Willa Cather Pioneer Memorial Newsletter
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If You Like My Ántonia, Check These Out!
If you like My Ántonia, check these out! This event is part of The Big Read, an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest. Other Books by Cather About Willa Cather Alexander's Bridge (CAT) Willa Cather: The Emerging Voice Cather's first novel is a charming period piece, a love by Sharon O'Brien (920 CATHER, W.) story, and a fatalistic fable about a doomed love affair and the lives it destroys. Willa Cather: A Literary Life by James Leslie Woodress (920 CATHER, W.) Death Comes for the Archbishop (CAT) Cather's best-known novel recounts a life lived simply Willa Cather: The Writer and her World in the silence of the southwestern desert. by Janis P. Stout (920 CATHER, W.) A Lost Lady (CAT) Willa Cather: The Road is All This Cather classic depicts the encroachment of the (920 DVD CATHER, W.) civilization that supplanted the pioneer spirit of Nebraska's frontier. My Mortal Enemy (CAT) First published in 1926, this is Cather's sparest and most dramatic novel, a dark and oddly prescient portrait of a marriage that subverts our oldest notions about the nature of happiness and the sanctity of the hearth. One of Ours (CAT) Alienated from his parents and rejected by his wife, Claude Wheeler finally finds his destiny on the bloody battlefields of World War I. O Pioneers! (CAT) Willa Cather's second novel, a timeless tale of a strong pioneer woman facing great challenges, shines a light on the immigrant experience. -
The Tragedy of Hamlet
THE TRAGEDY OF HAMLET THE WORKS OF SHAKESPEARE THE TRAGEDY OF HAMLET EDITED BY EDWARD DOWDEN n METHUEN AND CO. 36 ESSEX STREET: STRAND LONDON 1899 9 5 7 7 95 —— CONTENTS PAGE Introduction ix The Tragedy of Hamlet i Appendix I. The "Travelling" of the Players. 229 Appendix II.— Some Passages from the Quarto of 1603 231 Appendix III. Addenda 235 INTRODUCTION This edition of Hamlet aims in the first place at giving a trustworthy text. Secondly, it attempts to exhibit the variations from that text which are found in the primary sources—the Quarto of 1604 and the Folio of 1623 — in so far as those variations are of importance towards the ascertainment of the text. Every variation is not recorded, but I have chosen to err on the side of excess rather than on that of defect. Readings from the Quarto of 1603 are occa- sionally given, and also from the later Quartos and Folios, but to record such readings is not a part of the design of this edition. 1 The letter Q means Quarto 604 ; F means Folio 1623. The dates of the later Quartos are as follows: —Q 3, 1605 161 1 undated 6, For ; Q 4, ; Q 5, ; Q 1637. my few references to these later Quartos I have trusted the Cambridge Shakespeare and Furness's edition of Hamlet. Thirdly, it gives explanatory notes. Here it is inevitable that my task should in the main be that of selection and condensation. But, gleaning after the gleaners, I have perhaps brought together a slender sheaf. -
Illustrated and Descriptive Catalogue and Price List of Stereopticons
—. ; I, £3,v; and Descriptive , Illustrated ;w j CATALOGUE AND PRICE LIST- t&fs — r~* yv4 • .'../-.it *.•:.< : .. 4^. ; • ’• • • wjv* r,.^ N •’«* - . of . - VJ r .. « 7 **: „ S ; \ 1 ’ ; «•»'•: V. .c; ^ . \sK? *• .* Stereopticons . * ' «». .. • ” J- r . .. itzsg' Lantern Slides 1 -f ~ Accessories for Projection Stereopticon and Film Exchange W. B. MOORE, Manager. j. :rnu J ; 104 to no Franlclin Street ‘ Washington . (Cor. CHICAGO INDEX TO LANTERNS, ETC. FOR INDEX TO SLIDES SEE INDEX AT CLOSE OF CATALOGUE. Page Acetylene Dissolver 28 Champion Lantern 3g to 42 “ Gas 60 Check Valve S3 •* 1 • .• Gas Burner.... ; 19 Chemicals, Oxygen 74, 81 ** < .' I j Gas Generator.. ; 61 to 66 Chirograph 136 “ Gas Generator, Perfection to 66 64 Chlorate of Potash, tee Oxygen Chemicals 74 Adapter from to sire lenses, see Chromatrope.... 164 Miscellaneous....... 174 Cloak, How Made 151 Advertising Slides, Blank, see Miscellaneous.. 174 ** Slides 38010,387 " Slides 144 Color Slides or Tinters .^140 “ Slides, Ink for Writing, see Colored Films 297 Miscellaneous, 174 Coloring Films 134 “ Posters * *...153 " Slides Alcohol Vapor Mantle Light 20A v 147 Combined Check or Safety Valve 83 Alternating.Carbons, Special... 139 Comic and Mysterious Films 155 Allen Universal Focusing Lens 124, 125 Comparison of Portable Gas Outfits 93, 94 America, Wonders cf Description, 148 “Condensing Lens 128 Amet's Oro-Carbi Light 86 to 92, 94 " Lens Mounting 128 •Ancient Costumes ....! 131 Connections, Electric Lamp and Rheostat... 96, 97 Approximate Length of Focus 123 " Electric Stage 139 Arc Lamp 13 to 16 Costumes 130 to 152, 380 to 3S7 ** Lamp and Rheostat, How to Connect 96 Cover Glasses, see Miscellaneous ,....174 Arnold's Improved Calcium Light Outfit. -
Literary Criticism and Cultural Theory
Literary Criticism and Cultural Theory Edited by William E. Cain Professor of English Wellesley College A Routledge Series 94992-Humphries 1_24.indd 1 1/25/2006 4:42:08 PM Literary Criticism and Cultural Theory William E. Cain, General Editor Vital Contact Negotiating Copyright Downclassing Journeys in American Literature Authorship and the Discourse of from Herman Melville to Richard Wright Literary Property Rights in Patrick Chura Nineteenth-Century America Martin T. Buinicki Cosmopolitan Fictions Ethics, Politics, and Global Change in the “Foreign Bodies” Works of Kazuo Ishiguro, Michael Ondaatje, Trauma, Corporeality, and Textuality in Jamaica Kincaid, and J. M. Coetzee Contemporary American Culture Katherine Stanton Laura Di Prete Outsider Citizens Overheard Voices The Remaking of Postwar Identity in Wright, Address and Subjectivity in Postmodern Beauvoir, and Baldwin American Poetry Sarah Relyea Ann Keniston An Ethics of Becoming Museum Mediations Configurations of Feminine Subjectivity in Jane Reframing Ekphrasis in Contemporary Austen, Charlotte Brontë, and George Eliot American Poetry Sonjeong Cho Barbara K. Fischer Narrative Desire and Historical The Politics of Melancholy from Reparations Spenser to Milton A. S. Byatt, Ian McEwan, Salman Rushdie Adam H. Kitzes Tim S. Gauthier Urban Revelations Nihilism and the Sublime Postmodern Images of Ruin in the American City, The (Hi)Story of a Difficult Relationship from 1790–1860 Romanticism to Postmodernism Donald J. McNutt Will Slocombe Postmodernism and Its Others Depression Glass The Fiction of Ishmael Reed, Kathy Acker, Documentary Photography and the Medium and Don DeLillo of the Camera Eye in Charles Reznikoff, Jeffrey Ebbesen George Oppen, and William Carlos Williams Monique Claire Vescia Different Dispatches Journalism in American Modernist Prose Fatal News David T. -
Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No
Copyright © 1992 by the Wills Cather Pioneer ISSN 0197-663X Memorial and.Educational Foundation Winter, 1991-92 Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No. 4 Bibliographical Issue RED CLOUD, NEBRASKA Jim Farmer’s photo of the Hanover Bank and Trust in Johnstown, Nebraska, communicates the ambience of the historic town serving as winter locale for the Hallmark Hall of Fame/Lorimar version of O Pioneers.l, starring Jessica Lange. The CBS telecast is scheduled for Sunday 2 February at 8:00 p.m. |CST). A special screening of this Craig Anderson production previewed in Red Cloud on 18 January with Mr. Anderson as special guest. Board News Works on Cather 1990-1991" A Bibliographical Essay THE WCPM BOARD OF GOVERNORS VOTED UNANIMOUSLY AT THE ANNUAL SEPTEMBER Virgil Albertini MEETING TO ACCEPT THE RED CLOUD OPERA Northwest Missouri State University HOUSE AS A GIFT FROM OWNER FRANK MOR- The outpouring of criticism and scholarship on HART OF HASTINGS, NEBRASKA. The Board ac- Willa Cather definitely continues and shows signs of cepted this gift with the intention of restoring the increasing each year. In 1989-1990, fifty-four second floor auditorium to its former condition and articles, including the first six discussed below, and the significance it enjoyed in the late 1800s and early 1900s. Among the actresses who appeared on five books were devoted to Cather. In 1990-91, the its stage was Miss Willa Cather, who starred here as number increased to sixty-five articles, including the Merchant Father in a production of Beauty and those in four collections, and eight books. -
Introduction by Ros King
Cambridge University Press 978-0-521-82794-2 - The Comedy of Errors: Updated Edition Edited by T. S. Dorsch Excerpt More information IntRODuctION BY ROS KING The Comedy of Errors has provoked some wildly different responses. Frequently described – and sometimes dismissed – throughout its history as a farcical romp, the last forty years have seen some notable productions that have explored a more serious side, focusing on the phenomenon and psychology of twindom, and drawing out a connection between the play’s language of witchcraft and the theatricality of illusion. The play is part of a long literary tradition. Shakespeare found its main storylines in two comedies by the Roman playwright Plautus, but in putting them together he achieved a virtuoso increase in the number of ‘errors’ in the plot.1 Despite the pagan setting, he also incorporated some sixty direct biblical quotations, with others taken from the Book of Common Prayer and the Homilies, and inlaid the text with count- less incidental puns on Christian religious meanings.2 But the theme of lost children and mistaken identity is more ancient: as old as the love and the rivalry that humans feel for their siblings or their children, and the atavistic fear and fascination that we have for the double.3 Shakespeare, of course, had a personal interest and knowledge, being himself the father of twins: Judith and Hamnet, born in 1585. These serious elements, and the potential tragedy of the opening scene, all indicate that there is indeed more to the play than farce, although any production or critical account that ignores its hilariously dextrous presentation of the story will not have done it justice. -
The Richard L. Coe Early Scrapbook Finding
Richard L. Coe early scrapbook. Contents: [312] items, [307] pieces on first 74 pages of 155 p. volume. lccn: 2010414967 Call no.: PN2093.C65 1866 (Items with bold no. indicate separately cataloged titles) p. [Ii. Newspaper clippings from the Alexandria Gazette and Virginia Advertiser “The Rambler’s Note-Book” from Aug. 13, 1892, August 27, 1892, October 1, 1892 and Octoeber 8, 1892. Also clipping “Our Frank in Atlanta” correspondence of the Richmond Dispatch, n.d. (5 items. 8 pieces; portion of three clippings formerly folded, broken away) p. [2]. “The Rambler’s Note-Book” clippings from June 16, 1892, July 23, 1892, Nov. 19, and Nov. 23, 1892 (4 items, 5 pieces) p. [3]. “The Rambler’s Note-Book” clippings from Sept. 24, 1892, Sept 3, 1892, Oct. 29, 1892 and January 14, 1893 (4 items, 5 pieces) p. [4] “The Rambler’s Note-Book” clippings from Dec. 16, 1892, Dec. 15, 1892, Nov. 19, 1892, Dec. 12, 1892. 2 additional clippings:”Communicated” and “Communicated. A suggestion” undated (6 items, 7 pieces) p. [5]. The Rambler’s Note-Book clipping from Oct. 17, 1892. Additional clippings from January 23, 1891, Nov. 24, 1892, and December 22. 1891 and additional undated clippings: 5 notices. I clipping of verse and I clipping “The Return of Joy” by George Newell Lovejoy. (11 pieces) p. [6]. Clippings of verse: “The Old Road” by Oliver Dufour, poem by Mrs. A.L. Ruter Dufour, “The Bride’s Farewell”, “Silenus” by James B. Kenyon, “Renouncement” by Alice Mevnell, “Old time songs: “Annie Lisle”, “Do they miss me at home”, “Ossian’s serenade”. -
Fragments from Willa Cather's Lost Work Published for the First Time
FOR IMMEDIATE RELEASE: Contact: Leslie C. Levy, Executive Director [email protected] 866-731-7304 Fragments from Willa Cather’s Lost Work Published for the First Time At her death in 1947, famed author Willa Cather was working on a story -- or perhaps a novel -- set in medieval Avignon titled "Hard Punishments." By all surviving accounts, the writing Cather had completed was destroyed upon her death, the only known exception being a short fragment owned by the University of Virginia. Two new fragments of the story have recently surfaced, in the collection given to the University of Nebraska Foundation by Cather's nephew, Charles E. Cather, who died in March 2011. In the Fall 2011 issue of the Willa Cather Newsletter & Review, the Willa Cather Foundation published complete transcriptions of all three fragments for the very first time. They are designed to give readers a clear reading text, with missing characters added in brackets and Cather's own deletions omitted. Readers who may be interested in full diplomatic transcriptions, retaining every feature which can reasonably be reproduced in print, can find them on the Willa Cather Foundation website at www.WillaCather.org. “We are proud and honored to have the permission of the Willa Cather Literary Trust to share these glimpses of Cather's last major creative work,” said Leslie C. Levy, Executive Director of the Foundation. The Fall 2011 issue of the Newsletter & Review, which also features an essay on the "Hard Punishments" fragments as well as manuscript images can be purchased from Cather Books & Gifts by calling 402-746-2653 or online at www.WillaCather.org. -
“Unfurnished” Style in My Mortal Enemy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarShip Secreted Behind Closed Doors: Rethinking Cather‘s Adultery Theme and ―Unfurnished‖ Style in My Mortal Enemy by Janah R. Adams June, 2011 Director of Thesis or Dissertation: Dr. Richard Taylor Major Department: English In recent years, My Mortal Enemy (1926) has been virtually ignored in Cather scholarship. I place the novel in its literary and critical context by building on information from the critical reception and recent scholarship on Cather's work to see how My Mortal Enemy fits into the expectations of Cather's writing at the time. A rejection of Cather's changing style at the time of the novels‘ reception and in more modern criticism has led to a rather narrow assessment of the novels‘ more ambiguous scenes and an overwhelming hostility toward its protagonist, obscuring the existence of other, more positive interpretations. I provide a close study of the novels‘ ambiguous scenes in relation to Cather‘s own discussion of her ―unfurnished‖ style, and explore how critics may have misread these scenes and how we might utilize a new approach, one that takes into consideration Cather's interest and relation to the visual art scene of the time, to rethink assumptions about the novel and about its protagonist. I use Cather's 1923 novel A Lost Lady and the criticism that surrounded it to rethink My Mortal Enemy and provide a new way of reading the novel, solidifying My Mortal Enemy’s place in the Cather canon and strengthening its value to the study of her life and works. -
Book Reviews
Book Reviews Was Huck Black?: Mark Twain and African American Voices. By Shelly Fisher Fishkin. Reviewed by Albert E. Stone 109 On the Translation of Native American Literatures. Ed. Brian Swann. Reviewed by Gerald Vizenor 111 Present Tense: Rock &. Roll and Culture. By Anthony DeCurtis. Reviewed by Barry Shank 113 James Fenimore Cooper. By Robert Emmet Long. Reviewed by Hugh Egan 115 Cooper's Leatherstocking Novels: A Secular Reading. By Geoffrey Rans. Reviewed by Hugh Egan 115 The Man Who Was Mark Twain: Images and Ideologies. By Guy Cardwell. Reviewed by Theodore R. Hovet 116 Sea Changes: British Emigration and American Literature. By Stephen Fender. Reviewed by Benjamin Goluboff 118 The Protestant Evangelical Awakening. By W. R. Ward. Reviewed by Deborah L. Madsen 119 Make Room for TV: Television and the Family Ideal in Postwar America. By Lynn Spigel. Reviewed by William Graebner 120 White on Black: Images of Africa and Blacks in Popular Culture. By Jan Nederveen Pieterse. Reviewed by Kenneth W. Goings 121 Cather, Canon and the Politics of Reading. By Deborah Carlin. Reviewed by M. J. McLendon 122 Fleeting Moments: Nature and Culture in American History. By Gunther Barth. Reviewed by Blanche Linden-Ward 123 Campus Wars: The Peace Movement at American State Universities in the Vietnam Era. By Kenneth J. Heineman. Reviewed by James J. Farrell 125 W. J. Cash and the Minds of the South. By Paul D. Escott. Reviewed by David Goldfield 126 Victorian West: Class & Culture in Kansas Cattle Towns. By C. Robert Haywood. Reviewed by Peggy Pascoe 128 Paradise Remade: The Politics of Culture and History in Hawaii. -
Shakespeare, Madness, and Music
45 09_294_01_Front.qxd 6/18/09 10:03 AM Page i Shakespeare, Madness, and Music Scoring Insanity in Cinematic Adaptations Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham • Toronto • Plymouth, UK 2009 46 09_294_01_Front.qxd 6/18/09 10:03 AM Page ii Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2009 by Kendra Preston Leonard All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. Shakespeare, madness, and music : scoring insanity in cinematic adaptations, 2009. p. cm. Includes bibliographical references and index. ISBN 978-0-8108-6946-2 (pbk. : alk. paper) — ISBN 978-0-8108-6958-5 (ebook) 1. Shakespeare, William, 1564–1616—Film and video adaptations. 2. Mental illness in motion pictures. 3. Mental illness in literature. I. Title. ML80.S5.L43 2009 781.5'42—dc22 2009014208 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Willa Cather's My Mortal Enemy: the Concise Presentation of Scene, Character, and Theme
Colby Quarterly Volume 10 Issue 3 September Article 4 September 1973 Willa Cather's My Mortal Enemy: The Concise Presentation of Scene, Character, and Theme Theodore S. Adams Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 10, no.3, September 1973, p.138-148 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Adams: Willa Cather's My Mortal Enemy: The Concise Presentation of Scene 138 Colby Library Quarterly thing else" (111). It is so different, in fact, that it is irrelevant for Nellie, whose disillusionment leaves her hopeless. Is Nellie's hopeless conclusion also Miss Cather's? The novel offers no grounds for thinking otherwise. The compactness and starkness of My Mortal Enemy suggest that Miss Cather had full confidence in the accuracy of this conclusion and in her talents as a writer. Some may find it ironic that the book in which she gained the surest control of her art expresses her most despairing vision of life, but is it really? She was soon to make a journey to New Mexico and to discoveries that would brighten her spirits and give a new serenity to her later novels. Is it not, rather, entirely consistent with her devotion to her art that, when life seemed to fail her, her art saved her? WILLA CATHER'S MY MORTAL ENEMY: THE C'ONCISE PRESENTATION OF SCENE, CHARACTER, AND THEME By THEODORE S.