Exclusive Collection
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
11. Contemporary Traditions a Chronicle of Exhibition Practice of the Jamdani by Abeer Gupta.Pdf
Projects / Processes Volume I Series Editor: Senjuti Mukherjee Constructing Traditions: The Jamdani within Exhibition Practice of Handicrafts Abeer Gupta Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. Weftscapes Jamdani Across New Horizons Curated by Pramod Kumar KG Venue Adil Shah Palace Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. PROJECTS / PROCESSES Curatorial Note Curatorial By Pramod Kumar KG Curatorial Assistant Ankita Chugh Artists Bappaditya Biswas, Rumi Biswas Exhibition Design Vertex Inc. Weftscapes examines a fresh approach to the creation and making of jamdani fabrics, both in its weaving, choice of raw materials, colour, patterns, designs and the end product – a finished garment. Multiple intertwined yet disparate stories coming together in this contemporary initiative. The versatility of the jamdani weaving technique involves the use of a supplementary weft technique. The idea here is to explore the various possibilities of introducing different yarns, materials, and constructions into the weave. The ingenuity of Indian handlooms and the dexterity of its weavers allows for a unique experiment where diverse materials and objects are strung and woven in by hand through the fabric. Bengal’s history is strewn with references to the Indigo trade and its impact on her people. An important aspect of jamdani was the use of the colour indigo which also lent its name to several lengths of fabric with the iconic Nilambari sari becoming popular across the subcontinent. This project has exclusively used the Indigo palette with its non-traditional yarns being dyed in organic Indigo vats; 10 Constructing Traditions namely in a banana vat, dates vat, and the henna vat. -
Jas Textile, Hooghly
We are counted as one of the most reliable manufacturer, exporter and supplier of premium quality designer sarees. These have massive demand in the market due to their optimal quality and attractive designs. - Profile - Incorporated in the year 2011, at Hooghly (West Bengal, India), we, Jas Textile are involved in manufacturing, exporting and supplying the finest quality range of Designer Sarees. The offered range comprises Classical Embroidery Sarees, Dhakai Jamdani Sarees, Cotton Tangail Sarees, Block with Kantha Stitch Dress Material, Block with Reverse Kantha Stitch, Tant Fabric Sarees, Tant Banarasi Sarees, etc. These are designed with high precision in order to meet the set global standards. Furthermore, the fabric we use in the fabrication purpose is procured from only certified and reliable vendors of the market. The offered range is available in variegated colors, styles and patterns. To meet the diverse requirements of customers, we offer our exclusive range of sarees in numerous customized options. We are offering these products to our esteemed clients at the most competitive prices. To fabricate the finest quality range of products, our organization has established a well-organized state-of-the-art infrastructure facility. This is equipped with all the most recent and essential technology to match the global quality parameters. In addition to this, we have segregated our infrastructure into various departments such as manufacturing, quality testing, warehousing and packaging. Handloom Sarees: The exclusive range of Handloom Sarees offered by us is widely appreciated across the globe due to its designer pallu and border. Our teams of creative designers beautifully design these sarees and suits using zari or kasavu (gold thread work). -
Haute Designers, Master Weavers
TREND WATCH LFW Summer Resort ‘16 HAUTE DESIGNERS, MASTER WEAVERS Lakme Fashion Week has set a benchmark for Indian designers. MEHER CASTELINO reports on the highlights. ASIF SHAIKH GAURANG MAKU INDIGENE BANERJEE PAROMITA FIBRE2FASHION he fabulous Walking Hand in Hand – The Craft + Design + TSociety show was one of the highlights of the first day at Lakmé Fashion Week Summer/Resort 2016. The innovative presentation featured India’s five top designers who teamed up with the best craftspersons and expert weavers. They displayed creations that combined designer and craft skills. Day Two was devoted to Sustainable and Indian Textiles. Designers presented interesting collections, showcasing textiles and crafts and also upcycling and recycling fabrics. The message was clear: fashion can be sustainable. Chikankari came Giving kinkhab The glory of the alive on the ramp under his amazing touches, leheriya was brought the creative guidance Rajesh Pratap Singh centre stage by of Aneeth Arora. worked with master Anupama Bose’s skills Master craftsman weaver Haseem and Islammuddin Jakir Hussain Mondol Muhammad for a Neelgar’s expertise. worked his magic on striking collection of The gorgeous leheriya the pretty summer formal westernwear. designs in rainbow dresses, cool blouses, Using rich, golden hues were turned into layered minis, softly brocade with floral stunning ensembles. embroidered long- weaves, Singh A ravishing red kaftan, sleeved covers, presented culottes with a feminine green/ delicately embellished cropped tops, bias cut blue gown, an electric midis, skirts and gowns jackets, dhoti pants, anarkali, a variety of in shades of white and capris, coat dresses, sarees in leheriya and pale blue/grey. -
View/Download
VISION Government Polytechnic, Aurangabad will be world class technical institute pursuing for excellence, catering to the needs of global community, striving for its harmonious development by inculcating lifelong learning skills to serve for the socio economic development having concerned for ecology and social harmony MISSION To create multi disciplinary best citizens to suit local, state, National and International needs having scientific temperament , moral ethics , values and multi facetted proactive personality by providing excellent education system ii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme has been implemented with effect from 2011-2012. This Curriculum Document contains pages from to and from to Head of In Charge Principal Dress Designing and Curriculum Development Cell Government Polytechnic Garment Manufacturing Government Polytechnic Aurangabad Aurangabad Aurangabad iii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme of Govt. Polytechnic Aurangabad (An Autonomous Institute of Govt. of Maharashtra), which has been implemented with effect from 2011-12 academic year, is equivalent to Diploma in Dress Designing and Garment Manufacturing Programme Implemented by Maharashtra State Board of Technical Education, therefore Equivalence is hereby granted. Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Secretary Chairman ( ) ( ) iv Index SR. CONTENTS COURSE PAGE CODE NO. NO. 1. Scope of Diploma In Dress Designing & Garment Mfg. ------ 8-12 2. Strategy adopted for Curriculum Development ------------- 13-16 3. Sample Path -10th Pass -------------- 17 4. Level Wise Course Structure --------------- 18-24 5. Semester Wise Course Structure -------------- 25-30 6. Basic Drawing-I [BDR-I ] 5D101 31-32 7. -
101 CC1 Concepts of Fashion
CONCEPT OF FASHION BFA(F)- 101 CC1 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Introduction to Fashion 5-47 2. Fashion Forecasting 48-69 3. Theories of Fashion, Factors Affecting Fashion 70-96 4. Components of Fashion 97-112 5. Principle of Fashion and Fashion Cycle 113-128 6. Fashion Centres in the World 129-154 7. Study of the Renowned Fashion Designers 155-191 8. Careers in Fashion and Apparel Industry 192-217 9. -
NEW AGE KHADI Khadi Is the Only Indian Feelgood Fabric As It Gives Employment to Thousands As Well As Boosts the Economy and Sustains Indigenous Artisans
Arup Datta NEW AGE KHADI Khadi is the only Indian feelgood fabric as it gives employment to thousands as well as boosts the economy and sustains indigenous artisans. Supporting khadi is one way of encouraging the talented artisan to live in his ancestral village rather than give up in despair and flock to an urban slum for an alternative employment. But khadi is far from fading away, thanks to the fillip given to the fabric by the Prime Minister himself. MEHER CASTELINO writes on the state of khadi affairs and how some designers are moulding it anew. he name may have changed over Gandhi chose khadi as a symbol of his dreams the centuries but the weft and for India when he returned from South Africa. the warp have not. Khadi, as we The charkha was selected by him as a sign of call the handwoven fabric made non-violence and self-sufficiency and the material legendary by Mahatma Gandhi, woven from it – khadi – epitomised the nation’s Thas been around since times immemorial. Its feelings of patriotism and nationalism. The revival timeline is its own hurrah: among the greatest of the charkha was symbolic of the nation’s quest achievements of the Harappa and Mohenjo-Daro for freedom and self-reliance. civilisations were the mastery over hand-spinning In 1921, Gandhi thought of a strategy and and hand-weaving. Every pre-Aryan home had came up with the charkha as an icon of the its own charkha or spinning wheel. Invaders struggle for India’s freedom. That revived the came and went but khadi wove its way through moribund hand-spinning and hand-weaving the Vedic period, the Mughal and Medieval ages. -
उत्तर Answer वस्त्र मंरी (श्रीमती स्त्मतृ त जब िन इरानी) Minister of Textiles (Smt
LOK SABHA UNSTARRED QUESTION NO. 1975 TO BE ANSWERED ON 29.11.2019 G.I. TAGGED PRODUCTS 1975. SHRI RAHUL GANDHI: SHRI RAVIKUMAR D.: Will the Minister of TEXTILES वस्त्र मंरी be pleased to state: (a) whether the Ministry has set up centres of excellence for G.I. tagged products, if so, the details thereof; (b) whether the Textile Ministry has any plan to assign the work to its officials; (c) if so, the details there of, State-wise product-wise (d) the measures being taken to assist handloom clusters to apply for G.I. tags; (e) State-wise details of G.I. tags accorded to textiles and their respective period of validity; and (f) whether the Government has any plan to get the G.I. tag to Siruvanthadu silk sarees and if so, the details thereof? उत्तर ANSWER वस्त्र मंरी (श्रीमती स्त्मतृ त जब िन इरानी) MINISTER OF TEXTILES (SMT. SMRITI ZUBIN IRANI) (a) to (e): This Ministry provides financial assistance for registration of Handloom products under the Geographical Indications of Goods Act, 1999. GI help desks have been setup at each Weavers Service Centre to address the issues related to GI products and to promote GI in handloom clusters. So far, 65 no. of handloom products and 06 product logos are registered under GI Act. State- wise list of handloom products are placed at Annexure – A. (f): No such proposal has been received. Annexure-A. Statement referred to in part (a) to (e) of Lok Sabha Unstarred Question No. 1975 for 29.11.2019 State-wise details of GI Registered Handloom Products and Handloom Products Logo Sl.No. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward. -
List of Weavers Selected for Sant Kabir Award, National Award, and National Merit Certificate (Handloom Weavers) for the Year Zols
List of Weavers Selected for Sant Kabir Award, National Award, and National Merit certificate (Handloom weavers) for the year zoLS. Sant KabirAward ?OLS S Name of Weaver Address of the Weaver Name of the No. Product 7 Sh. Sarat Kumar Patra, AI/PO- Muapatana, Via- Tigiria, Ikat S/o Late Gopal Patra Dist- Cuttack(Odisha)-754035 Buddha Wall Hanging Mob: 09938335591- ) Sh. Bhaktaraj Meher At- Bajraanga Colony, Kapabari Ikat S/o Sh. Tikeswar Meher P.O- fhiliminda Bibaha Bandhan Via- Remunds,Dist-Bargarh Saree Mob:9777555571 3 Sh. Vankar Bhimji Velji P0-Bhujodi, Tah- Bhuj, Dist- Kutch Shawl S/o Sh. Vankar Velji Tabha Kutch, Gujarat-370020 Mob: 09824208527 National Award (Handloom Weavers) 2015 s Name of Weaver Address ofthe Weaver Name of the Product No. 7 Sh. Anandaram Bhobaria Near-Kabir Ashram, Woolen Durry S/o. Sh. Sujaram Salawas,f odhpurIRajasthan Mob:09928981105 2 Sh. Mohammad Siddiq Mohallah- Talheti Ward No.16, Kota Doria Saree S/o. Sh. Haji Wazir Mohd. Charahatdi, Post- Kaithoon kota, [Rai.) Mob- 09 474520548 3 Sh. Uttam Chand Vill- Choyal, P.O-Khokhan, The, Kullu Shawl S/o. Sh. Sangat Ram Bhunter, Dist- Kullu IH. P)17 5 726 Mob-098161.15944 4 Sh. Shahid funaid D-44/30 Reori Talab, Varanasi, Karuwa Banarasi S/o. Sh. Mohd. Abul Mohasin Mob:09889707675 Butidar Saree 5 Shri Ajit Kumar Biswas, P.O-Panuhat, P.S. Katwa Dist- Jamdani Saree S/o Late Ashutosh Biswas Burdwan (WBJ713502 Mob:09333252975 6 Shri Khagendra Nath Basah Vill+ P.O. Nutan fulia Dist-Nadia, Cotton famdani Saree S/o-Sh. -
The Costume Directory
The Costume Directory A guide to ethical sourcing 2016 1 Written by: Sinéad O’Sullivan Edited By: Ilishio Lovejoy Published with the support of: Bafta’s Albert Consortium With thanks to: Eco Age Disclaimer: 2 Contents 1. Introduction .................................................................. 5 2. Reasons to go Green .................................................... 6 3. What to look for when choosing a supplier .................. 8 4. Fabric Suppliers ............................................................ 14 5. Haberdashery Suppliers ............................................... 42 6. Leather and Leather Alternative Suppliers .................. 46 7. Dying and Printing ....................................................... 52 8. Fashion Brands ............................................................ 56 9. Wardrobe Department Supplies .................................. 70 10. Dry Cleaners................................................................ 74 11. Factories and Producers ............................................. 78 12. What to do with textile waste and left over fabric ...... 84 13. Useful links .................................................................. 90 3 4 Introduction This directory has been put together to share information and ideas across costume departments. It is intended as a resource that takes the hassle out of fnding suppliers and brands who are committed to fair treatment throughout their supply chain, and who prioritize sustainability, environmental responsibility and fair trade. -
Journal 30.Pdf
1 GOVERNMENT OF INDIA GEOGRAPHICAL INDIACTIONS JOURNAL NO. 30 SEPTEMBER 16, 2009 / BHADRAPADA 25, SAKA 1931 2 INDEX Page S.No. Particulars No. 1. Official Notices 4 2. G.I Application Details 8 3. Public Notice 23 4. Sanganeri Hand Block Printings 24 5. Balaramapuram Sarees and Fine Cotton Fabrics 39 6. General Information 50 7. Registration Process 53 3 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 30 of the Geographical Indications Journal dated 16th September 2009 / 25th Bhadrapada Saka 1931 has been made available to the public from 16th September 2009. Issue of Registration Certificate 1) It is hereby certified that entry has been made in Part A of the Register of Geographical Indications that The Goa Cashew Feni Distillers & Bottlers Association, D3/26, Tivim Industrial Estate, Karaswado Mapusa, Goa - 403 507 and Department of Science, Technology & Environment, Govt. of Goa, Opposite Saligao Seminary, Saligao, Bardez, Goa - 403 511 are the Registered Proprietor for FENI for the goods Alcoholic Beverages falling in Class 33 under GI Application No. 120 as of date 19th December, 2007. 2) It is hereby certified that entry has been made in Part A of the Register of Geographical Indications that (a) The Uppada Handloom Weavers Co- operative Production & Sales Society Ltd., Uppada, U Kothapalli Mandal, East Godhavari Dist, Andhra Pradesh - 533 447; (b) Durga Handloom Weavers Co-operative Production & Sales Society Ltd., Kothapalli, U Kothapalli Mandal, East Godhavari District, Andhra Pradesh – 533 448 and (c) Kothapalli Master Weavers’ Association, Kothapalli, U Kothapalli Mandal, East Godhavari District, Andhra Pradesh – 533 448 are the Registered Proprietor for UPPADA JAMDANI SAREES for the goods Textile and textile goods, not included in other classes; bed and table covers falling in Class – 24 and Clothing and Headgear falling in Class - 25 under GI Application No. -
Walking the Indigo Walk
walking the indigo walk “The soul takes the colour of the gaze. The blue soul alone « L’âme a la couleur du regard. L’âme bleue seule porte en is the carrier of dreams; it takes its azure from the waves and elle du rêve, elle a pris son azur aux flots et à l’espace. » from space.” À travers ces mots empreints de poésie et de délicatesse, Guy With these words rich in poetry and delicacy, Guy de de Maupassant avait capturé l’essence du bleu indigo - celle d’une Maupassant captured the essence of indigo blue: an invitation invitation au voyage, dans d’autres temps ou dans d’autres lieux. to embark on a journey to other times and other places. Par sa densité, sa profondeur, sa luminosité intense Indigo; the seventh colour of the rainbow. Through its et chaleureuse, l’indigo, septième couleur de l’arc-en-ciel, density, depth and warm, intense glow, we are immediately nous transporte en effet d’emblée au-delà des nuages, vers transported up, up and away, towards the waters of Greece, les rivages de la Grèce, du Portugal ou de la Tunisie, vers Portugal and Tunisia, to the shores of India and the East. Yet l’Orient et l’Inde ; mais ce voyage intérieur se fait sans hâte, this journey in our imagination is leisurely and tranquil; as we sans impétuosité, tant la contemplation de l’indigo nous invite gaze into indigo, we are absorbed into a world of silence au silence et à la sérénité. and serenity. Fascinant, envoûtant, magique ou magnétique, l’indigo lie Captivating and enchanting, indigo has bound communities les communautés humaines depuis des siècles.