L.A. Express Shadow Play Mp3, Flac, Wma

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L.A. Express Shadow Play mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Shadow Play Country: US Released: 1976 Style: Fusion, Jazz-Funk MP3 version RAR size: 1593 mb FLAC version RAR size: 1198 mb WMA version RAR size: 1758 mb Rating: 4.9 Votes: 992 Other Formats: AU ASF WAV AUD MPC AAC AIFF Tracklist Hide Credits Nordic Winds A1 6:04 Vocals – Joni Mitchell Double Your Pleasure A2 2:50 Vocals – Paulette McWilliams A3 Shadow Play 5:30 A4 Chariot Race 2:47 Dance The Night Away B1 3:03 Vocals – Paulette McWilliams B2 Velvet Lady 4:15 B3 Vortex 3:50 B4 Mad Drums And Englishman / Mavro 5:26 B5 Silhouette 1:20 Companies, etc. Copyright (c) – CBS Inc. Phonographic Copyright (p) – CBS Inc. Distributed By – CBS Records Distributed By – CBS Inc. Recorded At – Caribou Ranch Mastered At – A&M Studios Pressed By – Columbia Records Pressing Plant, Santa Maria Credits Arranged By [Strings] – Al Capps Art Direction, Design – Glen Christensen Artwork [Cover] – Joni Mitchell Bass [Fender], Percussion – Max Bennett Drums, Organ, Liner Notes – John Guerin Electric Piano [Fender Rhodes], Piano, Synthesizer [Arp Odyssey], Organ [Hammond], Congas, Percussion – Victor Feldman Engineer – Norm Kinney Engineer [Second] – Mark Guercio, Tom Likes Guitar – Peter Maunn* Mastered By – Bernie Grundman Photography By – Stan Levey Producer – L.A. Express* Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone – David Luell Notes Columbia Records Pressing Plant, Santa Maria pressing as denoted by '1S' etched in runouts. LP housed in custom credit inner sleeve. Recorded at Caribou Ranch. Mastered at A&M Studios, California. Barcode and Other Identifiers Matrix / Runout (Side A runout, etched): 1S PAL 34355-1A A4 Matrix / Runout (Side B runout, etched): 1S PBL 34355-1A A3 Price Code (On spine): X698 Other versions Category Artist Title (Format) Label Category Country Year Shadow Play (LP, Caribou PZ 34355 L.A. Express* PZ 34355 US 1976 Album, Promo) Records Caribou Shadow Play (LP, PZ 34355 L.A. Express* Records, PZ 34355 Canada 1976 Album) Columbia Australia & PZ 34355, DL Shadow Play (LP, Caribou PZ 34355, DL L.A. Express* New 1976 3004 Album) Records, Epic 3004 Zealand Shadow Play (CD, Wounded Bird WOU 4355 L.A. Express* WOU 4355 US 2008 Album, RE) Records Shadow Play (LP, Caribou CRB 81671 L.A. Express* CRB 81671 UK 1976 Album) Records Related Music albums to Shadow Play by L.A. Express Joni Mitchell - The Hissing Of Summer Lawns Joni Mitchell - A Conversation With Joni Mitchell Joni Mitchell - Chinese Cafe Joni Mitchell - Don Juan's Reckless Daughter Joni Mitchell - Joni Mitchell Joni Mitchell - Mingus Joni Mitchell - Night Ride Home Joni Mitchell - Carey Joni Mitchell - Taming The Tiger Joni Mitchell - Hejira.

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Norge Ignorerer Avlytting
dagsavisvenstresidas Lørdag 1. april 2000 • Nr. 78 • Uke 13 • Årgang 32 • Kroner 20 A-avis www.klassekampen.no Norge ignorerer avlytting II Norske myndigheter bryr seg ikke om II I EU-parlamentet har 200 av de 626 II På tross av at en tidligere CIA-sjef har påstandene om amerikansk avlytting av representantene skrevet under på kravet om stått fram og forsvart avlyttinga, benekter Europa. Ingen i Justisdepartementet en granskningskommisjon, og EU- amerikanske myndigheter at europeisk undersøker påstandene om kommisjonen varsler bruk av sterkere næringsliv er noe mål for overvåking. avlyttingsnettverket Echelon. elektronisk kryptering. SIDE 5 Eineståande skoproduksjon Så ulike kan to sko til same person vera. Berre solid handverksarbeidarbeid kan skaffa skotøy til dei som ikkje har «standardføter». Klassekampen har besøkt Sophies Minde Ortopediteknisk Senter på Hamar, der sko framleis blir laga på gamlemåten. SIDE 8 og 9 FOTO: REBEKKA WESTGAARD MAGASINET Starter dugnad for Klasse- kampen SIDE 6 og 7 Politikk og porno Politisk korrekthet fulgte aidsen, men en sannhet sto ved lag: Begjæret lar seg ikke kue. Homofile som Med et annet heterofile vil alltid fortsette å ha sex. Allen Gassman syn på saken tok konsekvensen av dette Det eneste spesialverk- med filmen The «O» Boys: sted for kikkerter og Parties, Porn and Politics. sikter. Dykkemasker for SIDE 30 og 31 brillebrukere er en Alt om Joni Mitchell SIDE 28 og 29 annen spesialitet. 2 Lørdag 1. april 2000 KLASSEKAMPEN ÅPENT FORUM Utgitt av Klassekampen AS Ansvarlig redaktør: Jon Michelet Kampen om fremtidens Daglig leder: Marga van der Wal © Klassekampen A/S Ettertrykk og elektronisk videredistribusjon forbudt uten etter særskilt avtale.
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5gerry:blankG5 copy 7/1/11 3:56 PM Page 208 5gerry:blankG5 copy 7/1/11 3:56 PM Page 209 TOM GERRY “I Sing My Sorrow and I Paint My Joy”: Joni Mitchell’s Songs and Images ONI MITCHELL is best known as a musician. She is a popular music superstar, and has been since the early 1970s. Surprisingly, considering Mitchell’s Jstatus in the music world, she has often said that for her, painting is primary, music and writing secondary. Regarding Mingus, her 1979 jazz album, she commented that with it she “was trying to become the Jackson Pollock of music.” In a 1998 interview Mitchell reflected, “I think of myself as a painter who writes music.”1 In our era, when many critics and philosophers view interarts relationships with suspicion, it is remarkable that Mitchell persists so vigorously in creating work that involves multiple arts. To consider Mitchell’s art as the productions of a multi-talented person does not get us far with the works themselves, since this approach immediately invokes the abstractions and speculations of psychology. On the other hand, postmodernism has taught us that there is no absolute, tran- scendent meaning available as content for various forms. In the face of such strong objections to coalescing arts, Mitchell insists through her works that her art is intrinsically multidisciplinary and needs to be understood as such. Interarts relationships have been studied at least since Aristotle decreed that the lexis, the words, takes precedence over the opsis, the spectacle, of drama. Although recognized as being distinct, the arts have also commonly been discussed as though they are analogous.
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Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 [email protected]
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James Last Was, in 1975, One of the Most Popular Recording Artists
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Compositions-By-Frank-Zappa.Pdf
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