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Early Fifteenth Century
CONTENTS CHAPTER I ORIENTAL AND GREEK MUSIC Section Item Number Page Number ORIENTAL MUSIC Ι-6 ... 3 Chinese; Japanese; Siamese; Hindu; Arabian; Jewish GREEK MUSIC 7-8 .... 9 Greek; Byzantine CHAPTER II EARLY MEDIEVAL MUSIC (400-1300) LITURGICAL MONOPHONY 9-16 .... 10 Ambrosian Hymns; Ambrosian Chant; Gregorian Chant; Sequences RELIGIOUS AND SECULAR MONOPHONY 17-24 .... 14 Latin Lyrics; Troubadours; Trouvères; Minnesingers; Laude; Can- tigas; English Songs; Mastersingers EARLY POLYPHONY 25-29 .... 21 Parallel Organum; Free Organum; Melismatic Organum; Benedica- mus Domino: Plainsong, Organa, Clausulae, Motets; Organum THIRTEENTH-CENTURY POLYPHONY . 30-39 .... 30 Clausulae; Organum; Motets; Petrus de Cruce; Adam de la Halle; Trope; Conductus THIRTEENTH-CENTURY DANCES 40-41 .... 42 CHAPTER III LATE MEDIEVAL MUSIC (1300-1400) ENGLISH 42 .... 44 Sumer Is Icumen In FRENCH 43-48,56 . 45,60 Roman de Fauvel; Guillaume de Machaut; Jacopin Selesses; Baude Cordier; Guillaume Legrant ITALIAN 49-55,59 · • · 52.63 Jacopo da Bologna; Giovanni da Florentia; Ghirardello da Firenze; Francesco Landini; Johannes Ciconia; Dances χ Section Item Number Page Number ENGLISH 57-58 .... 61 School o£ Worcester; Organ Estampie GERMAN 60 .... 64 Oswald von Wolkenstein CHAPTER IV EARLY FIFTEENTH CENTURY ENGLISH 61-64 .... 65 John Dunstable; Lionel Power; Damett FRENCH 65-72 .... 70 Guillaume Dufay; Gilles Binchois; Arnold de Lantins; Hugo de Lantins CHAPTER V LATE FIFTEENTH CENTURY FLEMISH 73-78 .... 76 Johannes Ockeghem; Jacob Obrecht FRENCH 79 .... 83 Loyset Compère GERMAN 80-84 . ... 84 Heinrich Finck; Conrad Paumann; Glogauer Liederbuch; Adam Ile- borgh; Buxheim Organ Book; Leonhard Kleber; Hans Kotter ENGLISH 85-86 .... 89 Song; Robert Cornysh; Cooper CHAPTER VI EARLY SIXTEENTH CENTURY VOCAL COMPOSITIONS 87,89-98 ... -
Program Notes by Ed Wight ALLELUIA British and American Composer Tarik O’Regan Remains Active on Both Sides of the Atlantic
Program Notes by Ed Wight ALLELUIA British and American composer Tarik O’Regan remains active on both sides of the Atlantic. Born in London in 1978, he attended Pembroke College, Oxford. O’Regan became composer-in-residence for Corpus Christi College, Oxford in 2000, which launched his professional career as a composer. He also served on the music faculty of Trinity College, Cambridge. Moving to the United States, O’Regan won a Fulbright Fellowship to Columbia University in 2004, another Fellowship at Harvard, and in 2010 was subseQuently appointed to the faculty of the Institute for Advanced Study at Princeton. His compositions won the British Composer Award in for vocal composition in 2005 and liturgical composition in 2007, and have been nominated for two Grammy Awards in the United States. While writing a handful of orchestral and chamber works, O’Regan is primarily a vocal composer - with several operas, cantatas, and over sixty works for choir. The Pro Musica Girl’s Chorus of Hungary commissioned this lively 2004 composition. After the brief introduction, the alto voices begin a light, jazz-like syncopated ostinato pattern which lasts throughout the piece. O’Regan soon casts a high-flying soprano melody over it. Listen as the ostinato expands from two to three voices, and the soprano line divides near the end for a wonderful five-voiced climax. PRAYER TO A GAURDIAN ANGEL Born in Lincolnshire in 1958, British composer Patrick Hawes taught at Pangbourne College and Charterhouse School until the age of 40, when he turned to composition full time. Acclaimed in both instrumental and vocal music, he currently lives near the Norfolk coast, and says he is inspired “by the beauty of nature, English literature, and his Christian faith.” His brother Andrew Hawes, an Anglican priest, wrote the lyrics for Prayer to a Guardian Angel. -
The Three Towers December 2018 & January 2019
The Three Towers December 2018 & January 2019 Serving the communities in and around Edenham, Swinstead, Witham on the Hill, Toft, Lound and Manthorpe Advertising manager: [email protected] Editor: [email protected] Incumbent in the United Benefice of Edenham with Witham on the Hill and Swinstead, Warden of Edenham Regional House and Ministry Experience Scheme Leader The Bishop of Lincoln is pleased to announce the appointment of the Reverend Edward Martin as Incumbent in the United Benefice of Edenham with Witham on the Hill and Swinstead, as Warden of Edenham Regional House and Ministry Experience Scheme Leader. Father Edward has most recently been working as Priest in Charge of Grimsby Saint Augustine and Great Grimsby Saint Andrew and Saint Luke. The licensing service will take place on Thursday 14 February 2019, 7pm at St Andrew’s, Witham on the Hill, with the Bishop of Grantham, the Bishop of Richborough and the Archdeacon of Boston officiating. 24th October 2018 The Old Palace, Lincoln. LN2 1PU 01522-504050 [email protected] Website edition: http://parishes.lincolnshire.gov.uk/ToftcumLoundandManthorpe/ Father Edward Martin Fr Edward Martin (Ed) was born in Nottinghamshire and grew up in a small village near Newark. After attending school in Tuxford where he met his wife Lesley, Ed studied for a BA in Politics at Hull University before working for several years at the Benefits office in Lincoln. Ed and his family made the move to Mirfield in 2000 where he studied for the priesthood at the College of the Resurrection. Ordained in 2003, Ed served his curacy in Carrington on the outskirts of Nottingham before being appointed as Priest in Charge of Chapel St Leonards and Hogsthorpe. -
The GIA Historical Music Series
GIA Publications, Inc. 2018 2018 Music Education Catalog At GIA, we aspire to create innovative resources that communicate the joys of music making and music learning—that delve deeper into what it means to be musical. By working with leading authors who represent the very best the profession has to offer for all levels from preschool through college and beyond, GIA seeks to help music teachers communicate the joy, art, skill, complexity, and knowledge of musicianship. This year we again offer a wide range of new resources for early childhood through college. Scott Edgar explores Music Education and Social Emotional Learning (page 7); the legendary Teaching Music through Performance in Band series moves to Volume 11 (page 8); Scott Rush publishes Habits of a Significant Band Director (page 9) and together with Christopher Selby releases Habits of a Successful Middle Level Musician (pages 10-11). And there’s finally a Habits book for choir directors (page 12). James Jordan gives us four substantial new publications (pages 13-16). There’s also an Ultimate Guide to Creating a Quality Music Assessment Program (page 19). For general music teachers, there is a beautiful collection of folk songs from Bali (page 21), a best- selling book on combining John Feierabend’s First Steps in Music methodology with Orff Schulwerk (page 23), plus the new folk song picture book, Kitty Alone (page 24), just to start. All told, this catalog has 400 pages of resources to explore and enjoy! We’re happy to send single copies of the resources in this catalog on an “on approval” basis with full return privileges for 30 days. -
Les Pseaumes De David (Vol
CONVIVIUMchoir for renaissance·MUSICUM music Scott Metcalfe, music director Les pseaumes de David (vol. II) Les pseaumes mis en rimes francoise, par Clément Marot, & Théodore de Bèze (Geneva, 1562) Jan Pieterszoon Sweelinck (1562–1621) Claude Le Jeune (c. 1530–1600) Claude Goudimel (c. 1520–1572) Ps. 114 Quand Israel hors d’Egypte sortit 1. Clément Marot (poem) & Loys Bourgeois (tune), Les pseaumes mis en rimes francoise (Geneva, 1562) 2. Jan Pieterszoon Sweelinck, Livre second des pseaumes de David (Amsterdam, 1613) Ps. 127 On a beau sa maison bâtir 1. Théodore de Bèze (poem) & Loys Bourgeois (tune),Les pseaumes mis en rimes francoise 2. Sweelinck, Livre second des pseaumes de David Ps. 130 Du fonds de ma pensée 1. Marot & Bourgeois, Les pseaumes mis en rimes francoise 2. Claude Goudimel, Les 150 pseaumes de David (Paris, 1564) 3. Goudimel, Les cent cinquante pseaumes de David (Paris, 1568) 4. Sweelinck, Livre second des pseaumes de David Sweelinck: Motets from Cantiones sacrae (Antwerp, 1619) De profundis clamavi (Ps. 130) O domine Jesu Christe Ps. 23 Mon Dieu me paist sous sa puissance haute 1. Marot & Bourgeois, Les pseaumes mis en rimes francoise 2. Claude Le Jeune, Les cent cinquante pseaumes de David (Paris, 1601) 3. Le Jeune, Dodecachorde, contenant douze pseaumes de David (La Rochelle, 1598) intermission Ps. 104 Sus sus, mon ame, il te faut dire bien 1. Marot, Les pseaumes mis en rimes francoise 2. Claude Goudimel, Les 150 pseaumes de David 3. Goudimel, Les cent cinquante pseaumes de David 4. Sweelinck, Livre quatriesme et conclusionnal de pseaumes de David (Haarlem, 1621) Le Jeune: Two psalms from Pseaumes en vers mesurez mis en musique (1606) Ps. -
Album Booklet
Calvin Psalter Calvin Psalter Mon Dieu me paist Verses 1 & 3 harm. Claude Goudimel (c. 1505–1572) harm. Claude Goudimel Psalms by Verse 2 harm. Claude Le Jeune (1528–1600) 14. C’est un Judée (Psalm 76) [0:55] Claude Le Jeune (1528/30–1600) 1. Or sus serviteurs du Seigneur (Psalm 134) [2:20] Claude Le Jeune C’est un Judée (Psalm 76) Calvin Psalter Du dixiesme mode harm. Claude Goudimel 15. C’est un Judée proprement [2:30] 2. Mon Dieu me paist (Psalm 23) [1:10] 16. La void-on par lui fracassez [1:27] The Choir of St Catharine’s College, Cambridge 17. On a pillé comme endormis [1:53] Claude Le Jeune 18. Tu es terrible et plein d’effroi [1:28] Mon Dieu me paist (Psalm 23) 19. Alors ô Dieu! [2:09] Edward Wickham conductor Du quatriesme mode 20. Quelque jour tu viendras trouser [1:58] 3. Mon Dieu me paist [2:21] 21. Offrez vos dons à lui [1:28] 4. Si seurement, que quand au val viendroye [2:57] Calvin Psalter 5. Tu oins mon chef d’huiles [1:46] harm. Claude Goudimel 22. Dés qu’adversité (Psalm 46) [0:59] Calvin Psalter 6. Propos exquis (Psalm 45) [1:01] Claude Le Jeune Dés qu’adversité (Psalm 46) Claude Le Jeune Du neufiesme mode Propos exquis (Psalm 45) 23. Dés qu’adversité nous offense [2:22] Du troisieme mode 24. Voire deusent les eaux profondes [2:00] 7. Propos exquis [2:16] 25. Il est certain qu’au milieu d’elle [2:44] 8. -
Un Recueil Parisien De Psaumes, De Chansons Spirituelles Et De Motets (Ca
Un recueil parisien de psaumes, de chansons spirituelles et de motets (ca. 1565) : Genève BGE Ms. Mus. 572. Laurent Guillo, Jean-Michel Noailly, Pierre Pidoux To cite this version: Laurent Guillo, Jean-Michel Noailly, Pierre Pidoux. Un recueil parisien de psaumes, de chansons spirituelles et de motets (ca. 1565) : Genève BGE Ms. Mus. 572.. Bulletin de la Société d’Histoire du Protestantisme Français, 2012, p. 199-233. hal-01216880 HAL Id: hal-01216880 https://hal.archives-ouvertes.fr/hal-01216880 Submitted on 22 Oct 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Laurent Guillo, Jean-Michel Noailly et Pierre Pidoux † Un recueil parisien de psaumes, de chansons spirituelles et de motets (ca. 1565) : Genève BGE Ms. Mus. 572. La Bibliothèque de Genève a acquis en 1993 un manuscrit musical du milieu du XVIe siècle, cou- vert d’une remarquable reliure à décor, proposé par la librairie ancienne Thomas-Scheler à Paris et dont l’origine peut être retracée à partir de 1827. Il est maintenant conservé sous la cote Ms. Mus. 572. Outre la description du volume et de son contenu, assez inhabituel, cette contribu- tion s’attachera à identifier quelle a pu être sa provenance 1. -
Taverner Byrd
TAVERNERMASSES BY BYRD WITH MOTETS BY &&STRAVINSKY& DURUFLÉ The Ripieno Choir 7.30 pm Saturday Tickets £15 in advance, conducted by 25 June 2016 £17 on the day, David Hansell All Saints’ Church £5 for under-18s. Call Weston Green 020 8399 2714 or email Esher, Surrey [email protected] KT10 8JL – or book online at 25 JUNE ripienochoir.org.uk RIPIENOthe choır. JOHN TAVERNER (c1490-1545) Western Wynde Mass WILLIAM BYRD (c1540-1623) Mass for Four Voices interspersed with motets by IGOR STRAVINSKY (1882-1971) Ave Maria & Pater noster MAURICE DURUFLÉ (1902-1986) Four motets on Gregorian melodies & Notre Père Four great composers and unrelentingly TAVERNER brilliant music in strongly contrasting styles. Taverner’s Western Wynde Mass is a BYRD set of variations in which the folk song theme moves through the choral texture & surrounded by ever-inventive and intricate counter-melodies. The result is an intriguing mix of medieval, Eton Choirbook and later Renaissance effects which never fails to captivate singers and listeners alike. Byrd modelled his famous Mass for Four Voices on Taverner’s Mean Mass, quoting from it in 25 JUNE his own Sanctus movement. This famous work has not been sung by Ripieno for several years and we The concert will start at are especially looking forward to the Agnus Dei 7.30pm and will end movement – some of music history’s greatest pages. at approximately 9.30pm. In contrast to the intricate polyphony of Tickets: £15 in advance, the sixteenth century, the twentieth century motets £17 on the day, £5 for use simple chordal textures that are positively under-18s, from the box austere by comparison, anticipating Arvo Pärt and office: 020 8399 2714, or John Tavener. -
Une Jeune Pucelle 3’43 Se Chante Sur « Une Jeune Fillette »
menu tracklist texte en français text in english textes chantés / lyrics AU SAINCT NAU 1 Procession Conditor alme syderum 2’40 2 Procession Conditor le jour de Noel 1’20 Se chante sur « Conditor alme syderum » 3 Eustache Du Caurroy Fantaisie n°4 sur Conditor alme syderum 1’48 (Orgue seul) 4 Jean Mouton - Noe noe psallite noe 3’21 5 Jacques Arcadelt - Missa Noe noe, Kyrie 8’06 Alterné avec le Kyrie « le jour de noël », qui se chante sur Kyrie fons bonitatis 6 Clément Janequin - Il estoyt une fillette 3’01 Se chante sur « Il estoit une fillette » 7 Anonyme/Christianus de Hollande Plaisir n’ay plus que vivre en desconfort 4’03 Se chante sur « Plaisir n’ay plus » 8 Claudin de Sermizy Dison Nau à pleine teste 3’27 Se chante sur « Il est jour, dist l’alouette » 9 Claudin de Sermizy - Au bois de deuil 3’49 Se chante sur « Au joly boys » 10 Eustache Du Caurroy Fantaisie n°31 sur Une jeune fillette 1’48 (Orgue seul) 3 11 Loyset Pieton O beata infantia 8’20 12 Eustache Du Caurroy Fantaisie n°30 sur Une jeune fillette 1’37 (Orgue seul) 13 Eustache Du Caurroy Une jeune pucelle 3’43 Se chante sur « Une jeune fillette » 14 Guillaume Costeley - Allons gay bergiere 1’37 15 Claudin de Sermizy L’on sonne une cloche 3’35 Se chante sur « Harri bourriquet » 16 Anonyme - O gras tondus 1’42 17 Claudin de Sermizy Vous perdez temps heretiques infames 2’16 Se chante sur « Vous perdez temps de me dire mal d’elle » 18 Claude Goudimel Esprit divins, chantons dans la nuit sainte 2’16 Se chante sur « Estans assis aux rives aquatiques » (Ps. -
NOTE to NORFOLK CHOIRS 27 March 2014 PATRICK
Chairman: Bob Cumber 16 St Nicholas Place Sheringham Norfolk NR26 8LF Tel: 01263 822331 Email: [email protected] www.sheringhamandcromerchoral.co.uk Registered Charity 281467 NOTE TO NORFOLK CHOIRS 27 March 2014 PATRICK HAWES WORKSHOP SATURDAY 17 MAY 2014 AUDEN THEATRE HOLT Thanks to generous funding from Arts Council England and North Norfolk District Council Big Society Fund, Sheringham and Cromer Choral Society are able to offer a unique Choral Workshop which will be led by the internationally acclaimed COMPOSER Patrick Hawes at the Auden Theatre Gresham’s School Holt on Saturday 17 May 2014. Patrick Hawes, who lives in north Norfolk, is a former composer-in-residence at Classic FM probably best known for The Highgrove Suite commissioned by Prince Charles. His latest album Angel is currently riding high in the classical music charts. He has been commissioned by the choral society to write Eventide (In Memoriam Edith Cavell) to commemorate the outbreak of the First World War. The work celebrates the life, faith and courage of Norfolk’s very own WW1 heroine, nurse Edith Cavell, executed in 1915 for her part in helping hundreds of allied troops escape occupied Europe. The work which has been written for adult voices, a semi chorus of unbroken children’s voices, soprano soloist, chamber orchestra, harp and organ will be premiered in Norwich Cathedral on Saturday 12 July with the English Chamber Orchestra and Elin Manahan Thomas. As will be seen from the following Workshop timetable Mr Hawes will talk about what it is like to be a composer in the early 21st century with particular reference to Eventide prior to its first performance. -
May 2012 Broadside
T H E A T L A N T A E A R L Y M U S I C A L L I A N C E B R O A D S I D E Volume XII, # 4 May/June 2012 President’s Message Parting and new Board members As we near the end of our 2011-2012 year, we give our thanks to our parting Board members, Jane Burke and George Lucktenberg. Jane has served you organization for 6 years as Board member and membership chair and in many other ways so necessary for an organization. George has also served on the Board representing harpsichordists and their interests. (The bylaws of AEMA limit Board membership to two 3-year terms). We now welcome our new Board members, Brenda Lloyd and Daniel Pyle. You may recall their candidate statements enclosed with the recent ballots. Brenda has already worked with us, behind the scenes, in editing our BROADSIDE newsletters, a truly appreciated service. Daniel will join us with his treasured experience with so many aspects of Early music. AEMA MISSION It is the mission of the Atlanta Early Music Alli- ance to foster enjoyment State of AEMA and awareness of the his- torically informed perform- On May 12th we held our Annual Membership meeting, hosted by David Buice at the ance of music, with special emphasis on music written Presbyterian Church of the New Covenant. We enjoyed the potluck luncheon and finished with a before 1800. Its mission will music session in the lovely sanctuary under the leadership of Robert Bolyard. -
Diamm Facsimiles 6
DIAMM FACSIMILES 6 DI MM DIGITAL IMAGE ACHIVE OF MEDIEVAL MUSIC DIAMM COMMITTEE MICHAEL BUDEN (Faculty Board Chair) JULIA CAIG-McFEELY (Diamm Administrator) MATIN HOLMES (Alfred Brendel Music Librarian, Bodleian Library) EMMA JONES (Finance Director) NICOLAS BELL HELEN DEEMING CHISTIAN LEITMEIR OWEN EES THOMAS SCHMIDT diamm facsimile series general editor JULIA CAIG-McFEELY volume editors ICHAD WISTEICH JOSHUA IFKIN The ANNE BOLEYN MUSIC BOOK (Royal College of Music MS 1070) Facsimile with introduction BY THOMAS SCHMIDT and DAVID SKINNER with KATJA AIAKSINEN-MONIER DI MM facsimiles © COPYIGHT 2017 UNIVERSITY OF OXFORD PUBLISHED BY DIAMM PUBLICATIONS FACULTY OF MUSIC, ST ALDATES, OXFORD OX1 1DB ISSN 2043-8273 ISBN 978-1-907647-06-2 SERIES ISBN 978-1-907647-01-7 All rights reserved. This work is fully protected by The UK Copyright, Designs and Patents Act 1988. No part of the work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise without the prior permission of DIAMM Publications. Thomas Schmidt, David Skinner and Katja Airaksinen-Monier assert the right to be identified as the authors of the introductory text. Rights to all images are the property of the Royal College of Music, London. Images of MS 1070 are reproduced by kind permission of the Royal College of Music. Digital imaging by DIAMM, University of Oxford Image preparation, typesetting, image preparation and page make-up by Julia Craig-McFeely Typeset in Bembo Supported by The Cayzer Trust Company Limited The Hon. Mrs Gilmour Printed and bound in Great Britain by Short Run Press Exeter CONTENTS Preface ii INTODUCTION 1.