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PLAYNOTES Season: 43 Issue: 04
PLAYNOTES SEASON: 43 ISSUE: 04 PORTLANDSTAGE BACKGROUND INFORMATION The Theater of Maine INTERVIEWS & COMMENTARY www.portlandstage.org AUTHOR BIOGRAPHY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Feel free to bring your lunch! Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: The Davis Family Foundation Funded in part by a grant from our Educational Partner, the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. -
Zodiac: the Eco-Thriller Neal Stephenson
Zodiac: The Eco-thriller Neal Stephenson ABOUT THE AUTHOR Neal Stephenson issues from a clan of rootless, itinerant hard-science and engineering professors. He began his higher education as physics major, then switched to geography when it appeared that this would enable him to scam more free time on his university's mainframe computer. When he graduated and discovered, to his perplexity, that there were no jobs for inexperienced physicist-geographers, he began to look into alternative pursuits such as working on cars, agricultural labour and writing novels. His first novel, The Big U, was published in 1984 and vanished without trace. Zodiac: The Eco- thriller is his second novel. On first coming out in 1988 it quickly developed a cult following among water-pollution-control engineers and was enjoyed, though rarely bought, by many radical environmentalists. The highly successful Snow Crash was written between 1988 and 1991, as the author listened to a great deal of loud, relentless, depressing music. It was followed by the equally successful The Diamond Age. Most of his novels are available in Roc. Neal Stephenson lives in Seattle. SIGNET Published by the Penguin Group Penguin Books Ltd, 27 Wrights Lane, London W8 5TZ, England Penguin Books USA Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Books Australia Ltd, Ringwood, Victoria, Australia Penguin Books Canada Ltd, 10 Alcom Avenue, Toronto, Ontario, Canada M4V 3B2 Penguin Books (NZ) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England First published in the USA by Bantam by arrangement with the Atlantic Monthly Press 1988 Pint published in Great Britain in Signet 1997 13579108642 Copyright O Neal Stephenson, 1988 All rights reserved 'Dirty Water' by Ed Cobb. -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PODCAST RHETORICS INSIGHTS INTO PODCASTS AS PUBLIC PERSUASION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By MATTHEW VINCENT JACOBSON Norman, Oklahoma 2021 PODCAST RHETORICS INSIGHTS INTO PODCASTS AS PUBLIC PERSUASION A DISSERTATION APPROVED FOR THE DEPARTMENT OF ENGLISH BY THE COMMITTEE CONSISTING OF Dr. William Kurlinkus, Chair Dr. Bill Endres Dr. Justin Reedy Dr. Roxanne Mountford Dr. Sandra Tarabochia © Copyright by MATTHEW VINCENT JACOBSON 2021 All Rights Reserved. iv TABLE OF CONTENTS Acknowledgements . viii Abstract . xii Chapter 1: The Argument for Rhetorically Analyzing Podcasts . 1 I. Introduction . 2 II. Rhetorically Defining Podcasts . 5 III. A Call for Podcast Scholarship . 14 IV. Podcast Scholarship in Rhetoric and Writing Studies . 18 V. The Need to Rhetorically Analyze Podcast Rhetoric . 24 VI. Introducing Three Analytics of Podcasting: Technology, Sonic, and Conversational Rhetorics in a Public Argument Over Mask Wearing in The Joe Rogan Experience . 28 VII. Project Overview . 44 Chapter 2: The Technological Horizons of Podcast Persuasion . 45 Chapter 3: The Sounds of Podcast Rhetoric . 47 Chapter 4: Deliberation or Demagoguery? The Rhetoric of Podcast Conversations . 50 Chapter 2: The Technological Horizons of Podcast Persuasion . 53 I. Introduction . 54 II. Rhetorical Theories of Philosophy of Technology . 55 III. The Technological Rhetoric of Podcast Technologies . 64 A. The Rhetoric of Podcasting’s Regulatory Context in the U.S. and the Standing Reserve of Internet Audiences . .64 B. The Rhetoric of Production and Post-Production Tech . .72 v C. The Rhetoric of Distribution and “Listening” Tech . 98 D. -
A Practical Approach to Their Economic and Social Impacts
Organisation for Economic Co-operation and Development DSTI/CDEP(2018)5 For Official Use English - Or. English 30 April 2018 DIRECTORATE FOR SCIENCE, TECHNOLOGY AND INNOVATION COMMITTEE ON DIGITAL ECONOMY POLICY ONLINE PLATFORMS: A PRACTICAL APPROACH TO THEIR ECONOMIC AND SOCIAL IMPACTS 16-18 May 2018 Delegates will find attached a draft in progress of the CDEP report on Online Platforms: A Practical Approach to Their Economic and Social Impacts. The report prepared with input from the CCP, MADE, and SPDE Secretariats, builds on the outline presented in November 2017 and the comments received on it. Delegates are invited to comment on this draft and to provide further directions to the Secretariat under Item 7 of the Draft Agenda of the CDEP meeting on 15-16 May 2018. Action Requested: The Committee is invited to discuss the draft and provide further input to finalise the report for the November meeting with a view to declassification. This document is a contribution to IOR 1.1.1.2.3 Assessing the benefits and issues arising from online platforms, of the 2017-2018 Programme of Work of the CDEP. It will also be a contribution to the Going Digital project under Pillar 2. Jeremy West, tel +33 1 45 24 17 51, [email protected] Anne Carblanc, tel +33 1 45 24 93 34, [email protected] Sarah Ferguson, tel +33 1 45 24 18 74, [email protected] JT03430998 This document, as well as any data and map included herein, are without prejudice to the status of or sovereignty over any territory, to the delimitation of international frontiers and boundaries and to the name of any territory, city or area. -
When Podcast Met True Crime: a Genre-Medium Coevolutionary Love Story
Article When Podcast Met True Crime: A Genre-Medium Coevolutionary Love Story Line Seistrup Clausen Stine Ausum Sikjær 1. Introduction “I hear voices talking about murder... Relax, it’s just a podcast” — Killer Instinct Press 2019 Critics have been predicting the death of radio for decades, so when the new podcasting medium was launched in 2005, nobody believed it would succeed. Podcasting initially presented itself as a rival to radio, and it was unclear to people what precisely this new medium would bring to the table. As it turns out, radio and podcasting would never become rivals, as podcasting took over the role of audio storytelling medium – a role that radio had abandoned prior due to the competition from TV. During its beginning, technological limitations hindered easy access to podcasts, as they had to be downloaded from the Internet onto a computer and transferred to an MP3 player or an iPod. Meanwhile, it was still unclear how this new medium would come to satisfy an audience need that other types of storytelling media could not already fulfill. Podcasting lurked just below the mainstream for some time, yet it remained a niche medium for many years until something happened in 2014. In 2014, the true crime podcast Serial was released, and it became the fastest podcast ever to reach over 5 million downloads (Roberts 2014). After its release, podcasting entered the “post-Serial boom” (Nelson 2018; Van Schilt 2019), and the true crime genre spread like wildfire on the platform. Statistics show that the podcasting medium experienced a rise in popularity after 2014, with nearly a third of all podcasts listed on iTunes U.S. -
Negotiating Ethics of Participatory Investigation in True Crime Podcasts
Negotiating Ethics of Participatory Investigation in True Crime Podcasts Courtney Cox, Illinois State University Devon Ralston, Winthrop University Charles Woods, Illinois State University According to Edison Research, 73 million people in the US regularly listen to podcasts, with true crime stories proving to be one of the most popular subjects for podcasters to address. These true-to-life stories echo during our morning commute, while we work out at the gym, and during millions of other moments throughout our day, pouring out stories of suspects and vic- tims through our earbuds and our car speakers. Yet, despite (or because of) their prevalence in our culture, investigating true crime podcasts as teachers and researchers invites intersecting concerns of ethics regarding this me- dium. Our panel presentation turns up the volume on the complex activity system of true crime podcasts as both genre and medium, considering ethics, narratology, and pedagogy through a case study of Up and Vanished (UAV). This podcast series provides the kairotic impetus for participatory culture where listeners are propelled, along with host Payne Lindsey, into investi- gating an unsolved cold case. This unique genre provides an opportunity for both narratological analysis and multimodal composing in the college classroom. Yet, in studying true crime podcasts, we must consider ethics ad- jacent to activism and visibility, as well as the potential for this digital genre as remix. Content Warning: Though we will not describe crimes discussed in explicit ways, the following essay speaks generally about particular cases of violence against women. Introduction Much has been written about the potential and consequences of podcasting as a platform for the classroom. -
Audible Killings: Capitalist Motivation, Character Construction, and the Effects of Representation in True Crime Podcasts
Connecticut College Digital Commons @ Connecticut College English Honors Papers English Department 2018 Audible Killings: Capitalist Motivation, Character Construction, and the Effects of Representation in True Crime Podcasts Maia Hibbett Connecticut College, [email protected] Follow this and additional works at: https://digitalcommons.conncoll.edu/enghp Part of the Communication Commons Recommended Citation Hibbett, Maia, "Audible Killings: Capitalist Motivation, Character Construction, and the Effects of Representation in True Crime Podcasts" (2018). English Honors Papers. 35. https://digitalcommons.conncoll.edu/enghp/35 This Honors Paper is brought to you for free and open access by the English Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in English Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Audible Killings: Capitalist Motivation, Character Construction, and the Effects of Representation in True Crime Podcasts An Honors Thesis presented by Maia Hibbett to the Department of English in partial fulfillment of the requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2018 Hibbett 2 Acknowledgements The first and most essential thanks for this project go to Professor Rae Gaubinger, who bravely agreed to advise my thesis despite having never met me, and despite my project having nothing to do with her field. Hybrid experts in Victorianism and Modernism like Professor Gaubinger are rare to begin with, but I would bet that combined Victorian-and-Modernists who have advised true crime and new media projects are even rarer. -
AN ECOLOGICAL and SOCIAL MOVEMENT THEORY APPROACH to TRUE CRIME PODCAST PHENOMENA by LINDS
“SUDDENLY, THE PODCAST WAS SEXY”: AN ECOLOGICAL AND SOCIAL MOVEMENT THEORY APPROACH TO TRUE CRIME PODCAST PHENOMENA by LINDSEY A. SHERRILL WILSON LOWREY, COMMITTEE CHAIR MATTHEW BARNIDGE SUZANNE HORSLEY MIRIAM SWEENEY MATTHEW WEBER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication & Information Sciences in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2019 Copyright Lindsey A. Sherrill 2019 ALL RIGHTS RESERVED ABSTRACT In recent years, true crime podcasting has exploded, both in number of podcasts and popular culture visibility. These podcasts act as organizations with maintenance orientations, such as mobilizing resources, competing with other organizations, increasing legitimacy, and focusing on sustaining foundings and preventing mortalities. This population also exhibits isomorphism and development of organizational form and identity. Some of these podcasts have social movement orientations as well, particularly in relation to criminal justice reform goals. As social movement organizations, they view listeners as constituents, mobilize resources, created relationship networks with similar organizations, and work to establish collective awareness and legitimacy. This study explores this media phenomenon from the perspective of organizational ecology and social movement theories using a mixed methods approach. A demography of true crime podcasts was conducted in order to find a sample approaching a population, identify dates of foundings and mortalities, and calculate population density over time. Content analysis of news articles mentioning “true crime podcasts” was conducted to measure public legitimacy of the true crime podcast population. Additionally, 12 true crime podcasters were interviewed, and their interviews were analyzed qualitatively to further explore this phenomenon in light of theory and emerging concepts. -
In PDF Format
THE PROCEEDINGS OF THE ANNUAL COMPUTERS AND WRITING CONFERENCE, 2019 Proceedings of the Computers and Writing Conference Series Editors: Chen Chen and Lydia Wilkes The Proceedings publish peer-reviewed articles based on presentations from the annual Computers and Writing Conference. The WAC Clearinghouse and the Colorado State University Open Press make the Proceedings widely avail- able through free digital distribution. The publishers and the series editors are committed to the principle that knowledge should freely circulate. We see the opportunities that new technologies have for further democratizing knowl- edge. And we see that to share the power of writing is to share the means for all to articulate their needs, interest, and learning into the great experiment of literacy. Other Books in the Series Chen Chen, Kristopher Purzycki, and Lydia Wilkes (Eds.), The Proceedings of the Annual Computers and Writing Conference, 2018 Cheryl E. Ball, Chen Chen, Kristopher Purzycki, and Lydia Wilkes (Eds.), The Proceedings of the Annual Computers and Writing Conference, 2016-2017 THE PROCEEDINGS OF THE ANNUAL COMPUTERS AND WRITING CONFERENCE, 2019 Edited by Chen Chen and Lydia Wilkes The WAC Clearinghouse wac.colostate.edu Fort Collins, Colorado The WAC Clearinghouse, Fort Collins, Colorado 80523 © 2020 by Chen Chen and Lydia Wilkes. This work is released under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license. ISBN 978-1-64215-103-9 (PDF) | 978-1-64215-104-6 (ePub) DOI 10.37514/PCW-B.2020.1039 ISSN 2643-7376 Produced in the United States of America Copyeditors: Chen Chen and Lydia Wilkes Technical Editors: Daniel Anderson, Ashley Hall, and Jennifer Ware Designer: Mike Palmquist Cover image :“Computer keyboard, low profile, white” by Aalto Fablab, licensed under CC 2.0. -
Batland: Transmedia Strategy & Videogame Spatiality in Gotham
! ! ! ! ! ! !"#$"%&'! ()"%*+,&-"./#)"#,01.2.3-&,40"+,./5"#-"$-#1.-%.64#7"+.8-#1! ! ! 9"$,):4.;<./-%,):4! ! ! ! ! ! ! ;.(7,*-*! -%! (7,.=>+"%-#-,*.?)40)"+! ! ! ! ! ?),*,%#,&.-%.?")#-"$.@>$A-$$+,%#.4A.#7,.B,C>-),+,%#*.. @4).#7,.D,0),,.4A.. D4E#4).4A.?7-$4*4571.F=>+"%-#-,*G."#.. 84%E4)&-".H%-:,)*-#1.. I4%#),"$J.K>,L,EJ.8"%"&".. ME#4L,).NOPQ. R.9"$,):4.;<./-%,):4J.NOPQ. ! ! ! ! ! . ! "#$"#%&'(!)$'*+%,'-.! ! ,"/##0!#1!2%(&)(-+!,-)&'+,! . (7-*.-*.#4.E,)#-A1.#7"#.#7,.#7,*-*.5),5"),&. !1'.. ...9"$,):4.;<./-%,):4. S%#-#$,&'.!"#$"%&'.()"%*+,&-"./#)"#,01.2.3-&,40"+,./5"#-"$-#1.-%.64#7"+.8-#1.! ;%&.*>L+-##,&.-%.5")#-"$.A>$A-$$+,%#.4A.#7,.),C>-),+,%#*.A4).#7,.&,0),,.4A.. DM8(MB.M@.?=TUM/M?=V.F=>+"%-#-,*G. 84+5$-,*.W-#7.#7,.),0>$"#-4%*.4A.#7,.H%-:,)*-#1."%&.+,,#*.#7,."EE,5#,&.*#"%&")&*.W-#7.),*5,E#.#4. 4)-0-%"$-#1."%&.C>"$-#1<. /-0%,&.L1.#7,.A-%"$.,X"+-%-%0.E4++-##,,'. .YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY.87"-). D)<.="-&,,.Z"**4%. .YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY.SX#,)%"$.SX"+-%,). D)<.!,%["+-%.Z44. .YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY.SX#,)%"$.#4.?)40)"+. D)<.!")#./-+4%. .YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY.SX"+-%,). D)<.I")E./#,-%L,)0. .YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY.SX"+-%,). D)<.I-".84%*"$:4. .YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY.(7,*-*./>5,):-*4). D)<.D")),%.Z,)*7$,). ;55)4:,&.L1YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY.. D)<.S)-%.I"%%-%0J.6)"&>"#,.?)40)"+.D-),E#4). D,E,+L,).P\J.NOPQ........................................... YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY.. D)<.;%&)].B41J.D,"%.4A.@"E>$#1.4A.;)#*.2./E-,%E,. --. (3,-%("-. ! ! 34564789!-:47;<=8>4!,5:45=?@!A!*>8=B?4<=!,C45>46>5@!>7!2B5D4<!">5@! ! E46=:FB!(G!,>7=:FBH!ID&!! "B7JB:8>4!)7>F=:;>5@H!KLMN! ! ! "#$%#&'(!)*#&+,-'.#!/$*#$-01!2!3.'-40#,-!/5#$.#%.$1!.&!64$7#,!8.$1.-*."%. -%#,)&-*E-5$-%")1.*#>&1.4A.74W.#)"%*+,&-".*#)"#,01.F#7,.E4%*#)>E#-4%."%&.+"%"0,+,%#.4A. +"**-:,$1.E4$$"L4)"#-:,.545>$").E>$#>),.A)"%E7-*,*G.7"*.-+5"E#,&.&-0-#"$.0"+,W4)$&*J."%&.W7"#. -
True Crime Podcasts and the Domestic Violence Survivors in Their Audiences
University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 Fundamentally Different Stories That Matter: True Crime Podcasts and the Domestic Violence Survivors in Their Audiences Kelli S. Boling Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Mass Communication Commons Recommended Citation Boling, K. S.(2020). Fundamentally Different Stories That Matter: True Crime Podcasts and the Domestic Violence Survivors in Their Audiences. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5959 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. FUNDAMENTALLY DIFFERENT STORIES THAT MATTER: TRUE CRIME PODCASTS AND THE DOMESTIC VIOLENCE SURVIVORS IN THEIR AUDIENCES by Kelli S. Boling Bachelor of Science Winthrop University, 1999 Master of Mass Communication University of South Carolina, 2007 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Journalism and Mass Communications College of Information and Communications University of South Carolina 2020 Accepted by: Leigh M. Moscowitz, Major Professor Carol J. Pardun, Committee Member Kevin Hull, Committee Member Drucilla Barker, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Kelli S. Boling, 2020 All Rights Reserved. ii DEDICATION For Mother – your love of words and confidence to do hard things was instilled in me at a young age. I am the woman that I am because of your example, and for that, I am truly grateful. -
Bready Stenellis Sorry
! " My Sites # Bready Stenellis $ Customize % 0 + New & Edit Post 2 Howdy, Corrina ' Bready Stenellis Just another School of Information Community site Home Sample Page Search … Search Archives Blog post #5: Learning and Edit December 2020 Recent Posts programming opportunities November 2020 October 2020 Blog #8: Final Reflection for websleuths are scant, September 2020 Blog Post #7: Websleuths & August 2020 Emerging Technologies but there is room for Blog post #6: The human flesh Categories search engine: NOT a search growth engine for cannibals Posted on November 15, 2020 by Corrina Book Review Blog post #5: Learning and Citizen detectives programming opportunities for As I have come to find, research on websleuths’ information behavior is INFO 200 websleuths are scant, but there is fairly non-existent. The same is true of the learning and programming INFO 203 room for growth opportunities provided by libraries and information centers for this Information community Blog post #4: A summary of community. However, there are such services provided by libraries for Introduction What’s the deal with websleuthing other communities that could benefit websleuths. These services can also Uncategorized provide the programmatic groundwork for libraries to develop learning websleuths Recent Comments opportunities specific to websleuths and other serious leisure information communities. Moreover, if libraries approach their programming for such communities using the Serious Leisure Sarah Rainey on Blog #8: Final Meta Perspective (SLP) theoretical framework and use systematic, evidence- Reflection based resources (VanScoy et al., 2020), libraries can create more robust, Site Admin Sarah Rainey on Blog Post #7: relevant learning and programming opportunities for these communities.