Gary Snyder Letters to Cid Corman

Total Page:16

File Type:pdf, Size:1020Kb

Gary Snyder Letters to Cid Corman http://oac.cdlib.org/findaid/ark:/13030/kt838nf0t1 No online items Inventory of the Gary Snyder Letters to Cid Corman, Sara Gunasekara Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2008 The Regents of the University of California. All rights reserved. Inventory of the Gary Snyder MC152 1 Letters to Cid Corman, Creator: Snyder, Gary, 1930- Title: Gary Snyder Letters to Cid Corman Date (inclusive): 1957-1961 Extent: 0.2 linear feet Abstract: Gary Snyder (1930- ), poet, essayist, translator, Zen Buddhist, environmentalist, lecturer, and teacher, is considered one of the most significant environmental writers of the twentieth century. This collection contains fourteen letters from 1957-1961 written by Gary Snyder in Japan to Cid Corman in the United States. Cid Corman (1924-2004) poet, editor, and translator, was the founder of the poetry magazine Origin and the Origin Press. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Dept. of Special Collections. Davis, California 95616-5292 Collection number: MC152 Language of Material: Collection materials in English. Biography Gary Snyder (1930- ), poet, essayist, translator, Zen Buddhist, environmentalist, lecturer, and teacher, is considered one of the most significant environmental writers of the twentieth century. Snyder has written more than twenty books of poetry and prose including: Riprap (1959), Myths & Texts (1960), Riprap & Cold Mountain Poems (1965), A Range of Poems (1966), The Back Country (1967), Earth House Hold: Technical Notes & Queries for Fellow Dharma Revolutionaries (1969), Regarding Wave (1970), Turtle Island (1974), The Old Ways (1977), The Real Work: Interviews & Talks, 1964-1979 (1980), Axe Handles (1983), Passage Through India (1983), Left Out in the Rain: New Poems 1947-1985 (1986), The Practice of the Wild (1990), No Nature: New and Selected Poems (1992), A Place in Space: Ethics, Aesthetics, and Watersheds, New and Selected Prose (1995), Mountains and Rivers Without End (1996), The Gary Snyder Reader (1999), The High Sierra of California (2002), Look Out: A Selection of Writings (2002), Danger on Peaks: Poems (2004), and Back on the Fire: Essays (2007) . From 1986-2002, he served as a faculty member in the Department of English at the University of California, Davis, where he was instrumental in founding the "Nature and Culture" program (1993), an undergraduate academic major for students of society and the environment. Recognition of Snyder's achievements includes the 1975 Pulitzer Prize for Poetry for his book Turtle Island, his appointment to the California Arts Council (1975-1979), and his induction into both the American Academy of Arts and Letters (1987) and the American Academy of Arts and Sciences (1993). He also received the Bollingen Prize for Poetry (1997) and the Ruth Lilly Poetry Prize (2008). For a more extensive biography of Gary Snyder, see the biography in the Gary Snyder Papers finding aid. Scope and Content This collection contains fourteen letters from 1957-1961 written by Gary Snyder in Japan to Cid Corman in the United States. The letters discuss Japanese culture, poetry, submissions to Origin, fellow poets, progress on "Mountains and Rivers," and Snyder's Zen study, among other topics. Arrangement of the Collection The letters are arranged chronologically. Related Collections Special Collections also holds the Gary Snyder Papers, D-050. Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Snyder, Gary, 1930---Correspondence Corman, Cid--Correspondence Authors, American--20th century Poets, American--20th century Beat generation Access Collection is open for research. Acquisition Information Inventory of the Gary Snyder MC152 2 Letters to Cid Corman, Acquired in 1977 from Serendipity Books. Processing Information Sara Gunasekara processed this collection and created and encoded this finding aid. Preferred Citation [Identification of item], Gary Snyder Letters to Cid Corman, MC152, Department of Special Collections, General Library, University of California, Davis. Publication Rights Copyright is protected by the copyright law, chapter 17, of the U.S. Code. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections, General Library, University of California, Davis as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. Box MC152:1-15 Snyder to Corman 1957 July 31-1961 November 26 Box MC152:1 1957 July 31 Physical Description: 1 letter Box MC152:2 1957 August 23 Physical Description: 1 letter Box MC152:3 1960 October 7 Physical Description: 1 letter Box MC152:4 1960 November 21 Physical Description: 1 letter Box MC152:5 1960 December 31 Physical Description: 1 letter Box MC152:6 1961 January 20 Physical Description: 1 letter Box MC152:7 1961 March 13 Physical Description: 1 letter Box MC152:8 1961 March 31 Physical Description: 1 postcard Box MC152:9 1961 May 20 Physical Description: 1 letter Box MC152:10 1961 June 11 Physical Description: 1 letter Box MC152:11 1961 July 24 Physical Description: 1 postcard Box MC152:12 1961 August 2 Physical Description: 1 postcard Box MC152:13 1961 October 21 Physical Description: 1 postcard Inventory of the Gary Snyder MC152 3 Letters to Cid Corman, Collection Contents Box MC152:14 1961 November 26 Physical Description: 1 postcard Box MC152:15 1959; undated Physical Description: Empty envelope and fragment of letter Inventory of the Gary Snyder MC152 4 Letters to Cid Corman,.
Recommended publications
  • Of Poets Museletter
    Frank Moulton Wisconsin Fellowship founded 1950 Of Poets President MuseletterVice-President Secretary Treasurer Membership Chair Peter Sherrill Cathryn Cofell Roberta Fabiani D.B. Appleton Karla Huston 8605 County Road D 736 W. Prospect Avenue 407 Dale Drive 720 E. Gorham St. #402 1830 W. Glendale Ave. Forestville, WI 54213 Appleton, WI 54914 Burlington, WI 53105 Madison, WI 53703 Appleton, WI 54914 [email protected] [email protected] [email protected] [email protected] [email protected] Summer 2003 www.wfop.org Editor: Christine Falk President’s Message First, thanks to the Mid-Central conference committee for such a wonderful Spring Conference: regional vice-president Joan Johannes and committee members Jeffrey Johannes, Lucy Rose Johns, Casey Martin, Grace Bushman, Barbara Cranford, Mary Lou Judy, Linda Aschbrenner, Phil Hansotia, Kris Rued- Welcome to the following new Clark, Gloria Federwitz, and Bruce Dethlefsen. The organization was excellent, members of the Wisconsin Fellowship the hotel first-rate (and a very respectable room rate, at that!) And the program of Poets that have joined since the inspiring. Spring Museletter issue: In addition to the traditional Friday-night Open Mic, and the Saturday Roll Call Poems, presenters Bill Weise and James Lee livened up the afternoon. Bill Weise Kristin Alberts Brussels blended music, drumming and audience participation in his demonstration on Edward DiMaio Egg Harbor using the spiritual energy inside us to open new creative possibilities. James Lee, Earle Garber Wisconsin Rapids Daniel Greene Smith Madison award-winning Madison poet, recited from his own high-energy works and used Kathleen Grieger Menomonee Falls audience-generated images in a spontaneous performance poem at the end of his Lincoln Hartford New Lisbon presentation.
    [Show full text]
  • William Bronk
    Neither Us nor Them: Poetry Anthologies, Canon Building and the Silencing of William Bronk David Clippinger Argotist Ebooks 2 * Cover image by Daniel Leary Copyright © David Clippinger 2012 All rights reserved Argotist Ebooks * Bill in a Red Chair, monotype, 20” x 16” © Daniel Leary 1997 3 The surest, and often the only, way by which a crowd can preserve itself lies in the existence of a second crowd to which it is related. Whether the two crowds confront each other as rivals in a game, or as a serious threat to each other, the sight, or simply the powerful image of the second crowd, prevents the disintegration of the first. As long as all eyes are turned in the direction of the eyes opposite, knee will stand locked by knee; as long as all ears are listening for the expected shout from the other side, arms will move to a common rhythm. (Elias Canetti, Crowds and Power) 4 Neither Us nor Them: Poetry Anthologies, Canon Building and the Silencing of William Bronk 5 Part I “So Large in His Singleness” By 1960 William Bronk had published a collection, Light and Dark (1956), and his poems had appeared in The New Yorker, Poetry, Origin, and Black Mountain Review. More, Bronk had earned the admiration of George Oppen and Charles Olson, as well as Cid Corman, editor of Origin, James Weil, editor of Elizabeth Press, and Robert Creeley. But given the rendering of the late 1950s and early 1960s poetry scene as crystallized by literary history, Bronk seems to be wholly absent—a veritable lacuna in the annals of poetry.
    [Show full text]
  • Introduction
    INTRODUCTION Charles Olson, who was born in 1910, did not publish his first poems until 1946, several years after what would prove to be the middle of his life. Indeed, from all the known evidence, he did not even begin writing poems until twenty-nine years old. Before then his overriding ambition had been to be a Melville scholar, a man of letters, a "writer. " Even in college he published only newspaper editorials, book reviews, and a single play. What prompted him to try his hand at poetry? Most likely, as with many poets, it was a gradual awakening, an evolution, rather than an incident along the road to Damascus or a Caedmonic dream. One can be sure it was not encouragement from his early mentor, Edward Dahlberg, who had such an antipathy to modern poetry. Nor was it a directive from Ezra Pound, whom Olson began visiting in 1946, for he had already written many of the poems in the early pages of this edition. We may never know for certain. All he ever said was that it was overhearing the talk of Gloucester fishermen as a boy, on summer evenings, that made him a poet. It never even occurred to me to ask. He just seemed so completely and classically a poet, filling out the role as he did any space or company with his physical and imaginative presence. There was—and is—hardly room for thought of him otherwise. There is, therefore, no section ofjuvenilia in this collection, although some of the earliest poems in their apparent simplicity are those of a beginner.
    [Show full text]
  • The “Objectivists”: a Website Dedicated to the “Objectivist” Poets by Steel Wagstaff a Dissertation Submitted in Partial
    The “Objectivists”: A Website Dedicated to the “Objectivist” Poets By Steel Wagstaff A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English) at the UNIVERSITY OF WISCONSIN‐MADISON 2018 Date of final oral examination: 5/4/2018 The dissertation is approved by the following members of the Final Oral Committee: Lynn Keller, Professor, English Tim Yu, Associate Professor, English Mark Vareschi, Assistant Professor, English David Pavelich, Director of Special Collections, UW-Madison Libraries © Copyright by Steel Wagstaff 2018 Original portions of this project licensed under a CC BY-SA 4.0 license. All Louis Zukofsky materials copyright © Musical Observations, Inc. Used by permission. i TABLE OF CONTENTS Acknowledgements ..................................................................................... vi Abstract ................................................................................................... vii Introduction ............................................................................................... 1 The Lives ................................................................................................ 31 Who were the “Objectivists”? .............................................................................................................................. 31 Core “Objectivists” .............................................................................................................................................. 31 The Formation of the “Objectivist”
    [Show full text]
  • VIEW ; the Black Mountain College Issue: (NCLR) Volume II, Number 2
    NEW ARRIVALS A Little of This and That Catalogue # 235 Second Life Books Inc ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] NEW ARRIVALS CATALOGUE # 235 Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com or www.ABAA.org . Item #144 1. ADLER, Elmer. BREAKING INTO PRINT ; being a compilation of papers wherein each of a select group of authors tells of the difficulties of authorship and how such trials are met, together with biographical notes and comment by an editor of "The Colophon". NY: Simon and Schuster, 1937. 8o, pp. 196. Illustrated. Spine little faded, paper slightly yellowed, o/w a good tight copy. Dedicated to bibliophile John T Winterich who has inscribed it to a collector. [59555] $75.00 Essays by 20 authors including: Sherwood Anderson, James Branch Cabell, Theodore Dreiser, Robinson Jeffers, Rockwell Kent, Sinclair Lewis, H. L. Mencken, E.A. Robinson, Edith Wharton, etc. 2. ALBRIGHT, Alex, ed.
    [Show full text]
  • Robert Creeley's Writing/Reading of Wallace Stevens
    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Gleeson Library Faculty and Staff Research and Gleeson Library | Geschke Center Scholarship 2011 “A consistently useful measure”: Robert Creeley’s Writing/Reading of Wallace Stevens Patrick James Dunagan Follow this and additional works at: https://repository.usfca.edu/librarian Part of the Poetry Commons Fulcrum 7 (2011) “A consistently useful measure”1: Robert Creeley’s Writing/Reading of Wallace Stevens Patrick James Dunagan While William Carlos Williams is the immediate literary predecessor often associated with having early influence on the work of Robert Creeley, Wallace Stevens, beginning in Creeley’s first letters in the early 1950s to the poet Charles Olson, and re-emerging in his later work, makes several appearances in the printed record. References to Stevens culminate in the final section of Creeley’s long poem “Histoire de Florida,” published in 1996, the beginning of the last decade of his life, where lines from Stevens’ “Anecdote of the Jar” (a poem which, as will be shown, remained central to Creeley throughout his life) are quoted alternating with Creeley’s own. Although, as Creeley admits, “much of [his] own initial writing, both prose and poetry, used Stevens as a model” (“The the” 121), the earliest direct reference in poetry does not appear until decades later with his poem “For John Duff” out of his collection Later published in 1979, which summons from the very same Stevens poem the line “I placed a jar in Tennessee. .” as an initiating stance (Collected 169). These references to Stevens in Creeley’s work expand and reflect on Creeley’s belief that, as he put it, “Stevens, in Williams’ phrase, thought with his poem” (“In Respect” 50).
    [Show full text]
  • Lorine Niedecker 2016 Collection Hoard Historical Museum Fort
    Lorine Niedecker 2016 Collection Hoard Historical Museum Fort Atkinson, Wisconsin This collection is from Lorine Niedecker’s personal library, brought to the museum shortly after her death by her husband Albert Millen. The materials were borrowed and returned to the museum in 2016. COLLECTION NOTES - Ann Engelman, Friends of Lorine Niedecker, January 2017 I was honored to catalogue the contents of this box. (2x2’ cardboard) I believe these materials to be from Lorine Niedecker’s library, donated to the museum by her husband Albert Millen shortly after Lorine’s death, per Merrilee Lee, Director, Hoard Historical Museum. Loaned out, the materials were returned in 2017. Notes on the Master List, made specifically by me are indicated “ae.” I was careful about assumptions - what was in Lorine’s hand or someone else’s and noted these. Margot Peters and Karl Gartung also assisted. The two Nidecker My Friend Tree chapbooks were clearly mailed to the researcher who returned these materials and the Niedecker T&G book has his name in it. The assumption is that these did not belong to Lorine but were added, gratefully, to the box contents on return. There were also 3x5 cards that have handwriting that is not Lorine’s. There may be other instances and notes were made accordingly. All contents were very dusty. Damaged conditions, minimal, were noted. I was surprised and delighted how many chap books and books were inscribed to Lorine by their authors. Jargon Press was well represented. The number and variety of small press publishers is impressive. There are many chap books and books by Louis Zukofsky, Jonathans Williams, Ian Hamilton Finley and others.
    [Show full text]
  • Three Essays by Lorine Niedecker
    Three Essays by Lorine Niedecker The Poetry of Louis Zukofsky The Poetry of Cid Corman A review of Louis Zukofsky’s A Test of Poetry published by the Electronic Poetry Center of the Poetics Program at SUNY-Buffalo with permission / (c) Cid Corman, literary executor for Lorine Niedecker edited by Jenny Penberthy & typeset by Patrick F. Durgin http://epc.buffalo.edu/authors/niedecker/ May, 2002 The Poetry of Louis Zukofsky To record and elate for all time . (poems) based on nothing less than the world, the entire humanly known world. * * * Good verse is determined by the poet’s susceptibilities involving a precise awareness of differences, forms and possibilities of existence — words with their own attractions in- cluded. The poet, no less than the scientist, works on the assumption that inert and live things and relations hold enough interest to keep him alive as part of nature. * * * Felt deeply, poems like all things have the possibilities of elements whose isotopes are yet to be found. Light has travelled and so looked forward. Poetry — For My Son When He Can Read Twenty-five years before he wrote these statements in behalf of poetry, Zukofsky began his long poem “A.” It was strange at that moment of time and at that point in space. Many writers and readers, unless travelling at the same speed, have lost contact with “A” and some who wore dark glasses then are now beginning to see. It is understandable that Lawrence Durrell, living in countries other than the United States and so probably unaware of “A,” should be thinking now along the same lines: “Time has become .
    [Show full text]
  • Cid Corman Letters to Frank Samperi
    http://oac.cdlib.org/findaid/ark:/13030/kt587034hc No online items Inventory of the Cid Corman Letters to Frank Samperi, Sara Gunasekara Department of Special Collections General Library University of California, Davis Davis, CA 95616-5292 Phone: (530) 752-1621 Fax: (530) 754-5758 Email: [email protected] © 2008 The Regents of the University of California. All rights reserved. Inventory of the Cid Corman MC013 1 Letters to Frank Samperi, Creator: Corman, Cid Title: Cid Corman Letters to Frank Samperi, Date (inclusive): 1972-1975 Extent: 120 letters; 0.2 linear feet Abstract: Cid Corman (1924-2004) poet, editor, and translator, was the founder of the poetry magazine Origin and the Origin Press. This collection contains 120 typescript letters to the poet Frank Samperi written by Corman, from 1972 to 1975, while Corman was in Japan. The letters discuss poetry journals and presses as well as the demands of writing and editing for publication, and specific works of Corman's, among other subjects. Physical location: Researchers should contact Special Collections to request collections, as many are stored offsite. Repository: University of California, Davis. General Library. Department of Special Collections. Davis, California 95616-5292 Collection number: MC013 Language of Material: Collection materials in English. Biography Cid Corman was born on June 29, 1924 in Boston, Massachusetts and graduated from Tufts University in 1945. He did graduate work at the University of Michigan, where he won the Hopwood Prize for poetry in 1947, and also at the University of North Carolina. In 1948, Corman returned to Boston where he started a radio program on WMEX.
    [Show full text]
  • ''Creeley's Reception in France''
    ”Creeley’s Reception in France” Lang Abigail To cite this version: Lang Abigail. ”Creeley’s Reception in France”. Formes Poétiques Contemporaines, Presses Universi- taires du Nouveau Monde, 2016, 12. hal-01418922 HAL Id: hal-01418922 https://hal.archives-ouvertes.fr/hal-01418922 Submitted on 24 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Abigail Lang Université Paris-Diderot (LARCA-UMR 8225) Creeley’s reception in France1 Although Robert Creeley seemed keen to appear as a « uniquely American persona, »2 to associate himself with what he calls « the Americanism of certain painters, like Pollock », « specifically American in their ways of experiencing activity, with energy a process, »3 some of the earliest influences he acknowledges are European, and particularly French: the Existentialists, André Gide, but above all Stendhal whom he admires for « the incredible clarity and fluidity of his thinking »4 and for his sparse use of words. Robert Duncan, one of his most attentive readers, suggests Creeley refrained from reading Barthes because it was « too close for comfort, »5 and Joshua Watsky has convincingly demonstrated that Creeley made his decisive encounter with abstraction in front of René Laubiès’s canvasses rather than Pollock’s, a fact confirmed by Creeley’s excited letter of May 25, 1952 to Olson.6 While there is ample material to substantiate a French influence on Creeley, I will here focus on Creeley’s own reception in France, beginning with a general overview and then focusing on a case-study: Jean Daive’s encounter with Creeley’s work.
    [Show full text]
  • Nystagmic Poetics in Lorine Niedecker's Postwar Poetry
    California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 9-2019 Nystagmic Poetics in Lorine Niedecker’s Postwar Poetry Edward Ferrari Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Literature in English, North America Commons Recommended Citation Ferrari, Edward, "Nystagmic Poetics in Lorine Niedecker’s Postwar Poetry" (2019). Electronic Theses, Projects, and Dissertations. 917. https://scholarworks.lib.csusb.edu/etd/917 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. NYSTAGMIC POETICS IN LORINE NIEDECKER’S POSTWAR POETRY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Edward Richard Max Ferrari September 2019 NYSTAGMIC POETICS IN LORINE NIEDECKER’S POSTWAR POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Edward Richard Max Ferrari September 2019 Approved by: Jessica Lewis Luck, Committee Chair, English Jason Magabo Perez, Committee Member © 2019 Edward Richard Max Ferrari ABSTRACT In this article I explore the work of Lorine Niedecker, a poet not conventionally associated with disability studies, in order to flesh out an account of the function of visual disability in midcentury poetics and praxis. To do this I read Niedecker’s formative sequence “For Paul,” the late long poem “Wintergreen Ridge,” and other poems, through deformative practices in the belief that such an engagement shows how Niedecker’s hybrid objectivist praxis can be integrated with critical models of disability studies.
    [Show full text]
  • Generative Translation in Spicer, Gelman, and Hawkey
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 15 (2013) Issue 6 Article 12 Generative Translation in Spicer, Gelman, and Hawkey Lisa Rose Bradford National University of Mar del Plata Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index
    [Show full text]