Reading Blue Jeans Clothing and Culture
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Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
She Has Good Jeans: a History of Denim As Womenswear
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 She Has Good Jeans: A History of Denim as Womenswear Marisa S. Bach Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bach, Marisa S., "She Has Good Jeans: A History of Denim as Womenswear" (2018). Senior Projects Spring 2018. 317. https://digitalcommons.bard.edu/senproj_s2018/317 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. She Has Good Jeans: A History of Denim as Womenswear Senior Project Submitted to The Division of Arts of Bard College by Marisa Bach Annandale-on-Hudson, New York May 2018 Acknowledgements To my parents, for always encouraging my curiosity. To my advisor Julia Rosenbaum, for guiding me through this process. You have helped me to become a better reader and writer. Finally, I would like to thank Leandra Medine for being a constant source of inspiration in both writing and personal style. -
Rolled Edge Napkins Created By: Melinda Stephenson
Beginning Serging: Rolled Edge Napkins Created by: Melinda Stephenson One of the most often used stitches on your serger, apart from the four thread overlock, is the rolled edge. This works beautifully on napkins, as well as for hemming difficult to hem, slippery chiffon. To learn how to serge a rolled hem, start with either 100% cotton, 100% linen or a cotton/linen blend. These natural fabrics work best for napkins as they absorb moisture. Polyester or any synthetic fabric blends are not recommended for making napkins— they just don’t absorb as well. Supplies: • Cotton or linen squares cut to 18 or 20” • Scrap fabric cut from the same linen or cotton • 2 cones serger thread • 1 cone Wooly Nylon • Seam sealant (Fray-Check) 3. Set Tension: • Instruction manual a. Right needle: Normal • Optional: clear wash-away stabilizer b. Upper Looper: 2-3 (check your owner’s manual) Machine Set-up c. Lower Looper: 5-7 (check your owner’s manual) 3-thread Rolled Hem 4. Set Stitch Length: 1.0-2.0 (check your owner’s 1. Remove your left needle. manual) 2. Thread your machine: Wooly Nylon in Upper 5. Set Differential Feed: 1.0 or N (if edges draw in Looper and serger thread in right needle and and pucker, try .5) lower looper. 6. Set Stitch Finger: disengaged 7. Set knife: engaged elnaUSA.com Page 1 Beginning Serging: Rolled Edge Napkins Practice: 5. Stitch a few stitches until your napkin is about halfway beneath the presser foot, right up to, Using a piece of scrap fabric that is the same but not beneath, the needle. -
Skinny Scarves by SUSAN BECK
This article originally appeared in Through the Needle ONLINE Issue 9 Skinny Scarves by SUSAN BECK These long, narrow scarves made of t-shirt knit or sheer fabric are fast to make and fun to wear – one, two, or even three at a time! They’re a great item to make for craft fairs and bazaars – and they also make great gifts! Directions Cut a rectangle of fabric 10” wide and 3 yards long. Note: The more lightweight the fabric, the wider the scarf can be (12”-14”). If the fabric has more bulk, you can cut it very narrow (6”-8”). Thread the serger for a 3-thread rolled hem, adjusting the tensions as directed in your user manual. Generally, the needle tension will be normal, the upper looper tension will be loose, and the lower tension will be tight. Sew a sample on fabric scraps to decide if the resulting rolled edge looks the way you want it to. Adjust the settings as needed. Different fabric types and weights may require different tension adjustments for the perfect rolled edge. Serge all four edges of the scarf, starting at one end and serging off the opposite end, and trimming the edge slightly as you go. Supplies • 3 yards of lightweight, sheer, or single knit fabric in polyester, cotton, rayon, or silk (yardage will make 4-6 scarves) • Serger with 2- or 3-thread rolled hem capabilities • Three cones or spools of fine (60-weight) thread to match or blend with the fabric • Seam sealant Tip: Hold your hand lightly on the fabric to the left of Option 3: To wear the foot to make sure the fabric is going under the two or three scarves needle and not falling away after it passes the knife. -
Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C
DOCUMENT RESUME ID 087 919 CB 001 018 AUTHOR Hayes, Philip TITLE Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C. Vocational Education Media Center.; South Carolina State Dept. of Education, Columbia. Office of Vocational Education. PUB DATE 72 NOTE 100p. EDRS PRICE MF-$0.75 HC-$4.20 DESCRIPTORS Business Education; Clothing Design; *Distributive Education; *Guides; High School Curriculum; Manuals; Student Developed Materials; *Student Projects IDENTIFIERS *Career Awareness; South Carolina ABSTRACT This semester-length guide for high school distributive education students is geared to start the student thinking about the vocation he would like to enter by exploring one area of interest in marketing and distribution and then presenting the results in a research paper known as an area of distribution manual. The first 25 pages of this document pertain to procedures to follow in writing a manual, rules for entering manuals in national Distributive Education Clubs of America competition, and some summary sheet examples of State winners that were entered at the 25th National DECA Leadership Conference. The remaining 75 pages are an example of an area of distribution manual on "How Fashion Changes Relate to Fashion Designing As a Career," which was a State winner and also a national finalist. In the example manual, the importance of fashion in the economy, the large role fashion plays in the clothing industry, the fast change as well as the repeating of fashion, qualifications for leadership and entry into the fashion world, and techniques of fabric and color selection are all included to create a comprehensive picture of past, present, and future fashion trends. -
Trademark Law and the Prickly Ambivalence of Post-Parodies
8 Colman Final.docx (DO NOT DELETE) 8/28/2014 3:07 PM ESSAY TRADEMARK LAW AND THE PRICKLY AMBIVALENCE OF POST-PARODIES CHARLES E. COLMAN† This Essay examines what I call “post-parodies” in apparel. This emerging genre of do-it-yourself fashion is characterized by the appropriation and modification of third-party trademarks—not for the sake of dismissively mocking or zealously glorifying luxury fashion, but rather to engage in more complex forms of expression. I examine the cultural circumstances and psychological factors giving rise to post-parodic fashion, and conclude that the sensibility causing its proliferation is grounded in ambivalence. Unfortunately, current doctrine governing trademark “parodies” cannot begin to make sense of post-parodic goods; among other shortcomings, that doctrine suffers from crude analytical tools and a cramped view of “worthy” expression. I argue that trademark law—at least, if it hopes to determine post-parodies’ lawfulness in a meaning ful way—is asking the wrong questions, and that existing “parody” doctrine should be supplanted by a more thoughtful and nuanced framework. † Acting Assistant Professor, New York University School of Law. I wish to thank New York University professors Barton Beebe, Michelle Branch, Nancy Deihl, and Bijal Shah, as well as Jake Hartman, Margaret Zhang, and the University of Pennsylvania Law Review Editorial Board for their assistance. This piece is dedicated to Anne Hollander (1930–2014), whose remarkable scholarship on dress should be required reading for just about everyone. (11) 8 Colman Final.docx (DO NOT DELETE)8/28/2014 3:07 PM 12 University of Pennsylvania Law Review Online [Vol. -
Kontoor Brands Accelerates Global Distribution of Wrangler® and Lee® with Leading Retail Distributor Jamilco
January 28, 2021 Kontoor Brands Accelerates Global Distribution of Wrangler® and Lee® with Leading Retail Distributor Jamilco Jamilco Named as Primary Distributor and Retailer of Wrangler® and Lee® for Russia, Belorussia, Armenia and Kyrgyzstan Antwerp, Belgium (January 28, 2021) - Kontoor Brands, Inc. (NYSE: KTB), a global lifestyle apparel company, with a portfolio led by two of the world’s most iconic consumer brands, Wrangler® and Lee®, today announced a key retail and distribution relationship with Jamilco, amplifying Kontoor’s commitment to accelerating the Wrangler and Lee brands’ growth around the world. The new collaboration will expand Wrangler and Lee distribution in Russia through wholesale, retail and digital channels to Russian cities and territories including Belarus, Armenia and Kyrgyzstan. “As our brands continue to grow in popularity with the Russian consumer, a strong distribution and retail partner is essential to continue to build on the momentum our brands have in this market,” said Simon Fisher, Managing Director EMEA, Kontoor Brands. “Jamilco’s unique understanding of the market and proven success across all distribution channels make them the perfect partner for expanding our brands’ distribution and product accessibility throughout Russia.” Building on their proven success of building apparel brands in the Russian market, Jamilco will expand the Wrangler and Lee retail presence to more than 30 branded stores, including two Wrangler and Lee mono-branded flagship stores. The collaboration will also include an expansion of the brands’ digital channels including the launch of e-commerce platforms that will leverage Jamilco’s digital-first approach. “We are excited by the opportunity to partner with Kontoor Brands to bring the Wrangler and Lee brands to even more Russian consumers through our successful distribution network,” said Kira Balashova, General Director of Jamilco. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
& What to Wear
& what to wear One of the most difficult areas of cruising can be what to pack; does the cruise have formal nights, casual night, and what should you wear? There are so many options, and so many cruise liners to & what to wear suit any fashionista!So here’s a guide to help you out. Not Permitted in Cruise Line On-board Dress Code Formal Nights Non Formal Nights Day Wear Restaurants • Polo Shirts • Trousers • No Bare Feet • Dinner Jacket • Casual • Tank Tops • Shirt • Swimwear • Swim Wear • Resort Casual N/A Azamara • Sports Wear • Caps • Casual Dresses • Jeans • Shorts • Separates • Jeans • Trousers • Suits • Jeans • Shorts • Tuxedos • Long Shorts • Swimwear • Beach Flip Flops • Cruise Casual • Dinner Jacket • Polo Shirts • Shorts • Swimwear • Cruise Elegant Carnival • T-Shirts • Cut-off Jeans • Evening Gown • Casual Dress • Summer Dresses • Sleeveless Tops • Dress • Trousers • Caps • Formal Separates • Blouses • Polo Shirt • Swimwear • T-Shirts • Trousers • Shorts • Swimwear • Tuxedo • Dinner jacket • Trousers • Robes • Formal • Suit (with Tie) • Dresses • T-Shirts • Tank Tops Celebrity • Smart Casual • Skirt • Jeans • Beachwear • Evening Gown • Blouse • Casual • Shorts • Trousers • Flip Flops • Jeans • Polo Shirts • Shirts • Swimwear • Suits • Shorts • Shorts Costa • Resort Wear • Summer dresses • Jeans • Swimwear • Cocktail Dresses • Casual separates • Sports Wear • Flip Flops • Skirts • T-shirts • Dinner Jacket • Suit ( no tie ) • Sensible shoes • Suit • Shorts • Formal • Warm jacket Cruise & Maritime • Casual dress • Swimwear • Deck -
Meeting Packet
Atlanta Neighborhood Charter School ANCS Governing Board Monthly Meeting Date and Time Thursday August 19, 2021 at 6:30 PM EDT Notice of this meeting was posted on the ANCS website and both ANCS campuses in accordance with O.C.G.A. § 50-14-1. Agenda Purpose Presenter Time I. Opening Items 6:30 PM Opening Items A. Record Attendance and Guests Kristi 1 m Malloy B. Call the Meeting to Order Lee Kynes 1 m C. Brain Smart Start Mark 5 m Sanders D. Public Comment 5 m E. Approve Minutes from Prior Board Meeting Approve Kristi 3 m Minutes Malloy Approve minutes for ANCS Governing Board Meeting on June 21, 2021 F. PTCA President Update Rachel 5 m Ezzo G. Principals' Open Forum Cathey 10 m Goodgame & Lara Zelski Standing monthly opportunity for ANCS principals to share highlights from each campus. II. Executive Director's Report 7:00 PM A. Executive Director Report FYI Chuck 20 m Meadows Powered by BoardOnTrack 1 of1 of393 2 Atlanta Neighborhood Charter School - ANCS Governing Board Monthly Meeting - Agenda - Thursday August 19, 2021 at 6:30 PM Purpose Presenter Time III. DEAT Update 7:20 PM A. Monthly DEAT Report FYI Carla 5 m Wells IV. Finance & Operations 7:25 PM A. Monthly Finance & Operations Report Discuss Emily 5 m Ormsby B. Vote on 2021-2022 Financial Resolution Vote Emily 10 m Ormsby V. Governance 7:40 PM A. Monthly Governance Report FYI Rhonda 5 m Collins B. Vote on Committee Membership Vote Lee Kynes 5 m C. Vote on Nondiscrimination & Parental Leave Vote Rhonda 10 m Policies Collins D. -
California VOL
california VOL. 73 NO.Apparel 29 NewsJULY 10, 2017 $6.00 2018 Siloett Gets a WATERWEAR Made-for-TV Makeover TEXTILE Tori Praver Swims TRENDS In the Pink in New Direction Black & White Stay Gold Raj, Sports Illustrated Team Up TRENDS Cruise ’18— Designer STREET STYLE Viewpoint Venice Beach NEW RESOURCES Drupe Old Bull Lee Horizon Swim Z Supply 01.cover-working.indd 2 7/3/17 6:39 PM APPAREL NEWS_jan2017_SAF.indd 1 12/7/16 6:23 PM swimshowmiami.indd 1 12/27/16 2:41 PM SWIM COLLECTIVE BOOTH 528 MIAMI SHOW BOOTH 224 HALL B SURF EXPO BOOTH 3012 Sales Inquiries 1.800.463.7946 [email protected] • seaandherswim.com seaher.indd 1 6/28/17 2:30 PM thaikila.indd 4 6/23/17 11:56 AM thaikila.indd 5 6/23/17 11:57 AM JAVITS CENTER MANDALAY BAY NEW! - HALL 1B CONVENTION CENTER AUGUST SUN 06 MON 14 MON 07 TUES 15 TUES 08 WED 16 SPRING SUMMER 2018 www.eurovetamericas.com info@curvexpo | +1.212.993.8585 curve_resedign.indd 1 6/30/2017 9:39:24 AM curvexpo.indd 1 6/30/17 9:32 AM mbw.indd 1 7/6/17 2:24 PM miraclesuit.com magicsuitswim.com 212-730-9555 aandhswim.indd 6 6/28/17 2:13 PM creora® Fresh odor neutralizing spandex for fresh feeling. creora® highcloTM super chlorine resistant spandex for lasting fit and shape retention. Outdoor Retailer Show 26-29 July 2017 Booth #255-313 www.creora.com creora® is registered trade mark of the Hyosung Corporation for its brand of premium spandex. -
Denim – Construction and Common Terminology
Denim – Construction and Common Terminology Denim Construction Denim is made from rugged tightly woven twill, in which the weft passes under two or more warp threads. Lengthwise, yarns are dyed with indigo or blue dye; horizontal yarns remain white. The yarns have a very strong twist to make them more durable, but this also affects the denim’s color. The yarns are twisted so tightly that the indigo dye usually colors only the surface, leaving the yarns center white. The blue strands become the threads that show on the outside of your denim, and the white are the ones that make the inside of your denim look white. This produces the familiar diagonal ribbing identifiable on the reverse of the fabric. Through wear, the indigo yarn surface gives way, exposing the white yarn underneath which causes denim to fade. Jeans are basic 5 pockets pants, or trousers, made from denim. The word comes from the name of a sturdy fabric called serge, originally made in Nimes, France. Originally called serge de Nimes (fabric of Nimes), the name was soon shortened to denim (de Nimes). Denim was traditionally colored blue with natural indigo dye to Black denim make blue Jeans, though “jean” then denoted a different, lighter cotton textile; the contemporary use of jean comes from the French word for Genoa, Italy, where the first denim trousers were made. Jeans transcend age, economic and style barriers. Washes, embellishments, leg openings and labels fluctuate with fashion whims, but jeans themselves have reached iconic status. Cross hatch denim Common terminology used in Denim fabric construction and processing ANTI-TWIST is a step in the finishing process, before sanforization, that corrects denim’s natural tendency to twist in the direction of the diagonal twill weaves.