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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
NORUEGA Índice General
NORUEGA Índice general 1 Båtsfjord 1 1.1 Toponimia .............................................. 1 1.1.1 Escudo de armas ....................................... 1 1.2 Transporte .............................................. 1 1.3 Referencias .............................................. 1 1.4 Enlaces externos ........................................... 1 2 Hammerfest 2 2.1 Geografía ............................................... 2 2.2 Economía y turismo .......................................... 2 2.3 Historia ................................................ 2 2.4 Clima ................................................. 3 2.5 Referencias .............................................. 3 2.6 Enlaces externos ........................................... 3 3 Molde (Møre og Romsdal) 4 3.1 Contexto geográfico .......................................... 4 3.2 Cultura de Molde ........................................... 4 3.3 Atractivos turísticos .......................................... 4 3.4 Clima ................................................. 4 3.5 Localidades de la Comuna de Molde ................................. 4 3.6 Moldenses destacados ......................................... 5 3.7 Misceláneas .............................................. 5 3.8 Ciudades hermanadas ......................................... 5 3.9 Referencias .............................................. 5 3.10 Enlaces externos ........................................... 5 4 Namsos 6 4.1 Referencias .............................................. 6 4.2 Enlaces externos -
Du Mediterranea
du Mediterranea du 29 avril au 9 mai 2020 2 LA CROISIÈRE ROCK DU 29 AVRIL AU 9 MAI 2020 FRANCE : 04.91.77.88.99 - SUISSE : 021.804.72.72 3 VOTRE NAVIRE Costa Mediterranea La perle de Méditerranée Le voici enfin, le merveilleux vaisseau que nous attendions tous... Ce trésor caché parmi les navires de la fl otte Costa, notre partenaire de choix depuis Jean-Maurice Ravon de nombreuses années. Directeur de TMR Après l’ex-Mistral, le Mediterranea est le dernier paquebot à taille humaine. Vous serez 1.800 à bord, et il vous sera entièrement réservé. Plus de 900 membres d’équipage et l’équipe TMR se placeront à votre service. Mieux encore, son échelle nous permet de vous off rir des cabines avec balcon, au prix de simples extérieures, sur les navires courants. Contrairement aux yachts, ce paquebot traditionnel est tourné vers l’extérieur, les loisirs et les spectacles : un grand théâtre au décor orientaliste d’ancienne Égypte, sur 1993 3 étages, un jardin-théâtre pour les spectacles intimes Première au plus près des artistes, des espaces balnéaires avec Croisière TMR piscines extérieures et couverte sous solarium de 2010 verre, un toboggan, des jacuzzis... Première Croisière du Rock Au fi l de cette grandiose Trans-méditerranéenne, l’histoire, la mer et le soleil sont les forces éternelles 563 Croisières TMR des paysages italiens, maltais et grecs, au berceau Proposées sur de notre civilisation. Bienvenue à bord de cette 82 Navires Croisière Rock défi nitive qui fêtera également ses 10 ans ! Embarquement immédiat à bord de notre palais fl ottant inspiré de la Renaissance Italienne. -
Popular Music 27:02 Reviews
University of Huddersfield Repository Colton, Lisa Kate Bush and Hounds of Love. By Ron Moy. Ashgate, 2007. 148 pp. ISBN 978-0-7546-5798-9 (pb) Original Citation Colton, Lisa (2008) Kate Bush and Hounds of Love. By Ron Moy. Ashgate, 2007. 148 pp. ISBN 978-0-7546-5798-9 (pb). Popular Music, 27 (2). pp. 329-331. ISSN 0261-1430 This version is available at http://eprints.hud.ac.uk/id/eprint/2875/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Reviews 329 the functions and (social) interactions of the body as a defined biological system and ultimate representation of the self can be said to form the core of the argument. The peculiar discourse that arises from this kind of emphasis leads to a mesmerising and occasionally amusing line of progression endowing the book with a highly ramified structure, almost in itself an example of a maximalist procedure. -
My Favourite Album: Kate Bush's Hounds of Love Available From
My favourite album: Kate Bush's Hounds of Love David McCooey, The Conversation, 8 September 2017. Available from : https://theconversation.com/my-favourite-album-kate-bushs-hounds-of-love-79899 ©2017, Conversation Media Group Reproduced by Deakin University under the terms of the Creative Commons Attribution NoDerivatives Licence Downloaded from DRO: http://hdl.handle.net/10536/DRO/DU:30102609 DRO Deakin Research Online, Deakin University’s Research Repository Deakin University CRICOS Provider Code: 00113B Academic rigour, journalistic flair September 8, 2017 11.24am AEST The album is an artistic statement, a swag of songs greater than the sum of its parts. In Author a new series, our authors nominate their favourites. David McCooey Professor of Writing and Literature, Deakin University Kate Bush’s Hounds of Love (1985) was the first album I heard on CD. With its use of the Fairlight CMI (a digital synthesizer/sampler workstation), digital reverb, and drum machines, it was perhaps eminently suitable for the CD format. But under its shiny digital sound, Hounds of Love was very much an LP, as seen in its two-part structure. Side one, Hounds of Love, covers themes characteristic of Bush: intimacy and its limits (Running Up That Hill (A Deal With God) and The Big Sky); familial love (albeit darkly articulated in Mother Stands for Comfort); and the intensity and ambivalence of sexual desire (Hounds of Love). Meanwhile, side two comprises of The Ninth Wave, a song cycle about a woman who has fallen into the sea at night, with only the “little light” of her life jacket to guide her. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
George Michael Was Britain's Biggest Pop Star of the 1980S, First with The
George Michael was Britain’s biggest pop star of the 1980s, first with the duo Wham! and then as a solo artist. The Three Crowns played a small but significant part in his story. After Wham! made their initial chart breakthrough with the single Young Guns (Go for It) in 1982, George’s songwriting gift brought them giant hits including Wake Me Up Before You Go-Go and Freedom, and they became leading lights of the 80s boom in British pop music, alongside Duran Duran, Culture Club and Spandau Ballet, even exporting it behind the Iron Curtain. His first solo album Faith, released in 1987, sold 25 million copies, and George sold more than 100 million albums worldwide with Wham! and under his own name. George was born Georgios Kyriacos Panayiotou in Finchley, north London. His father, Kyriacos Panayiotou, was a Greek Cypriot restaurateur, and his mother an English dancer, Lesley Angold. In the late 1960s the family moved to Edgware, where George attended Kingsbury School, before they moved to the affluent Hertfordshire town of Radlett in the mid-1970s. Bushey Meads Comprehensive 1974 - 1981 George – a wimp Andy - cocksure In September 1975 a twelve year old George showed up at Bushey Meads School keen to impress as the new boy and was introduced to Andy Ridgeley who had already been impressing for a full year. Andy recalled their meeting as follows; “I remember at the time we were playing King of the Wall. As he was the new boy we goaded him into it. I was up there and he threw me off. -
Indigenous Care Leavers in Australia: a National Scoping Study
INDIGENOUS CARE LEAVERS IN AUSTRALIA: A NATIONAL SCOPING STUDY Monash University Department of Social Work Monash IndiGenous Studies Centre SNAICC – National Voice for Our Children 1 We would like to acknowledge the people of the Kulin Nations on whose lands Monash University stands, and pay our respect to their Elders, past, present and emerging. We acknowledge the Countries right around Australia, where children have been removed from Indigenous nations. We acknowledge that the children whose lives are being discussed in this report come from Indigenous nations and countries across Australia. We acknowledge the work done within these communities to support connections to kin and country and keep families together. 2 Indigenous Care Leavers in Australia: A National Scoping Study Final Report August 2020 Philip Mendes Rachel Standfield Bernadette Saunders Samone McCurdy Jacinta Walsh Lena Turnbull Emily Armstrong Department of Social Work, Monash University Monash Indigenous Studies Centre, Monash University SNAICC: A National Voice for Our Children 3 Table of Contents List of Acronyms and Abbreviations ................................................................................... 7 Partnerships & Research Team .......................................................................................... 8 Partnership with SNAICC: National Voice for our Children .......................................................... 8 Sidney Myer Fund ..................................................................................................................... -
Chanson „LA MALADIE D'amour”
„PROF EUROPE EN CHANTANT 68” Chers Collègues. Veuillez trouver ci-joint la deuxième fiche pédagogique élaborée lors de la Formation COFRAN à Rzeszów le samedi 6 novembre 2004, coorganisée par Elżbieta KURZĘPA, Coordinatrice COFRAN pour la Région des Précarpates, Monsieur le Curé Janusz PODLASZCZAK, Consultant du Centre de Formation des Enseignants des Précarpates (PCEN) , et moi-même pour le module “CHANSON FRANÇAISE ET FLE”. Bonne lecture ! Richard SORBET [email protected] Chanson „LA MALADIE D’AMOUR” - MICHEL SARDOU Fiche pédagogique élaborée par Małgorzata ZARYCH et Krystyna DROZD, Sanok (Pologne). Niveaux : Intermédiaire (i) , Avancé (a). Objectifs: (i) - Expression orale : exercices de prononciation, donner des opinions. - Expression écrite : raconter. (a) - Expression orale : donner des opinions. - Expression écrite: exprimer son point de vue, interpréter un extrait du texte. Thème abordé : L’amour. Vocabulaire : (i) (a) - Emploi du figuré : elle court, la maladie d’amour, la rivière insolente. - Faire + infinitif Mise en route: (i) (a) - Comment interpréter le titre de la chanson ? - Est-ce vraiment une maladie ? - Quels en sont les symptômes ? 1 Écoute de la chanson : - Exercice à trous : (i). - Explication du vocabulaire : (i),(a). Par des synonymes ou une description. -* Foudroyer - coup de foudre. -* Un homme insolent – audacieux. -* Un homme innocent – qui n’a rien fait de mal. Expression orale : - À qui ça peut arriver ? (i) (a) - Comment l’amour change les gens ? (i) (a) - Citez des exemples de personnes que l’amour a transformées. (a) - Comment en guérir? (a) Expression écrite : - (i) Trouvez dans le texte les phrases contenant “faire + infinitif” et transformez-les sans changer le sens de la phrase ; par ex. -
Typehouse Magazine
Issue 10, January 2017 Typehouse Literary Magazine Editor in Chief: Val Gryphin Fiction Editor: Lindsay Fowler Non-fiction Editor: Lily Blackburn Poetry Editor: David Midkiff Visual Art Editor: John Koch Typehouse is a writer-run literary magazine based out of Portland, Oregon. We are always looking for well-crafted, previously unpublished writing and art that seeks to capture an awareness of the human predicament. If you are interested in submitting, visit our website at www.typehousemagazine.com. ©2017 Typehouse Literary Magazine. All rights reserved. No part of this periodical may be reproduced in any form without written permission. Typehouse Literary Magazine is published triannually. Established 2013. Cover Photo Secrets in the waters by Dr. Ho Cheung LEE (See page 24) Summer 2015. My young companion pondered as he waded into the wrinkled waters of a southern beach of the Hong Kong island. His family matters were unreadable on his face. Yet, this moment, his lowered head and stillness against the calm ocean seemed to be telling that there was more being hidden in his mind than the undiscovered in the buried castle under the seabed. Table of Contents: Fiction: Anatomy of a Cloud Nancy Au 10 Leaving Arizona Justin Hunter 27 Going Home Nicholas MacDonnell 44 An Honest Conversation Christian Sanchez 61 We All Think We Can See the Trajectories of Each Other’s Lives, But Tend to Lose Interest / Rosemaling / Appropriation Starts Here Robert Kaye 68 An Excerpt from Red Sun Rogue Taylor Zajonc 80 Volary Delynn Willis 99 Careful What You Look -
Chansons Francaises
CHANSONS FRANCAISES 1 A La Campagne Benabar 70 Cette année là Claude Francois 2 A la queue leu leu Bézu 71 Chanson pour l'Auvergnat Georges Brassens 3 à ma place (duo) Zazie / Bauer 72 Chante Michel Fugain 4 à nos actes manqués JJ Goldman-Fredericks-Jones 73 Charlie t'iras pas au paradis Gilbert Bécaud 5 A nous Robin des Bois 74 Coeur De Loup Philippe Lafontaine 6 A Paris Yves Montand 75 Color Gitano Kendji Girac 7 A toi Joe Dassin 76 Comme des enfants Coeur de pirate 8 a toutes les filles (avec chant) didier barbelivien 77 Comme d'habitude Michel Sardou 9 Adieu Coeur de pirate 78 Comme ils disent Charles Aznavour 10 Adieu Jolie Candy C Jerome 79 Comme un garçon Sylvie Vartan 11 Africa Rose Laurens 80 Comme un roc Nediya 12 Aimer a perdre la raison Jean Ferrat 81 Confidence pour confidence Jean Schulteiss 13 Aimer jusqu'à l'impossible Tina Arena 82 Couleur menthe à l'eau Eddy Mitchell 14 Alexandrie, Alexandra Claude Francois 83 Count Basie (Lil' Darlin') Henri Salvador 15 Aline Christophe 84 Coup de boule La Plage 16 Allo Maman Bobo Alain Souchon 85 Cupidon s'en fout Georges Brassens 17 Allumer le feu (chanté) Johnny Hallyday 86 Dallas Générique TV 18 Alors regarde (Live) Patrick Bruel 87 D'amour et d'amitié Céline Dion 19 Amants de St Jean Patrick Bruel 88 Dans I'eau de fa Claire fontaine Georges Brassens 20 Amsterdam Jacques Brel 89 Dans les yeux d'Emilie Joe Dassin 21 Andalouse Kenjdi Girac 90 Dans un vieux rock'n roll William Sheller 22 Antisocial TRUST 91 Debout Les Gars Hugues Aufray 23 Armstrong Claude Nougaro 92 délivrée, Libérée -
Pro-Violence and Anti-Democratic
Foreword The standard media image of violent extremism may seem to be far from the ordinary work of the Swedish Media Council. While extremism is often described in dramatic terms of terrorism, attacks and riots, the Council’s work concerns more everyday things, such as age limits for cinema films and media awareness teaching in pre-school. But no person is born to be a perpetrator of violence for political or religious purposes. Being recruited to and radicalised within the framework of pro- violence and anti-democratic extremist groups is a question of adopting, more or less uncritically, an image of the world where hate is the driving force and violence the legitimate means. In today’s information society, the Internet has become, to an ever increasing extent, the tool for spreading anti-democratic messages for the purpose of recruiting new members. This fact places great demands on people young and old to retain a critical view of information and sometime sharply angled messages that we come across in both traditional and digital media. In October 2011, the Government mandated the Swedish Media Council to describe the presence of anti-democratic messages on the Internet and in social media. The focus is on messages aimed at young persons, and that encourage violence for political or ideological reasons. The aim is to create broader knowledge about extremist Internet milieux, their content, and how recruitment strategies are formulated and communicated. The overall purpose is to strengthen young persons in preparation for encounters with such messages. To carry out the work, the Swedish Media Council has employed three researchers, each of whom has contributed one constituent study about three different extremist Internet milieux.