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Oliver Richman, Grandson of Famed Songwriter, Ron Miller, Releases
11/28/2018 Oliver Richman, Grandson of Famed Songwriter, Ron Miller, Releases SOMEDAY AT CHRISTMAS Oliver Richman, Grandson of Famed Songwriter, Ron Miller, Releases SOMEDAY AT CHRISTMAS by BWW News Desk Nov. 27, 2018 Multi-talented 18-year-old singer/actor Oliver Richman Tweet Share (https://oliverrichman.com/) releases a stunning rendition of his late grandfather, Ron Miller's holiday classic, "Someday at Christmas." The song is available on iTunes, Spotify, Amazon and YouTube. The powerful, piano-only ballad was written by Oliver's late iconic grandfather, Ron Miller, who penned standards such as, "For Once in My Life," "Touch Me in the Morning," "A Place in the Sun," "Yester-me, Yester-you, Yesterday," "Heaven Help Us All," "I've Never Been to Me," "If I Could," "Everyone's a Kid at Christmas Time" (co-written by Oliver's maternal grandmother, Aurora Miller), and many more. Originally recorded by Stevie Wonder in 1967 for his one and only same-titled Christmas album, "Someday at Christmas" has also been covered by numerous other artists such as The Jackson 5, LeAnn Rimes, Mary J. Blige, Pearl Jam, Mario, Jackie Evancho, and Justin Bieber. "Someday at Christmas" was also featured as the "Best Christmas song of all time" in the recent film release, "Love, Simon," and was chosen by Apple in recent years for its holiday message to the world which included a 90-second ad starring Andra Day and Stevie Wonder. The new recording was produced by Oliver's mother, singer/songwriter/producer Lisa Dawn Miller (https://lisadawnmiller.com/) and is the first release from her new record label, LDM Music. -
Seriously-Cinderella-Is-So-Annoying-29Jamqg.Pdf
7. / Serigl$lg,qIilDtREtLArs 3lAll|,1'0YlN0l Thestory of CINDERELLA os'[o'd"TlfEwlcKED STEPM()THER YoumueV have heard of me.The wicked ebepmoNher?That'e noI true. ll,ejuet, anotherone of Cinderella'ewild ehories, Not ae wildae f,heone about the pumpkin, or the oneabouV the fairygodmolher, The realeNory, the true efory,beqan wiilh eome chatler- andeome dueL. AllI everwanted wao a husbandand a mansion.before I marciedCindy'o falher,my lwo darlingeand I hadmet Cindyonly a fewtimes. The girl had seemednormal fhen, J After I marciedCindy'o father, my darlingoand I movedin, When I h"ad J juel onefoot on Nhefront, otep, my dearhusband kissed me qoodbye and ) gaid,"l'moff on buginesg!" "He'6 oftenaway)' Cindy said,"buf, Nheanimalo olay Vut,They talk. Theyjoke,They oing.They even helV out,- eeVeciallythe bluebirdel' ( 4 }}: ',!;.'''{-" "'!'i,-': i -'--/t---' ,.. / --1 t'-- ' ., Now,I don'Lmind a qoodelory buLI do 2refer N '/ facte lo ficLion.)oon, the qirlwae Lalkinq all t't),t kindeof noneenee, "Cnce u?ona lirrte,"Cindy gaid,"one of Lhe bluebirdebecarrre blue, Not the colour.The feelinq,Aie lriend Aad llown eorLA ..." My darlinqeand I wereaLuck near the fronLdoor. 1luet wanledlo puLaway rny baqe, ThaL'e when I eawiL: duet, "Dear, ia lhe wholehouee thie dueLy?"I aeked. "l "l'll don'l know,"Cindy gaid, qiveyou a loLtrl" \-.....--.- 6 =v" 7 \.\ /,t, ,\ F' h' fl,r" lnthe diningroom, CindyNold etoriee. 7/ + vz att a.' ln lhe oNudy,Cindy told eforiee, Non-etoV, "Girlo," "time I gaid, to get to work,Thig placeneeds a goodcleaning," ")nce u?ona lime,when I wascleaning Cindvsf,arted. -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat. -
Made in Oklahoma Pat Sturm
Volume 13 Article 5 Issue 2 Winter 12-15-1993 Made in Oklahoma Pat Sturm Follow this and additional works at: https://dc.swosu.edu/westview Recommended Citation Sturm, Pat (1993) "Made in Oklahoma," Westview: Vol. 13 : Iss. 2 , Article 5. Available at: https://dc.swosu.edu/westview/vol13/iss2/5 This Fiction is brought to you for free and open access by the Journals at SWOSU Digital Commons. It has been accepted for inclusion in Westview by an authorized administrator of SWOSU Digital Commons. For more information, please contact [email protected]. Made in O klahoma Voice lessons at SWOSU and Oklahoma City University developed a resonant sound. And by Pat Sturm her rise up O K C ’s Lyric Theatre ladder (apprentice at 15, full chorus at 16, dance captain “Hi, Mom.” at 17, secondary leads at 18) clinched our fate: For the third time that week, we’d deposited she would venture into the biggest, meanest city capital into Ma Bell’s coffers. The more the in the world and offer her talents to the quirkily world disappointed Cindy Robinson, once of selective powers of the theatre. 1 would pace Weatherford, the more often she called home. the floor in calm, rural Weatherford and field “I think I almost got mugged today, but 1 phone calls. didn’t realize it at the time.” “Never come up here without connections,” Great. For this we’d invested every extra she advised me to advise anyone else who might penny in dance lessons, gymnastic lessons, want to follow in her footsteps. -
Choose Your Path
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1993 Volume II: Folktales Choose Your Path Curriculum Unit 93.02.06 by Mary-Alice Howley I teach remedial reading at Betsy Ross Arts Magnet Middle School which is a fully integrated city school with a strong drama department, and a dedicated English department. This year with the new superintendent, middle school reform is a priority issue. However, because Betsy Ross is an established magnet school it cannot share in the federal funds, which have been made available to start new magnet schools and to instigate middle school reform. So without the benefit of outside resources the faculty at Betsy Ross is being asked to devise new scheduling matrixes and to create new curriculums to more fully coordinate the arts classes with the academic classes. I plan to use the resources of the Yale New Haven Teachers Institute to create a folk tale curriculum that could be extended to involve the reading laboratory with the fifth and sixth grade English and drama departments. Such a curriculum would meet a zeal need. Towards this end the primary goals of this unit are to foster critical thinking skills, to sharpen writing skills, and to refine public speaking skills. These goals will be met by reading fairy tales, comparing fairy tales, writing fairy tales, and telling fairy tales. I chose to base this unit on three familiar fairy tales: “Little Red Riding Hood”, “Cinderella”, and “Jack and the Beanstalk”. The African story “Three Rival Brothers” plus two African-American stories “A Wolf and Little Daughter” and “Wiley, His Momma, and the Hairy Man” expand upon the basic theme of the heroes using their wits and seizing whatever opportunity to achieve happiness, to grow up or simply to stay alive. -
Mother and Daughter Haven't Talked for 12 Years Since Cindy Eloped
Happily Ever After: A Fictional Case Study of Cinderella and Her Prince Nina Moliver Cinderella wasn’t living happily ever after. But she began to learn how to make that happen. The story of Cinderella is perhaps the world’s most beloved fairytale, endlessly speaking to children everywhere. In this article I explore Cinderella as a Jungian archetype: A wonderful, innocent girl, victimized by a miserable family, makes her escape thanks to the grace of magic. A life story behind this archetype is followed through to a possible real-life conclusion. Cinderella Seeks Psychotherapy Cinderella Respucci was married for almost 12 years to a wonderful man. So far she was unable to have children. She had heard that yoga can be helpful for infertility, and so she started attending my classes. Toward the end of the third class, after some backbends, she collapsed onto the floor and started sobbing. She lay there and sobbed until the class ended; afterwards, she approached me and requested a private consultation. Because the consultation involved both private asana work and a preliminary evaluation, I scheduled two hours for Cinderella. I prepared a room with soft candlelight and gentle flute 1 music in the background. We began with a series of hip openers to help bring oxygen to the pelvic organs and a good blood flow up and down the spine. I then led her into a few backbends to open her chest, liberate her breathing, and squeeze old, held tensions from her digestive and reproductive organs. Once again, the backbends released a well of sadness and pain. -
ARTIST SONG 112 Cupid 112 Peaches and Cream a Taste of Honey Boogie Oogie, Oogie Aaliyah at Your Best Abba Dancing Queen After 7 Can't Stop Ah Ha Take on Me Al B
ARTIST SONG 112 Cupid 112 Peaches And cream A Taste Of Honey Boogie Oogie, Oogie Aaliyah At Your Best Abba Dancing Queen After 7 Can't Stop Ah Ha Take On Me Al B. Sure Nite And Day Al Green Here I Am (Come And Take Me) Al Green How Can You Mend A Broken Heart Al Green I'm Still In Love With You Al Green Let's Stay Together Al Green Tired Of Being Alone Al Jarreau After All Al Jarreau Morning Al Jarreau Were In This Love Together Al Wilson Show And Tell Alabama Mountain Music Alan Jackson Chattahoochie Alicia Bridges I Love The Night Life All-4-One I Swear Arrested Development Mr.Wendal Average White Band Cut The Cake B.J. Thomas Raindrops Keep Fallin On My Head B.J. Thomas Wont You Play Another Somebody….. Babyface Everytime I Close My Eyes Babyface For The Cool In You Babyface Never Keeping Secrets Babyface When Can I See You Babyface Whip Appeal Bachman-Turner Overdrive Takin Care Of Business Bachman-Turner Overdrive You A'int Seen Nothin Yet Backstreet Boys Everybody (Backstreets Back) Backstreet Boys Larger Than Life Barbra Streisand The Way We Were Bar-Kays, The Shake You Rump To The Funk Barry Manilow Copacabana Barry Manilow I Write The Songs Barry White Ectasy, When You Lay Next to Me Barry White Practice What You Preach Barry White Your The First, The Last, My Everything Beach Boys, The Surfin' USA Beatles, The A Day In The Life Beatles, The Come Togeter Beatles, The Do You Want to Know A Secret Beatles, The Eight Days a Week Beatles, The Nowhere Man Beatles, The The Long And Winding Road Beatles, The Twist And Shout Bee Gees, The How Deep Is Your Love Bee Gees, The How Deep Is Your Love Bee Gees, The Jive Talkin' Bee Gees, The Night Fever Bee Gees, The Stayin Alive Bee Gees, The Too Much Heaven Bee Gees, The Tragety Bee Gees, The You Should Be Dancin Bell Biv DeVoe Do Me Ben E. -
Animating Gender Roles: How Disney Is Redefining the Modern Princess Juliana Garabedian James Madison University
James Madison Undergraduate Research Journal Volume 2 | Issue 1 2014-2015 Animating Gender Roles: How Disney is Redefining the Modern Princess Juliana Garabedian James Madison University Follow this and other works at: http://commons.lib.jmu.edu/jmurj Recommended MLA Citation Garabedian, Juliana. “Animating Gender Roles: How Disney is Redefining the Modern Princess.” James Madison Undergraduate Research Journal. 2.1 (2014): 22-25. Web. Available at: http://commons.lib.jmu.edu/jmurj/vol2/iss1/4/ This full issue is brought to you for free and open access by JMU Scholarly Commons. It has been accepted for inclusion in James Madison Undergraduate Research Journal by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. JAMES MADISON UNDERGRADUATE RESEARCH JOURNAL Animating Gender Roles: How Disney is Redefining the Modern Princess Juliana Garabedian A prominent voice in the entertainment industry, Disney impacts many facets of society, including how we define gender roles. For the past 80 years, America’s younger generations have taken social cues from their favorite animated movies, learning to act like their favorite princes and princesses. Over the past few decades, Disney has broken through the concept of the damsel in distress and transitioned to represent and even advance modern feminist ideals. From likable protagonists to prominent images and popular products, the movies reinforce the gender roles they present because children learn to imitate the characters during playtime. 22 JAMES MADISON UNDERGRADUATE RESEARCH JOURNAL he idea of being a princess is not a novel fantasy; it In Snow White and the Seven Dwarfs, Snow White is portrayed has been around for centuries. -
Poetry Cinderella
“CINDERELLA” by Raold Dahl I guess you think you know this story. You don’t. The real one’s much more gory, The phoney one, the one you know, Was cooked up years and years ago, And made to sound all soft and sappy Just to keep the children happy. Mind you, they got the first bit right, The bit where, in the dead of night, The Ugly Sisters, jewels and all, Departed for the Palace Ball, While darling little Cinderella Was locked up in the slimy cellar, Where rats who wanted things to eat Began to nibble at her feet. She bellowed, “Help!” and “Let me out!” The Magic Fairy heard her shout. Appearing in a blaze of light, She said, “My dear, are you all right?” “All right?” cried Cindy. “Can’t you see I feel as rotten as can be!” She beat her fist against the wall, And shouted, “Get me to the Ball!” There is a Disco at the Palace! The rest have gone and I am jalous!” I want a dress! I want a coach! And earrings and a diamond brooch! And silver slippers, two of those! And lovely nylon pantyhose! Thereafter it will be a cincy To hook the handsome Royal Prince!” The Fairy said, “Hang on a tick.” She gave her Wand a mighty flick And quickly, in no time at all, Cindy was at the Palace Ball! It made the Ugly Sisters wince To see her dancing with the Prince. She held him very tight and pressed Herself against his manly chest. -
125 ALL-FEMALE OPERA SCENES Compiled by Cindy Sadler ADAMO
125 ALL-FEMALE OPERA SCENES Compiled by Cindy Sadler Anyone who works with young singers knows that it’s a constant challenge to find repertoire that is both appropriate and fun when your available cast consists mainly of women, and most of those sopranos. Here is a compilation, by no means exhaustive, of 125 excerpts for female voices. Some of these require a bit of creativity in cuts or in re-voicing chorus. Many of these scenes can be extended if you have just one male singer (mostly baritones!), or cut into smaller scenes. If you have more suggestions, please feel free to contact me and I will add them to the list, which will remain available to all free of charge on my website. Cindy ADAMO Little Women 1. Act II, sc. 5 "Let Me Look At You" Jo, Meg, Amy, Beth (MMSS) https://www.youtube.com/watch?v=I-9KOgRqymk BARBER Vanessa 2. Act I, scene 1 Erika, Vanessa, The Old Baroness*, Servant ** (MSC) *silent **dialogue only; could be done by a woman https://www.youtube.com/watch?v=glWOro4IeJ0&t=159s 3. Act II, scene 1 “And then? … He made me drink too much wine…” Scena: Erika & Old Baroness (MC) https://www.youtube.com/watch?v=m-iVSm6XTxs BELLINI I Capuleti ei Montecchi 4. "Ecco la tomba... Tu sola, o mia Giulietta" (final scene) Giulietta, Romeo (SM) https://www.youtube.com/watch?v=28t-t2i0TiY Norma 5. Mira, o Norma Norma, Adalgisa (SM) https://www.youtube.com/watch?v=nJc2UyzW_qg BERLIOZ Béatrice et Benedict 6. Duet :"Nuit paisible et sereine" Héro, Ursula (SC) https://www.youtube.com/watch?v=Nx38dVy_ocU 7. -
INTO the WOODS Music and Lyrics by Stephen Sondheim Book by James Lapine
INTO THE WOODS Music and Lyrics by Stephen Sondheim Book by James Lapine Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theaters Originally Produced by the Old Glober Theater, San Diego, CA Director Shawn K. Summerer Musical Director Choreographer Catherine Rahm Alison Mattiza Producers Lori A. Marple-Pereslete and Tony Pereslete Set Design Lighting Design Costume Design Tony Pereslete Robert Davis Kathy Dershimer Elizabeth Summerer and Jon Sparks Cast (in order of appearance) Narrator/Mysterious Man ................................................................................................. Ben Lupejkis Cinderella ..................................................................................................................... Heather Barnett Jack .............................................................................................................................. Brad Halvorsen Jack's Mother ................................................................................................................. Patricia Butler Milky White/Snow White ................................................................................................. Brandie June Baker ........................................................................................................................... Terry Delegeane Baker's Wife ....................................................................................................................... -
LDM Publishing Adds Producer Morgan Dorr to Its Team To
FOR IMMEDIATE RELEASE: View this email in your browser Contact: Chrissy Mrowczynski [email protected] 703.505.0207 LDM PUBLISHING ADDS PRODUCER MORGAN DORR TO ITS TEAM TO REIMAGINE THE LEGACY CATALOGUE OF LEGENDARY MOTOWN SONGWRITER RON MILLER, STARTING OFF WITH A NEW RECORDING OF THE CLASSIC 'A PLACE IN THE SUN' New Music Publisher Sets Out To Prove That The Most Valuable Music Copyrights In The Future Will Emanate From Those In The Past LOS ANGELES - LDM Publishing, (www.ldmpublishing.com/) which manages the vast legacy song catalogue of legendary songwriter, Ron Miller (1932-2007) (www.ronmillersongbook.com), announces a new partnership with producer/songwriter Morgan Dorr whose successes include recordings with artists such as Fitz and the Tantrums, KT Tunstall, Bella Thorne, Victoria Justice, Lolo, Wrabel, Cimorelli, Haley Reinhart, Nikki Vianna, Pete Murray, Chaz Cardigan, Brandon Colbein, Transviolet and Emma Rosen. Morgan has also proven his ability to tune into what advertisers want, having written and/or produced songs for multiple global ad campaigns including Jeep’s Super Bowl “4x4ever” and “Main Street Love: Meet Sam” for Truist Financial. Morgan, a signed writer/producer with Sony Music Publishing, will be working directly with singer/songwriter/producer, Lisa Dawn Miller (www.lisadawnmiller.com), President of LDM Publishing who is also the daughter of Ron Miller. “I’m so excited to work with Morgan – not just on my dad’s major hits but also on some amazing, newly discovered songs from the catalogue which have never been heard before until now. I’m also looking forward to writing new songs together.