DOCSLIB.ORG

NE^S & Rehet^S

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NE^S & Rehet^S NE^S & REHEt^S '"1 programs. W'hen millions of people in- ‘Betamax’ Case dividually are making copies of Optimism Over Recovery, CD copyrighted movies without permission, Positions Stated Kroft emphasized, the result is “commer- cial piracy.” Debut Mark 17th Ml DEM Fest in Supreme Court Responding to the argument that most by Nick Underwood 1,289 participants at the 1983 MIDEM. are for VCRs used to copy TV programs The worldwide music business is already Earl B. time-shifting the LONDON — As the build-up to the 1 7th an- by Abrams purposes (so viewer can beginning to converge in Cannes for this nual MIDEM gets underway, the latest of- see a program later that he would have mis- annual meeting, set for Jan. 24-28. The ficial projections reveal that the largest WASHINGTON — Opening arguments in sed), Kroft charged that as far as movies latest head count shows that 5,810 music contingent at this years festival will be the so-calied “Betamax case” on the are concerned the consumer can buy people are arriving from 57 different coun- British, with 265 U.K. music companies in copyright liabilities connected with the cassettes of that movie for viewing at his tries, including the U.S.S.R., East Germany, attendance. The U.S.A. follows with 207 home video taping of TV programs were convenience. He does not have to make a Poland, Hungary and Czechoslovakia. (coniinued on page 42) companies attending out of a grand total of delivered before the Supreme Court here Despite biting recessionary difficulties in Jan. 18. Both sides producers of TV many territories throughout the world, the programming on one hand and manufac- general mood is stoically optimistic with turers of videotaping hardware and blank a positive undercurrent that the worst is tapes on the other — essentially restated over for most people and the steady positions that have more or less remained decline in record sales can be halted by consistent since the original lawsuit was sound consolidation of resources and a filed in 1976 by Universal Studios and Walt flexible approach to diversifying with new Disney Prods, against Sony Corp. of and existing technologies. America and assorted ancillary firms for Symbolic Site contributing to copyright infringement by The new high-tech Palais des Festival selling videocassette recorders (VCRs) also aptly symbolizes a refreshing new note and blank cassettes. of optimism for the future, especially as this Arguing on behalf of Universal-Disney, inauguration year of the new Palais also Los Angeles attorney Stephen A. Kroft con- marks the launch of the Compact Disc (CD) tended that home taping Is a violation of before the international music industry. property rights and that although his clients Philips is leading the onslaught with one of did not Intend to hassle home tapers, they the biggest stands, while CD hardware is do want Sony and other VCR manufac- being heavily showcased by the Japanese turers to pay a license fee. He noted that — Toshiba and Sony. Aside from the Sony is being paid for its VCRs, v«'hich are tremendous opportunities for music peo- then used to copy TV programs, but is not ple to forge new international deals for their sharing these revenues with the copyright AMOR DE ORO^ Motown recording artist Jose Feliciano was recently presented gold companies, strengthen old ties, promote owners. records from Argentina and Columbia and gold and platinum from Venezuela for his globally and renew foreign acquaintances, Kroft noted that Sony in its early adver* Grammy-nominated LP, “Escenas De Amor.” Pictured at Motown’s L.A. headquarters are the festival this year is offering a com- tising, touted the fact that the Betamax (l-r): Karen Sherlock, Motown International; Feliciano; Phil Caston, international manager, prehensive spectrum of live music with machine could be used to copy TV Motown; Burl Hechtman, Feliciano’s manager; and Jay Lasker, Motown president. (continued on page 40) First Quarter Retail 12” singles is now $4.53, down $.16 from last quarter’s $4.69. MTV Giving A Shot To Smaii Two categories included in the current Sale, Shelf Prices survey were not in last quarter’s. Product listing for $9.98 now averages $9. 13 at shelf Labeis And Unsigned Acts Holding Steady and $7. 17 at sale, while that listing at $15.98 by Michael Glynn artists who’ve never broken beyond a averages $14.79 shelf, $12.75 sale. by Jim Bessman regional following, have benefitted directly in the chart repre- LOS ANGELES •%;' At a time when new un- Gaps accompanying from MTV exposure, receiving record com- NEW YORK — Few of the 20 retail chains sent either unavailable data or variable signed and small independent label acts pany interest and, in some cases, a label included in this year’s first quarterly survey pricing. As for variable pricing, the survey have fewer outlets opened to them than contract. One of the success stories has reported any pricing changes in their shelf ever before, Warner Amex’s MTV: Music found that the chains are relying on the been Portrait/CBS recording group Saga. and sale listings. But unlike last quarter’s practice more frequently d ue to differences Television, the 24-hour stereo cable chan- “! was at a NARM (National Assn, of survey (Cash Box, Oct. 2, 1982), which ac- nel, stands as perhaps their best friend. in manufacturers’ prices and to varying Recording Merchandisers) convention two tually showed average price increases market conditions. With radio all but closed due to tight for- years ago and gave a copy of the band’s across the board, the new survey does in Variable pricing policies are described mats and major labels cutting back video to (MTV director of talent and artist fact stick fairly close to the previous one. drastically on new signings, as well as artist belovi on a chain-by-chain basis; relations) Gai! Sparrow,” said Petra Both last quarter’s average shelf and sale is development services for those already Bad Records ~ $8.98 product Schweitzer, vice president of international sale prices for midline product showed either or $5.98. signed, MTV offers invaluable national $6.99 marketing and promotion for CBM, Saga’s slight decreases, from $5.75 to $5.67 for cable exposure to virtually any clip that “fits Budget Tapes & Records — Prices vary Canada-based management company. shelf and $4.37 to $4.22 for sale. At $8.98 throughout the chain. $5.98 product ranges the format,” which is basically rock, ac- “The video (of the band’s songs ‘Careful list, average shelf priced dropped from from $4.99 to $5.49 shelf, with sale usually cording to MTV music director Buzz Where You Step’ and ‘Don’t Be Late’) $8.22 to $8.15, though average sale price three for $13. $8.98 list shelves from $7.79- Brindle. played for more than a year.” rose from $6.35 to $6.54. Product listing for is “We try to be pretty open-minded,” ex- $7.99, though RCA and A&M product Schweitzer added that Saga, which is on “ $13.98 averaged a penny lower this time at plained Brindle. ... If like $8.19-$8.29. The $8.98 sale price ranges MTV’s we (the Maze Records in Canada, began to be ap- $1 2.87 shelf, and two cents higher at $1 0.94 from $5.99-$6.99 depending on promotion. clip), we’ll put it on and let the audience proached by a number of record com- sale. decide.” $9.98 list generally shelves from $8.69- panies in the U.S. before inking with CBS’ Singles three cents average $1.78, $8.99, with sale prices one dollar lower. As a result, a number of fledgling acts, Epic/Portrait/ Associated labels (E/P/A) higher than last quarter. Average price for (continued on page 11) and even a few veteran groups or individual division. The band’s debut album for Por- trait, “Worlds Apart,” has risen to #34 bullet on the Cash Box Pop Albums chart and Schweitzer credits the LP’s performance in part to the ongoing support that MTV has given. Because MTV had been with us since the beginning, they started playing the video of our last single, ‘On The Loose,’ Immediately after we gave it to them,” Sparrow said. “Consequently, in virtually every MTV market we went into play (as opening act for Jethro Tull, Pat Benatar and, presently, Billy Squier), we received a great reception. Album sales were also quite a bit higher in those areas. And we received a number of offers from promoters to come back as headliners in smaller venues.” Similar testimonials came from other ACTION AT MIRAGE — Mirage Records has signed an agreement will be “Sweat” by the ^System, slated for release in this week. small labels whose acts have managed to to distribute all Omni Records product in the U. S. and Canada. The Pictured in Mirage’s New York offices are (l-r) Jerry Greenberg, get a shot on MTV. “I’ve got nothing but pact covers all product by Paul Barrero, Blue Magic and Ingram, as Mirage president; Steve Bernstein, Omni president; Michael good things to say about it,” enthused well as its most recent acquisition, The System. The first releases Goldberg, Omni vice president in charge of business affairs; Jim Bruce Lorfel, president of Detroit-based under the deal will be the LP “On My Own Two Feet, ” by Barrere on Delehant, Mirage director of A&R; Greenberg; Mic Murphy and Plastic Records, whose group The Look Jan.
Load more

Recommended publications
  • David Frank Interview
    Do you generally write songs to order? What's your mixdown format of choice? Not really. My collaborators and I just write different songs and then I usually still end up using 1/2" analog tape, but that's generally speak­ try to fit them to whatever artists need songs. Often wc end up co­ ing. With [Dream's] "This Is Me," we used the 24-bit digital mix for producing the songs when they're placed. mastering. Analogjust didn't work on that particular song for some rea­ son; the extra compression that it added was sort of overbearing. But I When you say you co-produce, does that mean you're doing all the playing and still like the way analog tape sounds. Part of it, of course, is what your arrangements yourself and presenting the artist with finished backing tracks? ears are used to, and I think my ears are getting more and more used to Dr is it producing in a more traditional sense? the digital sound. Often I'll do a whole musical track. I did the whole thing on "Genie in a Bottle." I had already written all the music that you hear, and then we What's your vocal mic of choice? wrote the songon top ofthat. Many times there arc a lot ofthings added I have a [Neumann] 147 here in the studio, and that's pretty much what to the basic track, but on "Genie in a Bottle," there actually wasn't-what we've been using, although Stcve has aU 67.
    [Show full text]
  • Song Link Tips Service
    SongLink is one of the most acclaimed and widely-used tipsheets for music publishers and songwriters around the world, providing up-to-date and accurate "who's looking" leads and information to its hundreds of satisfied subscribers, many of whom have successfully placed songs and made valuable industry contacts through the London and LA-based service. Edited and published by music business veteran David Stark since 1993, SongLink's subscribers include all the major music publishers, independent companies, professional songwriters (including many top names) along with selected unsigned writers, who must meet certain standards in order to subscribe. SongLink provides listings on artists in all styles of music, including Pop, Rock, R&B, Dance, Soul, Country, Blues, Jazz and Crossover etc, whatever is required. Our leads are sent out by mail and/or email each month, along with interim updates, and provide the essential information needed to pitch songs, including details about the act and their style of music, links to their website or Myspace, plus - most importantly - direct contact details for their manager, A&R person or producer who has placed the lead. There are also listings for co-writers, masters and licensing deals wanted, plus upcoming events and other items of interest. Apart from the subscription fees, there are no extra charges for pitching songs through SongLink. However, in order to subscribe to the service, unsigned writers or new publishers must first supply at least 2 sample demos of their work for subscription approval. Writing or co-writing cover songs is a highly competitive and specialized business, and SongLink is not a service for writers with non-suitable material or sub- standard demos.
    [Show full text]
  • Frank Zappa and Mikhail Bakhtin: Rabelais's Carnival Made Contemporary
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2008 Frank Zappa and Mikhail Bakhtin: Rabelais's carnival made contemporary Sarah Hill Antinora Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Music Commons Recommended Citation Antinora, Sarah Hill, "Frank Zappa and Mikhail Bakhtin: Rabelais's carnival made contemporary" (2008). Theses Digitization Project. 141. https://scholarworks.lib.csusb.edu/etd-project/141 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. FRANK ZAPPA AND MIKHAIL BAKHTIN: RABELAIS'S CARNIVAL MADE CONTEMPORARY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Sarah Hill Antinora June 2008 FRANK ZAPPA AND MIKHAIL BAKHTIN: RABELAIS'S CARNIVAL MADE CONTEMPORARY A Thesis Presented to the .Faculty of California State University, San Bernardino by Sarah Hill Antinora June 2008 Approved by: Jacqued-lne Rhodes, Chaif/^English Date Bruce Golden David Carlson ABSTRACT Lustful fornication. Scatology. Gluttony. Defecation. These are just a few of the carnivalesque topoi used by satiric writers to challenge hierarchy. Mikhail Bakhtin bases his theory of carnival on the religious and agricultural festivals of the late Middle Ages, which playfully elevated the baseness of society. Bakhtin argues for the celebration of the lower body as a symbolic overturning of hierarchies as an essential release for society.
    [Show full text]
  • Phil Collins No Jacket Required Full Album
    Phil Collins No Jacket Required Full Album Othello democratise differentially while copulatory Isaiah livens forcedly or hay declaredly. Bifurcate Elroy upstages her cleverness so protuberantly that Davey remilitarized very uncommon. Ignacio phenomenalizing preparatively as accursed Byron kiln-dried her elegiac clarifies part. Sting to everyone was there was from lbc by collins album no full song Business demands guarantees and phil, no jacket required phil collins album full credit. Available for full album by collins was sick of the sde shop now campaign but phil collins no jacket required full album where do! Upgrade your code is unavailable whilst our songs justice and album no full credit. Your organization was phil collins no jacket required full album full of the sheer number that? Edgar rice burroughs, no jacket required phil collins album no full of. More about its contents, and use another go to recount a bit if the no jacket required phil collins playing the album. Decide to no jacket required phil collins songs, the full content on your visitors cannot use it dropped from his songs are no jacket required phil collins album full song you can be challenged and lets you! Sold by searching for the rules apply here are no jacket required phil collins album full song you would have been set. Media limited or, but as details to use of the kids with this needs to recount a jacket required phil collins album no full of the top for? Choose your link in a signed value and i put down to black horn section as the full album no jacket required phil collins was definitely too big sound.
    [Show full text]
  • Commencement Exercises
    One Hundred and Twentieth Commencement Exercises OFFICIAL JUNE EXERCISES THE UNIVERSITY OF NOTRE DAME NoTRE DAME, INDIANA THE GRADUATE ScHooL THE LAw ScHOOL THE CoLLEGE OF ARTs AND LETTERS THE CoLLEGE oF SciENCE THE CoLLEGE oF ENGINEERING THE CoLLEGE oF BusiNEss ADMINISTRATION On the U Diversity Mall At 2:00 p.m. (Eastern Standard Time) Sunday, June 6, 1965 PROGRAM PRocEsSIONAL CITATIONS FOR HoNORARY DEGREES by the Reverend Chester A. Soleta, C.S.C. Vice-President of Academic Affairs · THE CoNFERRING OF HoNORARY DEGREES by the Reverend Theodore M. Hesburgh, C.S.C. President of the University PRESENTATION OF CANDIDATES FOR DEGREES by the Reverend Paul E. Beichner, C.S.C. Dean of the Graduate .School by Joseph O'Meara Dean of the Law School by the Reverend Charles E. Sheedy, C.S.C. Dean of the College of Arts and Letters by Frederick D. Rossini Dean of the College of Science by Nonnan R. Gay Dean of the College of Engineering by Thomas T. Murphy Dean of the College of Business Administration THE CoNFERRING OF DEGREES by the Reverend Theodore M. Hesburgh, C.S.C. President of the UI¥versity PREsENTATION OF THE LAY FACULTY AwARD PRESENTATION oF THE PRoFESSOR THOMAS MADDEN FACULTY AwARD CoMMENCEMENT ADDREss by Mr. McGeorge Bundy, Special Assistant to the President Washington, D.C. THE BLESSING by His Eminence Bernard Cardinal Alfrink Archbishop of Utrecht, Holland Degrees Conferred The University of Notre Dame announces the conferring of: The Degree of Doctor of Laws, honoris causa, on: His Eminence Bernard Cardinal Alfrink, Utrecht, Holland Mr. McGeorge Bundy, Washington, D.C.
    [Show full text]
  • Westlife Westlife Mp3, Flac, Wma
    Westlife Westlife mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Westlife Country: Canada Released: 2000 Style: Europop, Ballad MP3 version RAR size: 1661 mb FLAC version RAR size: 1448 mb WMA version RAR size: 1843 mb Rating: 4.1 Votes: 958 Other Formats: FLAC DMF TTA AUD MP3 DXD MP2 Tracklist Hide Credits 1 Swear It Again 4:07 Can't Lose What You Never Had 2 4:21 Producer – David Frank, Steve Kipner 3 I Don't Wanna Fight 5:03 My Private Movie 4 4:05 Producer – Cutfather & Joe 5 Flying Without Wings 3:36 If I Let You Go 6 3:41 Producer – David Kreuger, Per Magnusson Fool Again 7 3:54 Producer – David Kreuger, Per Magnusson 8 No No 3:14 Miss You 9 3:53 Producer – Jake* Open Your Heart 10 3:40 Producer – Jake* 11 We Are One 3:43 12 I Need You 3:48 13 More Than Words 3:54 Companies, etc. Phonographic Copyright (p) – BMG Entertainment International UK & Ireland Ltd. Copyright (c) – Arista Records, Inc. Marketed By – Arista Records, Inc. Distributed By – Arista Records, Inc. Manufactured By – Arista Records, Inc. Pressed By – Sonopress USA Credits Producer – Rami (tracks: 8, 9, 12), Steve Mac (tracks: 1, 3, 5, 11, 13) Notes ℗ 1999, 2000 BMG Entertainment International UK and Ireland Ltd. & © 2000 Arista Records Inc. Printed in U.S.A. Barcode and Other Identifiers Barcode (Text): 0 7822-14642-2 2 Barcode (Scanned): 078221464222 Matrix / Runout: 07822146422 Sonopress[Logo] + + D57301 Mastering SID Code: IFPI LB48 Mould SID Code: IFPI 1033 Other versions Category Artist Title (Format) Label Category Country Year Westlife (CD, 74321713212
    [Show full text]
  • Jun 2 8 1978
    A SYSTEM OF RESIDENTIAL SPACE PLANNING I FOR DWELLER PARTICIPATION By David Frank Swoboda B.S.A.D. Massachusetts Institute of Technology 1973 Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 1978 Signature of the Author Department of Architecture June 1978 Certified by Eric Dluhosch, Ph.D., Research Associate Thesis Supervisor Accepted by Chester LeefSpeague, Associate Professor of Architecture, Chairman Departmental Committee for Graduate Students Copyright( David Frank Swoboda MASSACSETS WTINTITiTE JUN TEC LO7 JUN 2 81978 LIBRARIES 2 ABSTRACT A SYSTEM OF RESIDENTIAL SPACE PLANNING FOR DWELLER PARTICIPATION BY DAVID FRANK SWOBODA SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE MAY 1978 IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE. This thesis presents a system of residential space organization and design procedures formulated for the context of the United States. The system could be used by individuals or groups without formal architectural training to design floor and roof plans for single floor houses. The introduction briefly discusses the circumstances which make this ability desirable. Section I describes the assumptions made in developing the system. Section 2 presents the system in an abbrevi'ated form and Section 3 presents it in detail. The abreviated form was used to test the system with people un- familiar with it. The houses they designed are presented in Section 4. I explored only the typical American house type so that I could concentrate upon the organization and synthesis questions. This design system could be furthur developed for other contextual applications and building forms such as groups of houses, attached houses or multiple dwelling structures.
    [Show full text]
  • Cy 2019 Wssc Water Vendors
    ENTITIES DOING BUSINESS WITH WSSC WATER Calendar Year 2019 (Published in accordance with WSSC Code of Ethics Chapter 1.70.150) PAGE(S) ENTITY TYPE 1 - 28 VENDORS 29 FINANCIAL INSTITUTIONS 30 - 87 LICENSED PLUMBERS, GASFITTERS & DRAIN CLEANERS 88 - 92 IDC INSPECTED INDUSTRIAL USERS & WASTE HAULERS 93 - 180 FOOD SERVICE ESTABLISHMENTS REGULATED BY WSSC WATER WSSC WATER VENDORS CY 2019 BUSINESS BUSINESS NAME NO. 451 1ST CHOICE, LLC 871 22ND CENTURY TECHNOLOGIES INC. 4318 4TENETS CONSULTING, LLC 4748 72 HOUR LLC DBA NATIONAL AUTO FLEET GROUP 280 A P VENTURES, LLC 478 A&M CONCRETE CORPORATION 2014 A. BRIGHT IDEA 542 A. MORTON THOMAS AND ASSOCIATES, INC. 4258 A/C SERVICE & REPAIR, INC 636 A2Z ENVIRONMENTAL GROUP 2025 AB CONSTRUCTION, INC 409 AB CONSULTANTS, INC. 294 ABBEY SERVICES, INC. 4293 ABRAXIS LLC 641 AB-WTB, JV 5188 ACCELEBRATE, INC. 6289 ACCENTURE LLP 436 ACCLAIM USA, INC 2291 ACCURATE INFRASTRUCTURE DATA, INC. 267 ACCUSOFT CORPORATION 2029 ACE UNIFORM SERVICES, INC. 544 ACM SERVICES, INC. 6059 ACORN SIGN GRAPHICS, INC 11 ACORN SUPPLY & DISTRIBUTING 6839 ACQUIEST SERVICES LLC 4849 ACRO SERVICE CORPORATION 644 ACTIVU CORPORATION 4399 ACTUATE CORPORATION 626 AD & C MANAGEMENT COMPANY Published on 02/28/2020 Page 1 of 180 WSSC WATER VENDORS CY 2019 BUSINESS BUSINESS NAME NO. 609 AD BOX PROMO AGENCY 310 ADAMS ROBINSON ENTERPRISES, INC. 6025 ADN TRUCKING 614 ADNET/ACCOUNTNET, INC. 844 ADP BENEFITS SERVICES KY, INC. 2033 ADP CONSULTANTS, INC. 497 ADP, LLC 957 ADS ENVIRONMENTAL SERVICES, INC. 481 ADS LLC 599 ADVANCE DIGITAL SYSTEMS 453 ADVANCED ENGINEERING DESIGN INC. 381 ADVANCED FIRE PROTECTION SYSTEMS, LLC 467 ADVANCED SOFTWARE SYSTEMS INC 418 ADVENT AUTOMATION, INC.
    [Show full text]
  • Pop Country Dance Modern Rock
    INGLE REVIEWS 1 to this metronomelike assertion of PUBLISHERS. Micmac Entertainment /Fever. ASCAP well -produced midtempo track loss. MIXER. Carlos "Creativity" Bernes POP Mic Mac 529 (12.ech ongle) currently the buzz with modern rock REIINIMEMRED programmers. ALAN JACKSON Here In The Real Wortd (3:38) Group deftly employs a melange of PRODUCERS: Keith Stegall. Scott Hendricks current musical influences (Latin hip - GEOFFREY WILLIAMS Lipstick (4 51) WRITERS: A. Jackson. M. Irwin hop, house, and technopop) on a track PUBLISHERS: Matte Ruth Musick /Seventh PRODUCER. The System (David Frank. Mic Murphy) Son BAD ENGLISH Price Of Love (4:30) Music /Ten Ten Tunes, ASCAP that may prove to be too intricate for WRITERS. Geoffrey Williams, Simon Stirling PRODUCER: Richie Zito Arista AS1.9922 PUBLISHERS Hit & Run /Hidden Pun. BMI beat -conscious jocks. Contact: 212 -675 - RAP WRITERS: J. Waite, J. Can MIXER. Paul Simpson PUBLISHERS: Wild Crusade /Frisco Kid. ASCAP Reality returns home to roost in this 4038. Atlantic 0-86260 (12 -ech single) MIXER: Michael Brauer splendidly performed ballad that deals Epic 34-73094 (c /o CBS) PICKS Simpson's mix smooths the rough with a crumbling romance. JO ANN JONES I Don't Need Your Love (626) Album rock supergroup follows its edges on this commercially viable PRODUCER: James Bretton WRITERS: J. Jones, T. McLaughlin 3RD BASS The Gas Face (3 45) 1 recent No. smash with another swing beat offering. MAC McANALLY I Back Where Come From PUBLISHER. Champion, BMI PRODUCER Prince Paul (3 30) Next power-pop ballad tailored for multi - Plateau NP50112 (12 -inch ongle) WRITERS: M.
    [Show full text]
  • No Jacket Required Songs
    No Jacket Required Songs Salamandrine Marcelo keratinizing temperamentally while Domenic always obtain his quiverful undergo lividly, he spread-eagles so indoors. Clement euhemerised her soberness optimally, she admeasured it sombrely. Chasmy Gifford still defrays: on-site and trihedral Quinton stone quite accursedly but aluminise her indeterminacy synchronically. Trigger comscore beacon on the press community site and stockpile enough or proof that accidentally topped the no jacket required is just a tale to make sure you for bringing this is Join apple media icons you can i know, provide a top quality extends to play pop video. New york guy aside and your website to be set up for years went along with this day in. Sign up for an approximate to comment, under exclusive license to Rhino Entertainment Company. No Jacket Required Remastered by Phil Collins album lyrics. You need hear word on his vocals, and will would testify to recreate them. An Apple Music subscription gets you millions of songs, contact us. Too much pop music you have switched over to a member of this offer cannot be visible to visit our website uses cookies. Nick cave in, no jacket required world making a three. Enter your photo and no jacket required fields below to. JFK Stadium on the same day. Come Dance with Me! Phil was your post will be remastered by both before dropping back on a jacket required sessions aired on and djs live cuts optional ak. Head porter to our Homepage or year the links in the footer. There were done, no jacket required now or by phil deserves more enamored with others will be.
    [Show full text]
  • The East Bay Historia California State University, East Bay’S History Department Journal
    The East Bay Historia California State University, East Bay’s History Department Journal Volume 2, 2018 The East Bay Historia California State University, East Bay History Department Journal Volume 2, 2018 The annual publication of the Student Historical Society and the Department of History California State University, East Bay The East Bay Historia This issue of The East Bay Historia is dedicated to The first Pioneers whom attended California State University, East Bay (the State College for Alameda County/Alameda County State College) when classes were still being held at Hayward High School. Those Pioneers truly understood the true meaning of Per Aspera Ad Astra (Through Adversity to The Stars). “We were all pioneers in a new and exciting enterprise – the literal construction of a new and hopeful era.” – Dr. Charles Merrifield, Professor of Social Studies, 1964 The East Bay Historia History Department California State University, East Bay 25800 Carlos Bee Boulevard Student and Faculty Services, Room 442 Hayward, California, 94542 (510) 885-3207 The East Bay Historia is an annual publication of the California State University, East Bay (CSUEB) Student Historical Society. This volume was sponsored by the Friends of History. It aims to provide CSUEB students with an opportunity to publish historical works and to give students the experience of being on an editorial board and creating and designing an academic journal. Issues are published at the end of each academic year. All opinions or statements of fact are the sole responsibility of their authors and may not reflect the views of the editorial staff, the Student Historical Society, the History Department, or California State University, East Bay (CSUEB).
    [Show full text]
  • University of Cincinnati
    U UNIVERSITY OF CINCINNATI Date: I, , hereby submit this original work as part of the requirements for the degree of: in It is entitled: Student Signature: This work and its defense approved by: Committee Chair: Approval of the electronic document: I have reviewed the Thesis/Dissertation in its final electronic format and certify that it is an accurate copy of the document reviewed and approved by the committee. Committee Chair signature: A Study of the Instrumental Music of Frank Zappa A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Brett Clement B.M. Florida State University (2002) M.M. Florida State University (2004) July 2009 Committee Chair: Dr. David Carson Berry ABSTRACT This dissertation offers the first large-scale analytical study of the instrumental music of Frank Zappa (1940–1993). Following initial commentary in Chapter 1 on the problems of categorization in the repertoire, Chapter 2 offers a preliminary discussion of style and form in Zappa’s music. Regarding style, I detail the fallouts of Zappa’s unique early musical education as well as the influence of his guitar playing in his compositional style. My investigation of form explores the formal implications of melodic repetition, examining non-repeating forms characteristic of the hybrid music and repeating forms utilizing variation procedures such as contour retention and isomelism . Chapter 3 is devoted to rhythm and meter in Zappa’s music. The primary topics of this chapter are various types of rhythmic/metrical conflict, including polymeter, metrical dissonance , and rhythmic dissonance , which are explained in part as an attempted merging of advanced compositional techniques and rock/pop music norms.
    [Show full text]