AFC Armenia Finding Aid.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

AFC Armenia Finding Aid.Pdf 1 Updated AFC Armenia Finding Aid Tali Gelenian (summer, 2019) The American Folklife Center boasts an array of materials relating to the life and culture of Armenian-Americans displaced after the diaspora. These materials broadly track the ways in which traditional cultural expressions have been preserved and also evolved since the relocation to the United States. These are rich and varied collections that document the voices and stories to celebrate Armenian cultural heritage. The American Folklife Center Archives has 124 Armenian-related materials in their catalog. [complete record: page 1, page 2] Highlights within these materials include forty-nine audio recordings available for online listening featuring Armenian bands and musicians based in Fresno, California in the late 30s. The recordings are accompanied by photographs of the musicians as well as hand-drawn sketches of their instruments. They are part of the larger Collection, “California Gold: Northern California Folk Music from the Thirties Collected by Sidney Robertson Cowell.” Another robust collection is fieldwork conducted on the Armenian General Benevolent Union (AGBU) Armenian Elementary School in Watertown, Massachusetts. Fieldworkers JoAnn Bromberg and Vicky Westover documented the ways in which Armenian children being raised in the United States were taught the value of their cultural heritage. It includes a variety of materials including black and white photo enlargements, curriculum materials from the Armenian Relief Society, and audiocassette recordings. This is part of the larger collection, Ethnic Heritage and Language Schools in America Project Collection. [catalog record] [finding aid] For additional resources related to Armenia, please visit the African and Middle Eastern Division (AMED) within the Library of Congress. The African and Middle Eastern Reading Room houses extensive materials about Armenia. The entirety of their collection comprises materials written exclusively in Armenian. Links to AMED’s resources include: Armenia and Georgia from the Near East Collection "To Know Wisdom and Instruction": The Armenian Literary Tradition at the Library of Congress AFC 1940/001: California Gold: Northern California Folk Music from the Thirties Collected by Sidney Robertson Cowell This collection provides a remarkable survey of living folk musical traditions found in Northern California during the late 1930s and 1940 in a wide variety of musical styles. It includes the folk music of immigrants who arrived in the United States from the turn of the century through the 1920s including the Armenian community in Fresno, California. The following is the complete selection of Armenian materials within this collection, and is comprised of forty-nine audio recordings, twenty-five photographs of the musicians and their instruments as well as twenty- three additional photos and drawings of the instuments. Find the complete collection here A corresponding article, “Armenian American Song” by the Library of Congress about the collection and the musical tradition of Armenians in the United States. Forty-nine audio recordings available for online listening featuring Armenian bands and musicians in 1939. Also included is a commentary by Sidney Robertson Cowell on the Armenian Orchestra. Audio available to download in MP3 or WAV format. • afc1940001_a4244a1 Camel's caravan 2 o Jack Aslanian, vocals and violin; Bedros Haroutunian, qanun; Archie Krotlian, oud; Mesrout Takakjian, clarinet. In Armenian. Forms part of a group of field materials documenting Aslanian's Armenian Orchestra performing Armenian and Armeno-Turkish dance music on April 23, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (3:07 minutes) : MP3 & WAV • afc1940001_a4234a1 Kele-kele o Dance song. LC romanized form of title: Kele-kele. Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (2:02 minutes) : MP3 & WAV o Audio cuts off at 00:38 seconds • afc1940001_a4234a2 Ham gul ham vart = Both rose (in Armenian) and rose (in Turkish) o Dust jacket notes: Dance song, sung in Armenian dialect with some Turkish words. LC romanized form of title: Ham giwl ham vard. Translation of song title listed on dust jacket as: "Both rose and narcissus." Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (2:24 minutes) : MP3 & WAV • afc1940001_a4234b1 Yes saren gukiji = As I came from the hill o LC romanized form of title: Yes saren kugayi. Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (1:56 minutes) : MP3 & WAV • afc1940001_a4234b2 Alagaz bartzer sare = Alagaz Mountain o Dust jacket notes: Song of longing for Armenian homeland. Dust jacket notes: This song is not the same as AFS 4236 A1. LC romanized form of title: Alageaz bardzr sar e. Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (1:51 minutes) : MP3 & WAV • afc1940001_a4235a1 Yar ounei = I had a sweetheart o Inscribed on dust jacket by Sidney Robertson Cowell: "A soldier's song. The names of the cities in the song should be Batoum [Batumi, Georgian S.S.R.]. Tifflis [Tbilisi, Georgian S.S.R.], and Erevan [Yerevan, Armenian S.S.R.], instead of New York, Boston, and Fresno. An Armenian soldier comes back from war and found his folks were slain by enemies." LC romanized form of title: Yar unei. Yellow song check-list notes: "Not a dance, he says." Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. 3 o 1 sound file (2:47 minutes) : MP3 & WAV • afc1940001_a4235a2 Googen ara = I took the earthen jar to the well, a love song o LC romanized form of title: Kuzhn ara. Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (1:52 minutes) : MP3 & WAV • afc1940001_a4235b1 Inchoo Bingol medar = Why did you enter Bingol? o Dust jacket notes: "A dance song." LC romanized form of title: Inchu Bingole mtar. Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (1:34 minutes) : MP3 & WAV • afc1940001_a4235b2 Godou ges goreg = A bird's song o Dust jacket notes: Dance song. LC romanized form of title: Kotu kes korek. Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (1:56 minutes) : MP3 & WAV • afc1940001_a4236a1 Alagaz = Alagaz Mountain o LC romanized form of title: Alageaz. Yellow song check-list notes: "Song begins with hum. It is not the same as 56M B2." Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (3:03 minutes) : MP3 & WAV • afc1940001_a4236b1 Mogatz Mirza, lament for Mogatz Mirza o LC romanized form of title: Mokats Mirza. Yellow song check-list notes: "Told in the traditional narrative song style, starting high -- dropping pitch and volume at end of line." Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (2:20 minutes) : MP3 & WAV • afc1940001_a4236b2 De le yaman o A love song. LC romanized form of title: Te-le yaman. Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field recordings documenting Ruben J. Baboyan performing Armenian and Armeno-Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (2:28 minutes) : MP3 & WAV • afc1940001_a4237a1 Hoy nazanem = Those coy darlings 4 o Also issued on the American Folklife Center's Bi-Centennial recording series "Folk Music in America" on LBC 6: SONGS OF MIGRATION & IMMIGRATION as "Hay nazanem yarer." Inscribed on dust jacket by Sidney Robertson Cowell: "Making fun of Armenian girls in America who turn up their noses at farmers and laborers and want only doctors and lawyers for their husbands." LC romanized form of title: Hoy nazan im. Yellow song check-list notes: Song refers to Armenianized American city names, such as "Bostoni," "Feresno," and New Yorki." Ruben J. Baboyan, unaccompanied vocals. Forms part of a group of field materials documenting Ruben J. Baboyan performing Armenian and Armeno- Turkish songs on April 16, 1939, collected by Sidney Robertson Cowell in Fresno, California. o 1 sound file (1:23 minutes) : MP3 & WAV • afc1940001_a4237a2 Yaylough's = The Kerchief o Dust jacket notes: Dialogue song. LC romanized form of title: Yaylughs. Ruben J. Baboyan, unaccompanied vocals. In Armenian. Forms part of a group of field materials documenting Ruben J.
Recommended publications
  • What's Going on Here?
    12/22/2017 2017 World Wood Day Donate (donate) (https://www.facebook.com/worldwoodday/?ref=hl) (https://www.instagram.com/worldwoodday/) (https://vimeo.com/woodculture) (https://www.youtube.com/channel/UCUUqTXdNxUgWhofyWZ_45-Q) HOME (/2017) ABOUT (ABOUT) USA REGIONAL (/2017) Music Festival MUSIC FESTIVAL Brief Participants Photos Videos World Wood Day 2017 Roots United - Highlight from Wood Culture What’s going on here? Some of your technology may be out of date, which means this video won’t play properly. Please upgrade your browser or install Flash. Play Music is a cross-cultural and artistic language which creates emotional and spiritual connections. 2017 WWD Music Festival’s theme is “Roots United”, featuring musicians from different continents to perform, share their passions with traditional wooden music instrument. The idea behind this music festival is to bring different wooden instruments from around the world, not only to showcase representative music but also to explore their similarities and how they can all come together to create harmonies. During March 21-24, and 26, musicians will be presenting eclectic music and introduce origin of their music instruments, along with cultural background to the public. The Music Concert on March 25 takes place at Terrace Theater, expecting musical talent, visually pleasing and entertaining for the audience. With around 40 groups of local and foreign singers, dancers and musicians, 2017 WWD Music Festival aim to take the audience on a musical journey of culture, legend and heritage. http://www.worldwoodday.org/2017/music 1/36 12/22/2017 2017 World Wood Day Participants (In the alphabetical order of the country and region represented) DAVID HUDSON AUSTRALI A David Hudson’s life reflects his love and belief in Aboriginal culture.
    [Show full text]
  • Full Biography
    FULL BIO For forty years, pianist/composer and Fulbright Scholar ARMEN DONELIAN has distinguished himself in 25 countries as a performer, recording artist, master class leader and with his published writings. Donelian’s music is a distinctive blend of 20 influences including his Armenian origin, his Classical technique, and his association with some of the biggest names in Jazz. And, according to Metronom Magazine (1986), he achieves this fusion In such a natural way that one can tell it’s a master’s work. “The best time to learn music,” says Davis and John Coltrane. “Folk, Rock, Dixieland, Jazz, Church, Show and Society music – I played pianist Armen Donelian, “is when you’re them all while growing up,” says Donelian. young, while the brain synapses are still open and fresh. I started playing by ear “In college, I made money by accompanying when I was 5 or 6, and started classical theater and dance classes, providing cocktail music piano lessons when I was about 7 at the at a restaurant on campus and playing and Westchester Conservatory of Music. I arranging for an 8-piece Jazz/Rock band. After was lucky to have parents who supported graduation, I had no gigs, no direction, and lived at my musical aspiration.” home for a few months. My ex-girlfriend’s mother told me, ‘Armen, nothing is going to happen unless As a child, Armen absorbed the sound of you make it happen.’ Armenian, Turkish, Greek and Middle Eastern music at social gatherings and “So, after graduating from Columbia University in from records his father played at home.
    [Show full text]
  • Pashinyan Meets with Community Members in New York PASHINYAN, from Page 1 Ferent Mood, but the Atmosphere
    SEPTEMBER 29, 2018 Mirror-SpeTHE ARMENIAN ctator Volume LXXXIX, NO. 11, Issue 4555 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Trump Hails ‘New Era’ Pashinyan In Armenia WASHINGTON (RFE/RL) — US President Meets with Donald Trump has praised mass protests that led to regime change in Armenia in May and said his administration stands ready to help the new Community Armenian government implement sweeping reforms promised by it. “Armenia has much to celebrate this year,” Trump wrote to Prime Minister Nikol Pashinyan Members in in a congratulatory message on the 27th anniver- sary of Armenia’s independence on September 21. New York “A peaceful, popular movement ushered in a new era in Armenia, and we look forward to working with you to help you execute the will of NEW YORK (Combined Sources) your people to combat corruption and to estab- — Prime Minister Nikol Pashinyan, in New lish representative, accountable governance, rule York for the opening session of the United of law buttressed by an independent judiciary, Nations, met on Sunday, September 23, and political and economic competition,” read with members of the Armenian community. the message publicized by Pashinyan’s office. During the reception, he spoke at length “I look forward to further strengthening the about the country’s political situation partnership that began between our countries Prime Minister Pashinyan speaks with the assembled guests listening. domestically as well as international ties. one hundred years ago,” it said. He addressed the results of the mayoral US Secretary of State Mike Pompeo similarly election in Yerevan, which netted his sup- saluted “remarkable changes” in Armenia.
    [Show full text]
  • UPDATE the Researchers’ Predictions Are Based on Assump- Tions We Don’T Yet Know About the Virus
    APRIL 25, 2020 Mirror-SpeTHE ARMENIAN ctator Volume LXXXX, NO. 40, Issue 4633 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 IN BRIEF Former Ambassador to Greater New York Region US Shougarian Dies BOSTON — Ambassador Rouben Shougarian Devastated by COVID-19 died on April 21 after a stroke, his family reported. “It is with great sorrow that we announce that our loving father and husband, Ambassador community, however, has been one of vigi- Rouben Shougarian, PhD, passed away peacefully By Taleen Babayan lance. From medical professionals to busi- this morning in Boston, Mass. after suffering a nesses to outreach-minded organizations, Special to the Mirror-Spectator stroke last week,” his son, Narek, said in a each group has mobilized during this Facebook post. unprecedented time to meet the needs of Shougarian is survived by his wife Lilit NEW YORK — Life has grinded to a halt its consumers, give back, and provide hope Karapetian-Shougarian and sons Narek, Tigran and in the United States as the coronavirus pan- during this calamitous period. Haik. demic spreads through the nation, particu- While Toufayan Bakeries is well-known Businessman and He served as Armenia’s deputy foreign minister larly in the densely populated metropolis of for its pita bread and baked goods, the fam- (1999-2005), ambassador to Italy, Spain and ily-run company also Philanthropist, Portugal (2005-2008), and was Armenia’s first focuses on corporate Tekeyan and ADL Ambassador to the United States (1993-1999). social responsibility He also served as a senior staffer for the in their daily opera- Leader Armand Armenian Parliament’s Standing Committee on tions.
    [Show full text]
  • Jerusalem: Reclaiming Our Inheritance
    EXCLUSIVE HIS BEATITUDE PATRIARCH NOURHAN MANOUGIAN OF JERUSALEM P.16 ARMENIAN GENERAL BENEVOLENT UNION DEC. 2018 Jerusalem: Reclaiming Our Inheritance What’s at stake for the Armenian presence in the most hotly contested city on earth Armenian General Benevolent Union ESTABLISHED IN 1906 Central Board of Directors Հայկական Բարեգործական Ընդհանուր Միութիւն President Berge Setrakian Mission Vice Presidents To preserve and promote the Armenian heritage through worldwide educational, Sam Simonian cultural and humanitarian programs Sinan Sinanian Treasurer Annual International Budget Nazareth A. Festekjian USD Assistant Treasurer Forty-six million dollars ( ) Yervant Demirjian Education Secretary 24 primary, secondary, preparatory and Saturday schools; scholarships; alterna- Sarkis Jebejian tive educational resources (apps, e-books, AGBU WebTalks and more); American Assistant Secretary University of Armenia (AUA); AUA Extension—AGBU Artsakh Program; Arda Haratunian Armenian Virtual College (AVC); TUMO x AGBU Honorary Member Cultural, Humanitarian and Religious His Holiness Karekin II, Catholicos of All Armenians AGBU News Magazine; the AGBU Humanitarian Emergency Relief Fund for Syrian Members Armenians; athletics; camps; choral groups; concerts; dance; films; lectures; library research centers; medical centers; mentorships; music competitions; publications; radio; scouts; UNITED STATES summer internships; theater; youth trips to Armenia. Armenia: Holy Etchmiadzin; Arapkir, Noubar Afeyan Malatya and Nork Children’s Centers and Senior Dining
    [Show full text]
  • Full Discography
    DISCOGRAPHY George Schuller | drums (2014) Disc 1: Recorded January 2013, Hudson, NY except (*) recorded May 2013, Firehouse 12 Studio, New Haven, CT. Disc 2: Recorded January 2013, Firehouse 12 20 Studio, New Haven, CT. All Mixed, mastered July - November 2013, Firehouse 12 Studio, New Haven, CT. (CD) Quotes: [★★★1/2] While the 18th-century Armenian troubadour Sayat-Nova may not be a household name in the Western world, he has long been recognized as one of the greatest poets and troubadours to emerge from the Caucasus region. On the two discs that make up Sayat-Nova: Songs Of My Ancestors, the Armenian- American pianist Armen Donelian has prepared a deeply felt—and often strikingly beautiful—tribute to this distant master. Most of Sayat-Nova’s songs survive only as simple melodies, offering considerable scope to the modern RECORDINGS AS LEADER arranger. Donelian - who, in addition to having a long career in jazz, was educated in harmony and Sayat-Nova: Songs Of My counterpoint - has broken his arrangements into two distinct groups: The first disc features solo piano Ancestors versions of nine of Sayat-Nova’s compositions, while (Sunnyside SSC 4018) the second offers four more Sayat-Nova songs (plus 2 CD Set one from Armenian folk musician Khachatur Avetisyan) Disc 1 - Solo Piano performed as a trio with bass and drums. Where Do You Come From, Wandering The solo piano arrangements are, by far, the more Nightingale? (Oosdi Goukas Gharib Blbool?) extraordinary. Although Donelian is respectful of the / I Have Traveled The Whole World Over original melodies, he also appears largely unbound by (Tamam Ashkhar Bdood Eka) Without You, the constraints of any particular musical approach, What Will I Do? (Arantz Kez Eench using the spare frame of Sayat- Nova’s compositions Goneem?) / Surely, You Don't Say That You more as a compass than a map.
    [Show full text]
  • Armenian and Ottoman Classical Music Performed on The
    Ara Dinkjian is best known as the founder of the highly influential and groundbreaking instrumen- tal group, NIGHT ARK, which recorded four CDs for RCA/BMG and PolyGram/Universal. His com- positions have been recorded in thirteen different languages by top singers and musicians throughout the world (including Eleftheria Arvanitaki and Sezen Aksu), proving that music is indeed the international language. His hit “Homecoming” (“Dinata Dinata”) was performed at the closing ceremonies of the 2004 Athens Olympics. Ara Dinkjian is also consid- ered one of the top oud players in the world. He was chosen to represent the Armenians in the international oud festivals of Jerusalem and Thessaloniki. Ara Dinkjian uses La Bella oud strings. Andrew Kzirian performs widely across the US, Canada and Europe on the oud at numerous folk festivals and classical concerts. Andrew’s command of the guitar has also garnered him much acclaim in music circles around the coun- The Armenian Society of Columbia University try. Aside from his extensive touring schedule, Andrew performs as a member of the Aravod Ensemble, History Project Series and Visa and Presents has participated in collaborations with other recording artists as a composer, writer and experienced studio musician. Andrew is currently studying International Finance at Columbia University and Armenian and Ottoman holds degrees in International Relations from the University of Penn- sylvania and law from Villanova University. He has recently performed with System of a Down lead singer Serj Tankian, Gor, Sonya Varoujian Classical Music and various other artists. Performed on the Oud with Special Thanks to Aramazt Kalayjian, Miles McNulty, and Ara Dinkjian Nick Rumaczyk for Photography and Videography.
    [Show full text]
  • Properganda 0
    Properganda 0 Properganda 0 SERENADE_PROPERGANDA_ART_A4-F.in1 1 8/8/08 01:19:00 Page 4 Main Features Original Spin with Kerfuffle Ralph McTell CONTENTS 5 Folk Reviews 6 Fellside Records featuring Rachel & Lillias Jack McNeill & Charlie Heys and The Maerlock 7 Drever, McCusker, Woomble Megson Folk Reviews Country/Americana Reviews elcome to the autumn/winter issue of Properganda, our 4 W first ever push-me-pull you edition. We had so much to tell Joan Baez you about that we had to put a cover at either end. This is the Art Garfunkel 5 month that Bellowhead and Also Drever, McCusker, Woomble Catherine Maclellan 6 release new albums into the world. In DMW’s case it’s their debut Signature Sounds and Six Shooter and we are lucky to have John McCusker Roddy Woomble as our 7 Up Round Review Hot Club Of Cowtown guest contributors for this issue. 8 Mile Miracle Hightone featuring Dave Alvin, We had a great summer around various festivals giving Properganda Buddy Miller and Tom RussellUp Round Review 0 out to the assembled masses and hopefully there will be a few Country/AmericanaWoomble Roddy Reviewsfrom Editorial Guest 4 more of you out there looking forward to this issue. It’s the usual Selection Track Muskers John 5 HELLO action packed affair, with even more pages than before. Even, if Blues Caravan and Rich Man’s War Man’s Rich and Caravan Blues 6 your picking up an issue for the first time you are most welcome. Blues Reviews Blues 7 As well as 48 individual reviews, there are more exclusive interviews The Portico Quartet Portico The 8 than ever before and some new contributors have signed up to The BBC Jazz Awards Jazz BBC The 9 bring you even wider coverage of the world of specialist music.
    [Show full text]
  • You Are the Light Musica Sacra with Rose of the Compass
    Great Choir: YOU ARE THE LIGHT MUSICA SACRA WITH ROSE OF THE COMPASS Tuesday, 15 June 2021 7pm Digital Concert MUSICA SACRA: YOU ARE THE LIGHT 2 MUSICA SACRA with Rose of the Compass Kent Tritle, conductor PROGRAM You are the light (Concert Premiere) Music by Ara Dinkjian (b.1958) Text by John Lewis (1940–2020) Musica Sacra & Rose of the Compass Nox Aurumque Music by Eric Whitacre (b. 1970) Text by Charles Anthony Silvestri (b. 1965) Musica Sacra Havoon, Havoon Music by Grigor Narekatsi (950–1003) Offering Music by Ara Dinkjian Vart kaghelen goukas yar / Al Ayloughus Gorav Music attributed to Oudi Boghos Kirechjian (fl. 1930–75) and Gomidas (Komitas) Vardapet (1865–1935) Rose of the Compass There Will Come A Time (World Premiere) Music by Duncan Patton (b. 1959) Text by President Barack Obama (b. 1961) Musica Sacra Margaret Kampmeier, piano Alagyaz / Chinar Es Music collected by Gomidas Vardapet Slide Dance Music by Ara Dinkjian Aparani Bar Traditional Armenian Rose of the Compass Immigrant Songs Music by Robert Sirota (b. 1949) Text by Victoria Sirota Musica Sacra & Rose of the Compass Amy Justman, soprano; Gregory Purhagen, baritone; Michael Steinberger, tenor This concert was made possible by the generous support of Richard and Lois Pace and the Department of Cultural Affairs MUSICA SACRA: YOU ARE THE LIGHT 3 TEXTS & TRANSLATIONS You are the Light You are a light. You are the light. Never let anyone—any person or any force—dampen, dim or diminish your light. Release the need to hate, to harbor division, and the enticement of revenge.
    [Show full text]
  • ISTANBUL TECHNICAL UNIVERSITY GRADUATE SCHOOL of ARTS and SOCIAL SCIENCES Ph.D. THESIS JUNE 2012 CULTURAL MEMORY, IDENTITY A
    ISTANBUL TECHNICAL UNIVERSITY GRADUATE SCHOOL OF ARTS AND SOCIAL SCIENCES CULTURAL MEMORY, IDENTITY AND MUSIC: ARMENIANS OF TURKEY Ph.D. THESIS Burcu YILDIZ Department of Music Music Programme Anabilim Dalı : Herhangi Mühendislik, Bilim Programı : Herhangi Program JUNE 2012 ISTANBUL TECHNICAL UNIVERSITY GRADUATE SCHOOL OF ARTS AND SOCIAL SCIENCES CULTURAL MEMORY, IDENTITY AND MUSIC: ARMENIANS OF TURKEY Ph.D. THESIS Burcu YILDIZ (409062007) Department of Music Music Programme Thesis Advisor: Prof. Ş. Şehvar BEŞİROĞLU CoAnabilim-Advisor: Dalı Doç. : Dr.Herhangi Robert Mühendislik,REIGLE Bilim Programı : Herhangi Program JUNE 2012 İSTANBUL TEKN İ K ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ KÜLTÜREL BELLEK, KİMLİK VE MÜZİK: TÜRKİYE ERMENİLERİ DOKTORA TEZİ Burcu YILDIZ (409062007) Müzik Anabilim Dalı Müzik Programı Tez Danışmanı: Prof. Ş. Şehvar BEŞİROĞLU EşAnabilim Danışman: Dalı Doç. : Dr.Herhangi Robert Mühendislik, REIGLE Bilim Programı : Herhangi Program HAZİRAN 2012 Burcu YILDIZ a Ph.D. student of ITU Graduate School of Arts and Social Sciences student ID 409062007, successfully defended the dissertation entitled “CULTURAL MEMORY, IDENTITY AND MUSIC: ARMENIANS OF TURKEY”, which she prepared after fulfilling the requirements specified in the associated legislations, before the jury whose signatures are below. Thesis Advisor : Prof. Ş. Şehvar BEŞİROĞLU .............................. İstanbul Technical University Co-Advisor : Doç.Dr. Robert REIGLE .............................. İstanbul Technical University Jury Members : Prof. Songül KARAHASANOĞLU
    [Show full text]
  • İstanbul: of Mall Complete Newest City’S He Ppingcentre Guide to Go Guide to 21 SU … an O PEN İ ST MM J STANBUL D M
    JULY 2014 THE COMPLETE GUIDE TO GO® istanbul ® ISSN: 1309-3851 ISSN: Mall Of İstanbul: the city’s newest shOpping centre 21ST İSTANBUL JaZZ FESTIVAL SUMMER cOLLECTIONS OPEN AIR cONCERTS + … AND MUCH MORE Your traveling companion since 1936® ® WELCOME Editor's Letter wheremagazine WHERE MAGAZINE İSTANBUL EDITORIAL Welcome Ramadan! EDITOR Dilek Koç MANAGING DIRECTOR Gürkan Kınacı İstanbul offers an endless choice of concerts and shopping this July, along with open- CONTRIBUTING editor Emma Levine air dining, music and dance on high terraces with stunning views of the city. All these, ENGLISH edıtorıal dırector Bob Beer along with the special Ramadan activities during this special fasting month, makes DESIGNERS Tijen Tezel, Yasemin Şahin İstanbul an extra-fascinating destination this month. Throughout the city, top hotels contrıbutors Ardan Zentürk, Özden Akbal DEPUTY edıtor Özlem Aykın Kınacı and restaurants are offering a wealth of activities for Iftar, the sundown meal that oaykin@ whereistanbul.com.tr breaks the Ramadan fast each day for a month. Photo edıtor Sami Atalan During the month, the city’s galleries continue to host fine exhibitions. The Stephen consultant Aynur Koç RESPONSIBLE edıtor Aslı Koç Chambers and Andy Warhol shows are still at the Pera Museum (p. 21); İstanbul ADVERTISING & BUSINESS DEVELOPMENT Modern presents a collection of photographs documenting Turkish communal life, SALES DIRECTOR Selen Uzeroğlu Kaya and Rampa hosts This Secret World That Exists Right There In Public (p. 21). Check the [email protected] Galleries page and discover your own favourite. busıness develoPment & marKetıng MARKeting DIREctor Mahmut Bölükbaş This month’s entertainment line-up includes a great choice of indoor and outdoor [email protected] concerts, including the 21st İstanbul Jazz Festival and performances by music legends Evren Satır [email protected] Metallica, Neil Young (p.
    [Show full text]
  • The Oud: Armenian Music As a Means of Identity Preservation, Construction and Formation in Armenian American Diaspora Communities of the Eastern United States
    The Oud: Armenian Music as a Means of May 4 Identity Preservation, Construction and Formation in Armenian American Diaspora 2010 Communities of the Eastern United States Columbia Professor Melissa Bilal – The Case of the Armenians in Turkey University The Oud: Armenian Music as a Means of Identity Preservation, Construction and Formation in Armenian American Diaspora Communities of the Eastern United States For generations, Armenian American communities of the Eastern United States have held the oud to be a sacred instrument.1 This paper shall examine anecdotal and historical experiences of the Armenian American oud tradition in these communities in the contexts of identity preservation, transmission of cultural heritage and reproduction of identity. An Armenian in the United States: Memories through Music Survivors of the Armenian Genocide scattered around the world in the early part of the 20th century, forming large communities of Armenians in the United States. Lacking Armenian schools, these communities faced a challenge in preserving their ethnic identity over the long-term. Music and food preparation, in addition to religion and language at home, became the primary mediums through which families retained and institutionalized their traditions and practiced their identities. As would be expected, without Armenian schools to offer families a structured process of language teaching and retention, these other forms of cultural preservation became the primary receptacles, custodians and developmental sanctuaries of these Diaspora communities’ processes of continued identity construction. Therefore, in the public eye, an opulent cultural tradition consisting of annual food fairs and social functions became, over time, the default mainstream convention for Armenian cultural preservation in this new American setting.2 This paper examines the role of the oud as a central component of this process in the Armenian American communities of the Eastern United States.
    [Show full text]