DOCSLIB.ORG

Program Listings” Christopher C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSSEPTEMBER 2014 Ken Burns’s seven-part documentary weaves the stories of Theodore, Franklin, and Eleanor Roosevelt, three members of one of the most prominent and influential families in American politics. The series follows the family’s story for more than a century, from Theodore’s birth in 1858 to Eleanor’s death in 1962. Over the course of those years, Theodore would become the 26th president of the United States, and his beloved niece, Eleanor, would marry his fifth cousin, Franklin, who became the 32nd president. Together, they redefined the relationship Americans had with their government and with each other, and redefined, as well, the role of the United States within the wider world. THE ROOSEVELTS: AN INTIMatE HISTORY AIRS SUNDAY, SEPTEMBER 14 THROUGH SatURDAY, SEPTEMBER 20 at 8 P.M. ON WXXI-TV TUESDAY, SEPTEMBER 23 at 7 P.M. LITTLE THEatrE DEtaiLS INSIDE >> SATURDAY, SEPTEMBER 13, 10AM-2PM SEE INSIDE FRONT COVER FOR DEtaiLS! DEAR FRIENDS, EXECUTIVE StaFF SEPTEMBER 2014 No rm Silverstein, President VOLUME 5, ISSUE 9 Susan Rogers, Executive Vice President and General Manager This month marks the premiere of WXXI is a public non-commercial Je anne E. Fisher, Vice President, Radio broadcasting station owned the much-anticipated documentary Kent Hatfield, Vice President, Technology and Operations and operated by WXXI Public series on the Roosevelts by Ken Broadcasting Council, a not-for- El issa Orlando, Senior Vice President of TV and News Burns, America’s most acclaimed profit corporation chartered by the Board of Regents of New BOARD OF TRUSTEES OFFICERS filmmaker. The seven-part York State. “Program Listings” Christopher C. Booth, Chair documentary, The Roosevelts: An Norm Silverstein (USPS 0742-390) is published James W. Fulmer, Vice Chair Intimate History (Sunday, September monthly at 280 State Street, Dr. Cynthia Reddeck-LiDestri, Treasurer Rochester, NY 14614 to promote 14 through Saturday, September 20, at 8 p.m. on WXXI-TV), marks the programs and activities of Robert A. Healy, Secretary the first time the stories of Theodore, Franklin, and Eleanor have the public broadcasting stations. been woven into a single narrative. The series encompasses all the Periodical mailing postage paid at Member & Audience Services ............585.258.0200 history the Roosevelts helped to make — the creation of National Rochester, N.Y. WXXI Main Number ................... 585.325.7500 Parks and the digging of the Panama Canal, the New Deal and the Service Interruptions .................. 585.258.0331 POSTMASTER: defeat of Hitler, and the postwar struggles for civil rights at home, Send changes of address to Audience Response Line ............... 585.258.0360 WXXI Program Listings, Copies of Local Programs .............. 585.258.0369 and human rights around the world, in which Eleanor Roosevelt Membership Department, Reachout Radio ....................... 585.258.0333 played a central role. It is also the human story about love and P.O. Box 30021, Rochester, NY Educational Resources ................ 585.258.0278 betrayal, family feeling and personal courage, and the conquest of 14603-3021. Volunteer Services .................... 585.258.0249 fear. I hope you’ll be able to join us for this intimate portrait of the * Please note that all programs are Corporate Sponsorships ............... 585.258.0282 Roosevelts. subject to change. For up-to-date Auction/Special Events ................ 585.258.0287 program listings, special highlights and local news, just log onto WXXI.org. Newsroom ........................... 585.258.0340 Also in September, Connections with Evan Dawson, heard weekdays WXXI On-line .........................www.wxxi.org from 12 to 2 p.m. on AM 1370, will also be broadcast on WRUR-FM 88.5. Thanks to our partnership with the University of Rochester, we are able to offer this live two-hour talk show, which covers a vast array of topics: education, agriculture, art, politics, and health, on the FM dial (You can also hear Connections on WEOS-FM Geneva through our partnership with Hobart and William Smith Colleges). If you haven’t heard Connections, I encourage you to do so and to take part in the conversation. Connections with Evan Dawson will air on WRUR-FM beginning September 8. The Little Theatre is pleased to be part of the Fringe Festival again this year. As an official venue, The Little will present poetry performances, music, films, and other special events on specially selected nights between September 18 - 27. To learn more about the complete line-up for the festival and specific acts at The Little, visit rochesterfringe.com. Finally, be sure to mark your calendar for our Open House on Saturday, September 13, from 10 a.m. to 2 p.m. Join us at our studios at 280 State Street for a behind-the-scenes look at how our programs are created and meet the people that make it happen. We will have arts and crafts for the kids, countless PBS Kids characters (including Daniel Tiger and the Berenstain Bears) looking to have their pictures taken, live broadcasts, and all of our studios will be open and lit for you to come visit! You can also meet our on-air hosts and news team, talk with our TV program director, and learn how The Little selects movies. It will be a fun, FREE day, and I look forward to seeing you there! Best regards, Norm Silverstein [email protected] @normWXXI Q&A WITH A WXXI UNDERWRITER Established in 1932 and owned by the Buerkle family for 54 years, The Rug Market is Rochester and Monroe County’s oldest floor covering store. Owner Dan Buerkle, who thought his high school job working for his Dad would be temporary, proudly explains the family business in Irondequoit. NTS Q. What has been the most important business practice for a retail operation with the longevity of The Rug Market? The Rug Market has a motto to do the right thing. If it is not right, fix it. Q: What would you like the WXXI audience to know about The Rug Market? We try to help our customers with their purchase so they are happy with their choice. If we do the installation, we do a great job. Our customers are our friends and are very important to us. EVE Q. What distinguishes The Rug Market from other retail floor covering stores in the Rochester area? & We feel we have created a warm, friendly environment. We have a knowledgeable staff trained to help you make the correct choice. If we do not have the answer, we will get back to you. You will find all kinds of floor S coverings, including more than 800 area rugs and vinyl flooring, as well as ceramic window coverings, lamps, and lighting. We also encourage customers to take home and try any rug or flooring sample to visualize it in their home. Q. Any funny or memorable customer service calls or requests to share? We have had unusual requests from our customers and we EW try to do what we can. Once we provided a 20- or 30-foot long carpet in the shape of a dragon tongue! www.therugmarketny.com N OWNER DAN BUERKLE To learn more about underwriting on WXXI, contact [email protected] Joy N. Parker, station relations and web coordinator for WXXI Public Broadcasting in Rochester, New York, died July 12 after a courageous battle against ALS (Lou Gehrig’s Disease). She was 43. Parker joined WXXI in June 1996 as a TV operations technician and quickly moved up the ranks to segment producer for several WXXI series including Need to Know, Assignment: The World, and 60 Second Science. She also served as associate producer on WXXI’s Crucible of Freedom, a companion piece to the national documentary Not For Ourselves Alone by Ken Burns that aired statewide. In June 2002 Parker was promoted to stations relations and web coordinator. She served as station liaison for Homework Hotline, WXXI’s statewide live call-in show where kids get help with homework problems right on the air. As web coordinator she provided daily maintenance of WXXI’s website, managed content for various WXXI eNewsletters, and used various platforms of social media to reach potential members. She was affectionately known as the “social media maven.” Parker was diagnosed with ALS in April 2010. When the disease progressed, she began working from home and remained vital to WXXI and her department until the day she died. She also helped to raise thousands of dollars for the Greater Rochester Muscular Dystrophy Association and The ALS Association Upstate Chapter. In December 2013 Parker submitted a personal video piece to Art for Freedom, part of Ray of Light Foundation. It was chosen by Madonna and celebrity curator, David Blaine, and Parker was awarded a $10,000 grant for her submission. She donated the money to MDA Rochester and the ALS Association. “Although we are deeply saddened by her passing, we will remember Joy for her love of life and family, for her passion for her work, and for the example she set in fighting this devastating disease,” said Norm Silverstein, President of WXXI. Parker was also a photographer and artist for more than 30 years. Her photography has been exhibited at several galleries and festivals throughout upstate New York. An avid blogger, she maintained her own website simplejoysonline.net where she shared her photography and her personal story living with ALS. Parker is survived by her husband Mike Champlin and daughters Katherine (18) and Nicole (9). T V H IG H LIG H THE BOOMER LIST: AMERICAN MASTERS TUESDAY, SEPTEMBER 23 AT 9PM ON WXXI-TV TS From the time of its birth, the baby boomer generation (1946-1964) has significantly and uniquely changed our world.
Recommended publications
  • Choose Yourfavorite Three Concerts

    Choose Yourfavorite Three Concerts

    CHOOSE YOUR FAVORITE THREE CONCERTS. You’ll Save 33% – That’s Up to $200 in Savings with Added Benefits Call 212-875-5656 or visit nyphil.org/CYO33 and use promo code CYO33. ** U.S. Premiere–New York Philharmonic Co-Commission with the London Philharmonic Orchestra *** World Premiere–New York Philharmonic Commission † Commissions made possible by The Marie-Josée Kravis Prize for New Music †New York City Premiere–New York Philharmonic Co-Commission Tuesday Wednesday Thursday Friday Saturday 7:30pm 7:30pm 7:30pm 8:00pm 8:00pm unless otherwise noted unless otherwise noted Conductor Guest Artists Program Esa-Pekka Leila Josefowicz violin RAVEL Mother Goose Suite NOV Salonen Esa-Pekka SALONEN Violin Concerto NOV OCT OCT NOV conductor (New York Concert Premiere) 5 30 31 1 2 SIBELIUS Symphony No. 5 (11:00am) Bernard Miah Persson soprano J.S. BACH Cantata No. 51, Jauchzet Labadie Stephanie Blythe Gott in allen Landen! conductor mezzo-soprano HANDEL “Let the Bright Seraphim” Frédéric Antoun tenor from Samson Andrew Foster- MOZART Requiem NOV NOV NOV Williams bass 7 8 9 Matthew Muckey trumpet New York Choral Artists Joseph Flummerfelt director Alan Gilbert Liang Wang oboe R. STRAUSS Also sprach Zarathustra conductor Glenn Dicterow, violin NOV Christopher ROUSE Oboe Concerto NOV NOV NOV 15 (New York Premiere) 19 14 16 R. STRAUSS Don Juan (2:00pm) Glenn Dicterow, violin Alan Gilbert Paul Appleby tenor BRITTEN Serenade for Tenor, Horn, conductor Philip Myers horn and Strings Kate Royal soprano BRITTEN Spring Symphony Sasha Cooke mezzo-soprano NOV NOV NOV New York Choral Artists 21 22 23 Joseph Flummerfelt director Brooklyn Youth Chorus Dianne Berkun- Menaker director Alan Gilbert Paul Appleby tenor MOZART Symphony No.
  • June WTTW & WFMT Member Magazine

    June WTTW & WFMT Member Magazine

    Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event.
  • Myths, Legends, Fairy Tales and Folk Tales in Music ______

    Myths, Legends, Fairy Tales and Folk Tales in Music ______

    ______________________________________________________________________________________________________ Sounds of Enchantment: Myths, Legends, Fairy Tales and Folk Tales in Music ______________________________________________________________________________________________________ Gioacchino ROSSINI Overture from William Tell Felix MENDELSSOHN Scherzo from A Midsummer Night’s Dream Sergei PROKOFIEV Waltz Coda and Midnight from Cinderella, Op. 87 David CROWE How Birds Came Into the World John WILLIAMS Raiders March from Raiders of the Lost Ark Piotr Ilyich TCHAIKOVSKY Scene from Swan Lake Modest MUSSORGSKY / arr. Ravel Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition HOW TO USE THIS STUDY GUIDE This guide is designed as a curriculum enhancement resource primarily for music teachers, but is also available for use by classroom teachers, parents, and students. The main intent is to aid instructors in their own lesson preparation, so most of the language and information is geared towards the adult, and not the student. It is not expected that all the information given will be used or that all activities are applicable to all settings. Teachers and/or parents can choose the elements that best meet the specific needs of their individual situations. Our hope is that the information will be useful, spark ideas, and make connections. TABLE OF CONTENTS Sounds of Enchantment Overview – Page 4 Program Notes – Page 7 ROSSINI | Overture from William Tell Page 8 MENDELSSOHN | Scherzo from A Midsummer Night’s Dream Page 10 PROKOFIEV | Waltz Coda and Midnight from Cinderella, Op. 87 Page 13 CROWE | How Birds Came Into the World Page 17 WILLIAMS | Raiders March from Raiders of the Lost Ark Page 20 TCHAIKOVSKY | Scene from Swan Lake Page 22 MUSSORGSKY | Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition Page 24 Activities — Page 27 Student Section— Page 39 CREDITS This guide was originally created for the 2008-2009 Charlotte Symphony Education Concerts by Susan Miville, Chris Stonnell, Anne Stewart, and Jane Orrell.
  • Radio 3 Listings for 3 – 9 May 2008 Page 1 of 4 SATURDAY 03 MAY 2008 SUNDAY 04 MAY 2008 to Supper

    Radio 3 Listings for 3 – 9 May 2008 Page 1 of 4 SATURDAY 03 MAY 2008 SUNDAY 04 MAY 2008 to Supper

    Radio 3 Listings for 3 – 9 May 2008 Page 1 of 4 SATURDAY 03 MAY 2008 SUNDAY 04 MAY 2008 to Supper. SAT 01:00 Through the Night (b00b1npd) SUN 00:00 The Early Music Show (b007n30p) Interwoven with the poetry is music such as Schubert's Trout Including 1.00 Sibelius, Grieg, Mozart, Hindemith, Durufle. Emilio's Wedding Quintet, the chorus in Strauss' Die Fledermaus where the guests 3.25 Bach, Shostakovich, Rossini, Purcell, Wolf. 5.00 look forward to supper, and Biber's Mensa Sonora (music Kabalevsky, Purcell, Barber, Vivaldi, Biber, Sibelius, Chopin. Emilio's Wedding: Catherine Bott looks back on the life of suitable to accompany aristocratic dining) Emilio de Cavalieri, famous for co-ordinating the music for one of the most lavish wedding celebrations in history. There's the "Rice aria" from Rossini's Tancredi, which the food SAT 05:00 Through the Night (b00b1nq1) loving composer apparently composed whilst waiting for his Through the Night risotto to cook and Nellie Melba, the soprano who gave her SUN 01:00 Through the Night (b00b525r) name to the Peach Melba, sings the Melba Waltz. John Shea concludes the programme with music by Kabalevsky, Including 1.00 Berg, Strauss, Jernefelt, Debussy, Satie. 3.10 Purcell, Barber, Vivaldi, Biber, Sibelius, Chopin, Browne, Ravel, Clerambault, Brahms, Beethoven, Sibelius. 5.00 Rimsky- Plus popular food music by Fats Waller (Hold Tight I Want Faure and Kodaly. Korsakov, Schubert, Mozart, Bach, Haydn, Mendelssohn. Some Seafood Mama), The Beatles (Savoy Truffle) and Bob Dylan (Country Pie). SAT 07:00 Breakfast (b00b5d6f) SUN 05:00 Through the Night (b00b525t) Perhaps the most peculiar choice is a medieval song about eggs Including Vivaldi: Trio in C, RV82.
  • Free Land Attracted Many Colonists to Texas in 1840S 3-29-92 “No Quitting Sense” We Claim Is Typically Texas

    Free Land Attracted Many Colonists to Texas in 1840S 3-29-92 “No Quitting Sense” We Claim Is Typically Texas

    “Between the Creeks” Gwen Pettit This is a compilation of weekly newspaper columns on local history written by Gwen Pettit during 1986-1992 for the Allen Leader and the Allen American in Allen, Texas. Most of these articles were initially written and published, then run again later with changes and additions made. I compiled these articles from the Allen American on microfilm at the Allen Public Library and from the Allen Leader newspapers provided by Mike Williams. Then, I typed them into the computer and indexed them in 2006-07. Lois Curtis and then Rick Mann, Managing Editor of the Allen American gave permission for them to be reprinted on April 30, 2007, [email protected]. Please, contact me to obtain a free copy on a CD. I have given a copy of this to the Allen Public Library, the Harrington Library in Plano, the McKinney Library, the Allen Independent School District and the Lovejoy School District. Tom Keener of the Allen Heritage Guild has better copies of all these photographs and is currently working on an Allen history book. Keener offices at the Allen Public Library. Gwen was a longtime Allen resident with an avid interest in this area’s history. Some of her sources were: Pioneering in North Texas by Capt. Roy and Helen Hall, The History of Collin County by Stambaugh & Stambaugh, The Brown Papers by George Pearis Brown, The Peters Colony of Texas by Seymour V. Conner, Collin County census & tax records and verbal history from local long-time residents of the county. She does not document all of her sources.
  • For Release: Tk, 2013

    For Release: Tk, 2013

    FOR RELEASE: January 23, 2013 SUPPLEMENT CHRISTOPHER ROUSE, The Marie-Josée Kravis COMPOSER-IN-RESIDENCE WORLD PREMIERE of SYMPHONY NO. 4 at the NY PHIL BIENNIAL New York Premiere of REQUIEM To Open Spring For Music Festival at Carnegie Hall New York Premiere of OBOE CONCERTO with Principal Oboe Liang Wang RAPTURE at Home and on ASIA / WINTER 2014 Tour Rouse To Advise on CONTACT!, the New-Music Series, Including New Partnership with 92nd Street Y ____________________________________ “What I’ve always loved most about the Philharmonic is that they play as though it’s a matter of life or death. The energy, excitement, commitment, and intensity are so exciting and wonderful for a composer. Some of the very best performances I’ve ever had have been by the Philharmonic.” — Christopher Rouse _______________________________________ American composer Christopher Rouse will return in the 2013–14 season to continue his two- year tenure as the Philharmonic’s Marie-Josée Kravis Composer-in-Residence. The second person to hold the Composer-in-Residence title since Alan Gilbert’s inaugural season, following Magnus Lindberg, Mr. Rouse’s compositions and musical insights will be highlighted on subscription programs; in the Philharmonic’s appearance at the Spring For Music festival; in the NY PHIL BIENNIAL; on CONTACT! events; and in the ASIA / WINTER 2014 tour. Mr. Rouse said: “Part of the experience of music should be an exposure to the pulsation of life as we know it, rather than as people in the 18th or 19th century might have known it. It is wonderful that Alan is so supportive of contemporary music and so involved in performing and programming it.” 2 Alan Gilbert said: “I’ve always said and long felt that Chris Rouse is one of the really important composers working today.
  • Boston Symphony Orchestra Concert Programs, Season 86, 1966

    Boston Symphony Orchestra Concert Programs, Season 86, 1966

    . .~v«M m t"£m w*) r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY <$ HENRY LEE HIGGINSON 23 "^2^ " L^S^-*. ^f J SSs 1\ ^ V, EIGHTY-SIXTH SEASON 1966-1967 EXCELLAIT SURTOUT POUR LES FANFARES!" Although it is difficult to trace the origin of the French horn, it is generally accepted that it was developed in France during the 17th century • An outgrowth of the early primitive and the later sophisticated hunting horn, its value in the use of Fanfares was acclaimed during the reign of Louis XIII • It was also discovered that strange and wonderful musical effects could be had by inserting the hand in the bell • One of the first orchestral uses came in 1717 when Handel included the French horn in his score of the ''Water Music" • The modern instrument embodies a main tube measuring approximately 7 feet 4 inches in length, coiled in circles and finally expanding into a widely flared bell • As the French horn lends its importance to the value of the modern symphony orchestra, so too does the trained and reliable insurance office develop a modern and sensible insurance program for business and personal accounts • We would welcome an opportunity to analyze your need for complete protection. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 0BRI0N, RUSSELL & CO. 147 MILK STREET BOSTON. MASSACHUSETTS Insurance of Every Description Telephone 542-1250 EIGHTY-SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Copyright, 1967, by Boston Symphony Orchestra, Inc.
  • Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy

    Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy

    METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
  • Logik Des Filmischen. Wissen in Bewegten Bildern 2011

    Logik Des Filmischen. Wissen in Bewegten Bildern 2011

    Repositorium für die Medienwissenschaft Philipp Blum; Sven Stollfuß Logik des Filmischen. Wissen in bewegten Bildern 2011 https://doi.org/10.17192/ep2011.3.185 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Blum, Philipp; Stollfuß, Sven: Logik des Filmischen. Wissen in bewegten Bildern. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 28 (2011), Nr. 3, S. 294–312. DOI: https://doi.org/10.17192/ep2011.3.185. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an.
  • February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE

    February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE

    FOR RELEASE: February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE THE 2012–13 MARIE-JOSÉE KRAVIS COMPOSER-IN-RESIDENCE First Season of Two-Year Term: WORLD PREMIERE, SEEING, PHANTASMATA Advisory Role on CONTACT!, with WORLD, U.S., AND NEW YORK PREMIERES, Led by JAYCE OGREN and ALAN GILBERT _____________________________________ “I just love the Philharmonic musicians: I love working with them, and they play my music with incredible commitment. As a kid in Baltimore I grew up with their recordings, and then, of course, I also heard them on the Young People’s Concerts on television. I’ve always had a special feeling for the Philharmonic because the musicians have always played like they really meant it, with such energy and commitment; and when I got older and wrote music that they played, they did it the same way. I’m thrilled to be able to work with them more closely.” — Christopher Rouse _______________________________________ Christopher Rouse has been named The Marie-Josée Kravis Composer-in-Residence at the Philharmonic, and will begin his two-year tenure in the 2012–13 season. He is the second composer to hold this title, following the tenure of Magnus Lindberg. The Pulitzer Prize- and Grammy Award-winning American composer will be represented by three works with the Philharmonic this season in concerts conducted by Alan Gilbert: Phantasmata, February 21 and 22, 2013; a World Premiere–New York Philharmonic Commission, April 17–20, 2013, which will also be taken on the EUROPE / SPRING 2013 tour; and the reprise of Seeing for Piano and Orchestra (commissioned by the Philharmonic and premiered in 1999), June 20–22, 2013, performed by Emanuel Ax, the 2012–13 Mary and James G.
  • THE GUIDE 98.7Wfmt the Member Magazine Wfmt.Com for WTTW and WFMT

    THE GUIDE 98.7Wfmt the Member Magazine Wfmt.Com for WTTW and WFMT

    wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT A CULTURAL AND CULINARY JOURNEY ACROSS AMERICA TUNE IN OR STREAM FRI DEC 20 9 PM December 2019 ALSO INSIDE WFMT will present a new special, Whole Notes: Music of Healing and Peace, in response to America’s gun violence epidemic and related to WTTW’s FIRSTHAND: Gun Violence initiative. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT Renowned chef, restaurateur, and author Marcus Samuelsson is passionate about Renée Crown Public Media Center the cuisine of America’s diverse immigrant cultures. This month, he returns with 5400 North Saint Louis Avenue Chicago, Illinois 60625 a new season of No Passport Required, where home cooks and professional chefs around the country share how important food can be in bringing us together around the table. Join us at 9:00 pm on December 20 for Marcus’s first stop, as he explores Main Switchboard (773) 583-5000 Seattle’s Filipino culinary traditions. And, in December, WTTW will be hosting a related Member and Viewer Services food tour event and creating digital content for you to feast on. The tour event and (773) 509-1111 x 6 stories will focus on a remarkably diverse half-mile stretch of a single Chicago street (Lawrence Avenue between Western and California) with a selection of restaurants Websites owned and run by immigrants, representing a variety of cuisines: Filipino, Vietnamese, wttw.com wfmt.com Bosnian and Serbian, Venezuelan, Korean, and Greek.
  • JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road  Ridgefield, Connecticut 06877 (203) 994-7244  Babcock10@Comcast.Net

    JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road  Ridgefield, Connecticut 06877 (203) 994-7244  [email protected]

    JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected] List of Addendums First Addendum – Middle Ages Second Addendum – Modern and Modern Sub-Categories A. 20th Century B. 21st Century C. Modern and High Modern D. Postmodern and Contemporary E. Descrtiption of Categories (alphabetic) and Important Composers Third Addendum – Composers Fourth Addendum – Musical Terms and Concepts 1 First Addendum – Middle Ages A. The Early Medieval Music (500-1150). i. Early chant traditions Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian Church. The simplest, syllabic chants, in which each syllable is set to one note, were probably intended to be sung by the choir or congregation, while the more florid, melismatic examples (which have many notes to each syllable) were probably performed by soloists. Plainchant melodies (which are sometimes referred to as a “drown,” are characterized by the following: A monophonic texture; For ease of singing, relatively conjunct melodic contour (meaning no large intervals between one note and the next) and a restricted range (no notes too high or too low); and Rhythms based strictly on the articulation of the word being sung (meaning no steady dancelike beats). Chant developed separately in several European centers, the most important being Rome, Hispania, Gaul, Milan and Ireland. Chant was developed to support the regional liturgies used when celebrating Mass. Each area developed its own chant and rules for celebration. In Spain and Portugal, Mozarabic chant was used, showing the influence of North Afgican music. The Mozarabic liturgy survived through Muslim rule, though this was an isolated strand and was later suppressed in an attempt to enforce conformity on the entire liturgy.