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April 2020 • Issue 2 PROSPERO
The newspaper for retired BBC Pension Scheme members • April 2020 • Issue 2 PROSPERO REMEMBERING A GOLDEN AGE OF FILM PAGE 8 PENSION SCHEME | BBC PENSIONS PAUL BOHAN AT 100: ‘A REMARKABLE MAN’ Former BBC broadcast engineer Paul Bohan recently celebrated his 100th birthday, and BBC Volunteer Visitor Arthur Masson caught up with him to talk about the interesting times – and places – he’s seen in his long life. aul was born in Bishop Auckland, County He arrived at Stoney Cross and joined a unit servicing Durham, on 24 November 1919. aircraft, for approximately a year. He was then transferred to RAF Marham, and then to RAF PHe was educated at a council school in Byers Mildenhall. Eventually, with his service completed, Green village, where he obtained the first of many he was released in March 1947. (It is perhaps worth ‘accomplishments’, his 11-plus certificate! He was then posted to Meldrum and completed noting that, as he had passed the Commission 12 years as a TV engineer. He left school at 16 and joined the RAF, completing an examinations, if he had remained in service he would 18-month course at Cranwell as a wireless operator, then, have been a Commissioned Officer.) He was offered early retirement, which he accepted after successfully qualifying, went to RAF Thornaby. at the ‘ripe old age’ of 58 and joined Aberdeen After leaving the RAF he joined BOAC, which was the University Language Laboratory as their recording After one year, he went back to Cranwell for another state airline, and was posted to Sudan (Wadi-Halfa). -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Meet the Makers & Teachers
A RECKONING IN BOSTON MEET THE MAKERS STEPHEN MCCARTHY, AARON BOUCHARD, SOUND RECORDIST: CINEMATOGRAPHER: I first worked with James on the doc back in April of While following Kafi 2014 when it was just it was just him, a cameraman, and Dixon around the vacant I rolling through south Boston in my beat up PT Cruiser. lot on Mission Hill - truly I worked with James on many more shoot days until the a “mission” for Kafi - I film was finished in 2020. Over the years I developed a couldn’t stop thinking of sentimental investment in the lives of Kafi & Carl so see- my late friend John Car- roll. John was a neighbor ing the film for the first time was very moving. It is a rare of in nearby Jamaica experience to work on a project like A Reckoning in Bos- Plain - an African-Amer- ton and it is one I am very proud to have been a part of. ican Vietnam vet with a wondrous green thumb. Our many years of friendship began through early morning encounters in a former horse stable which I helped him cultivate with flowers, herbs and small plots of veg- etables. Like Kafi, John had a quiet mission to spread positivity through agriculture in a dense urban setting. In John’s case, the endeavor resulted in a permanent community garden that now serves as the hub of a thriv- ing (and desirable) neighborhood. There is a monument to John at the garden’s entrance. The less inspiring side of this story is that John’s work likely helped price him out of the very neighborhood in which he had become a true fixture. -
DISCOVER NEW WORLDS with SUNRISE TV TV Channel List for Printing
DISCOVER NEW WORLDS WITH SUNRISE TV TV channel list for printing Need assistance? Hotline Mon.- Fri., 10:00 a.m.–10:00 p.m. Sat. - Sun. 10:00 a.m.–10:00 p.m. 0800 707 707 Hotline from abroad (free with Sunrise Mobile) +41 58 777 01 01 Sunrise Shops Sunrise Shops Sunrise Communications AG Thurgauerstrasse 101B / PO box 8050 Zürich 03 | 2021 Last updated English Welcome to Sunrise TV This overview will help you find your favourite channels quickly and easily. The table of contents on page 4 of this PDF document shows you which pages of the document are relevant to you – depending on which of the Sunrise TV packages (TV start, TV comfort, and TV neo) and which additional premium packages you have subscribed to. You can click in the table of contents to go to the pages with the desired station lists – sorted by station name or alphabetically – or you can print off the pages that are relevant to you. 2 How to print off these instructions Key If you have opened this PDF document with Adobe Acrobat: Comeback TV lets you watch TV shows up to seven days after they were broadcast (30 hours with TV start). ComeBack TV also enables Go to Acrobat Reader’s symbol list and click on the menu you to restart, pause, fast forward, and rewind programmes. commands “File > Print”. If you have opened the PDF document through your HD is short for High Definition and denotes high-resolution TV and Internet browser (Chrome, Firefox, Edge, Safari...): video. Go to the symbol list or to the top of the window (varies by browser) and click on the print icon or the menu commands Get the new Sunrise TV app and have Sunrise TV by your side at all “File > Print” respectively. -
The Media, Poverty and Public Opinion in the UK
The media, poverty and public opinion in the UK John H. McKendrick, Stephen Sinclair, September 2008 Anthea Irwin, Hugh O’Donnell, Gill Scott and Louise Dobbie How the media in the UK represents poverty and its effect on wider public understanding. The media fulfi ls an important role in shaping, amplifying and responding to public attitudes toward poverty. This study, part of the ‘Public Interest in Poverty Issues’ research programme, explores the role of national, local and community media in refl ecting and infl uencing public ideas of poverty and welfare. The research aimed to: • compare representations of poverty across different contemporary UK media; • identify the principal factors and considerations infl uencing those involved in producing media coverage of poverty; • understand how UK media representations of poverty relate to the public’s understanding of poverty, and any differences between the responses of different groups; • identify examples of effective practice in communicating poverty issues to the public and derive transferable lessons from these. The researchers analysed coverage of poverty in news reporting; looked at how the same poverty news story was reported across different news outlets; reviewed how poverty was presented across different genres of television programme; interviewed key informants involved in the production, placement and presentation of poverty coverage in the mass media and explored public interpretations and responses to media coverage of poverty through focus groups/ workshops. www.jrf.org.uk Contents -
The Factory, Manchester
THE FACTORY, MANCHESTER The Factory is where the art of the future will be made. Designed by leading international architectural practice OMA, The Factory will combine digital capability, hyper-flexibility and wide open space, encouraging artists to collaborate in new ways, and imagine the previously unimagined. It will be a new kind of large-scale venue that combines the extraordinary creative vision of Manchester International Festival (MIF) with the partnerships, production capacity and technical sophistication to present innovative contemporary work year-round as a genuine cultural counterweight to London. It is scheduled to open in the second half of 2019. The Factory will be a building capable of making and presenting the widest range of art forms and culture plus a rich variety of technologies: film, TV, media, VR, live relays, and the connections between all of these – all under one roof. With a total floor space in excess of 15,000 square meters, high-spec tech throughout, and very flexible seating options, The Factory will be a space large enough and adaptable enough to allow more than one new work of significant scale to be shown and/or created at the same time, accommodating combined audiences of up to 7000. It will be able to operate as an 1800 seat theatre space as well as a 5,000 capacity warehouse for immersive, flexible use - with the option for these elements to be used together, or separately, with advanced acoustic separation. It will be a laboratory as much as a showcase, a training ground as well as a destination. Artists and companies from across the globe, as well as from Manchester, will see it as the place where they can explore and realise dream projects that might never come to fruition elsewhere. -
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NATIONAL & LOCAL NEWS MEDIA TV, RADIO, PRINT & ONLINE SOURCES Master List - Updated 04/2019 Pain Warriors Unite Washington Post: Website: https://www.washingtonpost.com/opinions/submit-an-op-ed/?utm_term=.d1efbe184dbb What are the guidelines for letter submissions? Email: [email protected] We prefer letters that are fewer than 200 words and take as their starting point an article or other item appearing in The Post. They may not have been submitted to, posted to or published by any other media. They must include the writer's full name; anonymous letters and letters written under pseudonyms will not be considered. For verification purposes, they must also include the writer's home address, email address and telephone numbers, including a daytime telephone number. Writers should disclose any personal or financial interest in the subject matter of their letters. If sending email, please put the text of the letter in the body and do not send attachments; attachments will not be read. What are the guidelines for op-ed submissions? Submissions should be limited to 800 words. We consider only completed articles and cannot commit to, or provide guidance on, article proposals. Op-eds may not have been submitted to, posted to or published by any other media. They must include the writer's full name — anonymous op-eds or op-eds written under pseudonyms will not be considered. They also must include the writer's home address, email address and telephone numbers. Additionally, we ask that writers disclose any personal or financial interest in the subject at hand. Please use our op-ed submission form L.A. -
ITV Plc Corporate Responsibility Report 04 ITV Plc Corporate Responsibility Report 04 Corporate Responsibility and ITV
One ITV ITV plc Corporate responsibility report 04 ITV plc Corporate responsibility report 04 Corporate responsibility and ITV ITV’s role in society is defined ITV is a commercial public service by the programmes we make broadcaster. That means we and broadcast. The highest produce programmes appealing ethical standards are essential to to a mass audience alongside maintaining the trust and approval programmes that fulfil a public of our audience. Detailed rules service function. ITV has three core apply to the editorial decisions public service priorities: national we take every day in making and international news, regional programmes and news bulletins news and an investment in and in this report we outline the high-quality UK-originated rules and the procedures in place programming. for delivering them. In 2004, we strengthened our longstanding commitment to ITV News by a major investment in the presentation style. Known as a Theatre of News the new format has won many plaudits and helped us to increase our audience. Researched and presented by some of the finest journalists in the world, the role of ITV News in providing accurate, impartial news to a mass audience is an important social function and one of which I am proud. Our regional news programmes apply the same editorial standards to regional news stories, helping communities to engage with local issues and reinforcing their sense of identity. Contents 02 Corporate responsibility management 04 On air – responsible programming – independent reporting – reflecting society – supporting communities – responsible advertising 14 Behind the scenes – encouraging creativity – our people – protecting the environment 24 About ITV – contacts and feedback Cover Image: 2004 saw the colourful celebration of a Hindu Wedding on Coronation Street, as Dev and Sunita got married. -
Broadcast and on Demand Bulletin Issue Number
Issue 332 of Ofcom’s Broadcast and On Demand Bulletin 3 July 2017 Issue number 332 3 July 2017 Issue 332 of Ofcom’s Broadcast and On Demand Bulletin 3 July 2017 Contents Introduction 3 Broadcast Standards cases In Breach Bumper 2 Bumper Drive Time Show Kemet Radio, 12 April 2017, 16:00 6 Videokolik TGRT EU, 20 February 2017, 13:30 8 The Reporter Tameside Radio, 4 May 2017, 19:00 10 Bollywood Bang Bang trail B4U Music, 16 March 2017, 17:25 12 Filmfare Awards SAB TV, 18 February 2017, 20:00 15 News item PTV Global, 26 February 2017, 15:00 19 Resolved The Wright Stuff Channel 5, 2 May 2017, 09:15 23 Trail for Top 10 Ariana Grande Tunes MTV, 23 May 2017, 09:40 and 10:13 25 Advertising scheduling cases In Breach Advertising minutage Takbeer TV, 8 February 2017, 18:00 27 Broadcast Licence Conditions cases In Breach Providing a service in accordance with ‘Key Commitments’ Cross Rhythms Teesside, 26 to 28 March 2017 29 Providing a service in accordance with ‘Key Commitments’ SFM, 5 April to 24 April 2017 31 Issue 332 of Ofcom’s Broadcast and On Demand Bulletin 3 July 2017 Provision of information Channel i, 2 December 2016 33 Broadcasting licensees’ late payment of licence fees Various licensees 34 Provision of information: community radio finance reports Various community radio licensees, year ending 31 December 2016 35 Broadcast Fairness and Privacy cases Not Upheld Complaint by The RAC Group Limited Watchdog, BBC1, 16 and 30 November 2016 37 Complaint by Mr Adam Heatherington Channel 4 News, Channel 4, 20 February 2017 57 Tables of cases Investigations Not in Breach 62 Complaints assessed, not investigated 63 Complaints outside of remit 72 Complaints about the BBC, not assessed 73 Investigations List 76 Issue 332 of Ofcom’s Broadcast and On Demand Bulletin 3 July 2017 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape. -
Economic Martyrs and Moralised Others: Mass Media Constructions of Social Class in the ‘Age of Austerity’
Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren Economic Martyrs and Moralised Others: Mass Media Constructions of Social Class in the ‘Age of Austerity’ Lee Marsden A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Department of Sociological Studies Date: 20 September 2020 1 Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren Declaration I, the author, confirm that the Thesis is my own work. I am aware of the University’s Guidance on the Use of Unfair Means (www.sheffield.ac.uk/ssid/unfair-means). This work has not previously been presented for an award at this, or any other, university. 2 Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren “If public attitudes are informed by inaccurate, ideological and stigmatising representations of the poor, then policies preferred by the public (and political elites) are unlikely to seek to tackle the structural causes of inequality [...] In essence, this works to ensure that the working / underclass are positioned in a top-down society created for them, and they are expected to involve themselves in that society under those prearranged social constructs” (Power, 2011 p3). “For a long time the quarry was full of snowdrifts and nothing could be done. Some progress was made in the dry frosty weather that followed, but it was cruel work, and the animals could not feel so hopeful about it as they had felt before. They were always cold, and usually hungry as well. Only Boxer and Clover never lost heart. Squealer made excellent speeches on the joy of service and the dignity of labour, but the other animals found more inspiration in Boxer's strength and his never-failing cry of "I will work harder!” (George Orwell: Animal farm, 1945 p80) 3 Lee Marsden. -
SATURDAY 28TH JULY 06:00 Breakfast 10:00 Saturday Kitchen
SATURDAY 28TH JULY All programme timings UK All programme timings UK All programme timings UK 06:00 Breakfast 09:50 The Big Bang Theory 06:00 The Forces 500 Back-to-back Music! 10:00 Saturday Kitchen Live 10:15 The Cars That Made Britain Great 07:00 The Forces 500 Back-to-back Music! 11:30 Nadiya's Family Favourites 09:25 Saturday Morning with James Martin 11:05 Carnage 08:00 I Dream of Jeannie 12:00 Bargain Hunt 11:20 James Martin's American Adventure 11:55 Brooklyn Nine-Nine 08:30 I Dream of Jeannie 13:00 BBC News 11:50 Eat, Shop, Save 12:20 Star Trek: Voyager 09:00 I Dream of Jeannie 13:15 Wanted Down Under 12:20 Love Your Garden 13:00 Shortlist 09:30 I Dream of Jeannie 14:00 Money for Nothing 13:20 ITV Lunchtime News 13:05 Modern Family 10:00 I Dream of Jeannie 14:45 Garden Rescue 13:30 ITV Racing: Live from Ascot 13:30 Modern Family 10:30 Hogan's Heroes 15:30 Escape to the Country 16:00 The Chase 13:55 The Fresh Prince of Bel Air 11:00 Hogan's Heroes 16:30 Wedding Day Winners 17:00 WOS Wrestling 14:20 The Fresh Prince of Bel Air 11:30 Hogan's Heroes 17:25 Monsters vs Aliens 14:45 Ashley Banjo's Secret Street Crew 12:00 Hogan's Heroes 18:50 BBC News 15:35 Jamie and Jimmy's Friday Night Feast 12:30 Hogan's Heroes 19:00 BBC London News 16:30 Bang on Budget 13:00 Airwolf The latest news, sport and weather from 17:15 Shortlist 14:00 Goodnight Sweetheart London.