VOICE Vol. 11
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Neil Foster Spiritualises Carole Lateman Lets Us Into Her Life John
October 2014 October 81 ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Cosimo Matassa & Senator Jones, Sea Saint Studios, New Orleans, 04-05-79 © Paul Harris Dominique, our man in la belle France, wishes to write an extensive biography of Cosimo to be published in future issues so here is Paul’s picture to confirm we aren’t ignoring Cosimo’s passing. Neil Foster spiritualises Carole Lateman lets us into her life John Howard rocks it up in Las Vegas Keith gets to know more about Iain Terry Soul Kitchen, Jazz Junction, Blues Rambling And more... 1 The recent piece by Tony Papard has spurred me to write a little about the paranormal and the arguments both for and against it. First, an experience (concerning a communication from the dead) that my mother had. She once told me that she often used to wake up in the middle of the night to see her late father standing by the bed, not as a vague shape, but as real-looking as if he were still alive. I asked her if she was frightened by the apparition and she replied, “Well, I didn't like it but I knew he wasn't real, so I pulled the clothes over my head and went back to sleep.” So, did she really see her dead father standing by the bed or...? Obviously, she could never “prove” that it happened as she described and no one else could prove that it didn't. However, there is a way around this logical impasse. -
The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
Neil Foster Carries on Hating Keith Listens To
April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig. -
KAMIKAZE GROUND CREW New World Records 80438 Madam Marie’S Temple of Knowledge
KAMIKAZE GROUND CREW New World Records 80438 Madam Marie’s Temple of Knowledge While the artists of every generation must invent their own means for self-expression, that responsibility is complicated by the necessity to sift through the precedents and legacies of previous generations. That challenge can be especially taxing for musicians who have come of age in the so- called postmodern era, when history and world culture seem to be contracting into an undifferentiated blur under the influence of instantaneous mass communication. How do you come up with something new under the sun, not only in the shadow of everyone from J.S. Bach to John Cage, from Louis Armstrong to John Coltrane, and from Robert Johnson to Frank Zappa, but also when virtually all ethnic traditions around the globe--Bulgarian choirs, Balinese gamelan, North Indian improvisation, South African pop, Tibetan chants--are at your fingertips? In Madam Marie's Temple of Knowledge, the members of the Kamikaze Ground Crew have succeeded in forging a musical language that is at the same time rife with familiar references and bristling with novel ideas and innovative constructions. In the ten years since they first came together as the horns-and- percussion pit band for the Flying Karamazov Brothers, they have expanded dramatically that original nouveau vaudeville vision of musical and theatrical collaboration. What has emerged is an extraordinarily eclectic ensemble that draws from a diverse array of sources for a variety of special projects, including concert performances, theater productions (such as a 1993 joint venture with the Flying Karamazovs in a version of Dostoyevsky's The Brothers Karamazov), and recordings, including this, their fourth as the Kamikaze Ground Crew. -
Just This Is It: Dongshan and the Practice of Suchness / Taigen Dan Leighton
“What a delight to have this thorough, wise, and deep work on the teaching of Zen Master Dongshan from the pen of Taigen Dan Leighton! As always, he relates his discussion of traditional Zen materials to contemporary social, ecological, and political issues, bringing up, among many others, Jack London, Lewis Carroll, echinoderms, and, of course, his beloved Bob Dylan. This is a must-have book for all serious students of Zen. It is an education in itself.” —Norman Fischer, author of Training in Compassion: Zen Teachings on the Practice of Lojong “A masterful exposition of the life and teachings of Chinese Chan master Dongshan, the ninth century founder of the Caodong school, later transmitted by Dōgen to Japan as the Sōtō sect. Leighton carefully examines in ways that are true to the traditional sources yet have a distinctively contemporary flavor a variety of material attributed to Dongshan. Leighton is masterful in weaving together specific approaches evoked through stories about and sayings by Dongshan to create a powerful and inspiring religious vision that is useful for students and researchers as well as practitioners of Zen. Through his thoughtful reflections, Leighton brings to light the panoramic approach to kōans characteristic of this lineage, including the works of Dōgen. This book also serves as a significant contribution to Dōgen studies, brilliantly explicating his views throughout.” —Steven Heine, author of Did Dōgen Go to China? What He Wrote and When He Wrote It “In his wonderful new book, Just This Is It, Buddhist scholar and teacher Taigen Dan Leighton launches a fresh inquiry into the Zen teachings of Dongshan, drawing new relevance from these ancient tales. -
TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews
Blues Music Online Weekly Edition TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews BLUES MUSIC ONLINE - March 18, 2020 - Issue 6 Table Of Contents 6 TINSLEY ELLIS Enjoying The Ride By Marc Lipkin - Alligator Records 10 TINSLEY ELLIS Red Clay Soul Man Originally Published January 2017 By Grant Britt 14 LITTLE CHARLIE BATY In Memoriam By Art Tipaldi - Thomas Cullen III 16 AROUND MEMPHIS Pandemic Effects 18 CD REVIEWS By Various Writers 29 Blues Music Store CDs Onsale COVER PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER Tinsley Ellis Enjoying The Ride By Marc Lipkin - Alligator Records ver since he first hit the road 40 years shuffles, and it all sounds great.” The Chicago ago, blues-rock guitar virtuoso, soulful Sun-Times says, “It’s hard to overstate the Evocalist and prolific songwriter Tinsley raw power of his music.” Ellis has grown his worldwide audience one Ellis considers his new album, Ice scorching performance at a time. Armed with Cream In Hell, the most raw-sounding, guitar- blazing, every-note-matters guitar skills and drenched album of his career. Recorded scores of instantly memorable original songs, in Nashville and produced by Ellis and his Ellis has traveled enough miles, he says, “to longtime co-producer Kevin McKendree get to the moon and back six times.” He’s (John Hiatt, Delbert McClinton), Ice Cream released 17 previous solo albums, and has In Hell is a cathartic blast of blues-rock earned his place at the top of the blues-rock power. Though inspired by all three Kings world. -
RWH the Ruffian's Misfortune Bio-REVISED
! FOR IMMEDIATE RELEASE February XX, 2015 ! RAY WYLIE HUBBARD SCARES UP MORE BADASS ROCKIN’ GRIT ’N’ GROOVE ON THE RUFFIAN’S MISFORTUNE, OUT APRIL 7 ON HIS OWN! BORDELLO RECORDS Renowned Texas songwriter/Americana hero returns with lean ’n’ mean follow-up to 2012’s triumphant The Grifter’s Hymnal; album soon to be followed by his uproarious, hair-raising autobiography,! A Life … Well, Lived. Co-produced by Hubbard and bassist George Reiff, The Ruffian’s Misfortune showcases Hubbard’s bluesy slide alongside the twin guitar leads ! of Gabe Rhodes and Hubbard’s son, Lucas WIMBERLEY, Texas — When it comes to down ’n’ dirty roots ’n’ roll, nobody in the wide world of Americana music today does it better than Ray Wylie Hubbard. Except, it seems, for Hubbard himself. After riding a decade-long career resurgence into the national spotlight with 2012’s acclaimed The Grifter’s Hymnal and his first ever appearance on the Late Show With David Letterman (“I didn’t want to peak too soon,” quips Hubbard, 68), the iconoclastic Texas songwriter is back to continue his hot streak with The Ruffian’s Misfortune — his 16th album !(and third on his own Bordello Records, via Thirty Tigers) — due out April 7, 2015. From his humble beginnings as an Oklahoma folkie in the ’60s to his wild ride through the ’70s progressive country movement, and onward through the honky-tonk fog of the ’80s to his sobriety-empowered comeback as a songwriter’s songwriter in the ’90s, Hubbard was already a bona fide legend by the time he really found his groove right at the turn of the century. -
The Faces Unveil Their First Book with an Exhibition of Photos. a Nd New Paintings by Ronnie Wood
PRESS RELEASE Genesis House Gallery 26 October 2011 GENESIS PUBLICATIONS & Reading Rooms Fine Limited Editions Since 1974 genesis-publications.com The Faces unveil their first book with an exhibition of photos. A nd new paintings by Ronnie Wood Surrey, UK, 26 October 2011 – Last night at Genesis House Gallery & Reading Rooms, two heroes of contemporary rock music came together to announce the launch of their new book: FACES 1969-75 . The legendary guitarist of the Jeff Beck Group, Faces and the Rolling Stones - Ronnie Wood - joined fellow band mate, former drummer for the Small Faces, Faces, and The Who - Kenney Jones - for a private celebration and unveiling of the Faces’ first official book. This November 2011, a new 8-week exhibition commemorates the book’s launch: Nearly 100 pages are blown up and reproduced on Genesis’s gallery walls. Visitors are invited to stroll through the Faces’ glory years from the band’s First Step in 1969 to their eventual split in 1975. Also on display are 5 new paintings by Ronnie Wood, seen for the very first time. Entitled ‘The Famous Flames Suite’ – the paintings capture the Rolling Stones in performance. ‘Making the book we went through so many photos it brought back memories and, when we were finished, I looked through it, and it actually brought a tear to my eye. I thought it was just me but then I spoke to Woody and he said exactly the same thing had happened to him.’ Kenney Jones ‘We were bored so much hanging around in places where they didn’t even know how to make a salad… It’s amazing how such great things can come out of being bored.’ Ronnie Wood Among hundreds of guests, Ronnie and Kenney were also joined by new Faces frontman, Mick Hucknall and artist Sir Peter Blake . -
Daylight Is I TIME 'I
, .J" ~. DAYliGHT is I TIME 'I .. $APRil 4 ,I APR 0 1 ,2004 WAYNE PUBUC L1BMR" Sections ~ 3 'Pages~ 20 ,:l ~~ . , • Quick Look A , I ·Coui!p#apprql!es·t~pqllJif}gl()an:fund·a[JplicCition.·· L,. ~.~.·)r~IN~EDW;T·. : "'~''''';J' By Clara ()st~l ' . Public I hearin&,s "i'e~~aisQ' h~ld at .ameI,lds the city's snow e~ergency ordi-' s~id she and h~r husband' Jeff"have ~ SoYtf'ill o.'. , ...t-........... _......... '. '. - Of the H~r~ld " . Tue&day meeting; for: tll~· purpose. of nance. "".tried to work the situation out ~nd have We use 'newsprint"witb recycled fiber. Ail' appllcation froni Terry and Leslie updating the City;of\VayIle Zoning Map . Considerable. discussion was held on atte~pted to build a garage to hous~ "m;~ '. {i ./,,' Please recycle after use. Schulz of Schulz Land Surveying was and to consider a btexception per- .an agenda item. designed' to amend a the truck and have in1stalled a niUffler approved during Tuesday's meeting of mit for.Jim Milliken {q).lse abuilding at, section of th~ city' code dealing with on the truck to. reduce the amount of 'ditiilJtb~~C()ffee the Wayne City C01incil. .'. .' . 118 East Secmld Stieet (or warehous- - trUck parking in the city. The proposed' noise created.' . .. ~', .':. " WAYNE .:..- 'This week's , The pusines~ plans to purchase GPS .' ing! mini-storage:" '~"., '.. '. "or<;linancewolild 'impose a ,weigh, Hniit 'During the discussiori;Couhcil: ID'em Chamber Coffee will be held equipment used for surveying and add .' No one' frOID the;rpu,qlic spoke at on trucks parked within the city. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.