RWH the Ruffian's Misfortune Bio-REVISED
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TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews
Blues Music Online Weekly Edition TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews BLUES MUSIC ONLINE - March 18, 2020 - Issue 6 Table Of Contents 6 TINSLEY ELLIS Enjoying The Ride By Marc Lipkin - Alligator Records 10 TINSLEY ELLIS Red Clay Soul Man Originally Published January 2017 By Grant Britt 14 LITTLE CHARLIE BATY In Memoriam By Art Tipaldi - Thomas Cullen III 16 AROUND MEMPHIS Pandemic Effects 18 CD REVIEWS By Various Writers 29 Blues Music Store CDs Onsale COVER PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER Tinsley Ellis Enjoying The Ride By Marc Lipkin - Alligator Records ver since he first hit the road 40 years shuffles, and it all sounds great.” The Chicago ago, blues-rock guitar virtuoso, soulful Sun-Times says, “It’s hard to overstate the Evocalist and prolific songwriter Tinsley raw power of his music.” Ellis has grown his worldwide audience one Ellis considers his new album, Ice scorching performance at a time. Armed with Cream In Hell, the most raw-sounding, guitar- blazing, every-note-matters guitar skills and drenched album of his career. Recorded scores of instantly memorable original songs, in Nashville and produced by Ellis and his Ellis has traveled enough miles, he says, “to longtime co-producer Kevin McKendree get to the moon and back six times.” He’s (John Hiatt, Delbert McClinton), Ice Cream released 17 previous solo albums, and has In Hell is a cathartic blast of blues-rock earned his place at the top of the blues-rock power. Though inspired by all three Kings world. -
The Allman Betts Band
May 2020 May WashingtonBluesletter Blues Society www.wablues.org Remembering Wade Hickam COVID-19 Resources for Musicians Special Feature: Th e Allman Betts Band LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 You will find lots ofKeeping the Blues Alive Award information in this Bluesletter if you are a musician. Our 2020 OFFICERS editor, Eric Steiner, has kept President, Tony Frederickson [email protected] his eyes open and his ears Vice President, Rick Bowen [email protected] tuned for opportunities that Secretary, Marisue Thomas [email protected] musicians can explore to Treasurer, Ray Kurth [email protected] help them in this challenging Editor, Eric Steiner [email protected] time. He has a real knack for this as he’s worked in public and private sector grant programs. We will continue to print these 2020 DIRECTORS opportunities in both the Bluesletter and post them on our website Music Director, Amy Sassenberg [email protected] (www.wablues.org), and our Facebook page. Please explore these Membership, Chad Creamer [email protected] opportunities and share with your bandmates. Education, Open [email protected] For our members, please continue to practice social distancing, Volunteers, Rhea Rolfe [email protected] wear face masks and stay safe. As we overcome this first wave of Merchandise, Tony Frederickson [email protected] infections and our state reopens, be patient and stay informed as I Advertising, Open [email protected] hope to see all of you out and about once we can go see live music. We will overcome this and be back enjoying all of our favorite THANKS TO THE WASHINGTON BLUES SOCIETY 2020 STREET TEAM playing live music. -
Industry Newsletter
On The Radio December 2, 2011 December 23, 2011 Brett Dennen, The Kruger Brothers, (Rebroadcast from March 25, 2011) Red Clay Ramblers, Charlie Worsham, Nikki Lane Cake, The Old 97’s, Hayes Carll, Hot Club of Cowtown December 9, 2011 Dawes, James McMurtry, Blitzen Trapper, December 30, 2011 Jason Isbell & The 400 Unit, Matthew Sweet (Rebroadcast from April 1, 2011) Mavis Staples, Dougie MacLean, Joy Kills Sorrow, December 16, 2011 Mollie O’Brien & Rich Moore, Tim O’Brien The Nighthawks, Chanler Travis Three-O, Milk Carton Kids, Sarah Siskind, Lucy Wainwright Roche Hayes Carll James McMurtry Mountain Stage® from NPR is a production of West Virginia Public Broadcasting December 2011 On The Radio December 2, 2011 December 9, 2011 Nikki Lane Stage Notes Stage Notes Brett Dennen - In the early 2000s, Northern California native Brett Dennen Dawes – The California-based roots rocking Dawes consists of brothers Tay- was a camp counselor who played guitar, wrote songs and performed fireside. lor and Griffin Goldsmith, Wylie Weber and Tay Strathairn. Formed in the Los With a self-made album, he began playing coffee shops along the West Coast Angeles suburb of North Hills, this young group quickly became a favorite of and picked up a devoted following. Dennen has toured with John Mayer, the critics, fans and the veteran musicians who influenced its music. After connect- John Butler Trio, Rodrigo y Gabriela and Ben Folds. On 2007’s “Hope For the ing with producer Jonathan Wilson, the group began informal jam sessions Hopeless,” he was joined by Femi Kuti, Natalie Merchant, and Jason Mraz. -
My Guitar Is a Camera
My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Guthrie Kennard Matchbox Rango Records
Guthrie Kennard Matchbox Rango Records Guthrie has been writing songs since the age of 16. With an enviable array of legendary musicians surrounding him including Ray Wylie Hubbard, Grammy Award winner Mark Benno and the legendary Buddy Miles (the late drummer of Band of Gypsy’s), Kennard’s meaty, skillful songwriting and unmistakable growl take the listener down a dusty road filled with juke joints and fishin’ holes. Each song, be it a meditation on life lived and life to come, or his spooky account of the celebratory Day of the Dead with “Streets of Jaurez”, or a swampy tribute to “Catfish Fishin’,” is sure to climb inside your head and spin it around. Kennard’s music is steeped in Texas tradition, influenced by blues, and is a shining example of all that is great about Americana. Upon first hearing his gravelly voice, you might expect an album full of rocker songs about booze and regret— and there are definitely plenty of those on Matchbox, but Kennard’s songs will also surprise you with their subtlety and insight. Kennard is something of a sage, and an unassuming wisdom comes through particularly in his hit song “My Mind Rolls Like a Wheel”. Of course, then he turns around and cranks out “Monkey Wrench”, a long and lean ode to a lady mechanic, just to keep everyone guessing. Kennard fits in among such luminaries as Lucinda Williams, Steve Earle, Ryan Bingham, Billy Joe Shaver, Robert Earl Keen, and of course Ray Wylie Hubbard who produced the album. Kennard’s punchy and authentic style is unmistakable but also retains an elegant uniqueness that puts Matchbox at the top of the heap. -
(Iowa City, Iowa), 1972-07-18
I ' IN THE. NEWS Flood p~otos o~ page four••• Tuesday July II, 117% riefly Iowa City. Iowa 52240 SI ill one thin dime Inspection VoI_.. No. I. DES MOINES, Iowa (APl~fficials of United Air Lines said Monday they are inspec ting all carry-on luggage and packages of r passengers who board planes at the Des Moines Airport. The inspections don't apply to baggage • checked through the airlines ticket counter. , The Checks were begun last Friday after the r government encouraged airlines to adopt Heavy ralnS preventive measures against hijackers, Gunman RICHMOND, VA. (AP) - An armed man surrendered to police and FBI agents Monday after holding 10 persons hostage in demand for swamp city $500.000 ransom from the Bank of Chesterfield. The FBI identified the gunman as 22-year-old By MONICA BAYER Damage to the plant itself was minimal, but Everette Warner Wallace Jr. of Richmond. His and MIKE WEGNER the outage lasted for 30 to 4S minutes. hostages, held for varying lengths of time, News Editors Due to the outage, which caused the sump included nine women and the assistant cashier of pumps to shut olf, the University Library the bank, Larry Wheeler. Iowa City was deluged with more than five basement was flooded, forcing the building to be inches 01 rain Monday causing Ralston Creek to closed, according to Leslie W. Dunlap, professor flood, several streets to be blockaded, and power and dean of University Library. 11 bsentee vote outages for much of the city and university com Dunlap said that normally the library would munity. -
ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors. -
The Roots and Branches Courtesy Of
! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael -
Jerry Jeff Walker
Spring Specials www.Brookspub.biz March E NTERTAINMENT Kids square toe boots FRI 2nd RAD FRI 23rd Prototype 10% OFF FRI 9th MTO FRI 30th GTB (Get The Belt) FRI 16th Spitfire Ladies Corral boots Happy St. Patricks Day 10% OFF 17th Drink Specials All western belts are 20% OFF Mens & Ladies Durango boots $10 OFF All Stetson & Resistol Mens Ariat boots straw hats 15% OFF $10 OFF Daily Drink Specials Everyday! Ask one www.cowtownboots.com of our beautiful bartenders for details. 4522 Fredericksburg Road G San Antonio, Texas G 210.736.0990 • 2 • Action Magazine, March 2018 advertising is worthless if you have nothing worth advertising Put your money where the music is. Advertise in Action Magazine • DEPARTMENTS • Music Matters ........................................4 Editor & Publisher ................Sam Kindrick Sam Kindrick ..........................................6 Advertising Sales ....................Action Staff Photography.............................Action Staff Scatter Shots ........................................11 Distribution............................Ronnie Reed Composition..........................Elise Taquino Volume 43 • Number 3 • FEATURE • Jerry Jeff Walker ......................................7 Green Machine ......................................12 Action Magazine, March 2018 • 3 • Chesnut says ‘stop and smell the music’ I have been performing end of a good-time Satur - Blanco Road in San Anto - formers, on the other There are countless performance. In my opin - live country music full-time day night. Nothing much nio. As it turns out, those hand, are depending on other venues and perform - ion, traffic noises from or part-time since 1969. I surprises me. folks love country music. the venue to have a crowd ers in synergistic relation - congested roadways have performed on stages But, much to my sur - After my cancer diag - that will add to the per - ships throughout the city, would be a lot harder to behind chicken wire, prise few years back I nosis last summer, I was former’s income and num - but no amount of synergy deal with. -
December 2017 Newsletter
Nº 01 — DECEMBER 2017 IN THIS ISSUE: New Owners for Longhorn Ballroom and Swiss Alp Hall Interview: Gary P. Nunn YETI Coolers Dance Hall Trail Origins of the “Cotton-Eyed Joe” Fun with Asleep at the Wheel and Friends on the 2017 Texas Dance Hall Tour TDHP Presents the Ray Benson Lifetime Achievement Award Texas Dance Hall Preservation, Inc. 3005 S. Lamar Blvd., Suite D-109 #315 Austin, Texas 78704 Deb Fleming, Executive Director John T. Davis, Editor https://www.texasdancehall.org EDITORIAL As 2017 draws to a close, I’ve been thinking back on Texas Dance Hall Preservation’s first decade and looking forward to our next ten years. TDHP is A look back over evolving from an all-volunteer group into a “grown-up” nonprofit organization, TDHP’s first ten with staff and regular programming, one that is starting to make a significant positive impact for dance halls here in the Lone Star state. We are working to years and ahead to help dance halls stay open, become financially sustainable, and maintain those the future iconic buildings. In the past several years, we’ve made great strides. Many dance halls are owned by all-volunteer nonprofit organizations, and the halls typically have unmet maintenance or building systems needs. In 2016, TDHP started a Preservation Fund and has made small grants to four nonprofit halls. We’ve helped dance hall owners earn revenue and find other funding for hall repairs, and we’ve consulted with them on how to make appropriate changes that don’t damage the important historic elements that make dance hall architecture unique. -
Viva Te R Lingua Tu Rns Twenw
NEWSLETTERNUMBER 26 FALL 1993 she has grown up with all these past sumrners' AUGUST 18, AUSTIN, fi-Summer '93...Django was 12 and father goodbye to all the kids and son had a wild surnmer. We started off in June by flying to New last of JulY and the first of August, the kids went home but Dad rolls Mexico to see the Albuquerque Dukes play the Colorado Sky Sox' o-The Minor league games do twt lack for action' There's always a lot of We played a couple of shows in Minneapolis wi0r great.turn-outs, and hitting (aU thi good pitchers have gone to the bigs), lots of runs' The minor played a round of golf at Interlocken Country Club. Great cowse, nice league parks have such a great feel to them, yourre up close' the crowd is guys. th" players are young with promise, and the funue looks bright' r-ull, They told me Willie Nelson was supposed to play there, but a cab driver Next moming, we flew on to Taos to put in with the Far Flung Advenrure took his grouP to a public course two miles down the road. Willie got out folks, We whiG-water rafted, camped and sang songs under the stars' We and played right there. Holes is holes, and still is still movin' to me' in mountain hot springs' Our summer was off to a great start' bathed He probably had more fans at the public course. We played the 4th of July in Lubbock, Texas, then we flew on to The Gonzo Compadres spread joy and merriment in far-away places! Telluride, colorado.