Pop Country Dance Modern Rock

Total Page:16

File Type:pdf, Size:1020Kb

Pop Country Dance Modern Rock INGLE REVIEWS 1 to this metronomelike assertion of PUBLISHERS. Micmac Entertainment /Fever. ASCAP well -produced midtempo track loss. MIXER. Carlos "Creativity" Bernes POP Mic Mac 529 (12.ech ongle) currently the buzz with modern rock REIINIMEMRED programmers. ALAN JACKSON Here In The Real Wortd (3:38) Group deftly employs a melange of PRODUCERS: Keith Stegall. Scott Hendricks current musical influences (Latin hip - GEOFFREY WILLIAMS Lipstick (4 51) WRITERS: A. Jackson. M. Irwin hop, house, and technopop) on a track PUBLISHERS: Matte Ruth Musick /Seventh PRODUCER. The System (David Frank. Mic Murphy) Son BAD ENGLISH Price Of Love (4:30) Music /Ten Ten Tunes, ASCAP that may prove to be too intricate for WRITERS. Geoffrey Williams, Simon Stirling PRODUCER: Richie Zito Arista AS1.9922 PUBLISHERS Hit & Run /Hidden Pun. BMI beat -conscious jocks. Contact: 212 -675 - RAP WRITERS: J. Waite, J. Can MIXER. Paul Simpson PUBLISHERS: Wild Crusade /Frisco Kid. ASCAP Reality returns home to roost in this 4038. Atlantic 0-86260 (12 -ech single) MIXER: Michael Brauer splendidly performed ballad that deals Epic 34-73094 (c /o CBS) PICKS Simpson's mix smooths the rough with a crumbling romance. JO ANN JONES I Don't Need Your Love (626) Album rock supergroup follows its edges on this commercially viable PRODUCER: James Bretton WRITERS: J. Jones, T. McLaughlin 3RD BASS The Gas Face (3 45) 1 recent No. smash with another swing beat offering. MAC McANALLY I Back Where Come From PUBLISHER. Champion, BMI PRODUCER Prince Paul (3 30) Next power-pop ballad tailored for multi - Plateau NP50112 (12 -inch ongle) WRITERS: M. Berwn. P. Nash, D. Dumde. Prince Paul PRODUCERS. Jon Ed Norman. Mac McAnally format success. Diva -driven R PUBLISHERS. Rhyming Is Fundamental/Del Jam. WRITER. Mac McAnally &B /house with no ASCAP; Pnnse Pawl, BMI PUBLISHER: Beginner. ASCAP pretensions of being anything else Def Jam 38 -73046 )c o CBS) (cassette version also B Roam (4 Warner Bros 7 -22662 -52's 02) COUNTRY but. Contact: 212 -541 -7640. available. Del Jam 381- 73046. 1 2 -inch version also PRODUCER: Nile Rodgers McAnally makes a play for the charts available. Del Jam 44- 73121) WRITERS. The B-52's. R. Waldrop PUBLISHERS Man Woman Together No*Jlmng, with this pleasingly melodic, easy to SAX Give Yourself To Me (5 31) Duo is back soul -strutting with a li'I BMI PICKS relate to, colorfully written tune. PRODUCER Todd Terry something from the "The Cactus Reprise 7 -22667 (c o Warner Bros.) Vocals are WRITER T. Terry Album." Check out the equally strong and clear. PUBLISHERS: Zomba /Tonle, BMI The door to the shack is still open SWEETHEARTS OF THE RODEO This Heart MIXER Late Louie Vega. BMI notable flip, "Wordz Of Wizdom." wide while the B's take an endearing (3'12) SCOTT HOYT Understatement Of The Year Loud House WAR -063 (12-inch single) PRODUCER: Steve Buckingham and carefree ride through this (2:36) More Terry beats'n'samples but do DIGITAL UNDERGROUND The Humpty Dance WRITERS: T. Mensy, T. Haselden PRODUCER: Scott Hoyt (4:40) engaging pop confection. Don't miss PUBLISHERS: Cross Keys /Miss Dot ,CBS. ASCAP. check out the kickin' flip, WRITER: Blackmon, Hewitt "Don't Turn PRODUCER Shock -G the accompanying videoclip. Mlllhouse /Songs Of PolyGram, BMI PUBLISHERS: Blackwood. BMI; Hewitt, ASCAP Columbia 38 -73213 Your Back On Me." Contact: 212 -979- WRITER: G. Jacobs Twitchy 1990 -1A 0808. PUBLISHER GLG Two, BMI WHITESNAKE The Deeper The Love (4 22) Spring -tight instrumentation, gutsy Hoyt sings this lament with force and Tommy Boy TB-944 (12 -inch ongle) PRODUCERS: Mike Clink, Keith Olsen vocals, and a go-for- the -throat gospel conviction and is aided by clean, no- SAMUEL You Are The One (6:22) George Clinton hooks up with this WRITERS. Coverdale. Vandenberg make PUBLISHERS: David Coverdale WB. ASCAP arrangement this production a frills production. PRODUCERS John Brunkvist, Aldo Mann eccentric West Coast rap outfit that WRITERS S. Morales, J. Geffen 4 -19951 (c o Warner Bros.) delight to listen to. Brunkvist has the funkmeister's rhythmic PUBLISHERS. Could It Be Sam's Music/Cutting. Midtempo ballad showcases a warmer ASCAP sensibilities down. Very funky. and gentler side of David Coverdale PATTY LOVELESS Chains (2 27) Cutting CR -230 (12-inch single) Contact: 212 -722 -2211. PRODUCER. Tony Brown than on past Will Swarthy machismo of New York -bred efforts. appeal to WRITERS. Hal Bynym, Bud Reneau DANCE AC- oriented popsters and rockers PUBLISHERS Silverline, Andite Invasion II /Cross singer could propel this retro-flavored LOW PROFILE Pay Ya Dues (4 30) alike. Keys. BMI ASCAP club number ahead of the competitive PRODUCER' D.J. Aladdin MCA 53764 WRITERS: W.C.. D J Aladdin PUS pack. Contact: 212- 569 -4589. PJBLISHER: not listed Loveless tosses another gem to Priority 4V7215 (cassette ROXETTE Dangerous (no tone listed) single; 12-inch version also available, Priority PVL- 07278) PRODUCER. Clarence Ofwerman country listeners with this upbeat, JASON OFRA HAZA Ya Ba Ye (7:55) LOAD EXPERIENCE FEATURING IYONA WRITERS. not listed well -penned, tightly produced, and PRODUCERS: Mainline (7 00) Los Angeles -based duo of W.C. and PUBLISHERS: not listed Ant Mardin, Joe Mardin splendidly performed WRITERS. O. Haza. B. Alone PRODUCERS: EMI 4JM -50233 (c,o CEMA) (cassette single) number. Jason Load, Ron Temple mixmaster champion D.J. Aladdin PUBLISHER. Edition Tazagi /ASCAP WRITERS: L. Burgess. R. Patterson preview its forthcoming album "We're MIXERS: Joe Mardin, Nick Sansano. David Frank, PUBLISHER. Unicomp, ASCAP Undeniably infectious popper will no MICHAEL MARTIN MURPHEY Route 66 (2:46) Mojo Nicosia MIXERS. Jason Pavel In The Together's" with an eager, doubt keep the super -hot duo in heavy Load. Deiesus PRODUCERS. Steve Gibson. Jim Ed Norman Sire 0-21382 (c,o Warner Bros) (12 -inch single) Quark QK -021 (12 -inch ongle) beat -laden release. Contact: 213 -467- pop radio rotation well into the WRITER: Bobby Troup winter. PUBLISHER Londontown, ASCAP Slammin' grooves and traditional Smoldering house jam cover of the 0151. Warner Bros. 7 -22666 Yemenite melodies combine to make disco classic is set ablaze by a fiery Cow jazz at its finest as Murphey this Haza's most engaging effort to vocal performance from Iyona. gives the pre -interstate road song a date. Appearance of rapper M.C. Contact: 212- 489 -7260. RECOMMENDED REC9MMENDEd good ride from Chicago to Los Charlie Brown adds spice. Angeles. Stylistically, a side road TINA TURNER Steamy Windows (6:20) PRODUCER: Dan Hartman CHUBB ROCK Stop That Train (5 45) SARAYA Timeless Love (3 45) departure for Murphey, but an RED FLAG All Roads Lead To You (6 13) WRITER: Tony Joe White PRODUCER Howie Tee PRODUCER Desmond Child enjoyable detour nonetheless. PRODUCER. Paul Robb WRITERS Reynolds. Reynolds PUBLISHERS: Tennessee Swamp Fox/SAC April, WRITERS. R. Simpson. H. Thompson WRITER- Desmond Child ASCAP PUBLISHERS. Adra /Howie Tee Getaloadottatso. BMI PUBLISHERS. EMI ApnI /Desmobde. ASCAP PUBLISHERS: French Lick /Bug. BMI MIXER Paul Robb, MIXERS: Justin Strauss. Daniel Abraham M XER. Home Base SBK 41M-07316 (c /o CEMA) (cassette single) PAUL OVERSTREET Seein' My Father In Me Joseph Watt (323) Enigma 75533 -0 (12 -inch ongle) Capitol V -15543 (12-inch ongle; 7-Inch reviewed Select EMS 62352 (12-inch ongle) Pop -metal outfit down Nov. 18) turns the amps PRODUCER James Stroud Duo conjures up some uncustomary Chubb "rocks" on the headlines of the on this intensely sung ballad taken WRITERS. Paul Overstreet, Taylor Dunn PUBLISHER Scarlet Moon, BMI funky beats to accompany their day over an insistent bass -heavy jam. from the soundtrack to "Shocker." TYREE FEATURING J.M.D. Move Your Body RCA 9116-7-R solemn delivery on this highlight from (5 31) Contact: 212 -691 -1200. back -porch PRODUCER: Tyree Another epiphany from the "Naive Art" project. Odd melange WRITER. Tyree DEACON BLUE Real Gone Kid (4 04) OAKTOWN'S 3'5'7 Juicy Gotcha Crazy (4:52) the man who seems to be making should garner them some new fans PUBLISHER: Popstar. BMI PRODUCER Warne L oesey PRODUCERS: M.C. Hammer. D.J. International DJx991 (12 -inch ongle) James Earley WRITER R. Ross them his musical specialty. Sweetly easily. Contact: 213- 390 -9969. WRITER: M.C. Hammer PUBLISHER. EMI Blackwood, ATV sung, but ultimately less than meets Run -of- the -mill "let's party" rap is PUBLISHER: Bust -It, BMI Columbia 38 -68944 (cassette version also Capitol 79778 (12 -inch version also available the ear. IMPEDANCE Tainted Love (5:42) available. Columbia 38T-68944) saved by a rousing hip -house Capitol V- 15510) PRODUCER Color Sound Productions instrumental foundation. Contact: 312- Textured and spirited rocker WRITER: E.C. Cobb Girls' risqué rhyming titillates, while 559 -1845. swimming with traditional nuances PUBLISHERS: Equinox /AVI, BMI some hyped instrumentation RECOMMENDED MIXERS: Steve Anderson, Dime Dee from the act's When The World Epic 49 -73145 (c /o CBS) (12 -inch single) percolates with crossover potential. Knows Your Name" deserves to be a KOOL ROCK STEADY You Ain't Nobody (timing Completely wacked bass -heavy and not listed) smash. So what are you waiting for? PRODUCER: BARBARA MANDRELL You Wouldn't Know Love contemporay reworking of the pop Kool Rock Steady VICIOUS BEAT POSSE Legalized Dope (4 48) WRITER: Kool Rock Steady PRODUCER: D.1. Gill (If It Looked You In The Eye) (2 46) and club classic that's been hot on PUBLISHER: Popstar, BMI WRITERS Supershm, D. 1. Candyman. Marvee "V ". BILLY OCEAN FEATURING THE FRESH PRINCE PRODUCER: Tom Collins MIXERS: Julian " Jumpe" Perez, Joe Smooth, Kool MC Deb "B ", DBS WRITERS. import. AND MIMI I Sleep Much Better (In Someone H. Cochran. D Kirby Rock Steady PUBLISHER' Vicious Beat.
Recommended publications
  • David Frank Interview
    Do you generally write songs to order? What's your mixdown format of choice? Not really. My collaborators and I just write different songs and then I usually still end up using 1/2" analog tape, but that's generally speak­ try to fit them to whatever artists need songs. Often wc end up co­ ing. With [Dream's] "This Is Me," we used the 24-bit digital mix for producing the songs when they're placed. mastering. Analogjust didn't work on that particular song for some rea­ son; the extra compression that it added was sort of overbearing. But I When you say you co-produce, does that mean you're doing all the playing and still like the way analog tape sounds. Part of it, of course, is what your arrangements yourself and presenting the artist with finished backing tracks? ears are used to, and I think my ears are getting more and more used to Dr is it producing in a more traditional sense? the digital sound. Often I'll do a whole musical track. I did the whole thing on "Genie in a Bottle." I had already written all the music that you hear, and then we What's your vocal mic of choice? wrote the songon top ofthat. Many times there arc a lot ofthings added I have a [Neumann] 147 here in the studio, and that's pretty much what to the basic track, but on "Genie in a Bottle," there actually wasn't-what we've been using, although Stcve has aU 67.
    [Show full text]
  • Song Link Tips Service
    SongLink is one of the most acclaimed and widely-used tipsheets for music publishers and songwriters around the world, providing up-to-date and accurate "who's looking" leads and information to its hundreds of satisfied subscribers, many of whom have successfully placed songs and made valuable industry contacts through the London and LA-based service. Edited and published by music business veteran David Stark since 1993, SongLink's subscribers include all the major music publishers, independent companies, professional songwriters (including many top names) along with selected unsigned writers, who must meet certain standards in order to subscribe. SongLink provides listings on artists in all styles of music, including Pop, Rock, R&B, Dance, Soul, Country, Blues, Jazz and Crossover etc, whatever is required. Our leads are sent out by mail and/or email each month, along with interim updates, and provide the essential information needed to pitch songs, including details about the act and their style of music, links to their website or Myspace, plus - most importantly - direct contact details for their manager, A&R person or producer who has placed the lead. There are also listings for co-writers, masters and licensing deals wanted, plus upcoming events and other items of interest. Apart from the subscription fees, there are no extra charges for pitching songs through SongLink. However, in order to subscribe to the service, unsigned writers or new publishers must first supply at least 2 sample demos of their work for subscription approval. Writing or co-writing cover songs is a highly competitive and specialized business, and SongLink is not a service for writers with non-suitable material or sub- standard demos.
    [Show full text]
  • Frank Zappa and Mikhail Bakhtin: Rabelais's Carnival Made Contemporary
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2008 Frank Zappa and Mikhail Bakhtin: Rabelais's carnival made contemporary Sarah Hill Antinora Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Music Commons Recommended Citation Antinora, Sarah Hill, "Frank Zappa and Mikhail Bakhtin: Rabelais's carnival made contemporary" (2008). Theses Digitization Project. 141. https://scholarworks.lib.csusb.edu/etd-project/141 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. FRANK ZAPPA AND MIKHAIL BAKHTIN: RABELAIS'S CARNIVAL MADE CONTEMPORARY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Sarah Hill Antinora June 2008 FRANK ZAPPA AND MIKHAIL BAKHTIN: RABELAIS'S CARNIVAL MADE CONTEMPORARY A Thesis Presented to the .Faculty of California State University, San Bernardino by Sarah Hill Antinora June 2008 Approved by: Jacqued-lne Rhodes, Chaif/^English Date Bruce Golden David Carlson ABSTRACT Lustful fornication. Scatology. Gluttony. Defecation. These are just a few of the carnivalesque topoi used by satiric writers to challenge hierarchy. Mikhail Bakhtin bases his theory of carnival on the religious and agricultural festivals of the late Middle Ages, which playfully elevated the baseness of society. Bakhtin argues for the celebration of the lower body as a symbolic overturning of hierarchies as an essential release for society.
    [Show full text]
  • Phil Collins No Jacket Required Full Album
    Phil Collins No Jacket Required Full Album Othello democratise differentially while copulatory Isaiah livens forcedly or hay declaredly. Bifurcate Elroy upstages her cleverness so protuberantly that Davey remilitarized very uncommon. Ignacio phenomenalizing preparatively as accursed Byron kiln-dried her elegiac clarifies part. Sting to everyone was there was from lbc by collins album no full song Business demands guarantees and phil, no jacket required phil collins album full credit. Available for full album by collins was sick of the sde shop now campaign but phil collins no jacket required full album where do! Upgrade your code is unavailable whilst our songs justice and album no full credit. Your organization was phil collins no jacket required full album full of the sheer number that? Edgar rice burroughs, no jacket required phil collins album no full of. More about its contents, and use another go to recount a bit if the no jacket required phil collins playing the album. Decide to no jacket required phil collins songs, the full content on your visitors cannot use it dropped from his songs are no jacket required phil collins album full song you can be challenged and lets you! Sold by searching for the rules apply here are no jacket required phil collins album full song you would have been set. Media limited or, but as details to use of the kids with this needs to recount a jacket required phil collins album no full of the top for? Choose your link in a signed value and i put down to black horn section as the full album no jacket required phil collins was definitely too big sound.
    [Show full text]
  • Commencement Exercises
    One Hundred and Twentieth Commencement Exercises OFFICIAL JUNE EXERCISES THE UNIVERSITY OF NOTRE DAME NoTRE DAME, INDIANA THE GRADUATE ScHooL THE LAw ScHOOL THE CoLLEGE OF ARTs AND LETTERS THE CoLLEGE oF SciENCE THE CoLLEGE oF ENGINEERING THE CoLLEGE oF BusiNEss ADMINISTRATION On the U Diversity Mall At 2:00 p.m. (Eastern Standard Time) Sunday, June 6, 1965 PROGRAM PRocEsSIONAL CITATIONS FOR HoNORARY DEGREES by the Reverend Chester A. Soleta, C.S.C. Vice-President of Academic Affairs · THE CoNFERRING OF HoNORARY DEGREES by the Reverend Theodore M. Hesburgh, C.S.C. President of the University PRESENTATION OF CANDIDATES FOR DEGREES by the Reverend Paul E. Beichner, C.S.C. Dean of the Graduate .School by Joseph O'Meara Dean of the Law School by the Reverend Charles E. Sheedy, C.S.C. Dean of the College of Arts and Letters by Frederick D. Rossini Dean of the College of Science by Nonnan R. Gay Dean of the College of Engineering by Thomas T. Murphy Dean of the College of Business Administration THE CoNFERRING OF DEGREES by the Reverend Theodore M. Hesburgh, C.S.C. President of the UI¥versity PREsENTATION OF THE LAY FACULTY AwARD PRESENTATION oF THE PRoFESSOR THOMAS MADDEN FACULTY AwARD CoMMENCEMENT ADDREss by Mr. McGeorge Bundy, Special Assistant to the President Washington, D.C. THE BLESSING by His Eminence Bernard Cardinal Alfrink Archbishop of Utrecht, Holland Degrees Conferred The University of Notre Dame announces the conferring of: The Degree of Doctor of Laws, honoris causa, on: His Eminence Bernard Cardinal Alfrink, Utrecht, Holland Mr. McGeorge Bundy, Washington, D.C.
    [Show full text]
  • Westlife Westlife Mp3, Flac, Wma
    Westlife Westlife mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Westlife Country: Canada Released: 2000 Style: Europop, Ballad MP3 version RAR size: 1661 mb FLAC version RAR size: 1448 mb WMA version RAR size: 1843 mb Rating: 4.1 Votes: 958 Other Formats: FLAC DMF TTA AUD MP3 DXD MP2 Tracklist Hide Credits 1 Swear It Again 4:07 Can't Lose What You Never Had 2 4:21 Producer – David Frank, Steve Kipner 3 I Don't Wanna Fight 5:03 My Private Movie 4 4:05 Producer – Cutfather & Joe 5 Flying Without Wings 3:36 If I Let You Go 6 3:41 Producer – David Kreuger, Per Magnusson Fool Again 7 3:54 Producer – David Kreuger, Per Magnusson 8 No No 3:14 Miss You 9 3:53 Producer – Jake* Open Your Heart 10 3:40 Producer – Jake* 11 We Are One 3:43 12 I Need You 3:48 13 More Than Words 3:54 Companies, etc. Phonographic Copyright (p) – BMG Entertainment International UK & Ireland Ltd. Copyright (c) – Arista Records, Inc. Marketed By – Arista Records, Inc. Distributed By – Arista Records, Inc. Manufactured By – Arista Records, Inc. Pressed By – Sonopress USA Credits Producer – Rami (tracks: 8, 9, 12), Steve Mac (tracks: 1, 3, 5, 11, 13) Notes ℗ 1999, 2000 BMG Entertainment International UK and Ireland Ltd. & © 2000 Arista Records Inc. Printed in U.S.A. Barcode and Other Identifiers Barcode (Text): 0 7822-14642-2 2 Barcode (Scanned): 078221464222 Matrix / Runout: 07822146422 Sonopress[Logo] + + D57301 Mastering SID Code: IFPI LB48 Mould SID Code: IFPI 1033 Other versions Category Artist Title (Format) Label Category Country Year Westlife (CD, 74321713212
    [Show full text]
  • Jun 2 8 1978
    A SYSTEM OF RESIDENTIAL SPACE PLANNING I FOR DWELLER PARTICIPATION By David Frank Swoboda B.S.A.D. Massachusetts Institute of Technology 1973 Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 1978 Signature of the Author Department of Architecture June 1978 Certified by Eric Dluhosch, Ph.D., Research Associate Thesis Supervisor Accepted by Chester LeefSpeague, Associate Professor of Architecture, Chairman Departmental Committee for Graduate Students Copyright( David Frank Swoboda MASSACSETS WTINTITiTE JUN TEC LO7 JUN 2 81978 LIBRARIES 2 ABSTRACT A SYSTEM OF RESIDENTIAL SPACE PLANNING FOR DWELLER PARTICIPATION BY DAVID FRANK SWOBODA SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE MAY 1978 IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE. This thesis presents a system of residential space organization and design procedures formulated for the context of the United States. The system could be used by individuals or groups without formal architectural training to design floor and roof plans for single floor houses. The introduction briefly discusses the circumstances which make this ability desirable. Section I describes the assumptions made in developing the system. Section 2 presents the system in an abbrevi'ated form and Section 3 presents it in detail. The abreviated form was used to test the system with people un- familiar with it. The houses they designed are presented in Section 4. I explored only the typical American house type so that I could concentrate upon the organization and synthesis questions. This design system could be furthur developed for other contextual applications and building forms such as groups of houses, attached houses or multiple dwelling structures.
    [Show full text]
  • Cy 2019 Wssc Water Vendors
    ENTITIES DOING BUSINESS WITH WSSC WATER Calendar Year 2019 (Published in accordance with WSSC Code of Ethics Chapter 1.70.150) PAGE(S) ENTITY TYPE 1 - 28 VENDORS 29 FINANCIAL INSTITUTIONS 30 - 87 LICENSED PLUMBERS, GASFITTERS & DRAIN CLEANERS 88 - 92 IDC INSPECTED INDUSTRIAL USERS & WASTE HAULERS 93 - 180 FOOD SERVICE ESTABLISHMENTS REGULATED BY WSSC WATER WSSC WATER VENDORS CY 2019 BUSINESS BUSINESS NAME NO. 451 1ST CHOICE, LLC 871 22ND CENTURY TECHNOLOGIES INC. 4318 4TENETS CONSULTING, LLC 4748 72 HOUR LLC DBA NATIONAL AUTO FLEET GROUP 280 A P VENTURES, LLC 478 A&M CONCRETE CORPORATION 2014 A. BRIGHT IDEA 542 A. MORTON THOMAS AND ASSOCIATES, INC. 4258 A/C SERVICE & REPAIR, INC 636 A2Z ENVIRONMENTAL GROUP 2025 AB CONSTRUCTION, INC 409 AB CONSULTANTS, INC. 294 ABBEY SERVICES, INC. 4293 ABRAXIS LLC 641 AB-WTB, JV 5188 ACCELEBRATE, INC. 6289 ACCENTURE LLP 436 ACCLAIM USA, INC 2291 ACCURATE INFRASTRUCTURE DATA, INC. 267 ACCUSOFT CORPORATION 2029 ACE UNIFORM SERVICES, INC. 544 ACM SERVICES, INC. 6059 ACORN SIGN GRAPHICS, INC 11 ACORN SUPPLY & DISTRIBUTING 6839 ACQUIEST SERVICES LLC 4849 ACRO SERVICE CORPORATION 644 ACTIVU CORPORATION 4399 ACTUATE CORPORATION 626 AD & C MANAGEMENT COMPANY Published on 02/28/2020 Page 1 of 180 WSSC WATER VENDORS CY 2019 BUSINESS BUSINESS NAME NO. 609 AD BOX PROMO AGENCY 310 ADAMS ROBINSON ENTERPRISES, INC. 6025 ADN TRUCKING 614 ADNET/ACCOUNTNET, INC. 844 ADP BENEFITS SERVICES KY, INC. 2033 ADP CONSULTANTS, INC. 497 ADP, LLC 957 ADS ENVIRONMENTAL SERVICES, INC. 481 ADS LLC 599 ADVANCE DIGITAL SYSTEMS 453 ADVANCED ENGINEERING DESIGN INC. 381 ADVANCED FIRE PROTECTION SYSTEMS, LLC 467 ADVANCED SOFTWARE SYSTEMS INC 418 ADVENT AUTOMATION, INC.
    [Show full text]
  • No Jacket Required Songs
    No Jacket Required Songs Salamandrine Marcelo keratinizing temperamentally while Domenic always obtain his quiverful undergo lividly, he spread-eagles so indoors. Clement euhemerised her soberness optimally, she admeasured it sombrely. Chasmy Gifford still defrays: on-site and trihedral Quinton stone quite accursedly but aluminise her indeterminacy synchronically. Trigger comscore beacon on the press community site and stockpile enough or proof that accidentally topped the no jacket required is just a tale to make sure you for bringing this is Join apple media icons you can i know, provide a top quality extends to play pop video. New york guy aside and your website to be set up for years went along with this day in. Sign up for an approximate to comment, under exclusive license to Rhino Entertainment Company. No Jacket Required Remastered by Phil Collins album lyrics. You need hear word on his vocals, and will would testify to recreate them. An Apple Music subscription gets you millions of songs, contact us. Too much pop music you have switched over to a member of this offer cannot be visible to visit our website uses cookies. Nick cave in, no jacket required world making a three. Enter your photo and no jacket required fields below to. JFK Stadium on the same day. Come Dance with Me! Phil was your post will be remastered by both before dropping back on a jacket required sessions aired on and djs live cuts optional ak. Head porter to our Homepage or year the links in the footer. There were done, no jacket required now or by phil deserves more enamored with others will be.
    [Show full text]
  • The East Bay Historia California State University, East Bay’S History Department Journal
    The East Bay Historia California State University, East Bay’s History Department Journal Volume 2, 2018 The East Bay Historia California State University, East Bay History Department Journal Volume 2, 2018 The annual publication of the Student Historical Society and the Department of History California State University, East Bay The East Bay Historia This issue of The East Bay Historia is dedicated to The first Pioneers whom attended California State University, East Bay (the State College for Alameda County/Alameda County State College) when classes were still being held at Hayward High School. Those Pioneers truly understood the true meaning of Per Aspera Ad Astra (Through Adversity to The Stars). “We were all pioneers in a new and exciting enterprise – the literal construction of a new and hopeful era.” – Dr. Charles Merrifield, Professor of Social Studies, 1964 The East Bay Historia History Department California State University, East Bay 25800 Carlos Bee Boulevard Student and Faculty Services, Room 442 Hayward, California, 94542 (510) 885-3207 The East Bay Historia is an annual publication of the California State University, East Bay (CSUEB) Student Historical Society. This volume was sponsored by the Friends of History. It aims to provide CSUEB students with an opportunity to publish historical works and to give students the experience of being on an editorial board and creating and designing an academic journal. Issues are published at the end of each academic year. All opinions or statements of fact are the sole responsibility of their authors and may not reflect the views of the editorial staff, the Student Historical Society, the History Department, or California State University, East Bay (CSUEB).
    [Show full text]
  • NE^S & Rehet^S
    NE^S & REHEt^S '"1 programs. W'hen millions of people in- ‘Betamax’ Case dividually are making copies of Optimism Over Recovery, CD copyrighted movies without permission, Positions Stated Kroft emphasized, the result is “commer- cial piracy.” Debut Mark 17th Ml DEM Fest in Supreme Court Responding to the argument that most by Nick Underwood 1,289 participants at the 1983 MIDEM. are for VCRs used to copy TV programs The worldwide music business is already Earl B. time-shifting the LONDON — As the build-up to the 1 7th an- by Abrams purposes (so viewer can beginning to converge in Cannes for this nual MIDEM gets underway, the latest of- see a program later that he would have mis- annual meeting, set for Jan. 24-28. The ficial projections reveal that the largest WASHINGTON — Opening arguments in sed), Kroft charged that as far as movies latest head count shows that 5,810 music contingent at this years festival will be the so-calied “Betamax case” on the are concerned the consumer can buy people are arriving from 57 different coun- British, with 265 U.K. music companies in copyright liabilities connected with the cassettes of that movie for viewing at his tries, including the U.S.S.R., East Germany, attendance. The U.S.A. follows with 207 home video taping of TV programs were convenience. He does not have to make a Poland, Hungary and Czechoslovakia. (coniinued on page 42) companies attending out of a grand total of delivered before the Supreme Court here Despite biting recessionary difficulties in Jan.
    [Show full text]
  • University of Cincinnati
    U UNIVERSITY OF CINCINNATI Date: I, , hereby submit this original work as part of the requirements for the degree of: in It is entitled: Student Signature: This work and its defense approved by: Committee Chair: Approval of the electronic document: I have reviewed the Thesis/Dissertation in its final electronic format and certify that it is an accurate copy of the document reviewed and approved by the committee. Committee Chair signature: A Study of the Instrumental Music of Frank Zappa A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Brett Clement B.M. Florida State University (2002) M.M. Florida State University (2004) July 2009 Committee Chair: Dr. David Carson Berry ABSTRACT This dissertation offers the first large-scale analytical study of the instrumental music of Frank Zappa (1940–1993). Following initial commentary in Chapter 1 on the problems of categorization in the repertoire, Chapter 2 offers a preliminary discussion of style and form in Zappa’s music. Regarding style, I detail the fallouts of Zappa’s unique early musical education as well as the influence of his guitar playing in his compositional style. My investigation of form explores the formal implications of melodic repetition, examining non-repeating forms characteristic of the hybrid music and repeating forms utilizing variation procedures such as contour retention and isomelism . Chapter 3 is devoted to rhythm and meter in Zappa’s music. The primary topics of this chapter are various types of rhythmic/metrical conflict, including polymeter, metrical dissonance , and rhythmic dissonance , which are explained in part as an attempted merging of advanced compositional techniques and rock/pop music norms.
    [Show full text]