2009-2010 Season Brochure Center for Performing Arts
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MICHIGAN MONTHLY ______January/Feb
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ January/Feb. 2020 __________________________________________________________________________________________________________________ DETROIT RED WINGS – LITTLE CAESARS DETROIT PISTONS – LITTLE CAESAR’S ARENA ARENA – on FSD unless otherwise stated Jan. 2 at L.A. Clippers; 10:30 pm Jan. 3 at Dallas Stars; 8:30 pm Jan. 4 at Golden State Warriors; 8:30 pm Jan. 5 at Chicago Blackhawks; 7:30 pm Jan. 5 at L.A. Lakers; 10 pm Jan. 7 vs. Montreal Canadiens; 7:30 pm Jan. 7 at Cleveland Cavaliers; 7 pm Jan. 10 vs. Ottawa Senators; 7:30 pm Jan. 9 vs. Cleveland Cavaliers; 7 pm Jan. 12 vs. Buffalo Sabres; 5 pm Jan. 11 vs. Chicago Bulls; 7 pm Jan. 14 at New York Islanders; 7 pm Jan. 13 vs. New Orleans Pelicans; 7 pm Jan. 17 vs. Pittsburgh Penguins; 7:30 pm Jan. 15 at Boston Celtics; 7 pm Jan. 18 vs. Florida Panthers; 7 pm Jan. 18 at Atlanta Hawks; 7:30 pm Jan. 20 at Colorado Avalanche; 3 pm Jan. 20 at Washington Wizards; 2 pm Jan. 22 at Minnesota Wild; 8 pm Jan. 22 vs. Sacramento Kings; 7 pm Jan. 31 at New York Rangers; 7 pm Jan. 24 vs. Memphis Grizzlies; 7 pm Feb. 1 vs. New York Ranges; 7 pm Jan. 25 vs. Brooklyn Nets; 7 pm Feb. 3 vs. Philadelphia Flyers; 7:30 pm Jan. 27 vs. Cleveland Cavaliers; 7 pm Feb. 6 at Buffalo Sabres; 7 pm Jan. 29 at Brooklyn Nets; 7:30 pm; ESPN Feb. 7 at Columbus Blue Jackets; 7 pm Jan. 31 vs. Toronto Raptors; 7 pm Feb. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
A Caravan of Culture: Visitors to Emporia, Kansas by Charles E
A Caravan of Culture: Visitors to Emporia, Kansas by Charles E. Webb INTRODUCTION hat do Ulysses S. Grant, "Buffalo Bill" Cody, Susan B. Anthony, Will Rogers, Ethel Barrymore, and Dr. \Verner Von Braun haye in common"? They were W among the hundreds of famous people that have visited EmpOria, Kansas during the past one hundred years. In dividuals and groups of national and international fame, represen ting the arts, seiencl's. education, politics, and entertainment, have pa~sed before Emporia audiences in a century long parade. Since 1879, this formidable array of personalities has provided informa tion and entertainment to Emporia citizens at an average rate of once eaeh fifteen days, The occasional appearanee of a famous personality in a small city may well be considered a matter of historical coineidence. When, however, such visits are numbered in the hundreds, arc fre quent, and persist for a century, it appears reasonable to rank the phenomenon as an important part of that eity's cultural heritage. Emporia, although located in the interior plains, never ae cepted the role of being an isolated community. It seems that the (own's pioneers eonsidered themselves not on the frontier fringi'" of America, but strategically situated near its heart. From the town's beginning, its inhabitants indicated an intention of being informed and participating members of the national and world communities. To better understand why Emporia was able to attract so many distinguished guests, a brief examination of its early development is required. In the formative years of the city's history wc may identify some of the events, attitudes, and preparations Ihat literally set the stage for a procession of renowned visitors. -
War: How Britain, Germany and the USA Used Jazz As Propaganda in World War II
Kent Academic Repository Full text document (pdf) Citation for published version Studdert, Will (2014) Music Goes to War: How Britain, Germany and the USA used Jazz as Propaganda in World War II. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR http://kar.kent.ac.uk/44008/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Music Goes to War How Britain, Germany and the USA used Jazz as Propaganda in World War II Will Studdert Thesis submitted for the degree of Doctor of Philosophy in History University of Kent 2014 Word count (including footnotes): 96,707 255 pages Abstract The thesis will demonstrate that the various uses of jazz music as propaganda in World War II were determined by an evolving relationship between Axis and Allied policies and projects. -
November 2009 Newsletter
November 09 Newsletter ------------------------------ Yesterday & Today Records PO Box 54 Miranda NSW 2228 Phone/fax: (02)95311710 Email:[email protected] Web: www.yesterdayandtoday.com.au ------------------------------------------------ Postage: 1cd $2/ 2cds 3-4 cds $6.50 ------------------------------------------------ Loudon Wainwright III “High Wide & Handsome – The Charlie Poole Project” 2cds $35. If you have any passion at all for bluegrass or old timey music then this will be (hands down) your album of the year. Loudon Wainwright is an artist I have long admired since I heard a song called “Samson and the Warden” (a wonderfully witty tale of a guy who doesn’t mind being in gaol so long as the warden doesn’t cut his hair) on an ABC radio show called “Room to Move” many years ago. A few years later he had his one and only “hit” with the novelty “Dead Skunk”. Now Loudon pundits will compare the instrumentation on this album with that on that song, and if a real pundit with that of his “The Swimming Song”. The backing is restrained. Banjo (Poole’s own instrument of choice), with guitar, some great mandolin (from Chris Thile) some fiddle (multi instrumentalist David Mansfield), some piano and harmonica and on a couple of tracks some horns. Now, Charlie Poole to the uninitiated was a major star in the very early days of country music. He is said to have pursued a musical career so he wouldn’t have to work and at the same time he could ensure his primary source of income, bootleg liquor, was properly distilled. He was no writer and adapted songs he had heard to his style. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Newsletter 09/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/13 DIGITAL EDITION Nr. 332 - August 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/13 (Nr. 332) August 2013 editorial Neues Video auf unserem Youtube-Kanal! http://www.youtube.com/user/laserhotline WOCHENENDKRIEGER DIE FILMMUSIK Wir haben Uwe Schenk, den Komponisten der Musik zu dem Film „Wochenendkrieger“, in seinem Studio besucht. Anhand von Beispielen demonstriert er seine Arbeitsweise und erzählt über den sinfonischen Score zu Andreas Geigers Dokumentarfilm. Viel Spaß bei Anschauen wünscht Ihr LASER HOTLINE Team! LASER HOTLINE Seite 2 Newsletter 09/13 (Nr. 332) August 2013 Batfleck and Wonder-Where-She-Is-Woman Vereinzelte Sonnenstrahlen scheinen durch die Wol- Joker gecastet wurde. Dass er sich in Batman verlie- kendecke durch und kitzeln mir das Gesicht. Schlaf- ben würde, wurde gehöhnt, und dass er die Persön- trunken greife ich nach meinem iPhone, reibe mir die lichkeit und schauspielerischen Fähigkeiten eines Augen und rufe mein Twitter auf. Das Internet ist in Blattes Salat habe. Und nun ist Ledgers Joker eine Rage, nur ein Thema beherrscht meine Timeline: Ben Legende und wird verehrt. Nicht nur, weil es seine Affleck ist offiziell der neue Batman! Missmut, Auf- letzte Performance war und er alles dafür gegeben ruhr, Revolution! Alle sind sich einig, dass Affleck der hat. Ben Affleck ist heutzutage ein weit besserer totale Fehlgriff für den Dunklen Ritter ist. Ich lege das Schauspieler als er es zu Zeiten von Jack Ryan und iPhone beiseite und stöhne. -
Comedy Means Serious Business on Grand Strand
July 30, 2010 ENTERTAINMENT MYRTLE BEACH HERALD Page 5B Comedy means serious business on Grand Strand said. “We re-routed the air con- dience interaction.” Tough times ditioning vents to fall right on Kevin Perry first went to a stage. I asked all my comedian “Whose Beach” performance friends what they would do if this spring and has since re- create desire for they designed a club. I took the turned several times and even best ideas and went from solicited the comedy troupe for laughter there.” a corporate event. The Comedy Cabana, 9588 “I asked [the corporate organ- BY MATT MONTGOMERY N. Kings Highway in Myrtle izer], ‘How much money do we FOR THE HERALD Beach, has been serving up have for entertainment?’ After it comedy for 14 years. Consid- was cleared, they were hired for The expanding comedy ered the grandfather of comedy our conference this year. They scene on the Grand Strand is houses along the Strand, gener- got by far the highest level of re- no laughing matter. In fact, it’s al manager Lindsay Murphy view at our conference,” said serious business. said the Cabana is now open Perry, an assistant director at Two of the six full-time com- seven nights per week and Coastal Carolina University. edy clubs in South Carolina are open in the off-season. Perry said the fact that the located in the Myrtle Beach show is different from the regu- area, and it seems the timing lar nightlife scene around Myr- for the opening of one could Moreso now than tle Beach makes it worth going not have been better. -
Drew Gress, Artistic Integrity, and Some Kind of Accep- Portunity to Engage Visiting Artists and Craig Taborn, Tim Berne Tance, Even Within Its Own Mainstream
Welcome to the 2006 Earshot Jazz Festival This year, “Seattle’s most important in three-day residency with the Seattle Roosevelt High School Band shares a bill annual jazz event” includes more than Repertory Jazz Orchestra that includes with the Ted Nash Quintet. 60 events over 18 days between October open rehearsals and workshops as well Th e Earshot Jazz Festival is by far the 19 and November 5. With more than as two concerts. biggest undertaking of the Earshot Jazz 200 artists participating, from around Once again, we’ll feature Seattle’s award- organization, but it is far from our only the world and around our city, this year’s winningest high-school jazz ensembles in activity. We present our own concerts event off ers as much as any of its prede- mainstage concerts with special guest throughout the year, collaborate on con- cessors to music lovers of the Seattle area. artist. Guest artists who have rehearsed cert presenting initiatives like SAM’s Art Th e festival includes main stage concerts, and performed with Garfi eld and Roos- of Jazz, the Anacortes Jazz Festival, and, club dates, meet-the-artist receptions, evelt High School Bands in the past have coming up, EMP’s Jazz in January. We jazz fi lms, and plenty of opportunities included saxophonists Ravi Coltrane publish the monthly Earshot Jazz news- for all fans of all ages to learn a bit more and Joshua Redman and New Orleans letter, and work to provide educational about the music and the musicians. trumpeter Nicholas Payton. Th is year, opportunities and advancements to the We’re excited about this festival. -
Go Wild 4-H2O New Trustees Want Board to Be More Proactive
IN SPORTS: Championship day at Dixie Softball World Series B1 PANORAMA Go wild 4-H2O Clemson offers students a hands-on study of wetland C1 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 ecology at 2-day camp WEDNESDAY, AUGUST 2, 2017 $1.00 SUMTER SCHOOL DISTRICT New trustees want board to be more proactive BY BRUCE MILLS Trustees. The Sumter County Legisla- cluding acting as audit committee asset to the school board,” Byrd said. [email protected] tive Delegation appointed both in chairman for the South Carolina Byrd has also served for five years unanimous votes Monday night in a Legal Services Corp. and the Progres- on the school board’s advisory finance According to their resumes, Sum- public meeting at Central Carolina sive National Baptist Convention committee. That committee consists of ter’s newest school board Technical College. Board. Additionally, he’s a member of four local private business owners — members come with Byrd, a certified public the American Institute of CPAs’ Joint Byrd included — and three board plenty of credentials and accountant, owns and op- Trial Board, which covers the profes- members to help guide the school dis- each says they believe the erates William Levan sion’s ethics regulations. trict’s financial practices. Byrd and board needs to work Byrd, CPA, PC at 207 E. Given the school district’s recent fi- the other private business owners more proactively in the Liberty St., and also has nancial difficulties, Byrd thinks he’s a have provided advice to board mem- future. 25 years’ combined expe- good fit for the school board. -
Charitable Organizations Eligible for Voluntary Contributions from Tax Refunds As of 11:59 PM, Aug
Charitable Organizations Eligible for Voluntary Contributions from Tax Refunds as of 11:59 PM, Aug. 29,2019. Colorado charities organized by county. Adams County Principal Name of Organization Registration Number 50 IN 52 JOURNEY, INC. 20093008514 A CHILD'S SONG, INC. 20043009591 A CHILD'S TOUCH 20083006424 A WORLD AWARE, INC. D.B.A. AWA 20083005830 ABATE OF COLORADO 20103002255 ACCESS HOUSING OF ADAMS COUNTY, INC. 20043010015 ADAMS 12 FIVE STAR EDUCATION FOUNDATION 20093011502 ADAMS 14 EDUCATION FOUNDATION 20023002971 ADAMS COUNTY EDUCATION CONSORTIUM 20103003023 ADAMS COUNTY EMERGENCY FOOD BANK 20143000091 ADAMS COUNTY FOUNDATION, INC. 20083005695 ADAMS COUNTY HISTORICAL SOCIETY 20103024876 ADAMS COUNTY JR LIVESTOCK SALE COMMITTEE 20083007087 ADAMS COUNTY YOUTH INITIATIVE, INC. 20143029109 ALMOST HOME, INC. 20053007451 ALTERNATIVES FOR YOUTH, INC. 20023003394 AMERICAN LEGION POST 22 20043006901 AMI OF ADAMS COUNTY INC 20093008255 ARISING HOPE 20113030317 ASCEND PERFORMING ARTS, INC. 20023005880 ASIAN PACIFIC CENTER FOR HUMAN DEVELOPMENT 20123008365 ATL FOUNDATION 20093008419 AURORA COMMUNITY CONNECTION FAMILY RESOURCE CENTER 20103032479 AURORA INTERCHURCH TASK FORCE, INC. 20033001983 AURORA WARMS THE NIGHT, INC. 20133004783 BENNETT ELEMENTARY PTSA 20113029174 BETHEL FELLOWSHIP INTERNATIONAL 20093008143 BOLTZ WRESTLING CLUB 20123015119 BRAZIL OUTREACH MINISTRIES UNLIMITED 20083004274 BREAD OF LIFE AFRICAN MINISTRIES 20093007103 BRIDGES OF SILENCE 20033002733 BRIGHTON BULLFROGS SWIM TEAM INC. 20083005395 BRIGHTON COMMUNITY HOSPITAL ASSOCIATION -
18. the Far-Ranging 19605
18. The Far-Ranging 19605 n the 1960s, rock ' n roll sought to create jazz that had and Motown were more to say. I monopolizing popular He was a world leader in music. The big jazz bands of the free jazz movement ofthe the 1930s and '40s and the 1960s, but Ayler's early singers of the '50s had faded influences offered little or no from the public consciousness. indication of his eventual It was a critical time for jazz. experiments in unstructured Jazz had not been the world's music. most popular music for almost Born in Cleveland July 13, two decades and seemed to be 1936, Ayler was raised by almost lost in the cross-fire of Edward and Myrtle Ayler in other forms of musical Shaker Heights. He grew up entertainment. in a very musical atmosphere. Some artists, who viewed Cleveland Press I CSU Archives He said his father played jazz as an almost straight-line Albert Ayler violin and a Dexter Gordon- evolutionary process, tried to style saxophone. "When I extend it in a variety of directions, sometimes with was two," recalled Albert, "I used to blow foot stool. disastrous results. Others, rejecting the need to expand, My mother told me I'd hold it up to my mouth and blow reverted to earlier styles of jazz. The result was a as if it were a horn." When his father played Lionel fragmentation of jazz which, in turn, diminished its Hampton records, Albert would mimic the musicians. general popularity. Jazz had moved from the Edward decided to teach his son to play alto sax.