Questions of Home, Belonging and Return in an Afghan Diaspora
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Afghan Exodus Afghan Asylum Seekers in Europe and Germany
STUDY Afghan Exodus Afghan Asylum Seekers in Europe and Germany THOMAS RUTTIG February 2017 n In 2016, Afghans were the second largest group both of migrants seeking protection in Europe and of those formally applying for asylum. Since the peak of the refugee crisis in late 2015, the number of arrivals – both in general and in terms of Afghans – have dropped significantly. European countries have made traveling to, staying, and integrating into the society increasingly complicated. Numbers of asylum applications widely differed between European countries. Furthermore, the EU and individual member states have put agreements in place with the Afghan government that allow »voluntary« and »enforced« returns of large numbers of rejected asylum seekers. n In this comprehensive three-part dispatch, AAN’s co-director Thomas Ruttig looks at the latest figures and trends as well as changes in policy and the social climate that have im-pacted the situation for Afghan asylum seekers in Europe. This will be followed by an overview of the situation in a number of individual European countries and a case study on Germany, the largest recipient country in Europe for refugees. The last part will also draw some conclusions. THOMAS RUTTIG | AFGHAN EXODUS Contents 1. Europe – The Changing Situation ..........................................3 1.1 Overall Figures ���������������������������������������������������������������������������������������������������������������3 1.2 Afghan Figures . .3 1.2.1 Arrivals in Europe . .3 1.2.2 Asylum Applications in Europe �����������������������������������������������������������������������������4 1.2.3 Decisions in Europe �����������������������������������������������������������������������������������������������4 1.3 Policy Changes: Sealing Borders . .5 1.4 Policy Changes: Turning the Trend from Influx to Return �����������������������������������������������7 1.5 The Changing Climate in Recipient Countries . -
The a to Z Guide to Afghanistan Assistance
The Afghanistan Research and Evaluation Unit The A to Z Guide to Afghanistan Assistance 2nd Edition, August 2003 Writer: Shawna Wakefield Editor: Christina Bennett, Kathleen Campbell With special thanks to: Kristen Krayer, Nellika Little, Mir Ahmad Joyenda Cover illustration: Parniyan Design and Printing: The Army Press © 2003 The Afghanistan Research and Evaluation Unit (AREU). All rights reserved. Preface This is the second edition of The A to Z Guide to Afghanistan Assistance. Our first edition was brought out one year ago at a time of great change in Afghanistan. At that time, coordination mechanisms and aid processes were changing so fast that old hands and new arrivals alike were sometimes overwhelmed by the multiplicity of acronyms and references to structures and entities that had been recently created, abolished or re-named. Eighteen months after the fall of the Taliban and the signing of the Bonn Agreement, there are still rapid new developments, a growing complexity to the reconstruction effort and to planning processes and, of course, new acronyms! Our aim therefore remains to provide a guide to the terms, structures, mechanisms and coordinating bodies critical to the Afghanistan relief and reconstruction effort to help ensure a shared vocabulary and common understanding of the forces at play. We’ve also included maps and a contact directory to make navigating the assistance community easier. This 2nd edition also includes a section called “Resources,” containing information on such things as media organisations, security information, and Afghanistan-related web sites. Another new addition is a guide to the Afghan government. As the objective of so many assistance agencies is to support and strengthen government institutions, we felt that understanding how the Afghan government is structured is important to working in the current environment. -
Distinctions
DISTINCTIONS Vol. 2 ∙ No. 2 ∙ Spring 2008 Artwork by Rodolfo Maxil Distinctions Vol. 3 · No. 2 · Spring 2008 A Student Honors Journal Published by the Kingsborough Community College Honors Program Office of Academic Affairs EDITOR Professor Barbara R. Walters EDITORIAL BOARD Jordan Hall Professor Bob Blaisdell Student Editor Faculty Proof Copy Editor Brian Lee Professor Richard Armstrong Student Editor Faculty Editor Darla Linville Professor Judith Wilde Writing Fellow Faculty Artwork Editor ACADEMIC AFFAIRS Professor Reza Fakhari Associate Dean Dr. Rachelle Goldsmith Director of the Honors Program Cover Artwork: by Rodolfo Maxil Copyright@ 2007 Kingsborough Honors Program ii DISTINCTIONS VOLUME III · NUMBER 2 · SPRING 2008 1 Jordon Hall Religious Validity and the Pluralistic Hypothesis Mentor: Professor Rick Repetti 13 Rose Nerges The Kite Runner and Life in Afghanistan Mentor: Professor Barbara Walters With thanks to Darla Linville, Writing Fellow 29 Mariana Brodsky The Art Historical Context and Style of Self-Portrait with Two Pupils Mentor: Professor Marissa R. Schlesinger 35 Rita Goldstein and Joy Marchionni A Comparative Analysis of Commuter-Targeted Advertising in New York City Mentor: Professor Cindy Greenberg 45 Fanny Rodriguez Fanny’s Restaurant Business Plan Mentor: Professor Ira Hochman 63 Svetlana Cozmit Cleopatra’s Hair and Beauty Salon Mentor: Professor Ira Hochman 77 Agnieszka Bernuy The Path Leading to the Coexistence of Christianity, Pagan Rituals, and Shamanism Mentor: Professor Barbara Walters 89 China Tenacé Moore -
Serene Island Power Women Barton's Creek Interior
SERENE ISLAND POWER WOMEN BARTON’S CREEK INTERIOR INSPIRATION CAFÉ FLORAL SPRING/SUMMER 2019 RMshop.no “That first spring day lightens my mood” Franklin Park Wing Chair velvet, olive (NOK 1.4990), available in various colours velvet, linen and pellini, RM Beach Club Fillable Votive small (NOK 149)*, Seashell Fillable Votive (NOK 169), Summer Shell Fillable Votive (NOK 229), Best Of Summer Fillable Votive (NOK 149), RM Beach Club Fillable Votive medium (NOK 169)*. * Availble from April 2019. 5 “That first Hello Spring spring day I really hate the cold and although Christmas is my favourite time of This typical country trend has lasted for many years and has made our year, on 27 December I can again be longing for spring and the winter brand big and well-known, far beyond our national borders. And now we could not be over sooner. have given the collections a new touch without losing sight of our DNA. lightens The Netherlands is a real ice skating country. As soon as it freezes for We‘ve prepared our collection for the next step. The new RM should a week, the eleven-city virus re-emerges and everyone talks about the not only be there for the country-style fan, but also appeal to a broader race really happening again: the Elfstedentocht (Eleven Cities Tour). target group. As yet, that‘s worked really well, because we have grown my mood” The romance around the tour of tours in our beautiful Friesland is like mad again over the last years. wonderful, but I am Amsterdam born and when it freezes there is nothing more beautiful for me than the scene of skating people and A nice example of the new RM can be found in this spring magazine, their children on the canals after a few weeks of frost. -
Dari Basic Course
DARI BASIC COURSE SEMESTER 1 Lessons 5-8 TEACHER COPY VALIDATION EDITION 2005 DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER DARI Basic Course SEMESTER 1 Lessons 5-8 June 2005 DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER Acknowledgments Permission to use text and/or graphic images in this Dari language course has been received from the following copyright holders: Luke Powell (photographs from www.lukepowell.com) Rahmatullah Omid (photographs from personal collection) Homayoun Seddiq (photographs from personal collection) Wida Ahmad (photographs from personal collection) Najib Rezai (photographs from personal collection) Kiyoshi Inoue (photographs from www.flyingkong.com) AGSL American Geographical Society Library, University of Wisconsin-Milwaukee Libraries (photographs from the Harrison Forman collection) ASC Thome Anderson (photographs from www.photoarchive.saudiaramcoworld.com, courtesy of Saudi Aramco World / PADIA / Aramco Services Corporation) UNESCO (photographs from www.unesco.org/photobank) UNEP (photographs from http://postconflict.unep.ch/afg_new.htm.) Robert W. Kranz (photographs from www.war-correspondent.com) Keith Cook (photographs from www.themenupage.com.) Mustafa Rasuli (photographs from www.rasuli.com) John Patton (photographs from http://mysite.mweb.co.za/residents/ekawasa/JohnPattenGraphics/index.html) Dominic Medley/Jude Barrand (photos from Kabul: The Bradt Mini Guide - The Survival Guide to Kabul www.kabulguide.net.) Gary W. Bowersox “The Gem Hunter,” President GeoVision, Inc., PO Box 89646, Honolulu, -
Revolutionary Afghanistan Is No Exception
CONTENTS PREFACE 1. In Search of Hafizullah Amin 6 2. Three Revolutionaries 12 3. A House Divided: the PDPA, 1965-1973 25 4. The Making of a Revolution: the PDPA, 1973-1978 39 5. The Inheritance: Afghanistan, 1978 53 6. Strategy for Reform 88 7. The Eid Conspiracy 106 8. A Treaty and a Murder: Closing the American Option 120 9. The Question of Leadership 133 10. The Summer of Discontent 147 11. The End Game 166 12. ‘. And the People Remain’ 186 Select Bibliography 190 PREFACE PREFACE The idea for this book arose from a visit to Kabul in March 1979 when it became immediately obvious that what was happening in Afghanistan bore little relation to reports appearing in the Western media. Further research subsequently reinforced that impression. Much of the material on which the book is based was collected in the course of my 1979 field trip which took me to India, Pakistan and the United Kingdom as well as Afghanistan and during a follow-up trip to India and Pakistan from December 1980 to January 1981. Unfortunately by then times had changed and on this second occasion the Afghan government refused me a visa. Texts of speeches and statements by Afghan leaders and other Afghan government documents have for the most part been taken from the Kabul Times, since these are in effect the official version. I have however taken the liberty where necessary of adjusting the syntax of the Afghan translator. The problem of transliteration is inescapable, and at the risk of offending the purists I have chosen what appears to be the simplest spelling of Afghan names and have tried to be consistent. -
Collegeannualreportsay18-19
2019 Annual Report March 15, 2020 1 Contents Viability Section............................................................................................................................................. 3 College Enrollment Management Plan ..................................................................................................... 3 College Level Enrollment and Retention Plan ....................................................................................... 3 College Support for Department Enrollment Management ................................................................. 3 Overview of Departmental Performance ................................................................................................. 4 College Level Planning based on Departmental Results - Programs Not Meeting Metrics, Programs Marginally Meeting Metrics, Programs Meeting or Exceeding Metrics ................................................... 6 College Plan ........................................................................................................................................... 7 Core Mission Section..................................................................................................................................... 7 Overview of College Goals ........................................................................................................................ 7 Telling our story ................................................................................................................................... -
Human Rights for Musicians Freemuse
HUMAN RIGHTS FOR MUSICIANS FREEMUSE – The World Forum on Music and Censorship Freemuse is an international organisation advocating freedom of expression for musicians and composers worldwide. OUR MAIN OBJECTIVES ARE TO: • Document violations • Inform media and the public • Describe the mechanisms of censorship • Support censored musicians and composers • Develop a global support network FREEMUSE Freemuse Tel: +45 33 32 10 27 Nytorv 17, 3rd floor Fax: +45 33 32 10 45 DK-1450 Copenhagen K Denmark [email protected] www.freemuse.org HUMAN RIGHTS FOR MUSICIANS HUMAN RIGHTS FOR MUSICIANS Ten Years with Freemuse Human Rights for Musicians: Ten Years with Freemuse Edited by Krister Malm ISBN 978-87-988163-2-4 Published by Freemuse, Nytorv 17, 1450 Copenhagen, Denmark www.freemuse.org Printed by Handy-Print, Denmark © Freemuse, 2008 Layout by Kristina Funkeson Photos courtesy of Anna Schori (p. 26), Ole Reitov (p. 28 & p. 64), Andy Rice (p. 32), Marie Korpe (p. 40) & Mik Aidt (p. 66). The remaining photos are artist press photos. Proofreading by Julian Isherwood Supervision of production by Marie Korpe All rights reserved CONTENTS INTRODUCTION Human rights for musicians – The Freemuse story Marie Korpe 9 Ten years of Freemuse – A view from the chair Martin Cloonan 13 PART I Impressions & Descriptions Deeyah 21 Marcel Khalife 25 Roger Lucey 27 Ferhat Tunç 29 Farhad Darya 31 Gorki Aguila 33 Mahsa Vahdat 35 Stephan Said 37 Salman Ahmad 41 PART II Interactions & Reactions Introducing Freemuse Krister Malm 45 The organisation that was missing Morten -
SITREP | Pressure and Peril: Afghan Refugees and Europe in 2017
www.ssoar.info SITREP - Pressure and Peril: Afghan Refugees and Europe in 2017 Ruttig, Thomas Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Ruttig, T. (2018). SITREP - Pressure and Peril: Afghan Refugees and Europe in 2017. IndraStra Global, 1, 1-13. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-55385-2 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. -
P18 Layout 1
THURSDAY, OCTOBER 9, 2014 SPORTS English Premier League explores global expansion LONDON: English clubs’ interest in playing dition of anonymity because the discussions have Arnold told the AP: “That’s still an area that’s under watch, who knows?” Pointing to the crowds at matches abroad has prompted the Premier been in private. Although playing a regular season some development. You’ve seen on the tour the some pre-season friendlies in the United States, League to explore the possibilities of expansion game abroad would appear unlikely in the immedi- engagement we get abroad.” Scudamore said: “You wouldn’t get more even if overseas. ate future, the league is looking into organizing Premier League games are broadcast into 650 there was three points, six points, or even nine The league was forced to scrap plans six years lucrative pre-season friendlies and expanding the million homes in 175 countries, according to points riding on that particular game.” ago to add an extra 39th round of matches at ven- existing Premier League Asia trophy tournament to league statistics. The league has been wary about While clubs like United and Liverpool can secure ues across the world amid opposition domestical- other continents. reviving plans to take a game abroad after the ini- lucrative deals for pre-season games, it would be ly and from FIFA. But league chief executive The international interest in preseason games tial discussion in 2008 angered both domestic fans clubs with smaller global fan bases that could ben- Richard Scudamore recently acknowledged that was highlighted by Manchester United’s friendly and FIFA, with questions also about upsetting the efit from the Premier League helping to organize clubs still back the idea. -
Afghan Music in Australia John Baily*
BAILY, John (2010), “Afgan music in Australia”, in CÔRTE-REAL, Maria de São José (ed.), Migrações Journal - Special Issue Music and Migration, October 2010, no. 7, Lisbon: ACIDI, pp. 157-176 Afghan music in Australia John Baily* Abstract Based on research carried out in Melbourne and Sydney in 2009, this paper discusses Afghan migration to Australia, the emergen- ce of the multicultural society, the civic promotion of the Afghan Bazaar Precinct in Dandenong (Melbourne), the genres of Afghan music performed in Australia, with brief biographies of some of the musicians, and a survey of CDs produced in Australia. The pa- per concludes that the Afghan-Australian community (less than 25,000 overall) is too small to support a fully-fledged Afghan mu- sic profession. The result is a vigorous amateur music scene cate- ring for a community of music lovers. The work of three contem- porary Australian composers influenced by Afghan music is also discussed, to show how the culture of this immigrant community has enriched Australian culture. Keywords Afghanistan, Australia, multiculturalism, recordings, professiona- lism, keyboards. * Emeritus Professor of Ethnomusicology, Head of the Afghanistan Music Unit, Department of Music, Goldsmiths, University of London ([email protected]) Migrações _ #7 _ October 2010 157 Afghan music in Australia John Baily Introduction My research on the music of Afghanistan began in the 1970s, with two years of eth- nomusicological fieldwork, most of it in the provincial city of Herat, and to a lesser extent the capital, Kabul. My research in Herat was wide-ranging, looking into the performance of various genres: urban and rural; folk, popular and art; vocal and ins- trumental; traditional and modern; professional and amateur; female and male; and also at various forms of religious singing that did not fall clearly into the category of music, such as Sufi zikr, Shiah lamentations and Quranic recitation. -
"New Music" Between Afghanistan and Its Transnational Community by John Baily* (London, United Kingdom)
Congrès des Musiques dans le monde de l'islam. Assilah, 8-13 août 2007. Conference on Music in the world of Islam. Assilah, 8-13 August, 2007. The circulation of "New Music" between Afghanistan and its transnational community by John Baily* (London, United Kingdom) The background I, along with my wife Veronica Doubleday,1 have been engaged with the music of Afghanistan for the last 35 years. The foundation of my knowledge of Afghan music comes from 2 years fieldwork in Herat, and to a much lesser extent Kabul, in the 1970s. My first foray into the Afghan diaspora was in 1985, making the film Amir: An Afghan refugee musician's life in Peshawar, Pakistan. Since then I have conducted further fieldwork on Afghan music in Peshawar, in Mashad, New York, Herat (in 1994, in the interval between the communists and the Taliban) and Fremont (California). Since the defeat of the Taliban I made four visits to Kabul, where I set up a music school for the Aga Khan Music Initiative in Central Asia. The Arts and Humanities Research Council in the UK has a Diasporas, Migration & Identities Programme, which in 2006 gave me funding to carry out research Afghan music in London, and London's connections with Kabul, Hamburg (with a very large Afghan colony), and Dublin (with a very small one). My paper today considers some of the more general questions that arise about the circulation of music between Afghanistan and the Afghan diaspora that my study raises. This is very much a preliminary report on work in progress.