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David Grossman
DAVID GROSSMAN Hans Christian Andersen Author Award 2020 Nominated by IBBY Israel A statement on the Grossman contribution to literature for children and young people. David Grossman (born in Jerusalem, 1954) is a major figure in contemporary Hebrew literature. He writes for older and younger readers, in alternating order: Following every adult book, Grossman publishes a book for younger readers, followed by an adult book, etc. In his literary and journalistic writing Grossman does not shy away from complicated and controversial issues. He fights for the human rights of people of all ages, genders, and ethnicities. He is active in social justice causes and in peace initiatives between Arabs and Jews. In 1982 he published his first children’s book, Duel, about a twelve- year-old boy who makes friends with an elderly man in a nursing home. His writing for children and young adults encompasses a wide range of topics. In his picture books, he focuses on aspects of children’s daily life (Uri’s Special Language; A Brand-New Baby Brother) or their rich and wonderful imaginations, which can generate all sorts of fears (Itamar Walks on Walls; Itamar Meets a Rabbit, Itamar the Dream Hunter), worries (Don’t Worry Ruti, Itamar the Dream Hunter), or fantasies, sometimes involving imaginary friends (Hadas’ Friend). In Grossman’s picture books, the child’s world contains an empathic adult, the father, who respects the child, listens to him lovingly, and is able to suggest an unusual solution to the difficulty confronting the child, which the child is in turn quick to accept (the Itamar books; Who Wants a Piggy-Back?, Don’t Worry Ruti, etc.) In his writing for young adults Grossman deals with complicated issues, including ones that were considered taboo in the young adult Hebrew literature of their day. -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
Against the Amnesiacs: the Art Criticism of Jean Bazaine, 1934-1944
114 French History and Civilization Against the Amnesiacs: The Art Criticism of Jean Bazaine, 1934-1944 Natalie Adamson In his treatise on the practice of painting published in 1948, Notes sur la peinture d’aujourd’hui, Jean Bazaine argued that the purpose of painting is not simply to capture the simulacral surface appearances of an object, but to give a viable form and authentic meaning to a life that is experienced as a symbiotic engagement with the exterior world and with interior, or spiritual, imperatives. To this end, Bazaine opened his argument with a condemnation of “what is commonly known as naturalism in painting:” It is this refusal or this impossibility of a permeable universe: an art without abstractions, that is to say deprived of profound contact with the universal, a flesh that is no longer armed with signs that surpass it. The decadence of an art, like that of man, always consists of this passage from the object-pretext, crossroads of forces, to the object as an end in itself, to a closed economy, to the object that has become so dumb that it devours its own feet, to the object-catoblepas.1 Bazaine’s Notes articulated the premises of a “third way” route for painting that could transcend the stylistic and ideological conflict between abstraction and realism and maintain the essential connection between representation and nature; and in doing so, revivify the French national tradition. The appeal of his arguments to many artists during the 1950s stemmed from his advocacy of a practice of painting founded in the subjective engagement of the person with the world, retaining pictorial Natalie Adamson is a lecturer in the School of Art History, University of St Andrews. -
A Continuation of Myth: the Cinematic Representation of Mythic American Innocence in Bernardo Bertolucci’S Last Tango in Paris and the Dreamers
A CONTINUATION OF MYTH: THE CINEMATIC REPRESENTATION OF MYTHIC AMERICAN INNOCENCE IN BERNARDO BERTOLUCCI’S LAST TANGO IN PARIS AND THE DREAMERS Joanna Colangelo A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of The requirements for the degree of MASTER OF ARTS December 2007 Committee: Carlo Celli, Advisor Philip Hardy ii ABSTRACT Carlo Celli, Advisor The following thesis aims to track the evolution and application of certain fundamental American cultural mythologies across international borders. While the bulk of my discussion will focus on the cycle of mythic American innocence, I will pay fair attention to the sub-myths which likewise play vital roles in composing the broad myth of American innocence in relation to understanding American identities – specifically, the myth of the Virgin West (or America-as-Eden), the yeoman farmer and individualism. When discussing the foundation of cultural American mythologies, I draw specifically from the traditional myth-symbol writers in American Studies. Those works which I reference are: Henry Nash Smith’s, Virgin Land: The American West as Symbol and Myth, Leo Marx’s, The Machine in the Garden: Technology and the Pastoral Ideal in America and R.W.B. Lewis’s, The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century. I focus much of my discussion on the applicability of the myth of innocence, rather than the validity of the actual myth throughout history. In this sense, I follow the myth as a cycle of innocence lost and regained in American culture – as an ideal which can never truly reach its conclusion for as long as America is invested in two broad definitions of innocence: the American Adam and the Noble Savage. -
Fiera Internazionale Del Libro Di Torino
Fiera Internazionale del Libro 2007 XX edizione Torino - Lingotto Fiere, 10-14 maggio I CONFINI, TEMA CONDUTTORE DELLA FIERA 2007 Torino, 16 aprile 2007 - L’edizione 2007, con cui la Fiera del libro festeggerà i suoi vent’anni, avrà per tema conduttore i confini. Un motivo che consentirà di affrontare alcuni tra i problemi più scottanti della nostra epoca. Il confine è infatti ciò che segna un limite, e dunque separa, ma insieme unisce, mette in relazione. E’ il limite che bisogna darsi per cercare di superarlo. E’ la porta del confronto con noi stessi e con gli altri. E’ una linea mobile che esige una continua ridefinizione. Un concetto che la Fiera intende appunto declinare nella sua accezione di apertura e di scambio. Il confine mette in gioco un’idea di polarità, di opposizioni chiamate a misurarsi, a rispettarsi e a dialogare. E allo stesso tempo ci rimanda l’immagine complessa, paradossale e contraddittoria del mondo d’oggi. Primo paradosso: un mondo sempre più virtualizzato e globale sembrerebbe avere attenuato o addirittura abolito il concetto di separatezza, sostituito da quello di un gigantesco mercato, che consuma ovunque i medesimi prodotti. Eppure i confini cancellati dai mercati ritornano drammaticamente sia nella crescente divaricazione tra Paesi ricchi e Paesi poveri, sia nell’affermazione di esasperate identità locali, opposte le une e altre, che si risolvono in tensioni, conflitti, guerre di tutti contro tutti. Le divisioni etniche e religiose, lungi dal conciliarsi in un dialogo possibile, scatenano opposizioni sempre più radicali e devastanti, che si affidano al braccio armato dei terrorismi. La miscela di cosmopolitismo, globalizzazione e fanatismi locali produce nuovi recinti e innalza nuovi muri. -
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Search for Tomorrow. An Epimodernist Future for Literature Emmanuel Bouju Université de la Sorbonne Nouvelle abstract: “The Future is in the way things are,” says “the Minister of the Future,” Timothy Morton, in a recent exhibition at the Centre de cultura contemporània de Barcelona, After the End of the World. Search for tomorrow: it’s already here and now. So how does contemporary literature address and envision the very possibility of a future as such? This essay argues that there is a reneweddiagonal force of the contem- porary called epimodernism. The epimodernist values are superficiality, secrecy, energy, acceleration, credit, and consistency. These six values are necessary for envisioning any future that doesn’t involve hyperfinance, rating agencies, systematic calculation of behaviors—and their consequences for politics. hen i first heard of the topic for the preparatory workshop of this issue of Dibur Literary Journal, it was said to be “contemporary visions of the future in liter- ature and art.” I don’t know why (maybe because I wanted it to be so) I thought it meantW not “visions of the future in literature and art” (the future within literature, “le futur dans la littérature” in French) but “visions of the future of literature and art” (le futur de la littérature), as in “this literature has no future” (cette littérature n’a pas d’avenir). I’m French. So I was quite optimistic. I do have a vision of the “future of literature and art.” But then I received another e-mail, with the final title: “Contemporary Visionsof the Future.” And I realized it was all about the future in works of literature and art. -
Saverio Strati Voce Di Un Sud Umile E Dignitoso
@Documento elettronico rilasciato per uso personale. DRM - 08b4908d2f8c6298573218d6ac83f01a77f7f2bc40ad9d8285f42f6029593b8b963f72125731019fea271b8b873f6b39112e8d57767e5ea5378b2cdf6b9852b9 SABATO 12 APRILE 2014 LA SICILIA ggi Cultura .23 IL PREMIO LETTERARIO MORTA LA SCRITTRICE INGLESE I 12 in gara per lo «Strega» Townsend, «madre» di Adrian Mole Il Comitato direttivo del Premio Strega presieduto da Tullio De Mauro (nella foto) ha È morta a 68 anni Sue Townsend, la scrittrice britannica creatrice del personaggio selezionato i dodici libri in gara nel 2014. «Abbiamo constatato una qualità alta e di Adrian Mole, al centro di numerosi romanzi e di serie televisive. Si è spenta a l’emergere di temi legati sia alla ricostruzione storica sia ai dilemmi della nostra coscienza seguito di una breve malattia. Townsend aveva perso la vista negli anni ‘80 a di fronte al mondo contemporaneo» spiega De Mauro. «Abbiamo anche alcune novità: un causa del diabete. Divenne celebre nel 1982 dopo la pubblicazione del romanzo graphic novel e forme letterarie sperimentali». Ecco i libri candidati: «Non dirmi che hai «Il diario segreto di Adrian Mole, Anni 13 e 3/4», sulla tribolazioni, i sogni e le paura» (Feltrinelli) di Giuseppe Catozzella, presentato da Giovanna Botteri e Roberto delusioni di un adolescente. Considerato l’enorme successo del primo volume, ha Saviano; «Lisario o il piacere infinto delle donne» (Mondadori) di Antonella Cilento (Nadia continuato a scrivere la vita di Adrian Mole, rappresentandola fino all’età adulta, Fusini e Giuseppe Montesano); «Bella mia» (Elliot) di Donatella Di Pietrantonio (Antonio in molti altri volumi. Oltre a parlare della vita di Adrian, Townsend descrisse la Debenedetti e Maria Ida Gaeta); «Una storia» (Coconino Press) di Gipi (Nicola Lagioia e situazione sociale e politica in Gran Bretagna, con particolare riferimento alla Sandro Veronesi); «Come fossi solo» (Giunti) di Marco Magini (Maria Rosa Cutrufelli e Piero sinistra politica negli anni ottanta, nell’epoca thatcheriana. -
Advancedaudioblogs1#1 Top10israelitouristdestinations
LESSON NOTES Advanced Audio Blog S1 #1 Top 10 Israeli Tourist Destinations: The Dead Sea CONTENTS 2 Hebrew 2 English 3 Vocabulary 4 Sample Sentences 4 Cultural Insight # 1 COPYRIGHT © 2013 INNOVATIVE LANGUAGE LEARNING. ALL RIGHTS RESERVED. HEBREW .1 . .2 4 0 0 - , . , . . . , .3 . . , 21 . . , . , , .4 . ; . 32-39 . . 20-32 , . ," .5 . , ENGLISH 1. The Dead Sea CONT'D OVER HEBR EW POD1 0 1 . C OM ADVANCED AUDIO BLOG S 1 #1 - TOP 10 IS RAELI TOURIS T DESTINATIONS: THE DEAD S EA 2 2. The miracle known as the Dead Sea has attracted thousands of people over the years. It is located near the southern area of the Jordan valley. The salt-rich Dead Sea is the lowest point on the earth's surface, being 400 meters below sea level. The air around the Dead Sea is unpolluted, dry, and pollen-free with low humidity, providing a naturally relaxing environment. The air in the region has a high mineral content due to the constant evaporation of the mineral rich water. 3. The Dead Sea comes in the list of the world's greatest landmarks, and is sometimes considered one of the Seven Wonders of the World. People usually miss out on this as they do not realize the importance of its unique contents. The Dead Sea has twenty-one minerals which have been found to give nourishment to the skin, stimulate the circulatory system, give a relaxed feeling, and treat disorders of the metabolism and rheumatism and associate pains. The Dead Sea mud has been used by people all over the world for beauty purposes. -
Venerdì 29 Giugno 2007
PROGRAMMA VENERDÌ 29 GIUGNO 2007 Ore 10:00 SA DOMO ‘E TIU MAODDI “... pinne, piume... pantaloni” Laboratorio di illustrazione con Cristiana Cerretti Per bambini dai 9 anni Parolatorio Laboratorio di scrittura creativa con Guido Sgardoli Per ragazzi di 10-12 anni Libri pulcini Laboratorio di creazione del libro presso la Mostra “Alberto Casiraghy e il libro stampato” con Gianni Atzeni Per bambini dai 6 ai 100 anni... GIOVANNI CARRONI legge SALVATORE SATTA Ore 10:00 S’ANTANA ‘E SUSU “Sardegna Mondo” Stefano Salis incontra Gavino Ledda Ore 12:00 SA DOMO ‘E TIU MAODDI Hyperversum: fantasy e storia si incontrano Incontro con la scrittrice Cecilia Randall Per ragazzi dagli 11 anni SANTE MAURIZI legge LUIGI PINTOR Ore 12:00 SANT’ANTIOCRU “Manca l’aria” Stas’ Gawronski incontra Paolo Vineis, Felice Casson e Ignazio Marino MARTA PROIETTI ORZELLA legge SERGIO ATZENI Ore 16:00 BINZADONNIA - GIARDINO COMUNALE “Reading” Michela Murgia e Rita Atzeri “Call Center” Ore 16:30 SA DOMO ‘E TIU MAODDI Il drago come realtà Anna Maria Lovo incontra Silvana De Mari Per giovani adulti e adulti giovani GIANNI COSSU legge FRANCESCO MASALA Ore 17:30 DIDOVA - GIARDINO DELLE SCUOLE ELEMENTARI “Esordi” Tullio Avoledo incontra Roberto Valentini, Giacomo Cacciatore e Mauro Marcialis Ore 18:00 SA DOMO ‘E TIU MAODDI Poesie per strada A spasso per Gavoi insieme a Massimiliano Maiucchi Per bambini dai 6 ai 100 anni FAUSTO SIDDI legge ANTONIO GRAMSCI Ore 19:00 SANT’ANTIOCRU “Povera patria” Stefano Salis incontra Giorgio Faletti Ore 19:30 SA DOMO ‘E TIU MAODDI Ehi! Contus -
XX Siècle Bibliothèque Surréaliste De M. V
PARIS XXe siècle Bibliothèque surréaliste de M. V. TABLEAUX - DESSINS - ESTAMPES OBJETS D’ART - VERRRERIE - CÉRAMIQUE MOBILIER de collections particulières VENTE AUX ENCHÈRES PUBLIQUES LUNDI 2 DÉCEMBRE 2019 À 14H Drouot, salle 4 9, rue Drouot 75009 PARIS EXPOSITIONS PUBLIQUES Samedi 30 novembre de 11h à 18h Lundi 2 décembre, de 11h à 12h Téléphone pendant les expositions et la vente + 33 (0)1 48 00 20 04 LUCIEN - PARIS SARL MAISON DE VENTES AUX ENCHÈRES 17, rue du Port - 94130 NOGENT SUR MARNE 5, rue des Lions Saint-Paul - 75004 PARIS T. + 33 (0)1 48 72 07 33 - F. + 33 (0)1 48 72 64 71 [email protected] www.lucienparis.com Agrément 2002-194 'IVXM½GEXMSR-73 Participez, enchérissez en direct www.drouotlive.com Abonnez-vous à notre newsletter www.lucienparis.com Expertises / Ventes aux enchères Christophe LUCIEN + 33 (0)1 48 72 07 33 Bérangère JANIK + 33 (0)1 48 72 36 15 Adrien SIMON + 33 (0)1 48 72 36 11 Jorick BRILLANT + 33 (0)1 48 72 36 13 Service Juridique Sandrine CHANLIAU + 33 (0)1 48 72 36 14 Experts Comptabilité Caroline ROUSSEAU Sylvie COLLIGNON + 33 (0)1 48 72 36 16 45, rue Sainte-Anne 75001 PARIS + 33 (0)1 42 96 12 17 Transports Cyril HUBERTS a décrit les numéros 112 et 201. Franck BAZIN Amélie MARCILHAC Christophe LAGADEC 8, rue Bonaparte Ahmed BOULANOUAR 75006 PARIS Thierry RIGAL + 33 (0)1 43 26 47 36 Stéphane BOUDJADJA a décrit le numéro 79. Agnès SEVESTRE-BARBÉ 8, rue Drouot 75009 PARIS + 33 (0)1 53 96 06 57 Réalisation a décrit les numéros 10 à 13, 22 ter, 44. -
Homage to Alberto Moravia: in Conversation with Dacia Maraini At
For immediate release Subject : Homage to Alberto Moravia: in conversation with Dacia Maraini At: the Italian Cultural Institute , 39 Belgrave Square, London SW1X 8NX Date: 26th October 2007 Time: 6.30 pm Entrance fee £5.00, booking essential More information : Press Officer: Stefania Bochicchio direct line 0207 396 4402 Email [email protected] The Italian Cultural Institute in London is proud to host an evening of celebration of the writings of Alberto Moravia with the celebrated Italian writer Dacia Maraini in conversation with Sharon Wood. David Morante will read extracts from Moravia’s works. Alberto Moravia , born Alberto Pincherle , (November 28, 1907 – September 26, 1990) was one of the leading Italian novelists of the twentieth century whose novels explore matters of modern sexuality, social alienation, and existentialism. or his anti-fascist novel Il Conformista ( The Conformist ), the basis for the film The Conformist (1970) by Bernardo Bertolucci; other novels of his translated to the cinema are Il Disprezzo ( A Ghost at Noon or Contempt ) filmed by Jean-Luc Godard as Le Mépris ( Contempt ) (1963), and La Ciociara filmed by Vittorio de Sica as Two Women (1960). In 1960, he published one of his most famous novels, La noia ( The Empty Canvas ), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl, in Rome. It won the Viareggio Prize and was filmed by Damiano Damiani in 1962. An adaptation of the book is the basis of Cedric Kahn's the film L'ennui ("The Ennui") (1998). In 1960, Vittorio De Sica cinematically adapted La ciociara with Sophia Loren; Jean- Luc Godard filmed Il disprezzo ( Contempt ) (1963); and Francesco Maselli filmed Gli indifferenti (1964). -
Giovanni Gastel
#474 Lunedì 28 dicembre 2020 ,00 .1 Fr Lettura La Tic CH In e. separatament vendibile Non quotidiano. del o ezz pr il + 0,50 ¤ ivi ss ce suc giorni Nei – 50) 1, ¤ Sera della e rrier Co + 0,50 ¤ Lettura (la 2,00 ¤ Sera della e rrier Co il n co Lettura la settimanale, culturale o Supplement - Milano DCB , c1 1, art. 46/2004 L. nv co 353/2003 L. D. - . A.P in Sped. Italiane e st Po 4) Giovanni Gastel 47 (# 52 N. - per il Corriere della Sera X no An 00052 55130 2421- 551300 SN IS 72421 97 2 LA LETTURA CORRIERE DELLA SERA LUNEDÌ 28 DICEMBRE2020 corriere.it/lalettura Il dibattito delle idee SSS Libri. Il destino di Anderson tra Twain eHemingway 26 (1876-1941) ANDERSON SHERWOOD di ALESSANDRO PIPERNO Incontri. Carrisi eM¥ss Keta: diamo voce ai penultimi 36 CONVERSAZIONE DELLA MOMENTO UN conversazione tra DONATO CARRISI e M¥SS KETA acura di SEVERINO COLOMBO Percorsi. Imusei al tempo del Covid La rivoluzione dei social 41 VISUALIZZAZIONE DELLA DETTAGLIO UN di VINCENZO TRIONE con articoli di ALDO COLONETTI e LUIGI IPPOLITO Storie Le illustrazioni di questa . Libri Il saggio del miliardario Arte I450 anni delMerisi, i pagina e delle successive Antonello che diceva: elatrilogia del romanziere sono di Angelo Ruta centodi Beuyseinominuovi «Sono il bambino rapito» 44 Eco-ottimisti La ri-scoperta FIGLI 5 DEI 4 BillGates di Caravaggio CON LAI sfida Franzen elosciamano STEFANIA di TERESA CIABATTI di CRISTINA TAGLIETTI di STEFANOBUCCI ono esordi, grandi ritorni, libri attesi e celebra- n altro Prospero capace di imbrigliare le tem- Geografie.