DOCSLIB.ORG

Ian Andersonanderson

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ian Andersonanderson VOLUME 45, NO. 3 SPRING 2020 THE LUTIST QUARTERLY LearningLearning byby Doing:Doing: IanIan AndersonAnderson Rachel Brown and Baroque Movement THE OFFICIAL MAGAZINE OF Upper Extremity Flute Injuries Remembering Lois Schaefer FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART ISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART ISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART ISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART ISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART ISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART ISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART ISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+FLUTE+ARTISTRY+FLU TE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ARTISTRY+FLUTE+ART
Load more

Recommended publications
  • Philharmonic Summit Emmanuel Pahud, Flute Andreas Ottensamer
    TUESDAY, 1 NOVEMBER 2016 , 6.30 PM PHILHARMONIC SUMMIT Tertianum Residenz Bellerive Kreuzbuchstrasse 33b, CH-6006 Lucerne Emmanuel Pahud, flute CHF 95.– Concert ticket Andreas Ottensamer, clarinet Advance sales: Stephan Koncz, cello Phone +41 41 544 30 30 [email protected] José Gallardo, piano Three musicians from the Berlin Philharmonic await you in Lucerne and on the WEDNESDAY, 2 NOVEMBER 2016, 6.30 PM Bürgenstock for our “Philharmonic summit”: the celebrated flautist Emmanuel Pahud, Hotel Villa Honegg the versatile cellist Stephan Koncz and clarinettist Andreas Ottensamer. The ensemble Honegg, CH-6373 Ennetbürgen is rounded off by the Argentinian piano virtuoso José Gallardo. Champagne aperitif from 5.45 pm The programme moves between the virtuoso clarity of the Baroque and the impres- CHF 125.– Concert ticket including aperitif sionist expressiveness of French Romanticism, with the expressive possibilities of CHF 230.– Concert ticket including aperitif the flute, the clarinet and the cello really coming into their own. In addition to their and four-course dinner practically limitless virtuosity, all three instruments also offer warm tonal colours and an introverted singing-like quality. Advance sales: Phone +41 41 618 32 00 Johann Sebastian Bach composed numerous works for the flute that play a significant [email protected] role to this day. Two centuries later, French composers in particular – including Camille www.villa-honegg.ch Saint-Saëns, his student Gabriel Fauré and André Jolivet – devoted themselves to the flute and other woodwind instruments. Concert duration ca. 70 minutes The cello managed early on to move away from being part of the “basso continuo” to without interval becoming a solo instrument.
    [Show full text]
  • Programme Information
    Programme information Saturday 17 February to Friday 23 February 2018 WEEK 08 NEW SERIES: TURNING POINTS on CLASSIC FM Saturday 17 February, 9pm to 10pm Tonight, we launch a brand new series on Classic FM in partnership with the Honda Jazz, exploring the biggest moments, changes and ‘turning points’ in the history of classical music. Who were the innovators? Who took the risks? Who challenged the norm – and what did they do? From Franz Liszt, whose radical approach made him the first true classical music ‘superstar’; to the invention of the printing press; to the revolutionary female composer Hildegard of Bingen, we’ll hear stories of extraordinary people – and the music that accompanied the most exciting moments in classical music over the last 600 years. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com and on the Classic FM app. 1 WEEK 08 SATURDAY 17 FEBRUARY 5pm to 7pm: SATURDAY NIGHT AT THE MOVIES with ANDREW COLLINS With the awards season in full flow, Andrew Collins presents the first of two special awards trivia shows, looking at the big winners, losers and surprises over the decades. Who was the first woman to win Best Picture at the Academy Awards? Who was the first actress to receive twenty nominations for acting? And which film composers have received Oscar nominations over the longest span of time – six decades to be precise? Expect two hours of fun facts and great film scores from the 1930s to the present day, including Toy Story, Gone With the Wind and Ben-Hur.
    [Show full text]
  • Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, and Japanese Influences Network Ot Create Concerto Pour Flute Et Piano and Sonate Pour Flute Et Piano
    UNLV Theses, Dissertations, Professional Papers, and Capstones December 2016 Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, and Japanese Influences Network ot Create Concerto Pour Flute et Piano and Sonate Pour Flute et Piano Kelly A. Collier University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Education Commons, and the Music Commons Repository Citation Collier, Kelly A., "Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, and Japanese Influences Network to Create Concerto Pour Flute et Piano and Sonate Pour Flute et Piano" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2856. http://dx.doi.org/10.34917/10083130 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. ANDRÉ JOLIVET’S FUSION: MAGICAL MUSIC, CONVENTIONAL LYRICISM, AND JAPANESE INFLUENCES NETWORK TO CREATE CONCERTO POUR FLÛTE ET PIANO AND SONATE POUR FLÛTE ET PIANO By Kelly A. Collier Bachelor of Music University of Nevada, Las Vegas 1999 Master of Music California State University, Long Beach 2001 Master of Music University of Nevada, Las Vegas 2016 A doctoral project submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2016 Copyright 2016 Kelly A.
    [Show full text]
  • Nancy Hultgren Remembers.Pdf
    PART III: Carlsbad Caverns National Park, New Mexico The “main focus” of our five-day trip, in the early spring of 1952, was extended time to visit two locations—Carlsbad Caverns National Park, in the southeastern part of the State of New Mexico, and Ciudad Juarez, Mexico—across the International Border from El Paso, Texas, which lies in the far western tip of Texas. A beautiful morning awaited as we rose from our beds in the small motel in the town of Carlsbad, New Mexico. Out in the parking lot, in front of our room, the Hudson was covered with a thick layer of dust, accumulated during our long drive through Colorado and New Mexico. No rain in sight to help wash the car off, but my dad pulled into a Texaco Gas Station in town to refuel, and have the attendant check the oil and clean the windshields and side windows for us. (While living in Denver, Colorado, my dad often frequented a favorite Texaco Station on Colorado Blvd., not far from our first house on Birch Street.) In a friendly tone, and looking at our license plates, which read “Colorful Colorado,” the station attendant asked, “How far have you folks come? Headed for the Caverns I bet! Any time of year is a good time to go, ya’ know! Doesn’t matter what the temperature is on the outside today, cause deep in the Caverns the temperature is the same year round—56°.” Motel Stevens in Carlsbad, New Mexico. Curt Teich vintage linen postcard. Leaving Carlsbad and the Pecos River Valley behind, my dad pointed the Hudson southwest out of town on US Hwy.
    [Show full text]
  • Pan-March-2020.Pdf
    PANJOURNAL OF THE BRITISH FLUTE SOCIETY MARCH 2020 “This is my Flute. There are many like it, but this one is mine” Juliette Hurel Maesta 18K - Forte Headjoint pearlflutes.eu Principal Flautist of the Rotterdam Philharmonic Orchestra contents The British Flute Society news & events 24 President 2 BFS NEWS William Bennett OBE 4 NOTES FROM THE CHAIR 6 NEWS Vice President 11 FLUTE CHOIR NEWS Wissam Boustany 13 TRADE NEWS 14 EVENTS LISTINGS Honorary Patrons 16 INTERNATIONAL EVENTS Sir James Galway 23 FLUTE CHOIR FOCUS: and Lady Jeanne Galway WOKING FLUTE CHOIR 32 Conductorless democracy in action. Vice Presidents Emeritus Atarah Ben-Tovim MBE features Sheena Gordon 24 ALEXANDER MURRAY: I’VE GONE ON LEARNING THE FLUTE ALL MY LIFE Secretary Cressida Godfrey examines an astonishing Rachel Shirley career seven decades long and counting. [email protected] 32 CASE FOR MOVEMENT EDUCATION Musicians move for a living. Kelly Mollnow 39 Membership Secretary Wilson shows them how to do it freely and [email protected] efficiently through Body Mapping. 39 WILLIAM BENNETT’S The British Flute Society is a HAPPY FLUTE FESTIVAL Charitable Incorporated Organisation Edward Blakeman describes some of the registered charity number 1178279 enticing treats on offer this summer in Wibb’s feel-good festival. Pan 40 GRADED EXAMS AND BEYOND: The Journal of the EXPLORING THE OPTIONS AVAILABLE 40 British Flute Society The range of exams can be daunting for Volume 39 Number 1 student and teacher alike. David Barton March 2020 gives a comprehensive review. 42 STEPHEN WESSEL: Editor A NATIONAL TREASURE Carla Rees Judith Hall gives a personal appreciation of [email protected] the flutemaker in the year of his retirement.
    [Show full text]
  • The Commissioned Flute Choir Pieces Presented By
    THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document.
    [Show full text]
  • 50Th Annual Concerto Concert
    SCHOOL OF ART | COLLEGE OF MUSICAL ARTS | CREATIVE WRITING | THEATRE & FILM BOWLING GREEN STATE UNIVERSITY 50th a n n u a l c o n c e r t o concert BOWLING GREEN STATE UNIVERSITY Summer Music Institute 2017 bgsu.edu/SMI featuring the SESSION ONE - June 11-16 bowling g r e e n Double Reed Strings philharmonia SESSION TWO - June 18-23 emily freeman brown, conductor Brass Recording Vocal Arts SESSION THREE - June 25-30 Musical Theatre saturday, february 25 Saxophone 2017 REGISTRATION OPENS FEBRUARY 1ST 8:00 p.m. For more information, visit BGSU.edu/SMI kobacker hall BELONG. STAND OUT. GO FAR. CHANGING LIVES FOR THE WORLD.TM congratulations to the w i n n e r s personnel of the 2016-2 017 Violin I Bass Trombone competition in music performance Alexandria Midcalf** Nicholas R. Young* Kyle McConnell* Brandi Main** Lindsay W. Diesing James Foster Teresa Bellamy** Adam Behrendt Jef Hlutke, bass Mary Solomon Stephen J. Wolf Morgan Decker, guest Ling Na Kao Cameron M. Morrissey Kurtis Parker Tuba Jianda Bai Flute/piccolo Diego Flores La Le Du Alaina Clarice* undergraduate - performance Nia Dewberry Samantha Tartamella Percussion/ Timpani Anna Eyink Michelle Whitmore Scott Charvet* Stephen Dubetz, clarinet Keisuke Kimura Jerin Fuller+ Elijah T omas Oboe/Cor Anglais Zachary Green+ Michelle Whitmore, flute Jana Zilova* Febe Harmon Violin II T omas Morris David Hirschfeld+ Honorable Mention: Samantha Tartamella, flute Sophia Schmitz Mayuri Yoshii Erin Reddick+ Bethany Holt Anthony Af ul Felix Reyes Zi-Ling Heah Jamie Maginnis Clarinet/Bass clarinet/ Harp graduate - performance Xiangyi Liu E-f at clarinet Michaela Natal Lindsay Watkins Lucas Gianini** Keyboard Kenneth Cox, flute Emily Topilow Hayden Giesseman Paul Shen Kyle J.
    [Show full text]
  • The Chicago City Manual, and Verified by John W
    CHICAGO cnT MANUAL 1913 CHICAGO BUREAU OF STATISTICS AND MUNICIPAL UBRARY ! [HJ—MUXt mfHi»rHB^' iimiwmimiimmimaamHmiiamatmasaaaa THE UNIVERSITY OF ILLINOIS LIBRARY I is re- The person charging this material or before the sponsible for its return on Latest Date stamped below. underlining of books Theft, mutilation, and disciplinary action and may are reasons for from the University. result in dismissal University of Illinois Library L161-O-1096 OFFICIAL CITY HALL DIRECTORY Location of the Several City Departments, Bureaus and Offices in the New City Hall FIRST FLOOR The Water Department The Fire Department Superintendent, Bureau of Water The Fire Marshal Assessor, Bureau of Water Hearing Room, Board of Local Improve^ Meter Division, Bureau of Water ments Shut-Off Division, Bureau of Water Chief Clerk, Bureau of Water Department of the City Clerk Office of the City Clerk Office of the Cashier of Department Cashier, Bureau of Water Office of the Chief Clerk to the City Clerk Water Inspector, Bureau of Water Department of the City Collector Permits, Bureau of Water Office of the City Collector Plats, Bureau of Water Office of the Deputy City Collector The Chief Clerk, Assistants and Clerical Force The Saloon Licensing Division SECOND FLOOR The Legislative Department The Board's Law Department The City Council Chamber Board Members' Assembly Room The City Council Committee Rooms The Rotunda Department of the City Treasurer Office of the City Treasurer The Chief Clerk and Assistants The Assistant City Treasurer The Cashier and Pay Roll Clerks
    [Show full text]
  • Filumena and the Canadian Identity a Research Into the Essence of Canadian Opera
    Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final thesis for the Bmus-program Icelandic Academy of the Arts Music department May 2020 Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final Thesis for the Bmus-program Supervisor: Atli Ingólfsson Music Department May 2020 This thesis is a 6 ECTS final thesis for the B.Mus program. You may not copy this thesis in any way without consent from the author. Abstract In this thesis I sought to identify the essence of Canadian opera and to explore how the opera Filumena exemplifies that essence. My goal was to first establish what is unique about Canadian ​ opera. To do this, I started by looking into the history of opera composition and performance in Canada. By tracing these two interlocking histories, I was able to gather a sense of the major bodies of work within the Canadian opera repertoire. I was, as well, able to deeper understand the evolution, and at some points, stagnation of Canadian opera by examining major contributing factors within this history. My next steps were to identify trends that arose within the history of opera composition in Canada. A closer look at many of the major works allowed me to see the similarities in terms of things such as subject matter. An important trend that I intend to explain further is the use of Canadian subject matter as the basis of the operas’ narratives. This telling of Canadian stories is one aspect unique to Canadian opera.
    [Show full text]
  • 2018 Available in Carbon Fibre
    NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished
    [Show full text]
  • WOODWIND INSTRUMENT 2,151,337 a 3/1939 Selmer 2,501,388 a * 3/1950 Holland
    United States Patent This PDF file contains a digital copy of a United States patent that relates to the Native American Flute. It is part of a collection of Native American Flute resources available at the web site http://www.Flutopedia.com/. As part of the Flutopedia effort, extensive metadata information has been encoded into this file (see File/Properties for title, author, citation, right management, etc.). You can use text search on this document, based on the OCR facility in Adobe Acrobat 9 Pro. Also, all fonts have been embedded, so this file should display identically on various systems. Based on our best efforts, we believe that providing this material from Flutopedia.com to users in the United States does not violate any legal rights. However, please do not assume that it is legal to use this material outside the United States or for any use other than for your own personal use for research and self-enrichment. Also, we cannot offer guidance as to whether any specific use of any particular material is allowed. If you have any questions about this document or issues with its distribution, please visit http://www.Flutopedia.com/, which has information on how to contact us. Contributing Source: United States Patent and Trademark Office - http://www.uspto.gov/ Digitizing Sponsor: Patent Fetcher - http://www.PatentFetcher.com/ Digitized by: Stroke of Color, Inc. Document downloaded: December 5, 2009 Updated: May 31, 2010 by Clint Goss [[email protected]] 111111 1111111111111111111111111111111111111111111111111111111111111 US007563970B2 (12) United States Patent (10) Patent No.: US 7,563,970 B2 Laukat et al.
    [Show full text]
  • GREATER SF INTERNATIONAL FLUTE FESTIVAL in SAN JOSE November 1 & 2, 2014 at Valley Christian School Conservatory
    sfflutefestival.com GREATER SF INTERNATIONAL FLUTE FESTIVAL IN SAN JOSE November 1 & 2, 2014 at Valley Christian School Conservatory Jean-Louis Beaumadier (France) Nicole Esposito (Iowa) Fluterscooter (Philadelphia) Catherine Payne (San Francisco) Viviana Guzman (Chile/USA) Tracy Harris (Visalia, California) Sooyun Kim (Korea/New York City) Horacio Parravicini (Agentina/Spain) Barbara Siesel (New York City) Concerts by world renowned Flutists, Flute Choirs, Competitions, Masterclasses, Workshops, and Vendors SATURDAY, NOVEMBER 1, 2014 TIME SESSIONS 9am to Noon YOUTH COMPETITION — ROOM C339 Judges: Nicole Esposito, Barbara Siesel, Fluterscooter 9am – 10:30am Horacio Parravicini Masterclass Chapel 10am – 10:30am Meditation for Performers with Viviana Room C307 10:30am – 12pm Body Mapping with Rena Urso-Trapani Room C307 10:30am – 12pm Sooyun Kim Masterclass Chapel 12pm – 7pm EXHIBITIONS OPEN 1pm – 1:50pm Recital Room C338 Wyndfall Flute Choir, Christine Erlander Beard, Wyndfall Duo: Tracy & Svetlana Harris 1pm – 1:50pm Baroque Flute Workshop Room C309 Kris Palmer: Interpreting Baroque Music on a Modern Flute 2pm – 2:50pm Recital Room C339 The Orioles, Abigail Sten, Amy Likar, Diane Grubbe, Wyndfall Flute Choir 2pm – 2:50pm Workshop Room C309 Flutrepaneurship Fluterscooter 2pm – 2:50pm Celtic Flute Workshop Chapel Andra Bohnet 3pm – 3:50pm Recital Room C338 Desert Echos Flute Project 3pm – 3:50pm Workshop and Lecture Room C309 Samantha Chang Lecture Demonstration on Briccialdi with Niall O’Riordan and Svetlana Harris 4pm – 4:50pm Recital
    [Show full text]