March 1943) James Francis Cooke
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Classics in Jazz
1 Classics in Jazz Introduction - 2 First Jazz Recording - 5 The Influence of Jazz in Europe and the World - 70 Harling - A Light From St. Agnus - 205 2 Jazz’s Use of Classical Material Introduction Jazz, through its history, has progressed past a number of evolutions; it has had its influences and had both a musical and social background. History never begins or stops at a definite time, nor is it developed by one individual. Growth happens by various situations and experimentation and by creative people. Jazz is a style and not a form. Styles develop and forms are created. Thus jazz begins when East meets West. Jazz evolved in the U.S. with the environment of the late 19th and early 20th century; the music system of Europe, and Africa (with influence of Arab music with the rhythms of the native African. The brilliant book “Post & Branches of Jazz” by Dr. Lloyd C. Miller describes the musical cultures that brought their styles that combined to produce jazz. The art of jazz is over 100 years old now and we have the gift of time to examine the past and by careful research and thought we can produce more accurate conclusions of jazz’s past influences. Jazz could not have developed anywhere but the U.S. In his article” Jazz – The National Anthem” by Frank Patterson in the May 4th, 1922 Musical Courier we read: “Is it Americanism? Well, that is a fine point of contention. There are those who say it is not, that it expresses nothing of the American character; that it is exotic, African Oriental, what not. -
Toscanini SSB Sib6
STAR SPANGLED MUSIC EDITIONS The Star-Spangled Banner for Orchestra (1943, revised 1951) Original Tune By JOHN STAFFORD SMITH Arranged and Orchestrated By ARTURO TOSCANINI Full Score Star Spangled Music Foundation www.starspangledmusic.org STAR SPANGLED MUSIC EDITIONS The Star-Spangled Banner for Orchestra (1943, revised 1951) Original Tune By JOHN STAFFORD SMITH Arranged and Orchestrated By ARTURO TOSCANINI 06/14/2014 Imprint Star Spangled Music Foundation www.starspangledmusic.org Star Spangled Music Editions Mark Clague, editor Performance materials available from the Star Spangled Music Foundation: www.starspangledmusic.org Published by the Star Spangled Music Foundation Musical arrangement © 1951 Estate of Arturo Toscanini, used by permission This edition © 2014 by the Star Spangled Music Foundation Ann Arbor, MI Printed in the U.S.A. Music Engraving: Michael-Thomas Foumai & Daniel Reed Editorial Assistance: Barbara Haws, Laura Jackson, Jacob Kimerer, and Gabe Smith COPYRIGHT NOTICE Toscanini’s arrangement of “The Star-Spangled Banner” is made in cooperation with the conductor’s heirs and the music remains copyrighted by the Estate of Arturo Toscanini ©1951. Prefatory texts and this edition are made available by the Star Spangled Music Foundation ©2014. SUPPORT STAR SPANGLED MUSIC EDITIONS This edition is offered free of charge for non-profit educational use and performance. Other permissions can be arranged through the Estate of Arturo Toscanini. We appreciate notice of your performances as it helps document our mission. Please consider making a tax-deductible donation to the Star Spangled Music Foundation to support this effort. The Star Spangled Music Foundation is a 501(c)(3) non-profit organization. -
SYDNEY SYMPHONY UNDER the STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair
SYDNEY SYMPHONY Photo: Photo: Jamie Williams UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM Dmitri Shostakovich (Russian, 1906–1975) SYDNEY Festive Overture SYMPHONY John Williams (American, born 1932) Hedwig’s Theme from Harry Potter UNDER THE Wolfgang Amadeus Mozart (Austrian, 1756–1791) Finale from the Horn Concerto No.4, K.495 STARS Ben Jacks, horn SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA THE CRESCENT Hua Yanjun (Chinese, 1893–1950) PARRAMATTA PARK Reflection of the Moon on the Lake at Erquan 8PM, 19 JANUARY 120 MINS John Williams Highlights from Star Wars: Imperial March Benjamin Northey conductor Cantina Music Diana Doherty oboe Main Title Ben Jacks horn INTERVAL Sydney Symphony Orchestra Gioachino Rossini (Italian, 1792–1868) Galop (aka the Lone Ranger Theme) from the overture to the opera William Tell Percy Grainger (Australian, 1882–1961) The Nightingale and the Two Sisters from the Danish Folk-Song Suite Edvard Grieg (Norwegian, 1843–1907) Highlights from music for Ibsen’s play Peer Gynt: Morning Mood Anitra’s Dance In the Hall of the Mountain King Ennio Morricone (Italian, born 1928) Theme from The Mission Diana Doherty, oboe Josef Strauss (Austrian, 1827–1870) Music of the Spheres – Waltz Pyotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEYSYDNEY SYMPHONY SYMPHONY UNDER UNDER THE STARS THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair Benjamin Northey is Chief Conductor of the Christchurch Diana Doherty joined the Sydney Symphony Orchestra as Symphony Orchestra and Associate Conductor of the Principal Oboe in 1997, having held the same position with Melbourne Symphony Orchestra. -
Boston Symphony Orchestra Concert Programs, Season 70, 1950-1951
BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON SEVENTIETH SEASON 1950-1951 BAYARD TUCKERMAN. J«. ARTHUR J. ANDERSON ROBERT J. DUNKLE, Ja. ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, Ja. HERBERT SEARS TUCKERMAN OBRION, RUSSELL & CO Insurance of Every Description "A Good Reputation Does Not Just Happen — It Must Be Earned." 108 Water Street Los Angeles, California Boston, Mass. 3275 Wilshire Blvd. Telephone Lafayette 3-5700 Dunkirk 8-3316 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, commonwealth 6-1492 SEVENTIETH SEASON, 1950-1951 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1951, BY BOSTON SYMPHONY ORCHESTRA, IflC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. SHniK, Assistant Managers [1225] ©®®®®®©®®®®®®®®®®®®®®®®®©®©©®®® ® © © © © Only © you can © © decide Whether your property is large or small, it rep- © resents the security for your family's future. Its ulti- mate disposition is a matter of vital concern to those © you love. © © To assist you in considering that future, the Shaw- © mut Bank has a booklet: "Should I Make a Will?" © It outlines facts that everyone with property should © know, and explains the many services provided by © this Bank as Executor and Trustee. -
Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
Compassion Booklet
481 0678 Compassion – Symphony of Songs Song cycle for voice and orchestra by Lior and Nigel Westlake based on a collection of ancient Hebrew and Arabic texts 1 Sim Shalom – Grant Peace 7’28 2 Eize Hu Chacham? – Who is Wise? 5’25 3 La Yu’minu – Until You Love Your Brother 4’18 4 Inna Rifqa – The Beauty Within 4’55 5 Al Takshu L’vavchem – Don’t Harden Your Hearts 4’45 6 Ma Wadani Ahadun – Until the End of Time 7’57 7 Avinu Malkeinu – Hymn of Compassion 5’57 Total Playing Time 40’46 Lior vocals Sydney Symphony Orchestra Nigel Westlake conductor Compassion was commissioned by the Sydney Symphony Orchestra, for the SSO and the other Australian symphony orchestras, with the support of Symphony Services International. 3 The Genesis of Compassion In stark contrast to what had preceded, here was another side to Lior’s artistry, his keening and emotionally charged voice allowing us an intimate glimpse into the rich vein of middle eastern heritage The catalyst for Compassion can be traced to a single watershed moment: the occurrence of my first that is his birthright. Lior concert. It was the winter of 2009 in the tiny rural village of St Albans NSW, the occasion being the inaugural fundraising event for the Smugglers of Light, a foundation formed by our family in The power and spirituality of the song struck a deep resonance amongst the crowd, all of whom were memory of my son Eli. captivated in spellbound rapture. For my own part, I had just experienced a small taste of a tantalising and exotic sound world and was overcome by a strange yearning to be a part of it. -
The Politics of Verdi's Cantica
The Politics of Verdi’s Cantica The Politics of Verdi’s Cantica treats a singular case study of the use of music to resist oppression, combat evil, and fight injustice. Cantica, better known as Inno delle nazioni / Hymn of the Nations, commissioned from Italy’s foremost composer to represent the newly independent nation at the 1862 London International Exhibition, served as a national voice of pride and of protest for Italy across two centuries and in two very different political situations. The book unpacks, for the first time, the full history of Verdi’s composition from its creation, performance, and publication in the 1860s through its appropriation as purposeful social and political commentary and of its perception by American broadcast media as a ‘weapon of art’ in the mid twentieth century. Based on largely untapped primary archival and other documentary sources, journalistic writings, and radio and film scripts, the project discusses the changing meanings of the composition over time. It not only unravels the complex history of the work in the nineteenth century, of greater significance it offers the first fully documented study of the performances, radio broadcast, and filming of the work by the renowned Italian conductor Arturo Toscanini during World War II. In presenting new evidence about ways in which Verdi’s music was appropriated by expatriate Italians and the United States government for cross-cultural propaganda in America and in Italy, it addresses the intertwining of Italian and American culture with regard to art, politics, and history; and investigates the ways in which the press and broadcast media helped construct a musical weapon that traversed ethnic, aesthetic, and temporal boundaries to make a strong political statement. -
Rathauskurier DAS AMTSBLATT DER STADT WEIMAR Kulturstadt Europas
RathausKurier DAS AMTSBLATT DER STADT WEIMAR Kulturstadt Europas Nr. 19 SPRECHTAG WINTERDIENST GEDENKEN NEUERUNG 9. November 2013 Die Thüringer Bürger- Verzeichnis der bei Weimar erinnert mit Umstellung der Wert- 24. Jahrgang beauftragte hält Vor- Schnee- und Eisglätte zahlreichen Veran- stofferfassung vom Ort-Sprechtag in der durch die Stadt zu staltungen an das Bring- ins Holsystem NÄCHSTE AUSGABE: Stadtverwaltung ab räumenden Straßen Novemberpogrom vor geht in die heiße 23. November 2013 Seite 6878 Seite 6879 75 Jahren Seite 6890 Phase Seite 6894 Ein dreitägiges Weimarer »Geschichtsfestmahl« DAS »WEIMARER RENDEZ-VOUS MIT DER GESCHICHTE« FEIERT SEINEN 5. GEBURTSTAG! DISKUSSIONEN, FILME, LESUNGEN, VORTRÄGE UND SCHÜLERPROJEKTE RUND UMS THEMA »ESSEN«. FÜR DIE BESUCHER GIBT’S ZUM JUBILÄUM ZAHLREICHE »KOSTPROBEN« UND DAS WIE IMMER BEI FREIEM EINTRITT! »Junge auf SeiteStadt« 6872 FOTO: STEPHAN PICK / BÜRO ALFRED BIOLEK FOTO: Alfred Biolek, einer der ersten »Fernsehköche«, ist Gesprächsgast zur Eröffnung des Weimarer »Geschichtsfestmahls«. In der Musikschule »Ottmar Gerster« wird er über sein Leben und über seine Lieblingsrezepte sprechen. eim Essen spricht man nicht?! Oh, historischen Festmahlen und vom beißen- Dies also ist das Weimarer »Geschichts- ganz im Gegenteil! Wann lässt sich den Hunger hinter Stacheldraht; Geschich- festmahl« 2013. Von seiner Eröffnung am Bschöner plaudern und schwad- ten von der deutschen, polnischen und – Freitagabend mit Alfred Biolek bis zum ronieren, wenn nicht rund ums Essen?! natürliisch! – französischen Küche; Diskus- Teeritual am Sonntag zieht sich durch Weimars Geschichtsfestival macht sich sionen ums Fasten, Fatness und Fitness Weimar ein überbordendes Programm dies vom 15. bis 17. November zum und unsere Freuden am Kakao, 3,5 Pro- an geschichtlichen Diskussionen, Filmen, Motto: Wir feiern ein »Geschichtsfestmahl« zent, mit 100 Prozent Schlagsahne, bitte! Lesungen, Vorträgen, Schülerprojekten und erzählen uns dabei die unendliche Es geht also um uns, unsere Mütter und rund ums Thema Essen … oft auch mit Geschichte vom Essen. -
Waghalter Rose from an Impoverished Childhood in Poland to Become Conductor at the Newly Founded Deutsches Opernhaus in Berlin in 1912
NAXOS NAXOS Ignatz Waghalter rose from an impoverished childhood in Poland to become conductor at the newly founded Deutsches Opernhaus in Berlin in 1912. Here, the first performance of his youthful comic opera Mandragola, attended by luminaries such as Richard Strauss, Busoni, and Humperdinck, won him huge acclaim: the Overture and Intermezzo reveal his orchestral mastery. With the rise of Nazism Waghalter left Europe for America where he strongly identified with the 8.573338 WAGHALTER: WAGHALTER: Afro-American cause, and began work on the New World Suite, ten short movements of rich melodic imagination that illustrate his constant desire to write approachable and lively music. DDD Volume 1 in this series [8.572809] was an ICMA (International Classical Music Awards) nominee. Ignatz Playing Time 53:36 WAGHALTER 7 (1881-1949) Mandragola – Opera (1914) 7:17 47313 33387 Orchestral Music Orchestral Orchestral Music Orchestral 1 Overture: Allegro moderato, fliessend 3:59 2 Intermezzo: Allegretto grazioso 3:18 New World Suite (reconstructed by Alexander Walker) (1939/2013) 35:55 3 1. Intrada: Allegro moderato, fliessend 4:18 4 2. Intermezzo: Moderato 1:02 5 5 3. Hymn and Variations: Moderato assai 3:53 6 4. Promenade: Allegro vivo 3:34 www.naxos.com Made in Germany Booklet notes in English ൿ 7 5. Idyll and Hornpipe: Andantino 5:55 & 8 6. Pastorale: Larghetto 3:10 9 7. City Dance: Tempo comodo 2:54 Ꭿ 0 8. Vaudeville: Allegro vivo 1:49 2015 Naxos Rights US, Inc. ! 9. Berceuse: Andante con moto 4:36 @ 10. Finale: Allegro 4:44 # Masaryk’s Peace March (1935) 10:22 Flottes Marschtempo WORLD PREMIÈRE RECORDINGS New Russia State Symphony Orchestra • Alexander Walker 8.573338 Recorded in Studio 5, Russian State TV & Radio Company KULTURA, Moscow, 8.573338 from 14th to 17th November, 2013 • Producer: Pavel Lavrenenkov • Engineers: Aleksander Karasev and Gennady Trabantov • Editors: Pavel Lavrenenkov and Natalia Ruzhanskaya Booklet notes: Alexander Walker • Publishers: Schott Music GmbH & Co. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
What the Media's Teaching Our Children About Sex and Its Impact
What the Media’s teaching our children about sex and its impact | By Jason Soucinek The average American teen now spends nearly every waking moment on a smart phone, computer or watching TV. This seismic shift in how kids spend their time is having a profound effect on the way they make friends, the way they date, and their introduction to the world of sex. Media and sex • From 2005 to 2010, young people have increased the amount of time they spend consuming media by an hour and seventeen minutes daily, from 6:21 to 7:38— almost the amount of time most adults spend at work each day, except that young people use media seven days a week instead of five. Moreover, given the amount of time they spend using more than one medium simultaneously, today’s youth pack a total of 10 hours and 45 minutes worth of media content into those daily 71⁄2 hours—an increase of almost 2 1 ⁄4 hours of media exposure per day over the Heavy exposure past five years. This report was released before we saw the rise of such social media giants like Twitter, Instagram, Snapchat, and even Facebook.1 to sexually • On television (TV), which remains the predominant medium in terms of viewing time for all young people, more than 75% of prime-time programs contain sexual oriented content, yet only 14% of sexual incidents mention any risks or responsibilities 2,3 of sexual activity. television content • Talk about sex on TV can occur as often as 8 to 10 times per hour.4 Between 1997 and 2001 alone, the amount of sexual content on TV nearly doubled.5 increases • In a study of 13-and 14-year-olds, heavy exposure to sexually oriented television increased acceptance of nonmarital sex.6 acceptance of • In a Kaiser Family Foundation study, 76 percent of teens said that one reason young people have sex is because TV shows and movies make it seem normal for teens.7 nonmarital sex. -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939