The Satanic Simpsons
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BTC Catalog 172.Pdf
Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material. -
On Al Feldstein | the Comics Journal
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ “A Mad Look At Toes: A Tribute To Al Feldstein.” (Part Of A Celebration Of Mad Editor Feldstein) By: Craig Fischer Abstract I’m bugged by much of the mainstream media attention given to Al Feldstein’s passing, because it feels less about the editor himself than about websites providing Boomers with yet another opportunity to wax nostalgic: “Mad’s editor died? Too bad. Hey, do you remember ‘2001: A Space Idiocy’?” For me, Feldstein’s 28-year editorial run shouldn’t be simplified to clichés about Mad’s irreverence. Feldstein’ achievement is more ambivalent than that, as much about Fordist efficiency and lost opportunities as about the supposed cultural subversions of the “usual gang of idiots.” Fischer, C. (2014). “A Mad Look at Toes: A Tribute to Al Feldstein.” The Comics Journal, May 5, 2014. (Part of a celebration of Mad editor Feldstein). Version of record available at: http://www.tcj.com/one-al-feldstein/ On Al Feldstein | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← The Al Feldstein Interview Time for Time → The Spain Interview In this two-part interview, Gary Groth On Al Feldstein talks to Spain about Catholicism, BY THE EDITORS MAY 5, 2014 working in a factory, rebelling against authority, teaching, the underground A Mad Look at Toes by Craig Fischer comix movement and Zap, and Nightmare Alley. Continue reading → I’m bugged by much of the mainstream media attention given to Al Feldstein’s passing, because it feels less about the editor himself than about websites providing Boomers with yet another opportunity to wax nostalgic: “Mad’s editor died? Too bad. -
Comics As PHILOSOPHY This Page Intentionally Left Blank Comics As PHILOSOPHY
Comics as PHILOSOPHY This page intentionally left blank Comics as PHILOSOPHY Edited by JEFF MCLAUGHLIN University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2005 by University Press of Mississippi All rights reserved Manufactured in the United States of America First edition 2005 ϱ Library of Congress Cataloging-in-Publication Data Comics as philosophy / edited by Jeff McLaughlin.— 1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN 1-57806-794-4 (cloth : alk. paper) 1. Comic books, strips, etc.—Moral and ethical aspects. 2. Comic books, strips, etc.—History and criticism. I. McLaughlin, Jeff. PN6712.C58 2005 741.5Ј09—dc22 2005004453 British Library Cataloging-in-Publication Data available To my late brother Gord, for letting me read his Fantastic Four. To my dad, for giving me my allowance to spend on comic books. And To my wife Deanna, Just because I love her. This page intentionally left blank Contents Acknowledgments ix Introduction xi What If? DC’s Crisis and Leibnizian Possible Worlds 3 —JEFF MCLAUGHLIN Describing and Discarding “Comics” as an 14 Impotent Act of Philosophical Rigor —ROBERT C. HARVEY “No Harm in Horror” 27 Ethical Dimensions of the Postwar Comic Book Controversy —AMY KISTE NYBERG Truth Be Told 46 Authorship and the Creation of the Black Captain America —STANFORD W. CARPENTER Plato, Spider-Man and the Meaning of Life 63 —JEREMY BARRIS Modernity, Race, and the American Superhero -
Catholic Power Today
Catholic Power Today By AVRO MANHATTAN LYLE STUART—NEW YORK CATHOLIC POWER TODAY Copyright © 1967 by Avro Manhattan Library of Congress Catalog Card Number 67-15886 Published by Lyle Stuart Inc. Typography by Toper Manufactured in the United States of America Digital Edition Foreword 2021 Though it is fifty-four years since this book was released, there has been no real reform in the Church of Rome, as revealed by the current Royal Commission investigating the sexual abuse of children perpetrated by the clergy of the Roman Catholic Church in Australia. It has uncovered a tragic number of badly damaged victims, callous cover-ups and mere transfers of the perpetrators to new locations. In this work, Manhattan exposes the power-hungry mania and lying wonders of the papacy. Edited and Reset by Central Highlands Congregation of God Revised 28th August, 2021 Published by Central Highlands Christian Publications PO Box 236 Creswick Vic 3363 Australia [email protected] chcpublications.net To contemporary man and his search for dignity, truth, and a genuinely peaceful, truly united, world of tomorrow. By the same author: The Catholic Church Against The Twentieth Century The Dollar And The Vatican Latin America And The Vatican The Vatican in World Politics The Vatican In Asia Religion In Russia Spain And The Vatican The Vatican And The U.S.A. The Vatican In Asia Vatican Imperialism In The Twentieth Century Later Works: Religious Terror in Ireland The Vatican Billions Vietnam: Why Did We Go? Vatican’s Holocaust: Religious Massacre in Croatia -
The Survival of a Fitting Quotation 1
The Survival of a Fitting Quotation 1 The Survival of a Fitting Quotation By Michael StGeorge Edition 1.0 © 2005 Michael StGeorge Introduction .................................................................................................................................................... 2 William Paley (1743-1805) ............................................................................................................................ 5 How the Words Changed......................................................................................................................... 10 Attributions to Paley................................................................................................................................ 12 1879: Anglo-Israel or, The British Nation: The Lost Tribes of Israel................................................. 12 1894: Brother of the Third Degree...................................................................................................... 14 1912: Zion’s Watchtower.................................................................................................................... 16 1950: Lent, Good Friday, and Easter .................................................................................................. 17 1991: The Highgate Vampire.............................................................................................................. 18 Summary of Attributions to Paley .......................................................................................................... -
Congressional Hearings Into Cultural Regulation
Congress, Culture and Capitalism: Congressional Hearings into Cultural Regulation, 1953-1967 A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Shawn M. Selby August 2008 © 2008 Shawn M. Selby. All Rights Reserved. This dissertation titled Congress, Culture and Capitalism: Congressional Hearings into Cultural Regulatoin, 1953-1967 by SHAWN M. SELBY has been approved for the Department of History and the College of Arts and Sciences by Kevin M. Mattson Professor of History Benjamin M. Ogles Dean, College of Arts and Sciences 2 ABSTRACT SELBY, SHAWN M., Ph.D., August 2008, History Congress, Culture and Capitalism: Congressional Hearings into Cultural Regulation, 1953-1967 (439 pp.) Director of Dissertation: Kevin M. Mattson This dissertation describes the series investigations and hearings into cultural regulation that took place before the U.S. congress between 1953 and 1967. Beginning with Senate inquiries into juvenile delinquency and ending with the creation of the public broadcasting system in 1967, the dissertation argues that lawmakers and witnesses repeatedly emphasized internal industry oversight and the power of competition within the culture industry to regulate cultural products like comic books, movies and television. Public television was seen as a solution to the problem that met the demands lawmakers had placed upon their investigations. Existing works tending to focus on matters of quality or social science overlook the economic and regulatory aspects of congress’s activities. Approved: _____________________________________________________________ Kevin M. Mattson Professor of History 3 ACKNOWLEDGEMENTS As with any undertaking of such a size and requiring such an expenditure of effort, there are a substantial number of individuals whom I must thank. -
Wonder Woman Unbound
COMICS/LITERARY CRITICISM/POPULAR CULTURE WONDER WOMAN UNBOUND “I’ve never seen more information about Wonder Woman than in Wonder Woman Unbound. Tim Hanley tells us everything we’ve never asked about Wonder Woman because it simply never occurred to us: from her mythic Golden Age origins through her dismal Silver Age years as a lovesick romance comic character, and worse yet, when she lost her costume and powers in the late 1960s. Our favorite Amazon’s saga be- comes upbeat again with the 1970s advent of Gloria Steinem and Ms. magazine, and Lynda Carter’s unforgettable portrayal of her on television. And it’s all told with a dollop of humor!” —Trina Robbins, author of Pretty in Ink: North American Women Cartoonists, 1896–2013 ith her golden lasso and her bullet-deflecting bracelets, WWonder Woman is a beloved icon of female strength in a world of male superheroes. But this close look at her history por- trays a complicated heroine who is more than just a female Super- man. When they debuted in the 1940s, Wonder Woman comics advocated female superiority and the benefits of matriarchy; her adventures were also colored by bondage imagery and hidden les- bian leanings. In the decades that followed, Wonder Woman fell backward as American women began to step forward. Ultimate- ly, Wonder Woman became a feminist symbol in the 1970s, and the curious details of her past were quickly forgotten. Exploring this lost history adds new dimensions to the world’s most beloved female character, and Wonder Woman Unbound delves into her comic book and its spin-offs as well as the motivations of her cre- ators to showcase the peculiar journey of a twentieth-century icon. -
Fromthetombpreview.Pdf
Cover by The Gurch A Word From the Tomb .................................................................................................................................... Page 4 The Dark Age of Comics by Peter Normanton (FTT #1) .................................................................................. Page 6 Ghost Gallery by Frank Motler (FTT #22) ..................................................................................................... Page 12 Bad American Comics: Gender Bender by Frank Motler (FTT #20) .............................................................. Page 24 Horror Comics Spotlight: Journey into Mystery Atlas Era Archives by Barry Forshaw (FTT #27) .................. Page 25 The Archie Goodwin Years by Peter Normanton (FTT #26) ........................................................................... Page 32 The Covers That Made Them Fry by Richard Byard (FTT #13) ..................................................................... Page 41 The Joe Sinnott Interview by Mark Sinnott and Peter Normanton (FTT #17) ................................................. Page 50 Burn Witch, Burn by Peter Normanton (unpublished FTT #29) ...................................................................... Page 59 Rudy Palais: The Dance of Death by Frank Motler (FTT #3) ......................................................................... Page 64 The Return of The Gurch by Peter Normanton (FTT #28) .............................................................................. Page 68 Jerry Grandenetti Interviewed -
The Hollywood Novel: an American Literary Genre
THE HOLLYWOOD NOVEL: AN AMERICAN LITERARY GENRE A Dissertation Presented to The School of Graduate Studies Drake University In Partial Fulfillment of the Requirements for the Degree Doctorate of Arts by Nancy Brooker-Bowers September 1983 © 1984 NANCY BROOKER-BOWERS All Rights Reserved THE HOLLYWOOD NOVEL: AN AMERICAN LITERARY GENRE by Nancy Brooker-Bowers Approved by Committee: A ('I J,j\l.V }6Li "", Richard Abel, Chairperson Karen Conner Earle L. Canfield C Dean of the School of Graduate Studies THE HOLLYWOOD NOVEL: AN AMERICAN LITERARY GENRE An abstract of a disseration by Nancy Brooker-Bowers September 1983 Drake University Advisor: Richard Abel The Hollywood Novel is an American regional fiction genre that treats characters working in the film industry either in Hollywood or with a Hollywood production company on location. Although pre-Hollywood film novels set in the eastern filmmaking capitals flourished as early as 1912, the Hollywood Novel per se first appeared in 1916, after the film companies had nearly completed their move to Hollywood. The genre grew up and developed with the Hollywood film industry, mirroring the rise of powerful moguls, the decline of the studio system, and the advent of location shooting, in the United States and abroad, as well as influential events, pUblic concerns, and fads of the times. From 1916-1963, the genre intersected with other popular literature, creating eight sub-genres of novels: historical, cornie-epistolary, detective, and semi-pornographic--as deter mined by Carolyn See in 1963--as well as romances, adolescent fiction, religious tracts, and romans a clef. Many novels within the sub-genres were penned by persons involved with filmmaking. -
University of Arizona Poetry Center L.R. Benes Rare Book Room Holdings Last Updated 04/25/2019
UNIVERSITY OF ARIZONA POETRY CENTER L.R. BENES RARE BOOK ROOM HOLDINGS LAST UPDATED 04/25/2019 This computer-generated list is accurate to the best of our knowledge, but may contain some formatting issues and/or inaccuracies. Thank you for your understanding. Type / Creator / Imprint Subject Title Special Norman Macleod issue; Book ([Columbus, Ohio, Golden Goose Selections from his new poetry Press 1952]) Macleod, Norman. and prose. Wit and humor in art-- Specimens. Artists' Spirit photography : a fireside Book ([S.l. : Cuneiform Press 2012]) books--Specimens. book of gurus. Jeffers, Robinson,--1887-1962-- Book ([s.l.] : J Bransten et al 1962.) Appreciation. Robinson Jeffers : ave, vale. Fifty-nine English phrases to Book ([Seattle : Wave Books 2011.]) learn by heart. Book (Austin Cold Mountain Press 1973- Cold Mountain Press Poetry 1975.) Post Card Series. Overherd at the river's hip : 15 Book (Buffalo, NY : Little Scratch Pad Buffalo poets : poems in Editions 2008.) Buffalo (N.Y.)--Poetry. conversation. Book (Cincinnati, OH UP James 1838.) The United States Songster. Flowers of piety : devotions and Book (Dublin : John Arigho & Sons Catholic Church--Prayers and prayers compiled from [1912?]) devotions. approved sources. Book (Evansville Robert McDowell and Mark Jarman) The Reaper. Book (Indiana University 2002.) Dancing Star, #26. Book (London F Etchells and H Macdonald 1926.) The Phoenix Nest, 1593. Sunlight and shade; being poems and pictures of life and Book (London, Cassell 1883.) nature. Book (Los Angeles : Les Figues Press American literature--21st 2005.) century. TrenchArt : material. Book (Los Angeles : Les Figues Press c2008.) Poetry, Modern--21st century. TrenchArt : tracer : aesthetics. -
Robert Silverberg Market Paperback Companies, and I’Ve Known and Dealt with Virtually Every Editor Who Other Spaces, Other Times Played a Role in That Evolution
$29.95 “IN THE COURSE of my six decades of writing, I’ve witnessed the transition of science- other times other spaces, fiction publishing from being a pulp-magazine-centered field to one dominated by mass- Robert Silverberg market paperback companies, and I’ve known and dealt with virtually every editor who other spaces, other times played a role in that evolution. For much of that time I was close to the center of the field as writer and sometimes as editor, not only deeply involved in its commercial mutations but also privy to all the personal and professional gossip that it generated.All that special knowledge has left me with a sense of my responsibility to the field’s historians. I was there, I did this and did that, I worked with this great editor and that one, I knew all but a handful of the major writers on a first-name basis, and all of that will be lost if I don’t make some sort of record of it.Therefore it behooves me to set down an account of those experiences for those who will find them of value.” — From Silverberg’s introduction ROBERT SILVERBERG is one of the most important American science fiction writers of the 20th century. He rose to prominence during the 1950s at the end the pulp era and the dawning of a more sophisticated kind of science fiction. One of the most prolif- ic of writers, early on he would routinely crank out a story a day. By the late 1960s he was one of the small group of writers using science fiction as an art form and turning out award-winning stories and novels. -
Wonder Woman Unbound ACCOMPANYING.Indd
20% Wonder Woman Highest percentage of Captain Marvel personal bondage = #10, 20% 10% Lowest percentage of bondage for Wonder Woman = 6% Highest percentage of bondage for Captain Marvel = 6% 0% #1 #2 #3 #4 #5 #6 #7 #8 #9 #10 40% Highest percentage of overall bondage = #4, 41% 20% 0% #1 #2 #3 #4 #5 #6 #7 #8 #9 #10 An interpretation of the brank, neck collar, leg manacles, chains, and interwoven lasso on a female form. KATE LETH 100% 1948: Kanigher 1965-67: Kanigher takes over sets in the Golden Age 1942: The Holliday Girls first appear 1960-62: Kanigher brings 1954-55: back the Holliday Girls; it doesn't last published, CCA begins 0% 1945 1950 1955 1960 1965 1942: First appearance 1955: The Comics 1958: Kanigher's new of the Amazons Code Authority is direction for begins 100% implemented 1948: Kanigher takes over 0% 1945 1950 1955 1960 1965 Spring 1954: April 1955: May 1958: #73 is the first issue of the Kanigher's new 15% published series to bear the CCA's seal direction for the series begins October 1955: Last issue with 10% of with #98 over 5% bondage 5% 0% 55 60 65 70 75 80 85 90 95 100 90% 1962: Highest percentage of female letter writers = 89% 1972: Lowest percentage of female letter writers = 15% 50% 10% 1961 1968 1975 1961: No ! ads for " girls. Boys Neutral Girls !# $ Highest overall bondage, Highest Wonder Woman "When Treachery Wore a bondage, "The Mysterious 30% Green Shirt" = 32% Prisoners of Anglonia" = 26% Wonder Woman 20% Bondage Overall