Cindy Ellen: a Wild Western Cinderella

Total Page:16

File Type:pdf, Size:1020Kb

Cindy Ellen: a Wild Western Cinderella Common Core State Standards Aligned Companion Unit for Cindy Ellen: A wild Western Cinderella Thank you for buying my Cindy Ellen Unit!! I hope your students love the engaging ac=vi=es. Please check out my other products – including other Cinderella Around the World Units. All borders in this unit by Krista Wallden: Creave Clips hEps://www.teacherspayteachers.com/Store/Krista-Wallden Krista is amazing…please check out her store!! Find me at: hEps://www.pinterest.com/weatherleycoope/ My Blog: hEp://www.luckyjenny.com/blog-reading-all-around.html If you have any ques=ons or find a typo…please email [email protected] Table of Contents Cinderella Elements #1: Cindy Ellen Problem Solu=on Interac=ve Notebook Page #2: Cindy Ellen Character Traits RL.3 #3: Joe Prince Character Traits RL.3 #4: Cri=cal Thinking Literature Ques=ons Interac=ve Notebook Page #5: Ask and Answer Ques=ons from the Story RL.1 #6: Inferring RL.6 #7: Cindy Ellen – What do you think? RL.1 and 3 #8: Problem/Solu=on Interac=ve Notebook Page RL.5 #9: Cri=cal Thinking Ques=ons #10: About Cindy Ellen RL 1 and 2 #11: Recoun=ng Cindy Ellen #12: Character Mo=vaon and Evidence RL.5 #13: Idioms: RL.4 #14 Cindy Ellen: Character Conflicts RL.1 and 3 #15 Sentence Sor=ng RL.2 #16 From Sentence Sor=ng to Essay Wri=ng RL1 and 2 #17: Quick Write: Compare and Contrast RL.9 #18: Text-to-Text RL.9 #19: I Can Answer Ques=ons About the Text RL.1 #20: Theme #21: Moral RL.2 #22: Inferring RL.6 #23 Retell the Story through your Favorite Drawings RL.7 #24: Cause and Effect #25: Cindy Ellen Report Card #26; Cindy Ellen Book Review Rubric for Constructed Response Cinderella Elements Teacher Note: Please be sensi=ve to students who may be members of blended families. The stereotypes of "stepmothers" and "stepsisters" that are part of many Cinderella stories must be carefully addressed. Before you explore any of the versions, including this one, it is imperave to discuss the basic aspects of Cinderella in general with your students. The best way to do so is by using elements of ac=ve par=cipaon. For discussion: Cinderella stories are considered folk tales or fairy tales. Folk tales and fairy tales are legends or stories handed down from generaon to generaon – usually orally. These stories are considered folk tales un=l they are wriEen down…once they are on paper…they are considered fairy tales. Folk tales and fairy tales have common themes that transcend many cultures and olen contain life lessons, global truths and/or explain things that happen in nature. Most folk tales and fairy include the following elements: A beginning – or a “Once upon a =me…” Magic of some sort Royalty or a social hierarchy A wicked character A kind and or thoughpul character who is usually treated badly Goodness rewarded in the end Explore the above elements with students. It is helpful to put up a Cinderella from around the world bulle=n board with sec=ons for each element. Aler you finish with each story…put the Cinderella story name on the board and brainstorm the elements… lis=ng them next to the story. If this is done in grid form…students will easily be able to compare stories. Having a large map and placing colorful pins on the locaon points of the stories as you read is a great visual for students to link the commonali=es of what they are reading to the vastness of the world. Aler you discuss the main Cinderella elements, do the Sentence Sor=ng and From Sentence Sor=ng to Essay Wri=ng ac=vi=es from the instruc=on pages as guided lessons with your students. It will help them learn the templates, reinforce structure and organizaon of sentences and essays and reinforce the Cinderella elements. #1 Cindy Ellen A Wild Western Cinderella By Susan Lowell Problem: ____________________________________________________________________ ____________________________________________________________________ ____________________________________________________________________ ____________________________________________________________________ Solution: ____________________________________________________________________ ____________________________________________________________________ ____________________________________________________________________ ____________________________________________________________________ #2 Character Traits C I Glue this side down N D Y E L L E N Cut along the bubbles. #3 Character Traits J O Glue this side down E P R I N C E Cut along the bubbles. #4 Three Words to Describe Cindy Ellen before she met her Fairy Godmother. Explain: “Magic is plumb worthless without gumption.” Glue this side down Explain: Gumption How does Cindy Ellen show gumption? Three Words to Describe Cindy Ellen after she met her Fairy Godmother. Cut along the bubbles. #5 Explain: “Pretty is as pretty does.” Why do you think the Fairy Godmother Said it? Glue this side down How does Cindy Ellen show “Pretty is as pretty does”? Tell about a time when you lived by “pretty is as pretty does”? Do you think it is a good quote? Why or why not? RL 6 #6 How do the stepmother’s feelings about Cindy Ellen effect the outcome of the story? Inferring: Cindy Ellen A Wild Western Cinderella Cut along the bubbles. #7 Cindy Ellen What do you think about Cindy Ellen? Glue this side down Why? Why? Why Cut along the bubbles. #8 P S R Glue this side down O O L B U L T E I M O N #9 Stop and think. Imagine you are a character in the story. Which character would you be? _______________________________________________________________ What would you do as that character? Describe what you think a day in Cindy Ellen’s life would be like before she met Joe Prince? Cut along the doEed line. Paste along the solid line. Write under the flap. About Cindy Ellen A Wild Western Cinderella - #10 What is your favorite part of the story? _____________________________________ ________________________________________________________________________ Details why… 1. _____________________________________________________________________ ________________________________________________________________________ 2. ______________________________________________________________________ ________________________________________________________________________ Who is your favorite character? ___________________________________________ ________________________________________________________________________ Details why… 1. _____________________________________________________________________ ________________________________________________________________________ 2. ______________________________________________________________________ ________________________________________________________________________ What is the main problem or conflict in the story? ____________________________ ________________________________________________________________________ Details… 1. _____________________________________________________________________ ________________________________________________________________________ 2. ______________________________________________________________________ ________________________________________________________________________ In the beginning… After that… Later… Just when… Western Cinderella Summarize Cindy Summarize Ellen: A Wild At the end… Cut along dashed line. RL 2 #11 In the beginning ________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ After that ______________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ Later _________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ Just when ______________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ At the end _____________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ Glue this to your notebook. Cindy Ellen’s Motivation Plus… Evidence to Support My Thoughts Joe Prince’s Motivation Plus… Evidence to Support My Thoughts Fairy Godmother’s Motivation Plus… Evidence to Support My Thoughts Motivation and Evidenceand Motivation Cut along dashed line. #12 Idioms are word combinaons that kids use which have a different meaning than the literal meanings of each word. Idiom Example: Idiom Example: ____________________________________ ____________________________________ ____________________________________ ____________________________________ ____________________________________ ____________________________________ ___________________________________ ___________________________________ #13: An example of an idiom from Cindy Ellen is “got hitched” to
Recommended publications
  • Seriously-Cinderella-Is-So-Annoying-29Jamqg.Pdf
    7. / Serigl$lg,qIilDtREtLArs 3lAll|,1'0YlN0l Thestory of CINDERELLA os'[o'd"TlfEwlcKED STEPM()THER YoumueV have heard of me.The wicked ebepmoNher?That'e noI true. ll,ejuet, anotherone of Cinderella'ewild ehories, Not ae wildae f,heone about the pumpkin, or the oneabouV the fairygodmolher, The realeNory, the true efory,beqan wiilh eome chatler- andeome dueL. AllI everwanted wao a husbandand a mansion.before I marciedCindy'o falher,my lwo darlingeand I hadmet Cindyonly a fewtimes. The girl had seemednormal fhen, J After I marciedCindy'o father, my darlingoand I movedin, When I h"ad J juel onefoot on Nhefront, otep, my dearhusband kissed me qoodbye and ) gaid,"l'moff on buginesg!" "He'6 oftenaway)' Cindy said,"buf, Nheanimalo olay Vut,They talk. Theyjoke,They oing.They even helV out,- eeVeciallythe bluebirdel' ( 4 }}: ',!;.'''{-" "'!'i,-': i -'--/t---' ,.. / --1 t'-- ' ., Now,I don'Lmind a qoodelory buLI do 2refer N '/ facte lo ficLion.)oon, the qirlwae Lalkinq all t't),t kindeof noneenee, "Cnce u?ona lirrte,"Cindy gaid,"one of Lhe bluebirdebecarrre blue, Not the colour.The feelinq,Aie lriend Aad llown eorLA ..." My darlinqeand I wereaLuck near the fronLdoor. 1luet wanledlo puLaway rny baqe, ThaL'e when I eawiL: duet, "Dear, ia lhe wholehouee thie dueLy?"I aeked. "l "l'll don'l know,"Cindy gaid, qiveyou a loLtrl" \-.....--.- 6 =v" 7 \.\ /,t, ,\ F' h' fl,r" lnthe diningroom, CindyNold etoriee. 7/ + vz att a.' ln lhe oNudy,Cindy told eforiee, Non-etoV, "Girlo," "time I gaid, to get to work,Thig placeneeds a goodcleaning," ")nce u?ona lime,when I wascleaning Cindvsf,arted.
    [Show full text]
  • Made in Oklahoma Pat Sturm
    Volume 13 Article 5 Issue 2 Winter 12-15-1993 Made in Oklahoma Pat Sturm Follow this and additional works at: https://dc.swosu.edu/westview Recommended Citation Sturm, Pat (1993) "Made in Oklahoma," Westview: Vol. 13 : Iss. 2 , Article 5. Available at: https://dc.swosu.edu/westview/vol13/iss2/5 This Fiction is brought to you for free and open access by the Journals at SWOSU Digital Commons. It has been accepted for inclusion in Westview by an authorized administrator of SWOSU Digital Commons. For more information, please contact [email protected]. Made in O klahoma Voice lessons at SWOSU and Oklahoma City University developed a resonant sound. And by Pat Sturm her rise up O K C ’s Lyric Theatre ladder (apprentice at 15, full chorus at 16, dance captain “Hi, Mom.” at 17, secondary leads at 18) clinched our fate: For the third time that week, we’d deposited she would venture into the biggest, meanest city capital into Ma Bell’s coffers. The more the in the world and offer her talents to the quirkily world disappointed Cindy Robinson, once of selective powers of the theatre. 1 would pace Weatherford, the more often she called home. the floor in calm, rural Weatherford and field “I think I almost got mugged today, but 1 phone calls. didn’t realize it at the time.” “Never come up here without connections,” Great. For this we’d invested every extra she advised me to advise anyone else who might penny in dance lessons, gymnastic lessons, want to follow in her footsteps.
    [Show full text]
  • Choose Your Path
    Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1993 Volume II: Folktales Choose Your Path Curriculum Unit 93.02.06 by Mary-Alice Howley I teach remedial reading at Betsy Ross Arts Magnet Middle School which is a fully integrated city school with a strong drama department, and a dedicated English department. This year with the new superintendent, middle school reform is a priority issue. However, because Betsy Ross is an established magnet school it cannot share in the federal funds, which have been made available to start new magnet schools and to instigate middle school reform. So without the benefit of outside resources the faculty at Betsy Ross is being asked to devise new scheduling matrixes and to create new curriculums to more fully coordinate the arts classes with the academic classes. I plan to use the resources of the Yale New Haven Teachers Institute to create a folk tale curriculum that could be extended to involve the reading laboratory with the fifth and sixth grade English and drama departments. Such a curriculum would meet a zeal need. Towards this end the primary goals of this unit are to foster critical thinking skills, to sharpen writing skills, and to refine public speaking skills. These goals will be met by reading fairy tales, comparing fairy tales, writing fairy tales, and telling fairy tales. I chose to base this unit on three familiar fairy tales: “Little Red Riding Hood”, “Cinderella”, and “Jack and the Beanstalk”. The African story “Three Rival Brothers” plus two African-American stories “A Wolf and Little Daughter” and “Wiley, His Momma, and the Hairy Man” expand upon the basic theme of the heroes using their wits and seizing whatever opportunity to achieve happiness, to grow up or simply to stay alive.
    [Show full text]
  • Mother and Daughter Haven't Talked for 12 Years Since Cindy Eloped
    Happily Ever After: A Fictional Case Study of Cinderella and Her Prince Nina Moliver Cinderella wasn’t living happily ever after. But she began to learn how to make that happen. The story of Cinderella is perhaps the world’s most beloved fairytale, endlessly speaking to children everywhere. In this article I explore Cinderella as a Jungian archetype: A wonderful, innocent girl, victimized by a miserable family, makes her escape thanks to the grace of magic. A life story behind this archetype is followed through to a possible real-life conclusion. Cinderella Seeks Psychotherapy Cinderella Respucci was married for almost 12 years to a wonderful man. So far she was unable to have children. She had heard that yoga can be helpful for infertility, and so she started attending my classes. Toward the end of the third class, after some backbends, she collapsed onto the floor and started sobbing. She lay there and sobbed until the class ended; afterwards, she approached me and requested a private consultation. Because the consultation involved both private asana work and a preliminary evaluation, I scheduled two hours for Cinderella. I prepared a room with soft candlelight and gentle flute 1 music in the background. We began with a series of hip openers to help bring oxygen to the pelvic organs and a good blood flow up and down the spine. I then led her into a few backbends to open her chest, liberate her breathing, and squeeze old, held tensions from her digestive and reproductive organs. Once again, the backbends released a well of sadness and pain.
    [Show full text]
  • Animating Gender Roles: How Disney Is Redefining the Modern Princess Juliana Garabedian James Madison University
    James Madison Undergraduate Research Journal Volume 2 | Issue 1 2014-2015 Animating Gender Roles: How Disney is Redefining the Modern Princess Juliana Garabedian James Madison University Follow this and other works at: http://commons.lib.jmu.edu/jmurj Recommended MLA Citation Garabedian, Juliana. “Animating Gender Roles: How Disney is Redefining the Modern Princess.” James Madison Undergraduate Research Journal. 2.1 (2014): 22-25. Web. Available at: http://commons.lib.jmu.edu/jmurj/vol2/iss1/4/ This full issue is brought to you for free and open access by JMU Scholarly Commons. It has been accepted for inclusion in James Madison Undergraduate Research Journal by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. JAMES MADISON UNDERGRADUATE RESEARCH JOURNAL Animating Gender Roles: How Disney is Redefining the Modern Princess Juliana Garabedian A prominent voice in the entertainment industry, Disney impacts many facets of society, including how we define gender roles. For the past 80 years, America’s younger generations have taken social cues from their favorite animated movies, learning to act like their favorite princes and princesses. Over the past few decades, Disney has broken through the concept of the damsel in distress and transitioned to represent and even advance modern feminist ideals. From likable protagonists to prominent images and popular products, the movies reinforce the gender roles they present because children learn to imitate the characters during playtime. 22 JAMES MADISON UNDERGRADUATE RESEARCH JOURNAL he idea of being a princess is not a novel fantasy; it In Snow White and the Seven Dwarfs, Snow White is portrayed has been around for centuries.
    [Show full text]
  • Poetry Cinderella
    “CINDERELLA” by Raold Dahl I guess you think you know this story. You don’t. The real one’s much more gory, The phoney one, the one you know, Was cooked up years and years ago, And made to sound all soft and sappy Just to keep the children happy. Mind you, they got the first bit right, The bit where, in the dead of night, The Ugly Sisters, jewels and all, Departed for the Palace Ball, While darling little Cinderella Was locked up in the slimy cellar, Where rats who wanted things to eat Began to nibble at her feet. She bellowed, “Help!” and “Let me out!” The Magic Fairy heard her shout. Appearing in a blaze of light, She said, “My dear, are you all right?” “All right?” cried Cindy. “Can’t you see I feel as rotten as can be!” She beat her fist against the wall, And shouted, “Get me to the Ball!” There is a Disco at the Palace! The rest have gone and I am jalous!” I want a dress! I want a coach! And earrings and a diamond brooch! And silver slippers, two of those! And lovely nylon pantyhose! Thereafter it will be a cincy To hook the handsome Royal Prince!” The Fairy said, “Hang on a tick.” She gave her Wand a mighty flick And quickly, in no time at all, Cindy was at the Palace Ball! It made the Ugly Sisters wince To see her dancing with the Prince. She held him very tight and pressed Herself against his manly chest.
    [Show full text]
  • 125 ALL-FEMALE OPERA SCENES Compiled by Cindy Sadler ADAMO
    125 ALL-FEMALE OPERA SCENES Compiled by Cindy Sadler Anyone who works with young singers knows that it’s a constant challenge to find repertoire that is both appropriate and fun when your available cast consists mainly of women, and most of those sopranos. Here is a compilation, by no means exhaustive, of 125 excerpts for female voices. Some of these require a bit of creativity in cuts or in re-voicing chorus. Many of these scenes can be extended if you have just one male singer (mostly baritones!), or cut into smaller scenes. If you have more suggestions, please feel free to contact me and I will add them to the list, which will remain available to all free of charge on my website. Cindy ADAMO Little Women 1. Act II, sc. 5 "Let Me Look At You" Jo, Meg, Amy, Beth (MMSS) https://www.youtube.com/watch?v=I-9KOgRqymk BARBER Vanessa 2. Act I, scene 1 Erika, Vanessa, The Old Baroness*, Servant ** (MSC) *silent **dialogue only; could be done by a woman https://www.youtube.com/watch?v=glWOro4IeJ0&t=159s 3. Act II, scene 1 “And then? … He made me drink too much wine…” Scena: Erika & Old Baroness (MC) https://www.youtube.com/watch?v=m-iVSm6XTxs BELLINI I Capuleti ei Montecchi 4. "Ecco la tomba... Tu sola, o mia Giulietta" (final scene) Giulietta, Romeo (SM) https://www.youtube.com/watch?v=28t-t2i0TiY Norma 5. Mira, o Norma Norma, Adalgisa (SM) https://www.youtube.com/watch?v=nJc2UyzW_qg BERLIOZ Béatrice et Benedict 6. Duet :"Nuit paisible et sereine" Héro, Ursula (SC) https://www.youtube.com/watch?v=Nx38dVy_ocU 7.
    [Show full text]
  • INTO the WOODS Music and Lyrics by Stephen Sondheim Book by James Lapine
    INTO THE WOODS Music and Lyrics by Stephen Sondheim Book by James Lapine Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theaters Originally Produced by the Old Glober Theater, San Diego, CA Director Shawn K. Summerer Musical Director Choreographer Catherine Rahm Alison Mattiza Producers Lori A. Marple-Pereslete and Tony Pereslete Set Design Lighting Design Costume Design Tony Pereslete Robert Davis Kathy Dershimer Elizabeth Summerer and Jon Sparks Cast (in order of appearance) Narrator/Mysterious Man ................................................................................................. Ben Lupejkis Cinderella ..................................................................................................................... Heather Barnett Jack .............................................................................................................................. Brad Halvorsen Jack's Mother ................................................................................................................. Patricia Butler Milky White/Snow White ................................................................................................. Brandie June Baker ........................................................................................................................... Terry Delegeane Baker's Wife .......................................................................................................................
    [Show full text]
  • THE TRIALS and TRIBULATIONS of FAIRY TALE COURT Eldridge
    THE TRIALS AND TRIBULATIONS OF FAIRY TALE COURT By Christina Hamlett Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Call the publisher for additional scripts and further licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Co.” Published By Eldridge Publishing Co. ©1987 by Eldridge Publishing Co. Download your complete script from Eldridge Publishing https://histage.com/trials-tribulations Trials and Tribulations of Fairy Tale Court -2- STORY OF THE PLAY Fairy tales don’t automatically have happy endings, as this day in court proves. Well-known fairy tale characters as Cinderella, Jack (of beanstalk fame), the three pigs, and others plead their cases before a judge who gives some sage answers to well-known problems. CAST OF CHARACTERS Judge Minerva: Presiding authority. Bailiff Benny: Assists the Judge. Cindy: A plaintiff with a problem. Ms. Landon: Attorney for Cindy. Hortense: Godmother with Dream Comes True, Inc. Mr. Slickers: Attorney for Hortense. Prince Egbert: A courtroom spectator. Jack Trimble: An earnest plaintiff. Mr. Mulholland: A crafty defendant. Lenora Pepperdine: A plaintiff seeking suitable housing. Fred: A partner in Hog Construction, Ltd. Ed: Another partner. Ted: Another partner. Prince Larry: A plaintiff with a passion for ponds. Winona Witch Hazel: The defendant. Time: The present, a Monday morning. See end of script for additional production notes. Trials and Tribulations of Fairy Tale Court -3- SCENE 1 (AT RISE: ALL are present and seated except BENNY and MINERVA who enter shortly after curtain rises.) BENNY: (Entering first from SR, followed by MINERVA.) All rise! (ALL stand.) Fairy Tale District Court is now in session.
    [Show full text]
  • Retelling Cinderella
    Retelling Cinderella Retelling Cinderella: Cultural and Creative Transformations Edited by Nicola Darwood and Alexis Weedon Retelling Cinderella: Cultural and Creative Transformations Edited by Nicola Darwood and Alexis Weedon This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Nicola Darwood, Alexis Weedon and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5943-2 ISBN (13): 978-1-5275-5943-1 This book is dedicated to our friend and colleague Giannandrea Poesio whose grand battement jeté led us to this grand allegro, but who did not see our opening night. TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Acknowledgements .................................................................................... xi Notes on Contributors ................................................................................ xii Introduction ............................................................................................... xv Nicola Darwood and Alexis Weedon Chapter One ................................................................................................
    [Show full text]
  • PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC/SP Ariane Fregotte O CONTO DE FADAS NA TRADIÇÃO E NO CONTEMPORÂNEO (Doi
    PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC/SP Ariane Fregotte O CONTO DE FADAS NA TRADIÇÃO E NO CONTEMPORÂNEO (dois momentos para reflexão) MESTRADO EM LITERATURA E CRÍTICA LITERÁRIA São Paulo 2020 Ariane Fregotte O CONTO DE FADAS NA TRADIÇÃO E NO CONTEMPORÂNEO (dois momentos para reflexão) Dissertação apresentada à Banca examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Mestre em Literatura e Crítica Literária sob a orientação da Prof.ª Dr.ª Vera Bastazin. São Paulo 2020 BANCA EXAMINADORA Presidente e Orientadora: _________________________________________ 1° Examinadora Prof.ª Dr.ª_________________________________________ 2° Examinador Prof. Dr.____________________________________________ DEDICATÓRIA Dedico esta Dissertação aos meus queridos avós, que participaram de minha vida contando-me histórias e presenteando-me com livros de contos de fadas. Aos meus amados pais que sempre leram histórias para mim, fazendo a minha infância feliz e amparando-me para realizar meus sonhos e voar alto. Ao meu irmão por toda ajuda tecnológica para realizar esta pesquisa. AGRADECIMENTOS Agradeço a Prof.ª Dr.ª Vera Bastazin por ter me orientado e dedicado tanto tempo de estudo para minha formação durante todo esse percurso. Aos professores que participaram da Banca do Exame de Qualificação, Prof.ª Dr.ª Maria José Gordo Palo por suas orientações e interesse no desenvolvimento de minha pesquisa e Prof. Dr. Gerson Tenório dos Santos por suas sugestões e atenção a mim dedicadas. À PUC-SP pela oportunidade da realização desta pesquisa. Aos meus pais pelo incentivo e dedicação incondicional durante toda minha pesquisa. À minha amiga Giulia Catarina Florenzano por ter me apoiado a realizar esta pesquisa.
    [Show full text]
  • After Happily Ever After Caitlyn Daczyk
    20 Caitlyn Daczyk, from Minneapolis, Minnesota, is currently a double major in Psychology and English at St. Norbert College. She is interested in old movies, and others have described her as witty, intelligent, and caring. She enjoys writing fairy tales, including her new fairy tale, which reveals what happens to Cinderella after she marries her prince. It turns out Prince Charming is not as charming as we thought. Allison Shackelton After Happily Ever After Caitlyn Daczyk What is supposed to happen happily ever after? Whatever happened to Cinderella and Prince Charming? The last thing I remember is they got married, shared a loving embrace, and that was the end. The problem is, “The End” never actually is the end; it’s some place between marriage and—in this case—divorce. In case you’ve forgotten how Prince Charming and Cinderella met, I will quickly give you the condensed version. Cinderella and Prince Charming met at a ball a couple of years ago. She was pretty, graceful on the dance floor, and had small feet. He was rich. Soon after their enchanted meeting, the two got married. You might be wondering why these two lovebirds are getting a divorce; lucky for you, I know exactly why—I am Cinderella’s divorce lawyer. A couple of months ago, Cindy (she prefers Cindy) sent me a letter requesting my help. I suppose this is the best place to start: To Whom It May Concern: My name is Cinderella Charming and I am in desperate need of a divorce lawyer. A couple of months ago, I began to get the sneaking suspicion that my husband, Prince Charming, was being unfaithful.
    [Show full text]