Copycat-Walk:Parody in Fashion
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Trademark Law and the Prickly Ambivalence of Post-Parodies
8 Colman Final.docx (DO NOT DELETE) 8/28/2014 3:07 PM ESSAY TRADEMARK LAW AND THE PRICKLY AMBIVALENCE OF POST-PARODIES CHARLES E. COLMAN† This Essay examines what I call “post-parodies” in apparel. This emerging genre of do-it-yourself fashion is characterized by the appropriation and modification of third-party trademarks—not for the sake of dismissively mocking or zealously glorifying luxury fashion, but rather to engage in more complex forms of expression. I examine the cultural circumstances and psychological factors giving rise to post-parodic fashion, and conclude that the sensibility causing its proliferation is grounded in ambivalence. Unfortunately, current doctrine governing trademark “parodies” cannot begin to make sense of post-parodic goods; among other shortcomings, that doctrine suffers from crude analytical tools and a cramped view of “worthy” expression. I argue that trademark law—at least, if it hopes to determine post-parodies’ lawfulness in a meaning ful way—is asking the wrong questions, and that existing “parody” doctrine should be supplanted by a more thoughtful and nuanced framework. † Acting Assistant Professor, New York University School of Law. I wish to thank New York University professors Barton Beebe, Michelle Branch, Nancy Deihl, and Bijal Shah, as well as Jake Hartman, Margaret Zhang, and the University of Pennsylvania Law Review Editorial Board for their assistance. This piece is dedicated to Anne Hollander (1930–2014), whose remarkable scholarship on dress should be required reading for just about everyone. (11) 8 Colman Final.docx (DO NOT DELETE)8/28/2014 3:07 PM 12 University of Pennsylvania Law Review Online [Vol. -
Chilling Effects”? Takedown Notices Under Section 512 of the Digital Millennium Copyright Act
Efficient Process or “Chilling Effects”? Takedown Notices Under Section 512 of the Digital Millennium Copyright Act Summary Report Jennifer M. Urban Director, Intellectual Property Clinic University of Southern California and Laura Quilter Non-Resident Fellow, Samuelson Clinic University of California, Berkeley Introduction This is a summary report of findings from a study of takedown notices under Section 512 of the Digital Millennium Copyright Act.1 Section 512 grants safe harbor from secondary copyright liability (i.e., the copyright infringement of their end users) to online service providers (OSPs), such as Internet access providers or online search engines. In order to receive the safe harbor, online service providers respond to cease-and-desist letters from copyright complainants by pulling their users’ information—web pages, forum postings, blog entries, and the like—off the Internet. (In the case of search engine providers, the link to the complained-of web site is pulled out of the index; in turn, the web site disappears from the search results pages. These notices are somewhat troubling in and of themselves, as merely providing a link is unlikely to create secondary liability for the search engine, in the first place.) Because the OSP is removing material in response to a private cease-and-desist letter that earns it a safe harbor, no court sees the dispute in advance of takedown. In this study, we traced the use of the Section 512 takedown process and considered how the usage patterns we found were likely to affect expression -
SUMMER ART INQUIRY 2018 a Resource Guide P AG a ND A
P RO SUMMER ART INQUIRY 2018 a resource guide P AG A ND A PROPAGANDA a program resource guide summer art inquiry new urban arts 2018 New Urban Arts is a nationally recognized interdisciplinary arts studio for high school students and artists in Providence, Rhode Island. Our mission is to build a vital community that empowers young people as artists and leaders, through developing creative practices they can sustain throughout their lives. We provide studio and exhibition space and mentoring for young artists who explore the visual, performing and literary arts. Founded in 1997, New Urban Arts is housed in a storefront art studio, located in the West End neighborhood of Providence. Our facilities include a gallery, darkroom, screen-printing studio, tabletop printing press, recording studio, resource library, administrative offices, computer lab and 6,000 square feet of open studio space. We serve over 500 high school students, 18 artists and over 2,000 ABOUT NEW URBAN ARTS visitors through free youth programs, professional development, artist residencies as well as public performances, workshops and exhibitions each year. NEW URBAN ARTS 705 Westminster Street, Providence, RI 02903 p 401 751 4556 f 401 273 8499 www.newurbanarts.org [email protected] 4 ACKNOWLEDGEMENTS This program resource guide was created by summer scholar, Eli Nixon, with pub- lication design by artist mentor, Dean Sudarsky, photography by Eli Nixon, Dana Heng, and Jobanny Cabrera; and editing by Emily Ustach and Sophia Mackenzie. Special thanks to our Summer Scholar, Eli Nixon for all of their guidance, and support throughout the summer. Thank you to all the visiting artists and scholars who helped us this summer including Meredith Stern, Ricky Katowicz, Dana Heng, and Ian Cozzens. -