DOCSLIB.ORG

22 November 2013 Page 1 of 10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
22 November 2013 Page 1 of 10 Radio 3 Listings for 16 – 22 November 2013 Page 1 of 10 SATURDAY 16 NOVEMBER 2013 Benjamin, Arthur (1893-1960) SAT 16:00 Sound of Cinema (b03hk1yf) Overture to an Italian Comedy The Films of Ridley Scott SAT 01:00 Through the Night (b03h3xdz) Sydney Symphony Orchestra, Joseph Post (conductor) Beethoven's 6th (Pastoral) and Nielsen's 4th Symphony from Matthew Sweet looks back at scores from the films of the Copenhagen with the Danish National Symphony Orchestra 5:27 AM distinguished British director Sir Ridley Scott whose new film conducted by Rafael Frühbeck de Burgos. Jonathan Swain Beethoven, Ludwig van [1770 -1827] "The Counsellor" is released this week. presents. 2 Sonatinas for mandonlin: C minor WoO 43/1 and C major WoW 44/1 Ridley Scott's wide ranging output includes The Duellists, 1:01 AM Avi Avital (mandolin) Shalev Ad-El (harpsichord) Alien, Bladerunner, Legend, Thelma and Louise, 1492 - Olesen, Thomas Agerfeldt [b.1969] Conquest of Paradise, Heaven of Heaven, Hannibal, GI Jane, Fanfare for brass and percussion (Premiere) 5:34 AM Prometheus, Robin Hood, Gladiator and he's collaborated with Saint-Saëns, Camille (1835-1921) some of the greatest film composers of our time, including 1:03 AM Havanaise Jerry Goldsmith, Vangelis, Michael Kamen, Hans Zimmer and Beethoven, Ludwig van [1770 -1827] Vilmos Szabadi (violin), Marta Gulyas (piano) Harry Gregson Williams. His latest project, The Counsellor, Symphony no. 6 (Op.68) in F major "Pastoral"; arrives in cinemas this week with a score by rising British star, 5:43 AM Daniel Pemberton. 1:48 AM Mozart, Wolfgang Amadeus (1756-1791) Nielsen, Carl [1865-1931] 12 Variations for piano in B flat (K.500) Symphony no. 4 (Op.29) "The Inextinguishable"; Simon Crawford-Phillips (piano) SAT 17:00 Jazz Record Requests (b03hk1yq) Danish National Symphony Orchestra, Rafael Frühbeck de Swing Trumpeters Burgos (conductor) 5:52 AM Bach, Johann Christoph Friedrich (1732-1795) Alyn Shipton's selection of listeners' requests focuses on music 2:27 AM Sinfonia for strings and continuo in D minor by swing trumpeters, with Ruby Braff, Buck Clayton and Mendelssohn, Felix (1809-1847) Das Kleine Konzert Muggsy Spanier. Octet for strings in E flat (Op.20) Leonidas Kavakos, Per Kristian Skalstad, Frode Larsen and Tor 6:01 AM Johan Böen (violins), Lars Anders Tomter and Catherine Chopin, Fryderyk [1810-1849] SAT 18:00 Jazz Line-Up (b03hk1yw) Bullock (violas), Öystein Sonstad and Ernst Simon Glaser Sonata for piano no. 2 (Op.35) in B flat minor; The European Jazz Orchestra (cellos) Khatia Buniatishvili (piano) Claire Martin presents a concert performance by the European 3:01 AM 6:24 AM Jazz Orchestra, recorded at this year's Stockholm Jazz Festival, Brahms, Johannes (1833-1897) Schumann, Robert (1810-1856) featuring emerging UK saxophonist Mike Fletcher. Band Line- Double Concerto in A minor for Violin and Cello (Op.102) Cello Concerto in A minor (Op.129) up: Ann-Sofi Söderqvist – composer, conductor (Sweden), Sølve Sigerland (violin), Ellen Margrete Flesjø (cello), The Andreas Brantelid (cello), Stavanger Symphony Orchestra, Eri Darko Sedak Benčić, trumpet (Croatia), Bastian Stein, trumpet Norwegian Radio Orchestra, Peter Szilvay (conductor) Klas (conductor) (Austria), Menzel Mutzke, trumpet (Germany), Tomaž Gajšt, trumpet (Slovenia), Richard Leonard, Trombone (UK), Roberto 3:34 AM 6:47 AM Lorenzo Elekes, trombone (Spain), Francesco di Giulio, Širola, Božidar (1889-1956) Mendelssohn, Felix (1809-1847) trombone (Italy), Robert Hedemann, trombone (Germany), Missa Poetica The Hebrides (Fingal's Cave) - overture (Op.26) Mike Fletcher, alto saxophone (UK), Michal Wróblewski, alto Slovenian Chamber Choir, Vladimir Kranjcevic (conductor) The Danish Radio Concert Orchestra, Takuo Yuasa saxophone, clarinet (the Czech Republic), Jean Dousteyssier, (conductor). tenor saxophone, clarinet (France), José Maria Gonçalves 4:06 AM Perreira, tenor saxophone, clarinet (Portugal), Linda Vivaldi, Antonio [1678-1741] Fredriksson, baritone saxophone, flute (Finland), Joel Remmel, Concerto for Sopranino, Two Violins and Basso Continuo RV SAT 07:00 Breakfast (b03hk1y5) piano (Estonia), Daniël Dudok, guitar (Netherlands). Matthias 108; Saturday - Martin Handley Flemming Petri, bass (Denmark), Andrej Hočevar, drums Bolette Roed (recorder), Arte dei Suonatori (ensemble) (Slovenia), Jean-Lou Treboux, percussion (Switzerland) , Martin Handley presents Radio 3's classical breakfast show, Kristin Amparo, vocals (Sweden). European Broadcast Union 4:15 AM featuring the Musical Map of Britain and listener requests. Recording, recorded at Svergie Radio, Studio 4, Stockholm on Fauré, Gabriel (1845-1924) 18th October 2013, as part of the Stockholm Jazz Festival Nocturne in C sharp minor (Op.74) Email [email protected] or text 83111. Stéphane Lemelin (piano) SAT 19:30 Radio 3 Live in Concert (b03hk1yy) 4:23 AM SAT 09:00 CD Review (b03hk1y7) Live from the Bridgewater Hall, Manchester Svendsen, Johan (1840-1911) Building a Library: Britten: The Turn of the Screw Romance for violin and orchestra in G major (Op.26) BBC Philharmonic - Gray, Chausson, Berlioz, Dukas, Walton Julia Fischer (violin), Bergen Philharmonic Orchestra, With Andrew McGregor. Including Building a Library: Britten: (part 1) Christopher Warren-Green (conductor) The Turn of the Screw; Early recordings by Christopher Hogwood; Disc of the Week: Mahler: Das Lied von der Erde. Live from The Bridgewater Hall in Manchester 4:32 AM Schubert, Franz (1797-1828) Presented by Martin Handley Notturno (D.897) for piano and strings in E flat major SAT 12:15 Music Matters (b03hk1y9) Vadim Repin (violin), Jan-Erik Gustafsson (cello), Leif Ove Sir John Tavener The BBC Philharmonic, conducted by Yutaka Sado, perform Andsnes (piano) works including Barry Gray's 'Thunderbirds' suite, Chausson's Tom Service pays tribute to the composer John Tavener, who 'Poème' with Sayaka Shoji and Walton's Symphony No 1. 4:41 AM died this week, with an interview he recorded last month at the Tormis, Veljo (b. 1930) composer's home in Dorset. Gray, arr. Black: 'Thunderbirds' Suite Sügismaastikud [1 On hilissuvi (It Is Late Summer); 2 Üle taeva Chausson: Poème jooksevad pilved (Clouds Racing Across the Sky); 3 Kahvatu Berlioz: Rêverie et Caprice valgus (Pale Light); 4 Valusalt punased lehed (Painfully Red SAT 13:00 Radio 3 Lunchtime Concert (b03h3nx2) Dukas: The Sorcerer's Apprentice Leaves); Wigmore Hall: Takacs Quartet 5 Tuul kõnnumaa kohal (Wind on the Wasteland); 6 Külm 8:25 Interval: Discovering Music sügisöö (Cold Autumn Night); 7 Kanarbik (Heather)] Live from Wigmore Hall, London. Estonian Radio Choir, Toomas Kapten (conductor) 8:45 The award winning and popular Takacs Quartet, Associate Walton: Symphony No 1 4:50 AM Artists at Wigmore Hall, perform works by Mozart and Marcello, Alessandro (1669-1747) Beethoven. BBC Philharmonic Concerto in D minor Yutaka Sado (conductor) Jonathan Freeman-Attwood (trumpet), Colm Carey (organ ) Mozart: Quartet in E flat major, K428 Sayaka Shoji (violin) Beethoven: Quartet in C minor, Op 18 No 4 5:01 AM The BBC Philharmonic's programme tonight reflects their Rossini, Gioachino (1792-1868) Takacs Quartet 'Mancunian Way' of doing things! They begin with Manchester- La scala di seta - overture trained Barry Gray's iconic music for 'Thunderbirds', and end BBC National Orchestra of Wales, James Clark (conductor) Presented by Louise Fryer. with Walton's angry young man's symphony. Written in those uneasy inter-war years, his First Symphony is a controlled 5:07 AM explosion of passion and shattering energy. There's a French Söderman, August (1832-1876), lyrics by Johan Ludvig SAT 14:00 Saturday Classics (b03hk1yc) treat between these two works as Japanese virtuoso Sayaka Runeberg Kathryn Stott: South America Shoji plays two contrasting showpieces for the violin. And Three songs from 'Idyll and Epigram' - När den sköna maj med wizardry completes this evening's menu, with Dukas's 'The sippor kommit; Mellan friska blomster genom lunden; Minna Episode 2 Sorcerer's Apprentice', famous from Disney's 'Fantasia' and satt I lunden conjured up tonight in full orchestral Technicolor. Swedish Radio Choir, Eric Ericson (conductor) Pianist Kathryn Stott presents the second of two programmes looking at musicians from, and music inspired by Latin 5:14 AM America. The programme includes Cuban pieces by Gershwin, SAT 20:25 Discovering Music (b03hk1z0) Schubert, Franz (1797-1828) Lecuona and Leo Brouwer, Baroque music from Bolivia and Walton: Symphony No.1 Impromptu No.4 in A flat major - from Impromptus for piano Milhaud's Brazilian-inspired "Le Boeuf sur le Toit", alongside (D.899) performances by the Simon Bolivar Youth Orchestra and three Stephen Johnson uncovers the potent mix of musical and Sook-Hyun Cho (female) (piano) incredible pianists: the Cuban Jorge Bolet, Chilean Claudio personal influences behind the devastating power of Walton's Arrau and Venezuelan Gabriela Montero. first symphony. 5:20 AM Supported by bbc.co.uk/programmes/ Radio 3 Listings for 16 – 22 November 2013 Page 2 of 10 SAT 20:45 Radio 3 Live in Concert (b03hk23w) 1:31 AM Pavane pour une infante défunte Live from the Bridgewater Hall, Manchester Bartók, Béla [1881-1945] Zsolt Szatmári (clarinet), Zoltán Kocsis (piano) Bagpipes and Pizzicato, from 44 Duos for Two Violins (Sz. 98) BBC Philharmonic - Gray, Chausson, Berlioz, Dukas, Walton Patricia Kopatchinskaja & Abdel-Hamid El Shwekh (violins) 5:51 AM (part 2) Verdi, Giuseppe (1813-1901) 1:34 AM Pater noster for chorus Live from The Bridgewater Hall in Manchester Mozart, Wolfgang Amadeus (1756-1791) Radio France Chorus, Donald Palumbo (conductor) Serenade no.10 in B flat major K.361 for 13 wind instruments, Presented by Martin Handley 'Gran Partita' 6:00 AM Orchestre de la Suisse Romande, Neeme Järvi (conductor) Beethoven, Ludwig van (1770-1827) The BBC Philharmonic, conducted by Yutaka Sado, perform Symphony No.1 in C major, Op.21 ] works including Barry Gray's 'Thunderbirds' suite, Chausson's 2:09 AM Netherlands Radio Chamber Philharmonic, Frans Brüggen 'Poème' with Sayaka Shoji and Walton's Symphony No 1. Bach, Johann Sebastian [1685-1750] (conductor) Partita for keyboard no.
Load more

Recommended publications
  • Choose Yourfavorite Three Concerts
    CHOOSE YOUR FAVORITE THREE CONCERTS. You’ll Save 33% – That’s Up to $200 in Savings with Added Benefits Call 212-875-5656 or visit nyphil.org/CYO33 and use promo code CYO33. ** U.S. Premiere–New York Philharmonic Co-Commission with the London Philharmonic Orchestra *** World Premiere–New York Philharmonic Commission † Commissions made possible by The Marie-Josée Kravis Prize for New Music †New York City Premiere–New York Philharmonic Co-Commission Tuesday Wednesday Thursday Friday Saturday 7:30pm 7:30pm 7:30pm 8:00pm 8:00pm unless otherwise noted unless otherwise noted Conductor Guest Artists Program Esa-Pekka Leila Josefowicz violin RAVEL Mother Goose Suite NOV Salonen Esa-Pekka SALONEN Violin Concerto NOV OCT OCT NOV conductor (New York Concert Premiere) 5 30 31 1 2 SIBELIUS Symphony No. 5 (11:00am) Bernard Miah Persson soprano J.S. BACH Cantata No. 51, Jauchzet Labadie Stephanie Blythe Gott in allen Landen! conductor mezzo-soprano HANDEL “Let the Bright Seraphim” Frédéric Antoun tenor from Samson Andrew Foster- MOZART Requiem NOV NOV NOV Williams bass 7 8 9 Matthew Muckey trumpet New York Choral Artists Joseph Flummerfelt director Alan Gilbert Liang Wang oboe R. STRAUSS Also sprach Zarathustra conductor Glenn Dicterow, violin NOV Christopher ROUSE Oboe Concerto NOV NOV NOV 15 (New York Premiere) 19 14 16 R. STRAUSS Don Juan (2:00pm) Glenn Dicterow, violin Alan Gilbert Paul Appleby tenor BRITTEN Serenade for Tenor, Horn, conductor Philip Myers horn and Strings Kate Royal soprano BRITTEN Spring Symphony Sasha Cooke mezzo-soprano NOV NOV NOV New York Choral Artists 21 22 23 Joseph Flummerfelt director Brooklyn Youth Chorus Dianne Berkun- Menaker director Alan Gilbert Paul Appleby tenor MOZART Symphony No.
    [Show full text]
  • Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello
    Saturday Evening, January 25, 2020, at 7:30 The Juilliard School presents Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello SAMUEL BARBER (1910–81) Toccata Festiva (1960) DANIEL FICARRI, Organ DMITRI SHOSTAKOVICH (1906–75) Cello Concerto No. 2 in G major, Op. 126 (1966) Largo Allegretto Allegretto DANIEL HASS, Cello Intermission CHRISTOPHER ROUSE (1949–2019) Processional (2014) JOHANNES BRAHMS (1833–97) Symphony No. 2 in D major, Op. 73 (1877) Allegro non troppo Adagio non troppo Allegretto grazioso Allegro con spirito Performance time: approximately 1 hour and 50 minutes, including an intermission This performance is made possible with support from the Celia Ascher Fund for Juilliard. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Juilliard About the Program the organ’s and the orchestra’s full ranges. A fluid approach to rhythm and meter By Jay Goodwin provides momentum and bite, and intricate passagework—including a dazzling cadenza Toccata Festiva for the pedals that sets the organist’s feet SAMUEL BARBER to dancing—calls to mind the great organ Born: March 9, 1910, in West Chester, music of the Baroque era. Pennsylvania Died: January 23, 1981, in New York City Cello Concerto No. 2 in G major, Op. 126 DMITRI SHOSTAKOVICH In terms of scale, pipe organs are Born: September 25, 1906, in Saint Petersburg different from every other type of Died: August 9, 1975, in Moscow musical instrument, and designing and assembling a new one can be a challenge There are several reasons that of architecture and engineering as complex Shostakovich’s Cello Concerto No.
    [Show full text]
  • Themenkatalog »Musik Verfolgter Und Exilierter Komponisten«
    THEMENKATALOG »Musik verfolgter und exilierter Komponisten« 1. Alphabetisches Verzeichnis Babin, Victor Capriccio (1949) 12’30 3.3.3.3–4.3.3.1–timp–harp–strings 1908–1972 for orchestra Concerto No.2 (1956) 24’ 2(II=picc).2.2.2(II=dbn)–4.2.3.1–timp.perc(3)–strings for two pianos and orchestra Blech, Leo Das war ich 50’ 2S,A,T,Bar; 2(II=picc).2.corA.2.2–4.2.0.1–timp.perc–harp–strings 1871–1958 (That Was Me) (1902) Rural idyll in one act Libretto by Richard Batka after Johann Hutt (G) Strauß, Johann – Liebeswalzer 3’ 2(picc).1.2(bcl).1–3.2.0.0–timp.perc–harp–strings Blech, Leo / for coloratura soprano and orchestra Sandberg, Herbert Bloch, Ernest Concerto Symphonique (1947–48) 38’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(3):cyms/tam-t/BD/SD 1880–1959 for piano and orchestra –cel–strings String Quartet No.2 (1945) 35’ Suite Symphonique (1944) 20’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc:cyms/BD–strings Violin Concerto (1937–38) 35’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(2):cyms/tgl/BD/SD– harp–cel–strings Braunfels, Walter 3 Chinesische Gesänge op.19 (1914) 16’ 3(III=picc).2(II=corA).3.2–4.2.3.1–timp.perc–harp–cel–strings; 1882–1954 for high voice and orchestra reduced orchestraion by Axel Langmann: 1(=picc).1(=corA).1.1– Text: from Hans Bethge’s »Chinese Flute« (G) 2.1.1.0–timp.perc(1)–cel(=harmonium)–strings(2.2.2.2.1) 3 Goethe-Lieder op.29 (1916/17) 10’ for voice and piano Text: (G) 2 Lieder nach Hans Carossa op.44 (1932) 4’ for voice and piano Text: (G) Cello Concerto op.49 (c1933) 25’ 2.2(II=corA).2.2–4.2.0.0–timp–strings
    [Show full text]
  • Myths, Legends, Fairy Tales and Folk Tales in Music ______
    ______________________________________________________________________________________________________ Sounds of Enchantment: Myths, Legends, Fairy Tales and Folk Tales in Music ______________________________________________________________________________________________________ Gioacchino ROSSINI Overture from William Tell Felix MENDELSSOHN Scherzo from A Midsummer Night’s Dream Sergei PROKOFIEV Waltz Coda and Midnight from Cinderella, Op. 87 David CROWE How Birds Came Into the World John WILLIAMS Raiders March from Raiders of the Lost Ark Piotr Ilyich TCHAIKOVSKY Scene from Swan Lake Modest MUSSORGSKY / arr. Ravel Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition HOW TO USE THIS STUDY GUIDE This guide is designed as a curriculum enhancement resource primarily for music teachers, but is also available for use by classroom teachers, parents, and students. The main intent is to aid instructors in their own lesson preparation, so most of the language and information is geared towards the adult, and not the student. It is not expected that all the information given will be used or that all activities are applicable to all settings. Teachers and/or parents can choose the elements that best meet the specific needs of their individual situations. Our hope is that the information will be useful, spark ideas, and make connections. TABLE OF CONTENTS Sounds of Enchantment Overview – Page 4 Program Notes – Page 7 ROSSINI | Overture from William Tell Page 8 MENDELSSOHN | Scherzo from A Midsummer Night’s Dream Page 10 PROKOFIEV | Waltz Coda and Midnight from Cinderella, Op. 87 Page 13 CROWE | How Birds Came Into the World Page 17 WILLIAMS | Raiders March from Raiders of the Lost Ark Page 20 TCHAIKOVSKY | Scene from Swan Lake Page 22 MUSSORGSKY | Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition Page 24 Activities — Page 27 Student Section— Page 39 CREDITS This guide was originally created for the 2008-2009 Charlotte Symphony Education Concerts by Susan Miville, Chris Stonnell, Anne Stewart, and Jane Orrell.
    [Show full text]
  • Playlist 12 - Wednesday, June 24Th, 2020
    Legato in Times of Staccato Playlist 12 - Wednesday, June 24th, 2020 Curated by Music Director, Fouad Fakhouri William Dawson: Negro Folk Symphony William Dawson was a renowned African American composer, choir director, and professor who incorporated African American themes and melodies into his music. With the Negro Folk Symphony, Dawson aimed to “write a symphony in the Negro folk idiom, based on authentic folk music but in the same symphonic form used by the composers of the [European] romantic-nationalist school.” The work consists of three movements, each with its own programmatic subtitle. Dvorak: Serenade for Strings & Wind Dvořák composed his entire Serenade in E major for string orchestra in less than two weeks in May 1875. The piece is in five movements, and in the finale, the main theme from the first movement is quoted before the coda, effectively unifying the work. Overall, the piece is light and carefree, reflecting a happy and productive time in Dvořák’s life. The Serenade in D minor for wind instruments was also composed in just two weeks in January 1878. The winds play atop a foundation of cello and string bass, and like in the Serenade for Strings, the opening theme is quoted in the final movement to unify the piece. The work is Classical in form but Czech in character as Dvořák incorporated folk melodies and rhythms from his native Bohemian culture. The piece was dedicated to music critic Louis Ehlert who promoted Dvořák’s famous Slavonic Dances and helped to advance Dvořák’s musical career. Haydn: Cello Concerto No. 1 Haydn’s Cello Concerto No.
    [Show full text]
  • The Saxophone Symposium: an Index of the Journal of the North American Saxophone Alliance, 1976-2014
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 The aS xophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014 Ashley Kelly Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Kelly, Ashley, "The aS xophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014" (2015). LSU Doctoral Dissertations. 2819. https://digitalcommons.lsu.edu/gradschool_dissertations/2819 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SAXOPHONE SYMPOSIUM: AN INDEX OF THE JOURNAL OF THE NORTH AMERICAN SAXOPHONE ALLIANCE, 1976-2014 A Monograph Submitted to the Graduate Faculty of the Louisiana State University and AgrIcultural and MechanIcal College in partIal fulfIllment of the requIrements for the degree of Doctor of MusIcal Arts in The College of MusIc and DramatIc Arts by Ashley DenIse Kelly B.M., UniversIty of Montevallo, 2008 M.M., UniversIty of New Mexico, 2011 August 2015 To my sIster, AprIl. II ACKNOWLEDGEMENTS My sIncerest thanks go to my committee members for theIr encouragement and support throughout the course of my research. Dr. GrIffIn Campbell, Dr. Blake Howe, Professor Deborah Chodacki and Dr. Michelynn McKnight, your tIme and efforts have been invaluable to my success. The completIon of thIs project could not have come to pass had It not been for the assIstance of my peers here at LouIsIana State UnIversIty.
    [Show full text]
  • The Ideas of M. Vincent D'indy. I Author(S): C. Saint-Saëns and Fred Rothwell Source: the Musical Times, Vol. 61, No. 925 (Mar. 1, 1920), Pp
    The Ideas of M. Vincent D'Indy. I Author(s): C. Saint-Saëns and Fred Rothwell Source: The Musical Times, Vol. 61, No. 925 (Mar. 1, 1920), pp. 176-177 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/910139 Accessed: 01-11-2015 18:07 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 143.167.2.135 on Sun, 01 Nov 2015 18:07:28 UTC All use subject to JSTOR Terms and Conditions I76 'THE MUSICAL TIMES-MARCH 1 920 We already suffer too much from such things. As and India, in China and Japan, and even among the old lady in 'David Copperfield' said, 'Let us savage tribes. have no meandering.' The author also gives ex- Such considerations make it easy to imagine that haustive registration for a large number of pieces, art has its source in religion. All the same, its laying them out for organs of various sizes. origin is an even more modest one.
    [Show full text]
  • Program Listings” Christopher C
    WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSSEPTEMBER 2014 Ken Burns’s seven-part documentary weaves the stories of Theodore, Franklin, and Eleanor Roosevelt, three members of one of the most prominent and influential families in American politics. The series follows the family’s story for more than a century, from Theodore’s birth in 1858 to Eleanor’s death in 1962. Over the course of those years, Theodore would become the 26th president of the United States, and his beloved niece, Eleanor, would marry his fifth cousin, Franklin, who became the 32nd president. Together, they redefined the relationship Americans had with their government and with each other, and redefined, as well, the role of the United States within the wider world. THE ROOSEVELTS: AN INTIMatE HISTORY AIRS SUNDAY, SEPTEMBER 14 THROUGH SatURDAY, SEPTEMBER 20 at 8 P.M. ON WXXI-TV TUESDAY, SEPTEMBER 23 at 7 P.M. LITTLE THEatrE DEtaiLS INSIDE >> SATURDAY, SEPTEMBER 13, 10AM-2PM SEE INSIDE FRONT COVER FOR DEtaiLS! DEAR FRIENDS, EXECUTIVE StaFF SEPTEMBER 2014 No rm Silverstein, President VOLUME 5, ISSUE 9 Susan Rogers, Executive Vice President and General Manager This month marks the premiere of WXXI is a public non-commercial Je anne E. Fisher, Vice President, Radio broadcasting station owned the much-anticipated documentary Kent Hatfield, Vice President, Technology and Operations and operated by WXXI Public series on the Roosevelts by Ken Broadcasting Council, a not-for- El issa Orlando, Senior Vice President of TV and News Burns, America’s most acclaimed profit corporation chartered by the Board of Regents of New BOARD OF TRUSTEES OFFICERS filmmaker.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 86, 1966
    . .~v«M m t"£m w*) r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY <$ HENRY LEE HIGGINSON 23 "^2^ " L^S^-*. ^f J SSs 1\ ^ V, EIGHTY-SIXTH SEASON 1966-1967 EXCELLAIT SURTOUT POUR LES FANFARES!" Although it is difficult to trace the origin of the French horn, it is generally accepted that it was developed in France during the 17th century • An outgrowth of the early primitive and the later sophisticated hunting horn, its value in the use of Fanfares was acclaimed during the reign of Louis XIII • It was also discovered that strange and wonderful musical effects could be had by inserting the hand in the bell • One of the first orchestral uses came in 1717 when Handel included the French horn in his score of the ''Water Music" • The modern instrument embodies a main tube measuring approximately 7 feet 4 inches in length, coiled in circles and finally expanding into a widely flared bell • As the French horn lends its importance to the value of the modern symphony orchestra, so too does the trained and reliable insurance office develop a modern and sensible insurance program for business and personal accounts • We would welcome an opportunity to analyze your need for complete protection. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 0BRI0N, RUSSELL & CO. 147 MILK STREET BOSTON. MASSACHUSETTS Insurance of Every Description Telephone 542-1250 EIGHTY-SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Copyright, 1967, by Boston Symphony Orchestra, Inc.
    [Show full text]
  • Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
    METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Ferruccio Busoni Biography
    Ferruccio Busoni His Life And Times Beginnings Youth in Italy The Prodigy is Heard Busoni as Composer Free at Last First Experiences Marriage Busoni as Editor Hitting his Stride Busoni as Conductor Masterpiece Unveiled America again Turandot /Die Brautwahl The Author Debuts Back on the Road Paris, D’Annunzio Opera’s Seduction Liceo Rossini War in Europe The Artist at 50 The Last Years Final Enthusiasms Last Days FERRUCCIO BUSONI - HIS LIFE AND TIMES The Busoni heritage begins in Spicchio, a little village on the north bank of the Arno, inhabited mainly by barge-men, one of whom bore the name. The family is thought originally to have come from Corsica. Though reasonably well-off in their day, the Busonis fell on hard times, and upon the father’s death, moved to Empoli. Additional misfortune followed when the second son of three, Giovanni Battista also died later of a long illness in 1860, his wife following shortly thereafter. From this group of three sons, it would be the eldest, Ferdinando who would produce the artist the world learned to know and cherish. In Empoli his siblings became prosperous makers of felt hats, but Ferdinando would have none of that. He hid himself in corners to read the classics and practice the clarinet. Nothing would alter his intention to be a musician of prominence; he was capricious, self-willed, hot-tempered and impatient. These qualities would, lifelong, result in a reputation as difficult, highly-strung, opinionated, quarrelsome and to some a jeffatore...the possessor of the “evil eye.” He was largely self-taught, attained a high degree of proficiency on his instrument, adopted a career as a travelling virtuoso.
    [Show full text]
  • L'age D'or of the Chamber Wind Ensemble
    L’Age d’or of the Chamber Wind Ensemble A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Ensembles and Conducting Division of the College-Conservatory of Music 2013 by Danielle D. Gaudry BM, McGill University, 2000 BE, University of Toronto, 2001 MM, The Pennsylvania State University, 2009 Committee Chair: Terence Milligan, DMA ABSTRACT This document presents a narrative history of the chamber wind ensembles led by Paul Taffanel, Georges Barrère and Georges Longy in the late nineteenth and early twentieth centuries. Using different historical approaches, this study examines contemporaneous musical society and the chamber wind ensemble genre to explore the context and setting for the genesis of the Société de musique de chambre pour instruments à vents, the Société moderne des instruments à vents, the Longy Club and the Barrère Ensemble of Wind Instruments. A summary of each ensemble leader’s life and description of the activities of the ensemble, selected repertoire and press reactions towards their performances provide essential insights on each ensemble. In demonstrating their shared origins, ideologies, and similarities in programming philosophies, this document reveals why these chamber wind ensembles created a musical movement, a golden age or age d’or of wind chamber music, affecting the local music scene and continuing to hold influence on today’s performers of wind music. ""!! ! Copyright 2013, Danielle D. Gaudry """! ! ! ACKNOWLEDGMENTS I would like to extend my deepest gratitude to all those who have been a part of my journey, both in the completion of this document and over the course of this degree.
    [Show full text]