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View PDF Document NVERIC/\N m:JETYCY LNf\.LRSITY C(M{ITRJ 250 West 54th Street • Room 300 • New York; New York 10019 February, 1981, Vol. 14, No. 1 CONTENTS NATIONAL CONFERENCE NEWS OF THE SOCIETY Professor Norman Dinerstein ASUC Conference Co-Chairman OF INTEREST TO ASUC College-Conservatory of Music USEFUL INFORMATION University of Cincinnati FESTIVALS AND PERFORMANCE Cincinnati, OH 45221 (513) 475-6046 INFORMATION COMPETITIONS NEWS OF THE SOCIETY MEMBER ACTIVITIES NEA Grant toASUC CHANGE OF ADDRESS The Composer Program of the National Endowment NEWSLETTER ARTICLE: TECHNOLOGY for the Arts has awarded a sizeable grant to the Ameri­ AS A STIMULANT by Sylvia PengilJy can Society of University Composers for fiscal year LETTERS TO THE EDITOR 1980. The award will enable the Society to expand its administrative activities and thereby to be of greater and more efficient service to the membership of the society as a whole. SIXTEENTH ANNUAL CONFERENCE The granting of the award by NEA is signal evidence IN CINCINNATI of the increasingly significant role the Society plays as a service organization for composers across the continent. The Sixteenth Annual National Conference of the Society will be held April 8-12, 1981, at the University ASUC Elec.tronic Music Consortium of Cincinnati. Co-chairmen Norman Dinerstein and Jonathan Kramer indicate that this year's conference The Electronic Music Consortium, which met dur­ will be exceptionally varied and musically interesting. ing the ASUC national conference in Memphis, has There will be a program and a half of orchestra music, established four standing committees with specific two staged operas, the equivalent of a full program of functions outlined by the Consortium. Committee A music for large wind ensemble and another half pro­ (Electronic Music Studio Standards) comprises Tom gram by the symphonic band, a concert by the renowned Wells, chair, Reynold Weidenaar, and Ron Perera. This Percussion Group, a gala electronic and multimedia committee is assigned the task of producing a studio­ event, and several mini-concerts by faculty and stu­ standards document to assist directors, administrators, dent soloists and chamber groups. In addition, there and personnel in establishing and maintaining studio will be a number of interesting papers, panel discus­ excellence. sions, and lecture/demonstrations. All members are Committee B (Music Exchange) is made up of Daria urged to attend. Semegen, chair, Tim Sullivan, Edward Diemente, and A large block of rooms has been reserved at Stouf­ Edward Matilla. Its purpose is to produce a catalogue of fer's Hotel in downtown Cincinnati. A continual shut­ music and tapes along with a set of standards for their tle bus service will transport participants to and from exchange. the university. Stouffer's is a large, modem, attractive hotel. Conference rates are set at $40 a night for a single room, $50 a night for a double room, plus taxes. Reser­ vation cards must be returned to Stouffer's by March LEITER RETURNED? 18. After that date all remaining rooms will be released, The current dues notices and some old sta­ and it will become extremely difficult to find a room in tionery still contain our former address. If for Cincinnati, because April 8 is also the opening day of any reason you used the old address and your the Cincinnati Reds' baseball season. letter was not forwarded would you please re­ Conference registration is $10 if received on or be­ address it to: ASUC, 250 West 54th Street, Room fore March 25; otherwise the fee is $12. A mailing with 300, New York, NY 10019. registration forms has been sent to all members. For further information contact: Committee C (Computer Applications for Composi­ helpful if copies of any letters sent were sent as well to tion) is to represent the interests of composers in regard the American Music Center for follow-up. to computer technology. The committee is chaired by John Melby. Memorandum from NMC Committee D (Electronic Music Curricula) is The National Music Council, which represents,r-\ chaired by David Keane, with Dwight Gatwood, Rodney sixty-five national music organizations, has formulated Oakes, and Elliott Schwartz serving as members. It will a resolution condemning the unauthorized photocopy- serve as a link with NASM, CMS, MENC and other ing and duplicating of copyrighted printed music and interest groups. recordings as practices that deprive composers and The Consortium has identified four main projects publishers of financial remuneration that is rightfully -Studio Inventory, Studio Standards Guidelines, a theirs. It has asked all special-interest societies to assist. projected Studio Directory, and a projected compendium in making the implications of illegal copying known to of available electronic music. The consortium is hop­ musicians at large, insofar as a number of musicians ing to establish a computer data base at one or more commit the offense in ignorance. NMC has asked the participating institutions. assistance of ASUC in spreading the word through our Information on the current status of the consortium various institutional networks. committees and projects can be secured from Cleve L. Scott, chairman, who is serving as coordinator of the projects. Interested individuals with specific questions USEFUL INFORMATION about the Consortium as well as more general ques­ tions about electronic music performance or equipment Music Notation in the 20th Century Published should write to Cleve L. Scott, School of Music, Ball Music Notation in the Twentieth Century-A State University, Muncie, IN 47306. Practical Guidebook, by Kurt Stone, has now been The International Advisory Panel for the Electronic published by W.W. Norton and Co. The book is a com­ Music Consortium is made up of Milton Babbitt, Gus­ prehensive manual of current notation, new as well as tav Ciamaga, Hubert Howe, Otto Luening, Max Mat­ traditional. The work represents the author's experience thews, Robert Moog, Vladimir Ussachevsky, Barry of some thirty years as a music editor and reflects his Truax, and Charles Wourinen. work on the Index of New Musical Notation, which he • inaugurated and directed, and which culminated in the Update on Proposed Name Change Ghent conference on new musical notation. The new The committee appointed to investigate the impli­ work is designed to establish standards concerning signs cations of a name change for the society has unani­ and procedures, based on statistics of usage and on pro·" mously decided in favor of a change. The committee, fessional consensus in the field at large. consisting of Ann Silsbee, chair, Dennis Kam, Walter Winslow, and Reynold Weidenaar, submitted a five-page International Cultural Exchange report to the National Council and the Executive Com­ International cultural exchange programs are the mittee in which the rationale for a name change focus of a new booklet developed by the Center for Arts · was articulated. The committee received seventeen Information. The publication provides capsule descrip-' responses to requests for opinion from the membership. tions of ·forty-five organizations that fund international These responses were fifteen in favor of a name change, cultural exchange programs. The booklet is available two opposed. The matter is to be brought up at the 1981 for $2.00 from the Center for Arts Information, 625 National Conference in Cincinnati in April. Broadway, New York, NY 10012. OF INTEREST TO ASUC Electronic Music from the Outside In Memorandum from AMC A new resource for electronic music illustrating composition processes in electronic music has been re­ A recent communication from the American Music leased by Folkways Records. The set of two records Center solicits assistance from other organizations in contains music by ASUC members Barton McLean, the matter of the recent IRS ruling that will prevent Priscilla McLean, Reed Holmes, and Kevin Hanlon. The music book publishers from taking tax deductions on new album comes as part of Folkways' series of record­ their stock inventories. Much published material sells ings of electronic music, a series that also contains the gradually over the period of a decade or more, and as McLeans' Electro-Symphonic Landscapes. Both are a result of the Thor Power Tool decision, many pub­ available from Folkways Records, 43 W. 61 Street, New lishers will find it more economical to discard back York, NY 10023. stocks than to save them and keep items in print. Some publishers have already begun to cut their stocks, and International League of Women Composers some have become increasingly reluctant to publish new music or music that has other than immediate The International League of Women Composers, a mass-market appeal. professional organization devoted to expanding opporr~ Senator Gaylord Nelson (D-WI) and Representative tunities for women composers, which was establishec Barber Conable, Jr., (R-NY) have introduced bills pro­ in 1975, is open to women who hold composition de­ hibiting the retroactive application of the IRS decision. grees, teach composition, and have had music published Members of ASUC are requested to write to senators or publicly performed. There are presently some 150 and congressmen concerning these bills. It would be members. The organization publishes a quarterly news- letter and has recently published a catalogue of mem­ records for exhibition at the Santa Barbara Conference bers' works, Contemporary Concert Music by Women: on Music by Women to be held there April 11-12, 1981. A Directory of the Composers and their Works (Green­ Details are available from Emma Lou Diemer, Depart­ wood Press). Information concerning membership can ment of Music, University of California, Santa Barbara, ~ be obtained from Elizabeth Hayden Pizer, 555 Peni­ CA 93106. Telephone: (805) 961-3261. _,., tencia Street, Apt. 1, Milpitas, CA 95035. A conference on Contemporary String Quartets by M.I. T. Experimental Music Studio Women Composers will take place August 7 and 8, 1981, at the San Francisco Conservatory of Music.
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