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Ceramics Monthly November 2002 1 editor Ruth C. Butler associate editor Kim Nagorski assistant editor Renee Fairchild assistant editor Sherman Hall proofreader Connie Belcher design Paula John production manager John Wilson production specialist David Houghton advertising manager Steve Hecker advertising assistant Debbie Plummer circulation manager Cleo Eddie circulation administrator Mary E. May publisher Mark Mecklenborg editorial, advertising and circulation offices 735 Ceramic Place Westerville, Ohio 43081 USA telephone editorial: (614) 895-4213 advertising: (614) 794-5809 classifieds: (614) 895-4220 circulation: (614) 794-5890 fax (614) 891-8960 e-mail [email protected] [email protected] [email protected] [email protected] website www.ceramicsmonthly.org Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 Ceramic Place, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The American Ceramic Society. subscription rates: One year $30, two years $57, three years $81. Add $ 18 per year for subscriptions outside North America; for faster delivery, add $12 per year for airmail ($30 total). In Canada, add GST (registration num­ ber R123994618). change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Department, PO Box 6136, Westerville, OH 43086-6136. contributors: Writing and photographic guidelines are available on request. Send manuscripts and visual support (slides, transparencies, photographs, drawings, etc.) to Ceramics Monthly, 735 Ceramic PL, Westerville, OH 43081. We also accept unillustrated texts e-mailed to [email protected] or faxed to (614)891-8960. indexing: An index of each year's feature articles appears in the December issue. You may also visit the Ceramics Monthly website at www.ceramicsmonthly.org to search an index of article titles and artists' names. Fea­ ture articles are also indexed in the Art Index, daai (design and applied arts index) and other services available through public and university libraries. copies: For a fee, photocopies of articles are available through Customer Service, PO Box 6136, Westerville, OH 43086-6136; e-mail [email protected]; or tele­ phone (614) 794-5890. Authorization to photocopy items for internal or per­ sonal use beyond the limits of Sections 107 or 108 of the U.S. Copyright Law is granted by The American Ceramic Society, ISSN 0009-0328, provided that the appropriate fee is paid directly to Copyright Clearance Center, Inc., 222 Rosewood Dr., Danvers, MA 01923, USA; (978) 750-8400; www.copyright.com. Prior to photocopying items for edu­ cational classroom use, please contact Copyright Clear­ ance Center, Inc. This consent does not extend to copying items for general distribution, or for advertising or promotional purposes, or to republishing items in whole or in part in any work in any format. Please direct republication or special copying permission requests to the Senior Director, Publi­ cations, The American Ceramic Society, 735 Ceramic PL, Westerville, OH 43081, USA. back issues: When available, back issues are $6 each, plus $3 shipping and handling for first issue and $1 each additional issue (for international orders, shipping/han­ dling is $6 for first issue and $2 each additional issue). postmaster: Send address changes to Ceramics Monthly, PO Box 6136, Westerville, OH 43086-6136. Form 3579 requested. Copyright © 2002 Ceramics Monthly November 2002 The American Ceramic Society All rights reserved 2 Ceramics Monthly November 2002 4 NOVEMBER 2002/Volume 50 Number 9 featu res 32 Josh DeWeese Stoneware and porcelain pots at Lill Street Art Center in Chicago 34 Whatever Floats Your Boat by Peter Lange Testing the seaworthiness of kiln design 38 HOW Deepa Life? by John Jessiman Reflecting on the value of a wide variety of artistic experiences 44 Cedar Creek's Fifth Teapot Competition by Kathy watts A juried exhibition of functional and sculptural teapots 48 Preserving a Wedding Dress...Ceramic Style by Jen champiin Technical challenges of constructing and firing a slip-coated-fabric sculpture 50 Tasamaj Mengistu by Ruth Mason Ethiopian emigrant brings her pottery tradition to Israel 53 ScOtt Dooley by Glen R. Brown Austere structures in eccentric postures 58 Bob Reed: Landscape and Motion by vonD. Alien Handbuilt stoneware sculpture 62 James Klueg's Intentional Ceramix by Paul Berger Projected images for compositional precision 65 Sarah Spademan's 95 Species by scott Ruescher Building a wholesale business 92 A Living From Potting? by Henry Bollman From the CM Archives First published in August 1953 (Volume 1, Issue 8) departments 10 letters 12 upfront 24 new books 28 video 68 call for entries 72 suggestions 76 calendar 88 questions 94 classified advertising 96 comment: Thoughts On Cheating by Dick Lumaghi 96 index to advertisers cover: "Bottle," 27 inches (69 centimeters) in height, wood-fired stoneware, by John Jessiman; page 38. Photo: Taylor Dabney Ceramics Monthly November 2002 5 upfront 12 Dinnerware in Santa Fe Place settings and serving pieces at Santa Fe Clay in New Mexico 12 Tilework in Minneapolis Nontraditional work at the Northern Clay Center in Minnesota 12 James Campbell Vessels with landscape imagery at Alpha House Gallery in Sherborne, England 12 The Clay's the Thing A performance involving clay and the making process at Noh Space in San Francisco 14 Raven Revel in Baltimore Invitational exhibition of functional ware and sculpture at Baltimore Clayworks in Maryland 14 Pam Lethbridge Mixed-media figures at exploding head gallery in Sacramento, California 16 Claire Salzberg Earthenware sculpture at the Canadian Guild of Crafts in Montreal, Quebec 16 Ingrid Hendrix Sculpture and wall pieces in the Pearl District in Portland, Oregon 16 Contemporary Ceramics in California Invitational exhibition of works by eight artists at exploding head gallery in Sacramento 18 Andy Goldschmidt Sculptural vessels at Steve Elmore Indian Art Gallery in Santa Fe, New Mexico 18 McKnight Recipients Show Functional and sculptural works created by fellows and residents at the Northern Clay Center in Minneapolis, Minnesota 20 Teapot Exhibition in Los Angeles Works by 26 artists at del Mano Gallery in California 20 Barbara Hanselman and Glenn Hudson Handbuilt and wheel-thrown vessels at Gardo’s Gallery in Manayunk, Pennsylvania Ceramics Monthly November 2002 6 Ceramics Monthly November 2002 7 began the class by throwing teabowls, and letters brought us all back to our own beginnings of learning to throw. In a week, we had enough work to fill a salt kiln—all simple forms, cups, bowls, Grateful for Role Models etc., with simple slips and glazes. Shaner’s I was delighted to see the reprint of Dor­ glazes had long been favorites of mine, and othy Perkins’ article on slip combing in the he shared the recipes freely. He also handed September 2002 issue of CM. I was privi­ out copies of clay body recipes and exercises leged to be one of her students (1955-58 for our backs. Rhode Island School of Design). I remember feeling so at ease with him Dorothy and Lyle Perkins were a re­ as he worked alongside us, talking about markable and dedicated teaching team; they studio life, the Archie Bray Foundation, a opened doors to opportunity I never commission for 50-some teapots for a com­ thought possible. They were my role modelspany to give to its employees. and they helped launch my academic career At the time, I was working full time at a (professor emeritus, Rhode Island College). nowhere job, raising a family and trying The couple set the standard toward desperately to spend some time in my clay which one should strive. I am still trying, studio. That class with David Shaner in­ and shall always be grateful to them. spired me to give notice to my employer a Richard A. Kenyon, Foster, RI few months later, and become a full-time potter. I’ve never looked back. Creative Itch From the 1950s, when I bought my first Today, I don’t hesitate to take on large Ceramics Monthly, I’ve seen a very nice orders for my work. I find I crave the soli­ hobby magazine grow into a first-rate publi­ tude of my studio, a place to center my cation. Its appeal to beginner and profes­ thoughts and ideas. sional is nondivisional. David Shaner inspired me to not be I don’t always agree with some of the afraid of commitment to the studio. He will letters’ philosophical thrusts, but so what? A be missed. new idea is always a creative itch, for which Chris Freyta, Ainsworth Hot Springs most of us are thankful. BC, Canada Gilbert Kulish, Doylestown, PA Larger Type Like most Ceramics Monthly readers, I have No More Crap been a fan for years. I am not yet 40 years I have every issueCeramics of Monthly since old, though, and recently thought that I its beginning. But I have been very disen­needed reading glasses for the first time. Ah chanted lately with the magazine’s choice ofand alas, it’s not my eyes; it’s the magazine’s ugly things called pottery. I would like to new “look.” see intelligent, inspiring wheel-thrown or I’m really not thrilled with the con­ sculptural forms and glazes of museum densed type now in use. I understand about quality. Please, no more crap. saving trees and getting as much info per L. B. Peterson, El Cajon, CA page as is possible but please, not at the sake of my Ceramics Monthly enjoyment. Pushing the Envelope I’ll keep reading. I just didn’t want to I would love to see more cutting-edge, start squinting yet.
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