside UK) please add » p&p. Other overseas subscribers please add » p&p. In addition to Scottish Literary Review, this single subscription purchases Scottish Language, New Writing Scotland, ScotLit, and a major edited work of Scottish literature. Design by Neil Christie Scottish Literary Review Editorial Board Editors: Dr Sarah M. -
The Edinburgh Book of Twentieth-Century Scottish Poetry
The Edinburgh Book of Twentieth-Century Scottish Poetry Edited by Maurice Lindsay and Lesley Duncan Edinburgh University Press Contents Acknowledgements xxii Introduction xxxiv Helen Adam Song for a Sea Tower 3 I Love My Love 4 Margot Robert Adamson Edinburgh 7 James Aitchison The Inheritance 8 Dipper Territory 9 Landscape with Lapwings 9 Marion Angus Alas! Poor Queen 10 The Fiddler 11 Anemones 12 Mary's Song 13 The Doors of Sleep 13 /. K. Annand Arctic Convoy 14 Fur Coats 15 Mountain Pule 16 Meg Bateman Aotromachd / Lightness . 16 Fhir luraich 's fhir alainn / O Bonnie Man, Lovely Man 17 iv The Edinburgh Book of Twentieth-Century Scottish Poetry D. M. Black The Educators 18 The Water-Lily 20 Sheena Blackball Doric's No Dodo ... 20 The Spik o' the Lan 21 Walk On 22 Captain Hamish Blair The Bloody Orkneys 23 Alan Bold Shore 24 from Edinburgh Castle 24 Deric Bolton Schiehallion 25 What Might Have Been 26 Kate Y. A. Bone Corners 26 Catlike 27 James Bridie (O. H. Mavor) The West End Perk 28 George Mackay Brown Ikey: His Will in Winter Written 28 Hamnavoe 31 The Lodging 32 The Mother 33 The Old Women 34 Hamish Brown A Salting of Snow 34 Dogs 35 Counting Sheep 35 Contents v Margaret Gillies Brown Village Woman 36 Calgary Bay 37 George Bruce A Gateway to the Sea (1) 38 Love in Age 39 Inheritance 40 Kinnaird Head 41 Departure and Departure ... 42 Soup and Sherry 42 Tom Bryan Planting Potatoes during Chernobyl 43 John Buchan from Alastair Buchan (1917) 44 Fisher Jamie 45 Tom Buchan The Everlasting Astronauts 46 Scotland the Wee 47 Elizabeth Burns Jesus Speaks to the Church at Eastertime 47 Ophelia 49 John Burnside Tundra's Edge 52 Lost 53 Out of Exile 53 Anstruther 54 Ron Butlin Advertisement for a Scottish Servant 55 The Bath 56 John M. -
Scottish Poetry 1990-1991 Alasdair D
Studies in Scottish Literature Volume 28 | Issue 1 Article 16 1993 Scottish Poetry 1990-1991 Alasdair D. F. Macrae Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Macrae, Alasdair D. F. (1993) "Scottish Poetry 1990-1991," Studies in Scottish Literature: Vol. 28: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol28/iss1/16 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Alasdair D. F. Macrae Scottish Poetry 1990-1991 The publication of Edwin Morgan's Collected Poems was timed to mark his seventieth birthday. His Poems of Thirty Years, also from Carcanet, came out in 1982 and the new volume adds about one hundred and fifty pages of poems to what is available there. The main additions consist of: a dozen "inventions" (things found and things devised) composed between 1965 and 1971; An Alphabet of Goddesses (1983); Sonnets from Scotland (1984); From the Video Box (1986); poems from Themes on a Variation (1988); and about fifty previously uncollected poems written between 1949 and 1982. From very early on, and certainly from the 1960s, Morgan has been such a quaquaversal writer that it would be unreasonable and unappre ciative if the reader were to look for yet more novelties in the work now added to the opus. But, of course, -
Scottish Verse
A BOOK OF SCOTTISH VERSE Edited by MAURICE LINDSAY Fourth Edition SUB GOttingen 7 214 732 649 2002 A 731 ROBERT HALE • LONDON CONTENTS Acknowledgements xvii Preface to the Fourth Edition xx ANON. From The Orygynale Cronykil, 1420 Cantus 1 JOHN BARBOUR, 1320P-1395 Freedom 1 The Battle of Bannockbum 2 ANDREW OF WYNTOUN, 1360P-1425? Macbeth's Dream 5 KING JAMES THE FIRST OF SCOTLAND, 1394-1437 From The Kingis Quair 6 ROBERT HENRYSON, 1425P-1506? Robene and Makyne 12 The Abbey Walk 17 The Taill of the Uponlandis Mous and the Burges Mous 19 From The Testament ofCresseid 27 The Praise of Age 39 WILLIAM DUNBAR, 1460P-1520? From The Twa Mariit Wemen and the Wedo 40 The Golden Targe 42 To a Lady 52 The Dance of the Seven Deadly Sins 52 Amends to the Tailors and Soutars 57 Meditation in Winter 58 Lament for the Makaris 60 0 wretch, beware 63 Rorale coeli desuper 64 Done is a battle on the dragon black 66 The Ballad ofKynd Kittok 67 GAVIN DOUGLAS, 1475P-1522 An Evening and Morning in June 69 An Evening and Morning in Winter 72 SIR DAVID LYNDSAY, 1490-1555 The Pardoner's Sermon 74 Complaint of the Common Weill of Scotland 75 vi CONTENTS SIR RICHARD MAITLAND, 1496-1586 Against the Thieves ofLiddesdale 78 ALEXANDER SCOTT, fl. 1547-1584 A Rondel of Love 81 Hence, hairt, with her that must depairt 82 Return thee, hairt 83 Lament of the Master ofErskine 85 To love unlovit 86 ALEXANDER MONTGOMERIE, 1540P-1610? The Nicht is Neir Gane 87 An Admonition to Young Lassies 89 Sweethairt, rejoice in mind 90 Adieu to his Mistress 91 JOHN STEWART OF BALDYNNIS, 1550P-1605? Medoro's Inscription for a Cave 93 JAMES MELVILLE, 1556-1614 Robin at My Window 94 ALEXANDER HUME, 1557P-1609 Of the Day Estivall 95 MARK ALEXANDER BOYD, 1563-1601 Sonnet 103 ANON. -
Rejecting the Knitted Claymore: the Challenge to Cultural Nationalism in Scottish Literary Magazines of the 1960S and 1970S
Rejecting the Knitted Claymore: the Challenge to Cultural Nationalism in Scottish Literary Magazines of the 1960s and 1970s Eleanor Bell The late 1950s and early 1960s witnessed a dramatic moment of change in the history and context of small magazines within Scotland and Britain as a whole. As Wolfgang Görtschacher comments, ‘[t]he real backbone of the British Poetry Revival […] was provided by the numberless, hand-stapled little magazines, irregularly and cheaply produced on duplicating machines, that flooded the British little magazine scene from 1962 onwards.’1 At the heart of this mimeograph revolution, it seems, was the need to break away from not only the financial but also from what were seen as the conservative cultural and intellectual restraints of commercial publishing, with a resultant focus on the need to find new creative outlets for expression.2 In his editorial to the final edition of the Edinburgh University literary journal Jabberwock in 1959, Alex Neish was dismissive of much of the critical and cultural context of the Scottish literary establishment or what, after John Knox, he called the ‘Monstrous Regiment’: This is the last issue of Jabberwock that I shall edit. It makes an almost total break with the magazine’s recent tradition by jettisoning that inferior romantic drivel of misdirected Nationalism which for too long has been a mill-stone around the necks of younger Scottish writers. This will not, therefore, be a popular issue with the University’s [Scottish Literary] Renaissance Society 1 Wolfgang Görtschacher, Little Magazine Profiles: The Little Magazines in Great Britain, 1939-1993 (Salzburg Studies in English Literature Poetic Drama & Poetic Theory) (Salzburg and Lewiston, N.Y: University of Salzburg / Edwin Mellen Press, 1993), p. -
Demons in the Machine: Experimental Cinema, Poetry and Modernism In
‘Demons in the Machine: Experimental Film, Poetry and Modernism in Twentieth-Century Scotland’ By Sarah Neely and Alan Riach In Scottish Cinema Now, pp. 1 – 19 Published by Cambridge Scholars Publishing http://www.c-s-p.org/Flyers/Scottish-Cinema-Now1-4438-0331- 6.htm Sarah Neely & Alan Riach, ‘Demons in the Machine: experimental film, poetry and modernism in twentieth-century Scotland’1 Avant-garde practices in Scotland have often been overshadowed by the dominance of a strong documentary tradition, and discussions of Scottish filmmaking are generally concerned with debates around national identity. These tendencies work to obscure the achievements of a number of important local filmmakers linked to the international avant-garde. This chapter will explore the work of two such figures: Orcadian poet, painter and filmmaker, Margaret Tait (1918-1999) and Scots-Italian writer, academic and amateur filmmaker Enrico Cocozza (1921-1997). Both attended Centro Sperimentale di Cinematographia in Rome in the early 1950s, Tait after serving in the Royal Army Medical Corps, Cocozza after serving as an interpreter for Italian prisoners in the Army. Their poetic approach to filmmaking was admired by artists, other filmmakers, writers and, unsurprisingly, poets. Hugh MacDiarmid, who served as a subject for one of Tait’s film portraits, published some of her written poetry and wrote about her in his article, ‘Intimate Filmmaking in Scotland’ (1960). Edwin Morgan favourably reviewed Tait’s poems and later wrote a poem in tribute to Cocozza. Both Tait and Cocozza, to varying extents, were influenced by poetry, occasionally adapting and referencing the work of well-known poets in their own films.