KURT WEILL NEWSLETTER Volume 6, Number 1 Spring 1988
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
POWDER-HER-FACE.Pdf
3 La Fenice prima dell’Opera 2012 3 2012 Fondazione Stagione 2012 Teatro La Fenice di Venezia Lirica e Balletto Thomas Adès Powder ace her f ace er InciprialeF h il viso owder owder p dès a homas t FONDAZIONE TEATRO LA FENICE DI VENEZIA TEATRO LA FENICE - pagina ufficiale seguici su facebook e twitter follow us on facebook and twitter FONDAZIONE TEATRO LA FENICE DI VENEZIA Destinare il cinque per mille alla cultura è facile e non costa nulla. Quando compili la tua dichiarazione dei redditi, indica il codice fiscale della Fondazione Teatro La Fenice di Venezia: 00187480272 Aiuti la cultura, aiuti la musica. Incontro con l’opera FONDAZIONE lunedì 16 gennaio 2012 ore 18.00 AMICI DELLA FENICE SANDRO CAPPELLETTO, MARIO MESSINIS, DINO VILLATICO STAGIONE 2012 Lou Salomé sabato 4 febbraio 2012 ore 18.00 MICHELE DALL’ONGARO L’inganno felice mercoledì 8 febbraio 2012 ore 18.00 LUCA MOSCA Così fan tutte martedì 6 marzo 2012 ore 18.00 LUCA DE FUSCO, GIANNI GARRERA L’opera da tre soldi martedì 17 aprile 2012 ore 18.00 LORENZO ARRUGA La sonnambula lunedì 23 aprile 2012 ore 18.00 PIER LUIGI PIZZI, PHILIP WALSH Powder Her Face giovedì 10 maggio 2012 ore 18.00 RICCARDO RISALITI La bohème lunedì 18 giugno 2012 ore 18.00 GUIDO ZACCAGNINI Carmen giovedì 5 luglio 2012 ore 18.00 MICHELE SUOZZO L’elisir d’amore giovedì 13 settembre 2012 ore 18.00 MASSIMO CONTIERO Clavicembalo francese a due manuali copia dello Rigoletto strumento di Goermans-Taskin, costruito attorno sabato 6 ottobre 2012 ore 18.00 alla metà del XVIII secolo (originale presso la Russell PHILIP GOSSETT Collection di Edimburgo). -
Maurice Abravanel Remembers Kurt Weill
When it was issued in the Fifties, Columbia's record- serves the stylistic authenticity Lenya brought to the ing of the "Big Mahagonny" (K31.243, three discs, mono) role of Jenny but restores the role to its originalsoprano was a welcome introduction to the most monumental of range-providing the necessary musical and dramatic the Brecht -Weill works and is still indispensable toany contrast with Begbick, the other female principal. The library of Weill recordings. But now that theopera has transposition down an octave for Lenya is particularly become entrenched in the repertory, the shortcomings damaging to the beautiful "Crane Duet." of that version, conducted by Wilhelm Bruckner-Rugge- The Threepenny Opera has always been the most berg and with a cast centered on Lotte Lenya, are more popular of Weill's works: Within five years of its pre- apparent. A new recording is called for, one that pre- miere in 1928 it had been translated into eighteen Ian- and up, and 3/4 and 4/4." I asked about 5. He answered, "5 is only in Tchaikovsky's Pathetique, and that is2and3." During that time he composed and con- ducted a Christmas pantomime, Die Zoo- bernacht, easy and serviceable music that was performed every day for a week or so in Berlin. Busoni, his teacher, went to one performance, and his only comment was Maurice Abravanel that Kurt had conducted it well. We exchanged two or three letters while I had my firstengagement. I Remembers Kurt Weillbumped into him at an opera perform- ance, and we talked excitedly at inter- mission. -
17.2. Cylinders, Ed. Discs, Pathes. 7-26
CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti). -
Claire Waldoff
Waldoff, Claire Claire Waldoff „Berlin, Berlin, dich muß ich ewig lieben, Berlin, Berlin, Geburtsname: Clara Wortmann du bist mein schönster Reim.“ („Alles kommt im Leben einmal wieder“, T.: A. Hayduck, M.: C. Waldoff) * 21. Oktober 1884 in Gelsenkirchen, Deutschland Claire Waldoffs Name steht so eng in Zusammenhang † 22. Januar 1957 in Bad Reichenhall, Deutschland mit der Stadt Berlin wie vielleicht sonst nur noch der ih- res Bekannten und Freundes Heinrich Zille. Kurt Tuc- Schauspielerin, Kabarettistin, Chanson-Sängerin, holsky machte sie sogar zur Personifikation der Haupts- Operetten- und Revue-Darstellerin, „Volkssängerin“ tadt, indem er sie mit der „Berolina“ gleichsetzte. Doch Claire Waldoff war keineswegs die „urberliner Pflanze“ „Ich bin und bleibe halt eine Volkssängerin. Das ist mei- für die man sie halten könnte, wenn man ihre in bestem ne Mission, und die nehme ich durchaus ernst. Sehen Berlinerisch vorgetragenen Lieder hört. Die aus Gelsen- Sie: Wenn ich mich heute in großer Aufmachung auf die kirchen im Ruhrgebiet stammende Clara Wortmann erar- Bühne stellte und feingedrechselte Chansons sänge, beitete sich den Weg auf die großen Bühnen zunächst dann würden, zumal jetzt während des Krieges, vielleicht über Schauspielengagements in Bad Pyrmont und Katto- viele Leute sagen: „Die hat gut singen! Aber das Leben witz (heute Katowice/Polen). Nachdem sie in Berlin be- sieht anders aus!“ Ich will aber gerade vom Leben sin- kannt geworden war, trat sie auch im „Empire-Varieté“ gen, vom Volke und für das Volk, von der Zeit und ihren in London auf (1911) und unternahm zahlreiche Gast- Nöten.“ (Breslauer Zeitung, 1943. In: Waldoff, Claire. spielreisen durch Deutschland, 1916 war sie kurze Zeit in Weeste noch…! Aus meinen Erinnerungen. -
Utah Symphony and Utah Opera Search for the Chief Executive Officer Salt Lake City, Utah
Utah Symphony and Utah Opera Search for the Chief Executive Officer Salt Lake City, Utah The Board of Trustees of the Utah Symphony and Utah Opera (USUO) invites nominations and applications for the position of President and Chief Executive Officer (CEO). The largest arts institution in the state of Utah with a unique multidisciplinary focus, USUO is one of the country’s preeminent arts and cultural institutions. With a mission to “Connect the Community through Great Live Music – Perform. Engage. Inspire,” the USUO reaches 450,000 residents in Utah and the Intermountain region through its four distinctive programming and artistic product lines, including a 52-week orchestra, an opera company with four productions per season, a popular summer concert series in Deer Valley, and one of the largest educational outreach programs in the country that brings classical music to more than 150,000 students annually. The Utah Symphony, which celebrated its 75th anniversary at Carnegie Hall in 2016, is one of the most engaged orchestras in the nation. Built as the home of the Utah Symphony in 1979 and named for Maurice Abravanel, the long-time Music Director of the Symphony and champion of classical music throughout Utah, Abravanel Hall is an architectural and acoustic treasure in the heart of downtown Salt Lake City. Under the leadership of the esteemed Music Director Thierry Fischer, the orchestra has completed two tours across Utah’s five national parks and other major landmarks, records extensively, and attracts guest conductors and artists from around the world. A part of the Salt Lake City community for over 40 years, Utah Opera has engaged Utah residents in inspiring operatic performances and annually performs for 80,000 students in Salt Lake City’s Capitol Theatre and in schools throughout Utah. -
Hermann Heeßt Er - Regine Hentschel Als Claire Waldoff
Schmackeduzchen! Eine Claire-Waldoff-Lieder-Revue von James Edward Lyons Hermann heeßt er - Regine Hentschel als Claire Waldoff Die dreißiger Jahre waren die goldene Zeit der Berliner Unterhaltungskünste mit Anspruch auf Geist und Witz. Und Claire Waldoff ist unter den kabarettelnden Sängerinnen die größte sie ist in Stuttgart begraben und wird jetzt liebevoll ins Leben zurückgerufen. Von Christoph Müller Singende Schauspieler hauen früher meist etwas Peinliches. Weil sie nicht so recht konnten, was sie wollten. Die Zeiten haben sich an den deutschen Staats. Stadt- und Landestheatern geändert. singende Schauspieler, die nicht ausrutschen auf dem glatten Entertainment- Parkett, sind inzwischen eher die Regel als die Ausnahme. lind sie werden jetzt auch wieder sehr gebraucht. Nach dem Niedergang der Konserven-Musical Branche besinnt man sich am deutschen Theater nämlich gerne wieder auf die guten alten Operetten, die im Nachkriegs- Deutschland schon einmal eine kurze Wiederbelebung erfuhren, dann aber endgültig vom amerikanischen Musical verdrängt in sein schienen. Jetzt feiert speziell das Regietheater wieder Triumphe mir ihnen: Peter Konwitschny hat gerade die Dresdner Semper-Oper mit seiner gegen den Strich gebürsteten Csardas-Fürstin zum Beben gebracht, im Stuttgarter Staatschauspiel bereitet man das ,Weiße Rößl vor, in der Stuttgarter Staatsoper wird auf die unsterbliche glücklich-ist-wer-vergisst- ,,Fledermaus“ gesetzt, die nebenan im Schauspielhaus von Friedrich Schirmer schon während seiner ersten Spielzeit in einer schwer in überbietenden -
Scottish Opera and the National Opera Studio Join Forces for Performance in Edinburgh
PRESS RELEASE 18 December 2018 SCOTTISH OPERA AND THE NATIONAL OPERA STUDIO JOIN FORCES FOR PERFORMANCE IN EDINBURGH Scottish Opera’s Opera in Concert 2018/19 series continues on 1 February at 6pm at King’s Theatre, Edinburgh, with a performance by the Young Artists from the National Opera Studio. This collaboration with National Opera Studio provides the Young Artists a week-long residency in Glasgow, culminating in a special performance on the set of Anthropocene at the King’s Theatre, Edinburgh. The Young Artists will also work on their repertoire with the English National Opera Orchestra for the first time, prior to their Scottish Opera recital, for a special performance at London’s Cadogan Hall this January. Directed by Orpha Phelan, with Charles Peebles conducting The Orchestra of Scottish Opera, the varied programme for February’s performance by 12 opera stars of the future includes favourites from Beethoven’s Fidelio, Mozart’s The Marriage of Figaro, Carmen by Bizet and Handel’s Rodelina. This year’s show follows the success of last year’s Scottish Opera and National Opera Studio collaboration, From Russia with Love. It featured two of Scottish Opera 2018/19 Emerging Artists: mezzo-soprano Bethan Langford in performance and repetiteur Erika Gundesen, who was involved in 2018’s week-long residency. Alex Reedijk, General Director of Scottish Opera said: ‘We are excited to be working with some of the country’s most talented developing artists from the National Opera Studio and to build on the success of last year’s From Russia With Love programme. It is the first year that the ENO Orchestra has also worked with the singers, in a performance at London’s Cadogan Hall, and we are delighted to be a part of this collaboration. -
Download Publication
CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
Maegie Koreen Immer Feste Druff Das Freche Leben Der Kabarettkönigin Claire Waldoff Droste 1997 Düsseldorf, 318 Seiten
Maegie Koreen Immer feste druff Das freche Leben der Kabarettkönigin Claire Waldoff Droste 1997 Düsseldorf, 318 Seiten Nachtrag Claire Waldoff zum 50. Todestag (1884-1957) “Aus Gelsenkirchen geboren” CD: Maegie Koreen trifft Claire Waldoff Chansons - Zitate - Anekdoten Mit Originaltönen von 1908 bis 1954 Eine Maegie Koreen Produktion, Germany 2006 CWB 3099, LC 04315 Nachtrag Text zum Buch Nachtrag 1884-1906 zu Mühlenstraße 8 / Bokermühlstraße Die Grenze zwischen dem westfälischen Gelsenkirchen und der rheinischen Bürgermeisterei Rotthausen verlief bis zum 31.12.1923 am Schwarzbach. zu: Freidenker Der Freidenkerverband ist die älteste kulturpolitische Organisation der Arbeiterbewegung Gelsenkirchens. Der deutsche Freidenkerverband kann heute dem linken politischen Spektrum zugeordnet werden. Die Ortsgruppe Gelsenkirchen unterhält auf dem Rotthauser Friedhof eine Urnen-Begräbnisstätte, auf der zahlreiche Persönlichkeiten der Gelsenkirchener Arbeiterbewegung ihre letzte Ruhe gefunden haben. zu: kaufte zwei Häuser an der Kreuzung Mühlen- und Querstraße Heute gehört das Grundstück Bokermühlstraße Herrn Roger Stecker, der es von seinen Eltern und Großeltern, den Bauunternehmern Wilhelm Stecker, übernommen hat. Die Großeltern führten auf dem Grundstück 8, 8a und 10 noch eine Gastwirtschaft. Hierzu legt Herr Stecker ein Foto vor. Das Haus Bokermühlstr. 10 wurde abgebrochen. Beeindruckend an dem Grundstück sind die Wirtschaftsgebäude, die heute, obwohl bewohnt, noch als solche zu erkennen sind und ja auch bis zum Betrieb der Baufirma wirtschaftlich genutzt worden sind. zu: ihr großes Vorbild, die berühmte Schauspielerin Agnes Sorma In einer Liste berühmter Kurfürstendamm-Anwohner aus dem Jahre 1905 ist Agnes Sorma wie folgt aufgeführt: Agnes Sorma, Gräfin Minotto, Kurfürstendamm 196. Schauspielerin. Die Berühmteste und die Beliebteste. Seit Jahren mehr auf Gastspielreisen als in Berlin, wo sie nur zweitweise im Neuen Theater auftritt. -
April 2008 in This Issue
The Sacred in Opera April 2008 In this Issue... Ruth Dobson For the next two editions of the SIO newsletter, we are taking an in-depth look at one-act Christmas operas which can be easily produced and are appropriate for both children and adults. This issue we will profile Amahl and the Night Visitors, Only a Miracle, St. Nicholas, Good King Wenceslas, and The Shepherd’s Play. The next issue will highlight The Christmas Rose, The Greenfield Christmas Tree, The Finding of the King, The Night of the Star, and others. Thanks to Allen Henderson for sharing his insight into a triology of operas by Richard Shephard, Good King Wenceslas, The Shepherd’s Play, and St. Nicholas, with us in this issue. As great as Amahl and the Night Visitors is, there are these and other works waiting to be discovered by all of us. We hope you will find these suggestions interesting. These operas vary in length from 10 minutes to an hour, and can be presented alone or paired with others. Amahl and the Night Visitors is almost always a successful box office draw. Pairing it with a lesser known work could make for a very enjoyable afternoon or evening presentation and give audiences an opportunity to enjoy other equally wonderful works. Several of these operas use children as cast members, while others call for only adult performers, but all have stories appropriate for children. They are written in a variety of styles and have very different production requirements. Producers would need to take into consideration the ages of the children that are the target audience. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.