The Billboard 1902-12-20: Vol 14 Iss 51
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Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N. Kilgore Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE LIFE AND SOLO VOCAL WORKS OF MARGARET ALLISON BONDS (1913-1972) By ALETHEA N. KILGORE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Copyright © 2013 Alethea N. Kilgore All Rights Reserved Alethea N. Kilgore defended this treatise on September 20, 2013. The members of the supervisory committee were: Wanda Brister Rachwal Professor Directing Treatise Matthew Shaftel University Representative Timothy Hoekman Committee Member Marcía Porter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to the music and memory of Margaret Allison Bonds. iii ACKNOWLEDGEMENTS I would first like to acknowledge the faculty of the Florida State University College of Music, including the committee members who presided over this treatise: Dr. Wanda Brister Rachwal, Dr. Timothy Hoekman, Dr. Marcía Porter, and Dr. Matthew Shaftel. I would also like to thank Dr. Louise Toppin, Director of the Vocal Department of University of North Carolina at Chapel Hill for assisting me in this research by providing manuscripts of Bonds’s solo vocal works. She graciously invited me to serve as a lecturer and performer at A Symposium of Celebration: Margaret Allison Bonds (1913-1972) and the Women of Chicago on March 2-3, 2013. -
1920 Patricia Ann Mather AB, University
THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Jimmy Durante Papers PASC-M.0195
http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
The North Carolina Historical Review
THE NORTH CAROLINA HISTORICAL REVIEW JULY 1958 Volume XXXV Number 3 Published Quarterly By State Department of Archives and History Corner of Edenton and Salisbury Streets Raleigh, N. C. THE NORTH CAROLINA HISTORICAL REVIEW Published by the State Department of Archives and History Raleigh, N. C. Christopher Crittenden, Editor David Leroy Corbitt, Managing Editor ADVISORY EDITORIAL BOARD Frontis Withers Johnston Hugh Talmage Lefler George Myers Stephens STATE DEPARTMENT OF ARCHIVES AND HISTORY EXECUTIVE BOARD McDaniel Lewis, Chairman James W. Atkins Josh L. Horne Gertrude Sprague Carraway William Thomas Laprade Fletcher M. Green Herschell V. Rose Christopher Crittenden, Director This revieiv was established in January, 1924, as a medium of publica- tion and discussion of history in North Carolina. It is issued to other institutions by exchange, but to the general public by subscription only. The regular price is $3.00 per year. Members of the North Carolina Literary and Historical Association, Inc., for which the annual dues are $5.00, receive this publication without further payment. Back numbers may be procured at the regular price of $3.00 per volume, or $.75 per number. Cover: The Kivett Building of Campbell College (originally Buie's Creek Academy) is presently used as a science classroom and student supply store. This was the first building erected after the fire in 1900 and served as the administration building until 1926. It was named for Z. T. Kivett, who burned the bricks bought with "nickels and dimes." The photograph is by the cour- tesy of Mr. Claude F. Gaddy, Baptist State Convention. For a further study of early Baptist high schools and academies see pages 316-327. -
TO PARISH (PARRISH) NAMES 439 INDEX to OTHER NAMES 450 INDEX to APPENDIX 501 Illustrations
NEW ENGLAND PARISH FAMILIES Descendants of JOHN PARISH of Groton, Mass., and Preston, Conn. By ROSWELL PARISH ~ THE Tu"TI"LE PuBLISHIXC COMPANY, !Ne. R.u"TLAND, VER.MOXT Compiltd l,y RosWELL PARISH, Jv.., from 110/ts gathn-td by his fat/in-, Rosratll Parish Pa1:-.-no I 938 B:, TnE Tt."TT'LE PosusHINC COMPANY, Ii<c. Rt.-rLA:<D, VEiuro:,.,-, U. S • •4.. NEW ENGLAND PARISH FAMILIES ROSWELL PARISH, YALE '6-1 b. ISJ,O - d. l!J,'f.! A Word of Introduction I have had this book published to the memory of my father, Roswell Parish, who compiled the material over a period of more than 50 years. He retired at 70, lived to be 92 years old, and the last 20 years of his life were spent almost entirely in gathering together this genea logy of the descendants of John Parish, also a much larger one of the descendants of Richard (Bull) Smith of Smithtown, L. I., forebears on his mother's side. The beginnings of this material came from family records and as dates and new names were added from various publications and as discrepancies and occasional errors appeared, the gathering and arranging of what seemed reliable material, especially of dates, became an interest ing avocation with a view to a more correct and compre hensive record of John's descendants. For purpose of cross reference and indexing, but with no suspicion then of its peculiar advantages, the following was very early adopted as a convenient :r-rUMBER SYSTEM. The children of every family were numbered from 1 up as listed, but in cases of more than nine children "a" was used for 10, "b" for 11, etc. -
Thesis in English Literature
All Men are Created Equal: Langston Hughes’s Opposition to Discrimination Against African Americans By Reidun Kornelie Mork A Thesis presented to the English Department the University of Oslo in Partial Fulfilment of the Requirements for the Master degree Spring Term 2005 TABLE OF CONTENTS Preface 3 Introduction 4 Chapter I. Worship and Persecution: The Ordeal of the Artists 16 Chapter II. Proletarians Unite: The Financial and Working Conditions of the Blacks 45 Chapter III. Separated as the Fingers, United as the Hand: Education and Segregation 69 Conclusion 88 Bibliography 92 Abbreviations 95 2 Preface When I was first acquainted with Langston Hughes, what struck me as his most prominent feature was the stamina of his will to revive and preserve the dignity of his race. He never seemed to have chosen the easy way out of any situation, or to allow himself to be abstracted from his task. He refused to imitate the life style of white people, although his complexion was light enough to allow him to pass for a Mexican or a Latino. In his effort to identify with the blacks he regarded himself as all black, and used all his talents and his energy to better the situation for African Americans. In this thesis I have examined to some extent the reasons for this attitude, and given a few examples of how he went about to achieve his aim. His production is so huge that it was necessary to concentrate on a small section of it. I have chosen a selection of articles from his column in the Chicago Defender, a few of his poems, and the history book Black Magic. -
Shoots Girl Friend and His Love Rival Then Kills Himself
Manhor ot Iks Aodt Duresn of (Hrenlstions (tTnssilted Advwdslnc om Fsgn !«.) MANCHESTER, CONN., SATURDAY, OCTOBER 27, 1934, VOL. UV;, NO. 24. (TW ELVE PAGES) PRICE THREE CENTH WORK OF YOUNG Famous Moodus Noises NEGRO ACCUSED SHOOTS GIRL FRIEND REPUBUCANS IS OF MURDER IS Are Again in Evidence AND HIS LOVE RIVAL HAILEY VETS Moodus, Oct. 27.— (A P ) — TheAthan a few years, the period of their KIIWYMOB famous “Moodus noises" shattered inactlvi" 'Ity which has just hem the serenity of this peaceful town broken(• being the longest on record last night after a long period of by far. Last nlghVa'revivml of the THEN KILLS HIMSELF Eiperifflced Polhkiaiis In Thonsands Gather in Florida quiescence, said by older residents to phenomenon, however, came after be about twenty years. Two distinct the older folks had almost forgotten tremors were felt, the first and the '“noises" and most of Uie young Manchester Land Manner to Watch Lynching of heaviest at a few minutes after 8 generation never heard them. Woman Reported in Critical SEEKING SLAYER o'clock and lasting several sdconda, The tremors were f«lt and the hol- . in Which Meeting Here the other at 9:40, just in . time . to low, brlnding noises beard over most Negro Who Confessed to Condition, Man Not Seri- cause many residents to defer their of the town of Blast Haddam, of IN PORTLAND, ME. Last Night Is Conducted. retiring hour. which Moosup is part, the affected Slaying Girl. 'Hme was when Moodus people area extending from LeesvUle in the ously Injured— Dead Mao took these little earthquakes In their north to East Haddam village in the stride, being acciutomed to experi- south and as far as Millington to the A large and enthuslaatlc audience encing them frequently and aware east. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.