Architecture in Archaeology: an Examination of Domestic Space in Bronze Age Mesopotamia Megan E
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300 Series Two Man Hole Diggers Operator Manuals
OPERATOR MANUAL Includes Safety, Service and Replacement Part Information 300 Series Hole Diggers Models: 330H, 343H, 357H Form: GOM12070702 Version 1.2 Do not discard this manual. Before operation, read and comprehend its contents. Keep it readily available for reference during operation or when performing any service related function. When ordering replacement parts, please supply the following information: model number, serial number and part number. For customer service assistance, telephone 800.533.0524, +507.451.5510. Our Customer Service Department telefax number is 877.344.4375 (DIGGER 5), +507.451.5511. There is no charge for customer service activities. Internet address: http://www.generalequip.com. E-Mail: [email protected]. The products covered by this manual comply with the mandatory requirements of 98/37/EC. Copyright 2009, General Equipment Company. Manufacturers of light construction equipment Congratulations on your decision to purchase a General light construction product. From our humble beginnings in 1955, it has been a continuing objective of General Equipment Company to manufacture equipment that delivers uncompromising value, service life and investment return. Because of this continuous commitment for excellence, many products bearing the General name actually set the standards by which competitive products are judged. When you purchased this product, you also gained access to a team of dedicated and knowledgeable support personnel that stand willing and ready to provide field support assistance. Our team of sales representatives and in house factory personnel are available to ensure that each General product delivers the intended performance, value and investment return. Our personnel can readily answer your concerns or questions regarding proper applications, service requirements and warranty related problems. -
Archaeological Modeling Study
Draft Report Archaeological Modeling for Segment II/III of the Eastern Corridor Multimodal Projects (HAM-SR32-0.00, PID 22970; FHWA-OH-EIS-04-02) G R AY & PA P E , I N C. ARCHAEOLOGY HISTORY HISTORIC PRESERVATION January 14, 2009 Submitted for: ENTRAN 1848 Summit Road Cincinnati, Ohio 45237 Submitted by: Gray & Pape, Inc. 1318 Main Street Cincinnati, Ohio 45202 Gray & Pape Project No. 08-11401 Project No. 08-11401 Archaeological Modeling for Segment II/III of the Eastern Corridor Multimodal Projects (HAM-SR32-0.00, PID 22970; FHWA-OH-EIS-04-02) Submitted to: ENTRAN 1848 Summit Road Cincinnati, Ohio 45237 (513) 761-1700 Contact: Deb Osborne Submitted by: Michael Striker, M.A., RPA Gray & Pape, Inc. 1318 Main Street Cincinnati, Ohio 45202 Tel: (513) 287-7700 __________________________ W. Kevin Pape Project Manager January 14, 2009 ABSTRACT Under contract to ENTRAN, Gray & Pape, Inc. has prepared recommendations concerning the archaeological potential of Segment II/III of the Eastern Corridor Multimodal Projects (HAM-SR32-0.00, PID 22970; FHWA-OH-EIS-04-02), located in Hamilton and Clermont Counties, Ohio. The recommendations are based on a model developed by Gray & Pape, Inc. using the results of previous work conducted for the project (Weed 2002), documentary research, interviews with landowners and other knowledgeable parties, and an informal reconnaissance of the project area. Gray & Pape, Inc. divided the project area into three zones: Zone 1 is the undeveloped floodplains and terraces of the Little Miami River. Zone 2 includes floodplains and terraces that have been developed in historical times, and Zone 3 includes the valley and uplands east of the Village of Newtown. -
Ancient Jades Map 3,000 Years of Prehistoric Exchange in Southeast Asia
Ancient jades map 3,000 years of prehistoric exchange in Southeast Asia Hsiao-Chun Hunga,b, Yoshiyuki Iizukac, Peter Bellwoodd, Kim Dung Nguyene,Be´ re´ nice Bellinaf, Praon Silapanthg, Eusebio Dizonh, Rey Santiagoh, Ipoi Datani, and Jonathan H. Mantonj Departments of aArchaeology and Natural History and jInformation Engineering, Australian National University, Canberra ACT 0200, Australia; cInstitute of Earth Sciences, Academia Sinica, P.O. Box 1-55, Nankang, Taipei 11529, Taiwan; dSchool of Archaeology and Anthropology, Australian National University, Canberra ACT 0200, Australia; eDepartment of Ancient Technology Research, Vietnam Institute of Archaeology, Hanoi, Vietnam; fCentre National de la Recherche Scientifique, Unite´Mixte de Recherche 7528, 27 Rue Paul Bert, 94204 Ivry-sur-Seine, France; gDepartment of Archaeology, Silpakorn University, Bangkok 10200, Thailand; hArchaeology Division, National Museum of the Philippines, Manila, Philippines; and iSarawak Museum, Kuching, Malaysia Edited by Robert D. Drennan, University of Pittsburgh, Pittsburgh, PA, and approved October 5, 2007 (received for review August 3, 2007) We have used electron probe microanalysis to examine Southeast Japanese archaeologist Kano Tadao (7) recognized four types of Asian nephrite (jade) artifacts, many archeologically excavated, jade earrings with circumferential projections that he believed dating from 3000 B.C. through the first millennium A.D. The originated in northern Vietnam, spreading from there to the research has revealed the existence of one of the most extensive Philippines and Taiwan. Beyer (8), Fox (3), and Francis (9) also sea-based trade networks of a single geological material in the suggested that the jade artifacts found in the Philippines were of prehistoric world. Green nephrite from a source in eastern Taiwan mainland Asian origin, possibly from Vietnam. -
A Study on Ancient Artifacts Around Badami Hill and Their Correlation with the Natural Rock Arch Of
A Study on Ancient Artifacts Around Badami Hill and Their Correlation with the Natural Rock Arch of Sidlaphadi SHORT REPORT PRADIPTA BANERJEE MAYUR BAJAJ *Author affiliations can be found in the back matter of this article ABSTRACT CORRESPONDING AUTHOR: Pradipta Banerjee The Badami hill of Bagalkot district, Karnataka, India, houses a large rock arch termed Dayananda Sagar University, IN “Sidlaphadi” that was used as a shelter by primitive man. The hill was searched to [email protected] find any prehistoric artifact that would act as a directional marker towards the arch. An interesting structure was noted in one of the natural caves near the southwestern part of the hill at 15°55’06”N latitude and 75°41’02”E longitude. A miniature replica TO CITE THIS ARTICLE: of the arch was carved onto the floor of the cave. The axis of the miniature bridge Banerjee, P and Bajaj, M. 2021. made an angle of 28.5 ± 1.5° with the 75°41’02”E longitude. The axis, upon extension A Study on Ancient Artifacts eastwards at the defining angle reaches the northern slope of Sidlaphadi. The authors Around Badami Hill and Their also located a megalithic stone arrangement in the northern part of the hill that had Correlation with the Natural a pointed capstone and was thought to be oriented towards the rock arch. The stone Rock Arch of Sidlaphadi. Ancient Asia, 12: 9, pp. 1–9. arrangement was in the same latitude as that of the Sidlaphadi site, but the capstone DOI: https://doi.org/10.5334/ ° ° was oriented 22 E towards the winter solstice sunrise at 112.5 azimuth. -
Archaeological Research Services Ltd RECORDING PROCEDURES
Archaeological Research Services Ltd RECORDING PROCEDURES Contents The Single Context Planning System…………... 1 The Context Recording System…………………. 2 The Burial Recording System………………….... 7 Plans, Sections and Sketches…………………... 10 Environmental Sampling…………………………. 12 Finds……………………………………………….. 14 Photography……………………………………….. 18 ©Archaeological Research Services Ltd. Recording Procedures The Single Context Planning System The key to understanding remains in the archaeological record is through the stratigraphic sequence. The stratigraphic sequence is the accumulated layers of occupation which represent actions in the past. Each ‘context’ is derived from an action of deposition or removal. Within any sequence such as this, the earlier deposits will always be cut or sealed by the later giving the stratigraphic sequence a relative chronology. It is important to note that the only relevant relationship between two contexts is that which lies immediately before or after any given context. All contexts within a site should be given equal consideration when considering the stratigraphic sequence, including physical artefacts such as coffins or walls, along side the more common types of context such as cuts and deposits. The stratigraphic sequence can be represented by a Harris Matrix showing the full interconnectivity of all contexts on a site. Each context is given its own unique context number and is recorded in isolation after the removal of all contexts above. In this way plans can be overlaid to compile and then check the site matrix. 1 ©Archaeological Research Services Ltd. Recording Procedures The Context Recording System (see also Context Recording Sheet) Site Code: Unique site identifier, usually consisting of a three or four letter code denoting the site and a two digit code denoting the year of the project. -
THE JEWELRY of POTTERY MOUND with a Comparison To
THE JEWELRY OF POTTERY MOUND With a Comparison to Tijeras Pueblo By Lucy C. Schuyler Maxwell Museum Technical Series No. 26 Maxwell Museum of Anthropology University of New Mexico 2016 TABLE OF CONTENTS Page LIST OF FIGURES......................................................................................................................... v LIST OF TABLES......................................................................................................................... vii ACKNOWLEDGMENTS.............................................................................................................. xi 1. INTRODUCTION....................................................................................................................... 1 Excavations at Pottery Mound............................................................................................. 2 Methods................................................................................................................................3 Overview of the Artifacts.....................................................................................................4 2. JEWELRY AND RELATED ARTIFACTS IN THE COLLECTIONS..................................... 5 Beads.................................................................................................................................... 6 Bone......................................................................................................................... 6 Shell........................................................................................................................ -
Artistar Jewels in Milan EXHIBITION / 19 FEB 2019 - 24 FEB 2019 Published: 12.12.2018
Discover Art Jewelry from Selected Jewelers, Galleries and Institutions Artistar Jewels in Milan EXHIBITION / 19 FEB 2019 - 24 FEB 2019 Published: 12.12.2018 Bracelet and neckpiece made by Rachel Reilly. © By the author. Read Klimt02.net Copyright. Artistar Jewels, the international event dedicated to body ornaments now in its sixth edition, will be held for the first time at Palazzo Bovara in Corso di Porta Venezia in Milan. The entire building will be dedicated exclusively to the exhibition, with over 700 square meters of exhibition space. A not-to-be-missed opportunity to admire the beauty of contemporary jewellery declined in 500 sculptural ornaments, ironic, sometimes on the verge of wearability, inserted in an experiential path divided into themes: avant-garde, innovation, precious and recycling. The creations on show are of the highest artistic and technical level, most of which created for the project and never exhibited before. Artist list Hawraa Almaqseed, Nita Angeletti, Artifact Jewellery, Asimi, Aurum by Guðbjörg, Priyanka Baburaj, Francesco Barbato, Ronel Bauermeister, Miruna Belicovici, Raquel Bessudo, Glauco Cambi, Elizabeth Jane Campbell, Ana Margarida Carvalho, Milla Castro, Alva Chen, Valerie Cheung, Sarah Christian, Luana Loureiro Coelho, Marion Colasse, Anca Ioana Croitoru, Susan Crow, Silvia Cruceru, Sheila Cunha, Francesca Di Virgilio, Maria Elisabetta Donadio, Yichen Dong, Anastasia Dubrova, Dominika Durtan, Mikky Eger, Ellence, Quinta Essenza, John Farris, Mina Farrokhi, Flaminia Quattrocchi Design, Lindsey Fontijn, -
Phase 2 Stage 1 Eastchurch, Isle of Sheppey, Kent
Wessex Archaeology Kingsborough Manor Phase 2 Stage 1 Eastchurch, Isle of Sheppey, Kent Assessment of Archaeological Excavation Results Ref: 57170.01 October 2005 KINGSBOROUGH MANOR PHASE 2 STAGE 1 EASTCHURCH, ISLE OF SHEPPEY, KENT Assessment of Archaeological Excavation Results Prepared on behalf of Jones Homes (Southern) Ltd 3 White Oak Square Swanley Kent BR8 7AG by Wessex Archaeology Portway House Old Sarum Park Salisbury SP4 6EB Report reference: 57170.01 October 2005 © Wessex Archaeology Limited 2005 all rights reserved Wessex Archaeology Limited is a Registered Charity No. 287786 KINGSBOROUGH MANOR PHASE 2 STAGE 1 EASTCHURCH, ISLE OF SHEPPEY, KENT SUMMARY Wessex Archaeology was commissioned by Jones Homes (Southern) Ltd to conduct archaeological excavations on land associated with Phase 2 Stage 1 of an ongoing, low- density housing development. The Phase 2 Stage 1 site was located north east of Kingsborough Farm, Eastchurch, Isle of Sheppey, Kent, and to the north west of Kingsborough Manor housing development Phase 1 (Fig. 1). Work was undertaken between July and September 2004 and was carried out as a condition of planning permission for the development granted by Swale District Council and pursuant to a specification issued by the Heritage Conservation Group of Kent County Council. This report provides a brief summary of the excavation results. The Site (NGR 597725 172394) comprised an area of land totalling approximately 15,759m² and was located to the north of Kingsborough Farm, 2km south-east of Minster and c. 1.25km to the north-west of the village of Eastchurch, Isle of Sheppey. It occupies an elevated position on the Isle of Sheppey, close to the north eastern edge of a ridge extending east-west along the island, with commanding views to the north and east over the Thames and the Essex coast. -
What Is Archaeology?
Archaeology Alive! What is Archaeology? This slideshow developed by archaeologist Dr. Alexander Smith and staff from the Academic Programs Department of the Memorial Art Gallery (MAG) of the University of Rochester Note to Teachers: The information in this script is provided for your background and context; please feel free to tailor the information according to your students’ needs. SLIDE 1 What is archaeology? What do you think of when you hear “archaeologist” or “archaeology?” [Possible answers include references to digging, dinosaurs, fossils, old stuff, Indiana Jones, etc.] Archaeology is a science of history, and archaeologists are scientists who study past cultures and human history through physical remains – through the “stuff” left by humans. Many human beings who lived on this planet didn’t write things down for us – we don’t have any kind of written documents or books from early humans. So how can we know anything about these human beings: how they lived, where they lived, what kind of work they did, what kinds of objects they made and used? We can study the answers to these kinds of questions by using the physical remains and objects that these people left behind. Human-created objects such as tools, weapons, and works of art are known as artifacts, which archaeologists dig up and study along with the remains of ancient buildings and dwellings. They investigate and search for clues – much like detectives – to tell us: how people in the past lived, what kind of tools they had, where they lived, what kind of religious beliefs they had, what their lives were like, where they died, what kind of objects they made, how they were buried, what they ate, and more! This slideshow will give you a chance to learn about how archaeologists actually go about studying the human past through objects. -
MUMMIES BEYOND the GRAVE
THE SOAP LADY USA, NORTH AMERICA MUMMIES BEYOND the GRAVE An Introduction to Mummy Studies around the World by janet monge RIGHT: Mummies are found throughout the world—in high mountains and low deserts, in both frigid and hot climates. The locations of the mummies discussed in the following INCA CHILD SACRIFICES articles are shown. PERU, SOUTH AMERICA ver 20 years ago, I got hooked on mummies. on mummy studies that give us both a view to the It began when we first x-rayed the many biology of peoples in the past as well as the cultural O South and North American mummies that circumstances that produce these unique artifacts of are part of the Physical Anthropology Section collec- human mortuary history. The articles in this special tions at the Penn Museum. This led to a drive to glean issue of Expedition illustrate the diversity of mummy even more information from the mummies. For several studies, the nature of mummification, and the cultural years, on Sunday mornings at 6 am, my students and I context of preserving the body. drove all the mummies of the collection one city block They also challenge us to consider questions like: to the Hospital of the University of Pennsylvania, what is a mummy? And what are the ethical concerns Department of Radiology, to CT scan and even MRI with manipulation, study, and display of these bod- them. Eventually we included the Egyptian Section ies? As both cultural and biological artifacts of past mummies, both human and animal. I am still hooked peoples, these authors bring together a diversity of -
Archaeology Activity Book
Archaeology Activity Book Illustrations: Heather Brindza Text: Danielle Ellis Layout: Rebecca Conway Appalachian Forest Heritage Area (AFHA) is a non-profit, grassroots organization that promotes economic and community development by linking central Appalachian forest history, culture, natural history, products and forest management into a multi-state heritage tourism initiative. Monongahela National Forest hosts AFHA-sponsored AmeriCorps service at forest sites that enhance natural resources and tourism and connect local communities. The Eastern National Forests Interpretive Association (ENFIA) is a non-profit association that aids and promotes the historical, scientific, and educational activities of the USDA Forest Service. This activity book was made possible through grants and partnership agreements with AFHA AmeriCorps, ENFIA, and USDA Forest Service. Archaeology is the study of material culture left behind by people from the past. Material culture are things created or used by people, like stone tools, a glass bottle, or even an entire building. Archaeologists look for archaeological sites to try to answer questions about the past. A site is where artifacts, features, or ecofacts are grouped together in an area. This means people were in that area in the past, and it’s up to the archaeologist to figure out what they were doing there. Sometimes archaeologists find things that can’t be easily collected or are part of the environment past peoples used. These things are called features. Features are often large, like the foundation of a house, or difficult to collect from the site, like an ashy campfire ring. Feature example: campfire ring Artifacts are things created or used by past peoples. -
The Allopoiesis of the Artifact
Syracuse University SURFACE School of Architecture Dissertations and Architecture Thesis Prep Theses 12-2015 The Allopoiesis of the Artifact Cristina Abondano Follow this and additional works at: https://surface.syr.edu/architecture_tpreps Part of the Architecture Commons Recommended Citation Abondano, Cristina, "The Allopoiesis of the Artifact" (2015). Architecture Thesis Prep. 276. https://surface.syr.edu/architecture_tpreps/276 This Thesis Prep is brought to you for free and open access by the School of Architecture Dissertations and Theses at SURFACE. It has been accepted for inclusion in Architecture Thesis Prep by an authorized administrator of SURFACE. For more information, please contact [email protected]. Cristina Abondano THE ALLOPOIESIS OF THE ARTIFACT (Of Pathological Permanence) Pathological Permanence image caption image caption Cristina Abondano THE ALLOPOIESIS OF THE ARTIFACT (Of Pathological Permanence) Cristina Abondano Advisor | Theodore L. Brown Secondary Advisors| Maya Alam, Daekwon Park 12 . 18 . 2015 Syracuse University School of Architecture The Allopoiesis of the Artifact image caption image caption 4 Cristina Abondano CONTENTS 7 Glosary 9 Claim 11 Proposal 13 Case Study | Castillo san Felipe de Barajas 23 The Urban Artifact In Crisis 27 Pathological Permanence 29 Death of the Political Idea 31 Interrupted Morphological Development 33 Un-Reciprocal Context 35 Physical Barriers of Context 43 Museification 45 -Poiesis 47 Autopoiesis 51 Allopathy 53 Allopoiesis 55 Euthanasia 57 Possible Program Needs 61 Thesis Publication