Emerging Technology Trends Report Dante Q-LAN EBU N/ACIP
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XMOS for AVB Ethernet Based Networking for Audio/Video
Only a few years ago, computer networks were complex beasts tended by special acolytes and running on different standards. Today they have become commonplace in many homes and offices, simply plugged together using Ethernet technology. The same revolutionary change is coming for Audio/Video (AV) networking, as AVB (Audio XMOS for AVB: Video Bridging) products that run over the same network, Ethernet based networking begin to enter the market. for Audio/Video Putting together networks of AV equipment for professional and consumer use, or for use in How Ethernet Works vehicles, is about to become simpler while also Within Ethernet, data is transmitted between delivering better quality. No longer will devices (such as a computer and a printer) in specialist connectors and cables be needed to packets. Each packet carries one or more create a rats' nest of connectivity. Instead addresses for its destination. Like a postal packet traversing the postal system, the network has no Audio Video Bridging (AVB), a set of knowledge of what is in the packet, but uses the international standards, will make setting up address to pass the packet to the next point in the and managing networks almost as simple as network. just plugging together the different elements. In an Ethernet based network, each endpoint Sound and video sources will be mixed and (computer, storage element, printer etc.) is distributed to screens and speakers, with high identified by a unique address and has a single quality, low latency and tight synchronization. connection to the network, through an Ethernet Furthermore, the connectors and cables are switch. -
Developments in Audio Networking Protocols By: Mel Lambert
TECHNICAL FOCUS: SOUND Copyright Lighting&Sound America November 2014 http://www.lightingandsoundamerica.com/LSA.html Developments in Audio Networking Protocols By: Mel Lambert It’s an enviable dream: the ability to prominent of these current offerings, ular protocol and the basis for connect any piece of audio equip- with an emphasis on their applicability Internet-based systems: IP, the ment to other system components within live sound environments. Internet protocol, handles the and seamlessly transfer digital materi- exchange of data between routers al in real time from one device to OSI layer-based model for using unique IP addresses that can another using the long-predicted con- AV networks hence select paths for network traffic; vergence between AV and IT. And To understand how AV networks while TCP ensures that the data is with recent developments in open work, it is worth briefly reviewing the transmitted reliably and without industry standards and plug-and-play OSI layer-based model, which divides errors. Popular Ethernet-based proto- operability available from several well- protocols into a number of smaller cols are covered by a series of IEEE advanced proprietary systems, that elements that accomplish a specific 802.3 standards running at a variety dream is fast becoming a reality. sub-task, and interact with one of data-transfer speeds and media, Beyond relaying digital-format signals another in specific, carefully defined including familiar CAT-5/6 copper and via conventional AES/EBU two-chan- ways. Layering allows the parts of a fiber-optic cables. nel and MADI-format multichannel protocol to be designed and tested All AV networking involves two pri- connections—which requires dedicat- more easily, simplifying each design mary roles: control, including configur- ed, wired links—system operators are stage. -
AES67 Standard and What It Means for the AV Industry
TECH TALK 78 Systems Integration Asia August - September 2015 About AES67 Standard And What It Means For The AV Industry AES67 is not intended to replace existing solutions, but to offer means for interoperability among them Many of you would have heard about the AES67 standard that was developed by the Audio Engineering Society and published in September 2013. To promote the adoption of AES67, The Media Networking Alliance (MNA) was formed in October 2014. SI Asia speaks to Andreas Hildebrand,Senior Product Manager at ALC NetworX GmbH, the company that is responsible for RAVENNA networking technologies and also a member of MNA, to know more about AES67. What is AES67 all about? guidelines. A prerequisite was not In the overall audio eco- What loophole or space is to invent yet another, completely system, how does AES67 this meant to fill which was new solution, but to try to identify and the solutions fit into the not previously available? commonalities among the existing picture? AES67 is a standard published by solutions and use available technology The advantage of having an the Audio Engineering Society on standards and protocols already interoperability standard for various September 11th, 2013, addressing employed. The idea was to allow solutions is obvious: while there may be “High-performance Streaming Audio- current solution providers to adopt a sound ecosystem of products already over-IP Interoperability”. It defines a AES67 with as little effort as possible available for individual solutions, none set of guidelines which provide a basis and provide AES67 interoperability of these solutions can fit all applications for achieving interoperability between either via a special mode of operation areas. -
Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC Networx Gmbh, Munich Topics
Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC NetworX GmbH, Munich Topics: • Audio networking vs. OSI Layers • Overview on IP audio solutions • AES67 & RAVENNA • Real-world application examples • Brief introduction to SMPTE ST2110 • NMOS • Control protocols Overview on IP Audio Networking - A. Hildebrand # 1 Layer 2 Layer 1 AVB EtherSound Layer 3 Audio over IP Audio over Ethernet ACIP TCP unicast RAVENNA AES67 multicast RTP UDP X192 Media streaming Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 3 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 4 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP Audio over IP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 5 Layer 7 Application Application Application and Layer 6 Presentation protocol-based layers Presentation HTTP, FTP, SMNP, Layer 5 Session Session POP3, Telnet, TCP, Layer 4 Transport UDP, RTP Transport Layer 3 Network Internet Protocol (IP) Network Layer 2 Data Link Ethernet, PPP… Data Link Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 10 Physical transmission Classification by OSI network layer: Layer 1 Systems Transmit Receive Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 12 Physical transmission Layer 1 systems: • Examples: SuperMac (AES50), A-Net Pro16/64 (Aviom), Rocknet 300 (Riedel), Optocore (Optocore), MediorNet (Riedel) • Fully proprietary systems • Make use of layer 1 physical transport (e.g. -
Public Address System Network Design Considerations
AtlasIED APPLICATION NOTE Public Address System Network Design Considerations Background AtlasIED provides network based Public Address Systems (PAS) that are deployed on a wide variety of networks at end user facilities worldwide. As such, a primary factor, directly impacting the reliability of the PAS, is a properly configured, reliable, well-performing network on which the PAS resides/functions. AtlasIED relies solely upon the end user’s network owner/manager for the design, provision, configuration and maintenance of the network, in a manner that enables proper PAS functionability/functionality. Should the network on which the PAS resides be improperly designed, configured, maintained, malfunctions or undergoes changes or modifications, impacts to the reliability, functionality or stability of the PAS can be expected, resulting in system anomalies that are outside the control of AtlasIED. In such instances, AtlasIED can be a resource to, and support the end user’s network owner/manager in diagnosing the problems and restoring the PAS to a fully functioning and reliable state. However, for network related issues, AtlasIED would look to the end user to recover the costs associated with such activities. While AtlasIED should not be expected to actually design a facility’s network, nor make formal recommendations on specific network equipment to use, this application note provides factors to consider – best practices – when designing a network for public address equipment, along with some wisdom and possible pitfalls that have been gleaned from past experiences in deploying large scale systems. This application note is divided into the following sections: n Local Network – The network that typically hosts one announcement controller and its peripherals. -
How AES67 & RAVENNA Enables Innovation
How AES67 & RAVENNA enable innovation October 2018 Bill Rounopoulos Full-Stack Proprietary Technology Solutions Pros Cons Proprietary technology offer But do these technologies always offer advantages such as ease-of-use and the right tool for the job? the avoidance of interoperability • What if I need to manage both audio issues. and video signals simultaneously? • Or what if I require encryption? Different markets have different requirements LATENCY & SCALE SUPPLY CHAIN SIGNAL MIX RESILIENCE SECURITY USER SOPHISTICATION Is one tool always the right tool for the job? SOLUTION: Let Free Markets Innovate Monopolies Free Markets • Stifle Innovation • Address a wider set of needs • Reduced set of applications and applications addressed • Drive greater innovation • Benefits accrue to small • Can be counted on to develop number the right tool for the job How? The AES67 & RAVENNA ecosystem features multiple vendors innovating using core networking technology from multiple suppliers, such as Ross Video, Archwave, Merging or their own internal solutions. Analogy: Linux vs. Windows OS • 25 years ago, when Linux was still in its infancy, it was hard to use and limited in capaBility. • But it was open and free to innovate • Who guessed then how Linux would evolve? Linux Innovation in Action US ATC 24,000 85% of flights/ day smartphones Top 10 Supercomputers 50% of global fin. transactions AES67/ RAVENNA Innovation Examples AES67/ RAVENNA Innovation WAN Latency The Challenge: • Broadcasters want to transport audio across a continental network • Network -
Ravenna & Aes67 & St2110
The IP-based Real-Time Media Network RAVENNA & AES67 & ST2110 - Andreas Hildebrand – RAVENNA Technology Evangelist ALC NetworX, Munich # 1 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 2 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 3 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 4 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? Real-time Audio & Video Enhanced Next-Generation Network Architecture # 5 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Why RAVENNA? # 7 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Vision: a platform-independent content exchange technology Requirements: • scalable • fast • shareable • flexible • reliable 2008 • routable • non-proprietary • based on standards # 8 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Layer 2 Layer 1 AVB Audio over IP EtherSound Confusion Layer 3 ACIP TCP Livewire Market EvaluationAudio over Ethernet A-Net Technology Assessmentunicast RTP AES50 UDP MADI multicast CobraNet Media streaming Dante IP! # 10 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Why IP-based Networking? • General advantages of networking: Reliability, flexibility, versatility, accessibility, scalability, cost advantage, maintenance efficiency, … • Availability: IP-capable network equipment and infrastructure readily available and widely deployed • Based on standards: IP standard protocols (the “internet protocols”) are widely supported -
Dante Networking Guide
Dante Networking Guide Version 2.0.0.0 July 7, 2017 Copyright notice The information contained in this manual is subject to change without notice. Peavey Electronics is not liable for improper installation or configuration. The information contained herein is intended only as an aid to qualified personnel in the design, installation and maintenance of engineered audio systems. The installing contractor or end user is ultimately responsible for the successful implementation of these systems. All creative content in this manual, including the layout, art design, content, photography, drawings, specifications and all other intellectual property is Copyright © 2016 Peavey Electronics Corporation. All Rights Reserved. Features & specifications subject to change without notice. All other registered trademarks or trademarks are the property of their respective owners. Email:[email protected] (mailto:[email protected]). Scope This guide is designed to help you understand the considerations when using MediaMatrix products on Dante networks. It is important that it is read and understood by network designers and systems administrators. ii Version 2.0.0.0 July 7, 2017 Contents Chapter 1 Basics ..................................................................................................... 1 Introduction ............................................................................................................................................... 2 Introducing Pandad ................................................................................................................................. -
Audio Networking Special 2017
NETWORKING SPECIAL GEAR Products Spotlight: Riedel MediorNet MultiViewer Audio networking equipment – what’s new. Extending the capabilities of hardware through the use of software apps has been an ongoing Lawo launches mc²96 Console theme at Riedel, starting with the company’s app-driven SmartPanel, introduced two years ago. ‘A fundamental benefit of a decentralized signal network is the ability to put signal inputs and outputs where they are needed rather than at a large, monolithic router that requires additional cabling,’ said Dr. Lars Lawo has launched its Höhmann, Product new flagship audio mixing Manager at Riedel console, the fully IP-based Communications. ‘These mc²96 Grand Production benefits apply to the Console at NAB 2017. MediorNet MultiViewer as The new console has been specifically designed to provide well, since the MultiViewer optimal performance in IP video production environments hardware can be placed anywhere while leveraging the network for sources. In addition, integrating the MultiViewer into the through native support for all relevant standards — SMPTE 2110, MediorNet ecosystem removes an extra layer of gear and complexity.’ AES67, RAVENNA and DANTE. The Lawo mc²96 console, available Each single MediorNet MultiViewer engine can access any MediorNet input signal and process up to 18 signals. These in frame sizes with 24 to 200 faders with the same quality Lawo’s signals can be placed flexibly onto four physical screens or routed to any destination within the MediorNet system and output mc²90 series was known for, is designed as Lawo’s most visual at alternative locations. The MultiViewer device provides local signal inputs and outputs to offer further connectivity options, broadcast console ever. -
Lynx Aurora User Manual
Mastering Analog to Digital / Digital to Analog Converter User Manual Including February 2017 Version 8 Firmware and Feature Update Lynx Studio Technology, Inc. www.lynxstudio.com [email protected] Updated: July 1, 2020 Purchase Date: _____________________________________________________ Dealer Name: _____________________________________________________ Dealer Telephone: _____________________________________________________ Hilo Serial Number: _____________________________________________________ LSlot Serial Number: _____________________________________________________ Lynx Hilo User Manual Copyright © 2011-2020, Lynx Studio Technology Inc. User Manual Table of Contents 1 Introduction ................................................................................................................................ 1 1.1 Overview ......................................................................................................................... 1 1.2 Features ........................................................................................................................... 1 1.3 In the Box ........................................................................................................................ 1 1.4 Power and Safety Information ......................................................................................... 1 1.5 Rack-Mounting ................................................................................................................ 1 1.6 Operation Requirements ................................................................................................. -
Digital Audio Systems
Digital Audio Systems While analog audio produces a constantly varying voltage or current, digital audio produces a non-continuous list of numbers. The maximum size of the numbers will determine the dynamic range of the system, since the smallest signal possible will result from the lowest order bit (LSB or least significant bit) changing from 0 to 1. The D/A converter will decode this change as a small voltage shift, which will be the smallest change the system can produce. The difference between this voltage and the voltage encoded by the largest number possible (all bits 1’s) will become the dynamic range. This leads to one of the major differences between analog and digital audio: as the signal level increases, an analog system tends to produce more distortion as overload is approached. A digital system will introduce no distortion until its dynamic range is exceeded, at which point it produces prodigious distortion. As the signal becomes smaller, an analog system produces less distortion until the noise floor begins to mask the signal, at which point the signal-to-noise ratio is low, but harmonic distortion of the signal does not increase. With low amplitude signals, a digital system produces increasing distortion because there are insufficient bits available to accurately measure the small signal changes. There is a difference in the type of interference at low signal levels between analog and digital audio systems. Analog systems suffer from thermal noise generated by electronic circuitry. This noise is white noise: that is, it has equal power at every frequency. It is the “hiss” like a constant ocean roar with which we are so familiar. -
Maintaining Audio Quality in the Broadcast/Netcast Facility
Maintaining Audio Quality in the Broadcast and Netcast Facility 2019 Edition Robert Orban Greg Ogonowski Orban®, Optimod®, and Opticodec® are registered trademarks. All trademarks are property of their respective companies. © Copyright 1982-2019 Robert Orban and Greg Ogonowski. Rorb Inc., Belmont CA 94002 USA Modulation Index LLC, 1249 S. Diamond Bar Blvd Suite 314, Diamond Bar, CA 91765-4122 USA Phone: +1 909 860 6760; E-Mail: [email protected]; Site: https://www.indexcom.com Table of Contents TABLE OF CONTENTS ............................................................................................................ 3 MAINTAINING AUDIO QUALITY IN THE BROADCAST/NETCAST FACILITY ..................................... 1 Authors’ Note ....................................................................................................................... 1 Preface ......................................................................................................................... 1 Introduction ................................................................................................................ 2 The “Digital Divide” ................................................................................................... 3 Audio Processing: The Final Polish ............................................................................ 3 PART 1: RECORDING MEDIA ................................................................................................. 5 Compact Disc ..............................................................................................................