DOCSLIB.ORG

DALLIS Product Information

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DALLIS Product Information DALLIS Product Information Revision: NEW STYLES V1 To obtain the latest documentation and software downloads, please visit: www.lawo.com/downloads Copyright All rights reserved. Permission to reprint or electronically reproduce any document or graphic in whole or in part for any reason is expressly prohibited, unless prior written consent is obtained from the Lawo AG. All trademarks and registered trademarks belong to their respective owners. It cannot be guaranteed that all product names, products, trademarks, requisitions, regulations, guidelines, specifications and norms are free from trade mark rights of third parties. All entries in this document have been thoroughly checked; however no guarantee for correctness can be given. Lawo AG cannot be held responsible for any misleading or incorrect information provided throughout this manual. Lawo AG reserves the right to change specifications at any time without notice. © Lawo AG, 2017 TABLE OF CONTENTS TABLE OF CONTENTS WELCOME ............................................................................................................................................... 4 INTRODUCTION ......................................................................................................................................... 5 FRAMES .................................................................................................................................................. 6 940-30 DALLIS FRAME 3RU ............................................................................................................. 7 940-60 DALLIS FRAME 6RU ........................................................................................................... 10 FRAME OPTIONS .......................................................................................................................... 13 PLUG-IN CARDS ..................................................................................................................................... 15 947-21 DALLIS MASTER CARD RAVENNA ...................................................................................... 17 947-22 DALLIS MASTER CARD RAVENNA / MADI ........................................................................... 18 941-53 DALLIS MIC/LINE IN (TRAFO-BAL) ....................................................................................... 19 941-55 DALLIS MIC/LINE IN (ELEC. BAL) ......................................................................................... 20 941-85 DALLIS LINE IN/OUT ............................................................................................................ 21 941-86 DALLIS LINE IN ................................................................................................................... 22 942-86 DALLIS LINE OUT ................................................................................................................ 23 942-61 DALLIS HEADPHONES OUT ................................................................................................ 24 943-03 DALLIS AES3 IN (SRC) ........................................................................................................ 25 943-53 DALLIS AES3 IN/OUT (SRC In) ............................................................................................. 26 943-55 DALLIS AES3 IN/OUT (SRC IN/OUT) ..................................................................................... 27 944-02 DALLIS AES3 OUT .............................................................................................................. 29 943-73 DALLIS AES3 IN/OUT (SRC IN, BNC) .................................................................................... 30 943-75 DALLIS AES3 IN/OUT (SRC IN/OUT, BNC) ............................................................................ 31 946-13 DALLIS HD/SD SDI .............................................................................................................. 32 946-17 DALLIS 3G/HD/SD SDI ......................................................................................................... 33 946-31 DALLIS ADAT ...................................................................................................................... 34 943-82 DALLIS INTERCOM ............................................................................................................. 36 945-01 DALLIS GPIO ...................................................................................................................... 37 945-05 DALLIS GPIO (VCA IN) ........................................................................................................ 38 945-22 DALLIS SERIAL DATA ......................................................................................................... 39 945-10 DALLIS EXTENDER ............................................................................................................. 40 DALLIS Product Information Revision: NEW STYLES V1 3/40 DALLIS WELCOME WELCOME Welcome to DALLIS, Lawo's modular I/O system. ABOUT THIS MANUAL This document provides an overview of all DALLIS frame and plug-in card options. For more detailed information, please consult the individual "Data Sheets". These are referenced by the component's part number and are available from the Download-Center at www.lawo.com (after Login). LAWO USER REGISTRATION For access to the Download-Center and to receive regular product updates, please register at: www.lawo.com/user-registration. 4/40 Revision: NEW STYLES V1 DALLIS Product Information DALLIS INTRODUCTION INTRODUCTION DALLIS (Digital And Line Level Interface System) is a very flexible and versatile I/O system that offers a wide choice of different plug-in cards. Each frame may be either 3RU or 6RU in height, and may be remote from the rest of the system. DALLIS 3RU Frame (Example Cards Fitted) A DALLIS connects to the main system via its central master card; a choice of board types allow connection via MADI, ATM or RAVENNA. A second master card may be fitted for redundancy. The remaining front panel slots can be fitted with a range of local I/O breakout options: Mic/Line, Line, AES, SDI, GPIO, etc. All cards are hot plug-able, with the exception of Phantom Power. The rear of the frame provides access to the main and redundant power supplies, plus alarm and control contacts. The system is designed with resilience in mind, and offers a number of redundancy features: § Internal point-to-point connections – internally, each I/O card connects to the master card(s) in a point-to-point fashion. This means that a single I/O card fault affects only that card, unlike a TDM bus architecture where a fault may disrupt everything connected to the bus. § Passive backplane – the frame backplane is entirely passive. With no active components, this increases reliability. § Hot-swappable Cards & PSUs – all plug-in cards (with the exception of Phantom Power) and power supply units can be hot-swapped without affecting the rest of the system. § Redundant Power Supplies – with main and redundant power supplies, each DALLIS is protected from a PSU failure. § Dual Star Topology – by fitting main and redundant master cards to a DALLIS, and connecting these to different modules within the main system, signal paths can be protected from any single point-of-failure: – Failure of the active physical link: MADI, ATM or RAVENNA. – Malfunction of the active DALLIS master card. – Malfunction of the main system module. DALLIS Product Information Revision: NEW STYLES V1 5/40 DALLIS FRAMES FRAMES DALLIS frames are designed to be mounted in a 19” rack and come in a choice of heights: 3RU or 6RU. Both variants offer 18 I/O card slots which are single-width in the 3RU and dual-width in the 6RU frame. Note that all available cards can be fitted to either frame; the 3RU frame uses the least amount of rack space when fitting predominantly single-width cards; the 6RU frame is recommended for larger numbers of dual-width cards. Slots M1 and M2 are reserved for the main and redundant master card. 3RU FRAME (940-30) 18 single-width DALLIS I/O card slots. Double width I/O cards (8HP) occupy two slots; single width I/O cards (4HP) occupy one slot. 6RU FRAME (940-60) 18 double-width DALLIS I/O card slots, plus a single width slot reserved for Phantom Power. Double width I/O cards (8HP) occupy the whole slot; single width I/O cards (4HP) must be fitted on the left of the slot and a dummy plate fitted to the right to close the gap. 3RU Frame (940-30) 6RU Frame (940-60) Width 19” 19” 483mm (front plate) 483mm (front plate) 440mm (body) 440mm (body) Height 132.5mm 265mm Cable Duct 1RU below the frame is required for cable 1RU below the frame is required for cable ducting and ventilation. ducting and ventilation. Depth 433mm (unmounted) 433mm (unmounted) 510mm (incl. rear connectors and all system 510mm (incl. rear connectors and all system locking devices) locking devices) Weight (without cards) 7.15 Kg 11 Kg 6/40 Revision: NEW STYLES V1 DALLIS Product Information DALLIS FRAMES 940-30 DALLIS FRAME 3RU KEY FEATURES § 19"/3RU chassis, 1 level for plug-in cards § 18 slots (4HP) in a grid pattern, plus 2 slots (6HP) for master cards § Double-star topology of backplane § Passive ventilation § Temperature and voltage surveillance § Alarm outputs: BNC and D-Sub § Control inputs to switch to the redundant master card (opto-coupler, 5...30V): BNC and D-Sub. Two master cards must be fitted to support this feature. Front View (Example Cards Fitted) SPECIFICATION Dimensions & Weight Height 3RU, 132.5mm
Load more

Recommended publications
  • Emerging Technology Trends Report Dante Q-LAN EBU N/ACIP
    Emerging Technology Trends Report AES Technical Committee on Network Audio Systems November 2011 Editor, Tim Shuttleworth; [email protected] This document is a compilation of contributions from numerous members of the Technical Committee on Networked Audio Systems. The committee has identified the following important topics related to emerging audio networking technologies. Technologies which have emerged since the last published Emerging Trends Report from the committee in 2007 are included. To provide structure to the report items are discussed in order of their maturity; commercialized technologies implemented in products available for purchase being discussed first and embryonic concepts in early development come up last. Other categorizations referred to in this document are consumer market orientation versus professional market focus, as well as media transport methods versus command and control protocols. Dante Dante is a media networking solution developed by Audinate. In addition to providing basic synchronization and transport protocols Dante provides simple plug and play operation, PC sound card interfacing via software or hardware, glitch free redundancy, support for AVB and support for routed IP networks. The first Dante product arrived in 2008 via a firmware upgrade for the Dolby Lake Processor and since then many professional audio and broadcast manufacturers have adopted Dante. From the beginning Dante implementations have been fully IP based, using the IEEE 1588-2002 standard for synchronization, UDP/IP for audio transport and are designed to exploit standard gigabit Ethernet switches and VoIP-style QoS technology (e.g. Diffserv). Dante is evolving with new networking standards. Audinate has produced versions of Dante that use the new Ethernet Audio Video Bridging (AVB) protocols, including IEEE 802.1AS for synchronization and RTP transport protocols.
    [Show full text]
  • Developments in Audio Networking Protocols By: Mel Lambert
    TECHNICAL FOCUS: SOUND Copyright Lighting&Sound America November 2014 http://www.lightingandsoundamerica.com/LSA.html Developments in Audio Networking Protocols By: Mel Lambert It’s an enviable dream: the ability to prominent of these current offerings, ular protocol and the basis for connect any piece of audio equip- with an emphasis on their applicability Internet-based systems: IP, the ment to other system components within live sound environments. Internet protocol, handles the and seamlessly transfer digital materi- exchange of data between routers al in real time from one device to OSI layer-based model for using unique IP addresses that can another using the long-predicted con- AV networks hence select paths for network traffic; vergence between AV and IT. And To understand how AV networks while TCP ensures that the data is with recent developments in open work, it is worth briefly reviewing the transmitted reliably and without industry standards and plug-and-play OSI layer-based model, which divides errors. Popular Ethernet-based proto- operability available from several well- protocols into a number of smaller cols are covered by a series of IEEE advanced proprietary systems, that elements that accomplish a specific 802.3 standards running at a variety dream is fast becoming a reality. sub-task, and interact with one of data-transfer speeds and media, Beyond relaying digital-format signals another in specific, carefully defined including familiar CAT-5/6 copper and via conventional AES/EBU two-chan- ways. Layering allows the parts of a fiber-optic cables. nel and MADI-format multichannel protocol to be designed and tested All AV networking involves two pri- connections—which requires dedicat- more easily, simplifying each design mary roles: control, including configur- ed, wired links—system operators are stage.
    [Show full text]
  • AES67 Standard and What It Means for the AV Industry
    TECH TALK 78 Systems Integration Asia August - September 2015 About AES67 Standard And What It Means For The AV Industry AES67 is not intended to replace existing solutions, but to offer means for interoperability among them Many of you would have heard about the AES67 standard that was developed by the Audio Engineering Society and published in September 2013. To promote the adoption of AES67, The Media Networking Alliance (MNA) was formed in October 2014. SI Asia speaks to Andreas Hildebrand,Senior Product Manager at ALC NetworX GmbH, the company that is responsible for RAVENNA networking technologies and also a member of MNA, to know more about AES67. What is AES67 all about? guidelines. A prerequisite was not In the overall audio eco- What loophole or space is to invent yet another, completely system, how does AES67 this meant to fill which was new solution, but to try to identify and the solutions fit into the not previously available? commonalities among the existing picture? AES67 is a standard published by solutions and use available technology The advantage of having an the Audio Engineering Society on standards and protocols already interoperability standard for various September 11th, 2013, addressing employed. The idea was to allow solutions is obvious: while there may be “High-performance Streaming Audio- current solution providers to adopt a sound ecosystem of products already over-IP Interoperability”. It defines a AES67 with as little effort as possible available for individual solutions, none set of guidelines which provide a basis and provide AES67 interoperability of these solutions can fit all applications for achieving interoperability between either via a special mode of operation areas.
    [Show full text]
  • Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC Networx Gmbh, Munich Topics
    Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC NetworX GmbH, Munich Topics: • Audio networking vs. OSI Layers • Overview on IP audio solutions • AES67 & RAVENNA • Real-world application examples • Brief introduction to SMPTE ST2110 • NMOS • Control protocols Overview on IP Audio Networking - A. Hildebrand # 1 Layer 2 Layer 1 AVB EtherSound Layer 3 Audio over IP Audio over Ethernet ACIP TCP unicast RAVENNA AES67 multicast RTP UDP X192 Media streaming Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 3 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 4 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP Audio over IP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 5 Layer 7 Application Application Application and Layer 6 Presentation protocol-based layers Presentation HTTP, FTP, SMNP, Layer 5 Session Session POP3, Telnet, TCP, Layer 4 Transport UDP, RTP Transport Layer 3 Network Internet Protocol (IP) Network Layer 2 Data Link Ethernet, PPP… Data Link Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 10 Physical transmission Classification by OSI network layer: Layer 1 Systems Transmit Receive Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 12 Physical transmission Layer 1 systems: • Examples: SuperMac (AES50), A-Net Pro16/64 (Aviom), Rocknet 300 (Riedel), Optocore (Optocore), MediorNet (Riedel) • Fully proprietary systems • Make use of layer 1 physical transport (e.g.
    [Show full text]
  • How AES67 & RAVENNA Enables Innovation
    How AES67 & RAVENNA enable innovation October 2018 Bill Rounopoulos Full-Stack Proprietary Technology Solutions Pros Cons Proprietary technology offer But do these technologies always offer advantages such as ease-of-use and the right tool for the job? the avoidance of interoperability • What if I need to manage both audio issues. and video signals simultaneously? • Or what if I require encryption? Different markets have different requirements LATENCY & SCALE SUPPLY CHAIN SIGNAL MIX RESILIENCE SECURITY USER SOPHISTICATION Is one tool always the right tool for the job? SOLUTION: Let Free Markets Innovate Monopolies Free Markets • Stifle Innovation • Address a wider set of needs • Reduced set of applications and applications addressed • Drive greater innovation • Benefits accrue to small • Can be counted on to develop number the right tool for the job How? The AES67 & RAVENNA ecosystem features multiple vendors innovating using core networking technology from multiple suppliers, such as Ross Video, Archwave, Merging or their own internal solutions. Analogy: Linux vs. Windows OS • 25 years ago, when Linux was still in its infancy, it was hard to use and limited in capaBility. • But it was open and free to innovate • Who guessed then how Linux would evolve? Linux Innovation in Action US ATC 24,000 85% of flights/ day smartphones Top 10 Supercomputers 50% of global fin. transactions AES67/ RAVENNA Innovation Examples AES67/ RAVENNA Innovation WAN Latency The Challenge: • Broadcasters want to transport audio across a continental network • Network
    [Show full text]
  • Ravenna & Aes67 & St2110
    The IP-based Real-Time Media Network RAVENNA & AES67 & ST2110 - Andreas Hildebrand – RAVENNA Technology Evangelist ALC NetworX, Munich # 1 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 2 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 3 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 4 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? Real-time Audio & Video Enhanced Next-Generation Network Architecture # 5 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Why RAVENNA? # 7 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Vision: a platform-independent content exchange technology Requirements: • scalable • fast • shareable • flexible • reliable 2008 • routable • non-proprietary • based on standards # 8 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Layer 2 Layer 1 AVB Audio over IP EtherSound Confusion Layer 3 ACIP TCP Livewire Market EvaluationAudio over Ethernet A-Net Technology Assessmentunicast RTP AES50 UDP MADI multicast CobraNet Media streaming Dante IP! # 10 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Why IP-based Networking? • General advantages of networking: Reliability, flexibility, versatility, accessibility, scalability, cost advantage, maintenance efficiency, … • Availability: IP-capable network equipment and infrastructure readily available and widely deployed • Based on standards: IP standard protocols (the “internet protocols”) are widely supported
    [Show full text]
  • Audio Networking Special 2017
    NETWORKING SPECIAL GEAR Products Spotlight: Riedel MediorNet MultiViewer Audio networking equipment – what’s new. Extending the capabilities of hardware through the use of software apps has been an ongoing Lawo launches mc²96 Console theme at Riedel, starting with the company’s app-driven SmartPanel, introduced two years ago. ‘A fundamental benefit of a decentralized signal network is the ability to put signal inputs and outputs where they are needed rather than at a large, monolithic router that requires additional cabling,’ said Dr. Lars Lawo has launched its Höhmann, Product new flagship audio mixing Manager at Riedel console, the fully IP-based Communications. ‘These mc²96 Grand Production benefits apply to the Console at NAB 2017. MediorNet MultiViewer as The new console has been specifically designed to provide well, since the MultiViewer optimal performance in IP video production environments hardware can be placed anywhere while leveraging the network for sources. In addition, integrating the MultiViewer into the through native support for all relevant standards — SMPTE 2110, MediorNet ecosystem removes an extra layer of gear and complexity.’ AES67, RAVENNA and DANTE. The Lawo mc²96 console, available Each single MediorNet MultiViewer engine can access any MediorNet input signal and process up to 18 signals. These in frame sizes with 24 to 200 faders with the same quality Lawo’s signals can be placed flexibly onto four physical screens or routed to any destination within the MediorNet system and output mc²90 series was known for, is designed as Lawo’s most visual at alternative locations. The MultiViewer device provides local signal inputs and outputs to offer further connectivity options, broadcast console ever.
    [Show full text]
  • Maintaining Audio Quality in the Broadcast/Netcast Facility
    Maintaining Audio Quality in the Broadcast and Netcast Facility 2019 Edition Robert Orban Greg Ogonowski Orban®, Optimod®, and Opticodec® are registered trademarks. All trademarks are property of their respective companies. © Copyright 1982-2019 Robert Orban and Greg Ogonowski. Rorb Inc., Belmont CA 94002 USA Modulation Index LLC, 1249 S. Diamond Bar Blvd Suite 314, Diamond Bar, CA 91765-4122 USA Phone: +1 909 860 6760; E-Mail: [email protected]; Site: https://www.indexcom.com Table of Contents TABLE OF CONTENTS ............................................................................................................ 3 MAINTAINING AUDIO QUALITY IN THE BROADCAST/NETCAST FACILITY ..................................... 1 Authors’ Note ....................................................................................................................... 1 Preface ......................................................................................................................... 1 Introduction ................................................................................................................ 2 The “Digital Divide” ................................................................................................... 3 Audio Processing: The Final Polish ............................................................................ 3 PART 1: RECORDING MEDIA ................................................................................................. 5 Compact Disc ..............................................................................................................
    [Show full text]
  • Markets & Applications Open Technology
    RAVENNA is a solution for real-time distribution of audio and technology will not gain significant market acceptance if it would other media content in IP-based network environments. Utilizing not be supported by an ample number of different companies. standardized network protocols and technologies, RAVENNA can Thus, ALC NetworX decided to make the underlying technology integrate and operate on existing network infrastructures. and mechanisms used in RAVENNA publicly available. Performance and capacity are scaling with the capabilities of the underlying network architecture. RAVENNA is designed to meet Standardization the strict requirements of the pro audio market featuring low While RAVENNA is already based on existing standards from the latency, full signal transparency and high reliability. audio and IT industry, the goal is to create a new standard with RAVENNA itself. ALC NetworX is actively participating in the AES Markets & Applications standards task group SC-02-12-H (X192 — High-performance stream- While primarily targeting the professional broadcast market, ing audio-over-IP interoperability) and related EBU work groups RAVENNA is also suitable for deployment in other pro audio to ensure future compliance. market segments like live sound, install market and recording. Possible fields of application include (but are not limited to) Why Audio-over-IP? in-house signal distribution in broadcasting houses, theaters, The tremendous scale of manufacturing in the data network concert halls and other fixed installations, flexible setups at world ensures large cost-savings on equipment. In addition, using venues and live events, OB van support, inter-facility links across network-based solutions for media transport enables broadcasters WAN connections and in production & recording applications.
    [Show full text]
  • LX-IP the Sound Card for the IP Studios Presentation Summary
    "Our choice of solutions is based first and foremost on quality. That means one hundred percent reliability combined with the highest possible audio quality. The Digigram IQOYA range of IP transport products offers extremely low latency, excellent audio transport stability, and numerous redundancy options. Digigram meets our most stringent criteria for developing high quality, reliable audio-over-IP solutions that we can present to our clients with complete confidence." Jean-Louis Degoul, Head End Lead Buyer, TDF Group, France LX-IP The sound card for the IP studios Presentation summary 1. Workflow and use cases overview 2. Product range 3. Benefits and assets 4. References Digigram confidential Workflow overview and use cases The audio workflow 6 Digigram confidential LX-IP applications ● Broadcast in-house ○ Signal management in central facilities and Production studios ○ Distribution between studios and production areas ○ SSL and contribution networks between regional studios ○ High density feed distribution to DSNG actors ● Mobile studios ○ OB vans ○ Connection with venue / event installations ● Installed sound ○ Inter-facility links across corporate networks ● Industrial applications ○ Ultra-precise audio distribution and management 7 Digigram confidential LX-IP use cases The perfect gateway from mission critical applications to RAVENNA / AES 67 AoIP networks Production & automation AoIP System 8 Digigram confidential MADI migration & hook-up Embedded 128/64/64 routing matrix MADI AES 67 OB-Van remote studio MAM, DAW, Automation…
    [Show full text]
  • Audio Sur Ip : Problématiques Et Perspectives D'évolution
    ÉCOLE NATIONALE SUPÉRIEURE LOUIS LUMIÈRE Mémoire de fin d'études AUDIO SUR IP : PROBLÉMATIQUES ET PERSPECTIVES D'ÉVOLUTION Partie Pratique : Projet d'Ingénierie d'un studio polyvalent en audio sur IP Marie-Angélique MENNECIER Directeur interne : Jean ROUCHOUSE Directeur externe : Jean-Marc CHOUVEL Rapporteur : Franck JOUANNY 19 juin 2015 RÉSUMÉ : À l'heure où les réseaux audio sur IP professionnels se développent, une normalisation a été effectuée par le groupe de travail AES X192 afin de permettre leur interopérabilité. L'AES67 pose les bases nécessaires pour un fonctionnement commun, et les principales solutions existant sur le marché de l'audio sur IP professionnel s'y sont conformées depuis. La problématique de ce mémoire est l'analyse des implications techniques de l'audio sur IP et des mécanismes nécessaires à une interopérabilité concrète, tout en proposant une ouverture sur les possibilités de développements futurs de cette technologie protéiforme. Dans un premier temps, nous formulerons quelques rappels sur les réseaux IP qui nous serviront de socle technique pour analyser les protocoles existants, puis comprendre les fondations nécessaires à leur fonctionnement commun. Nous pourrons enfin dégager quels écueils peuvent entraver de futurs développements. mots clés : AoIP, audio sur IP, AES67, Dante, Ravenna, Livewire, interopérabilité, AVB ABSTRACT : At times when audio over IP networks have started growing and thriving, a standardization has been discussed by the AES X192 workgroup to insure that they would be interoperable. In 2013, AES67 defined such rules, and the main audio over IP professional networks have since complied. This dissertation analyzes the technical details of such a technology, how interoperability can be effectively achieved, and how audio over IP may evolve, in the future, from its current protean form.
    [Show full text]
  • 4K AV Over IP Technical Manual
    4K AV over IP Technical Manual IP-LOGIC AV over IP Technical Manual TM-003-0001-100-00| January 10, 2020 V0.0.2 Important Safety Instructions Read this user manual carefully before using the product. Pictures shown in this manual are for reference only. Different models and specifications are subject to real product. This manual is only for operation instruction, please contact the local distributor for maintenance assistance. The functions described in this version were updated on January 2020. In the constant effort to improve the product, we reserve the right to make function or parameter changes without notice or obligation. Please refer to Zigen dealers for the latest details. This warning symbol is used to alert anyone to heed important operating, installing, and maintenance instructions. Failure to do so could result in injury to installers and end-users or damage to equipment. This lightning symbol is used to alert anyone of the presence of dangerous voltage that has to potential to cause serious injury to installers and end-users. Safety Statements 1. Follow all instructions and heed all warnings. 2. Do not expose equipment to rain or moisture and ensure that no objects containing liquids are placed on top of equipment. This includes cups, glasses, or vases. 3. Do not place equipment in confined spaces such as cabinets or bookshelves. Do not block any ventilation holes of equipment that may restrict airflow. This may cause dangerous overheating, fire hazard, or electric shock. 4. Do not place near heat sources such as fireplaces, heaters, boilers, radiators or any apparatus that produce heat such as computers or power amplifiers.
    [Show full text]